Category: Art Assembled

Art Assembled: New This Week in May

May was a busy month for the browngrotta arts family. Throughout May, we launched our spring exhibition, Crowdsourcing the Collective: a survey of textiles and mixed media art, and it was quite the success! Throughout the month, we introduced some exceptional art to you all. Just in case you missed it, we’re recapping it all here.

Blair Tate
16bt RePair, Blair Tate, linen, cotton rope and aluminum 83” x 58”, 2022. Photo by Tom Grotta.

this piece, RePair, was created by American artist Blair Tate. Tate has been exploring flat woven grids in her work since the 70s. When interviewed about her art, more specifically weaving, Tate said:

“In weaving there is a direct analogy between textile and text – the construction of fabric and the process of writing. Both have methodical underpinnings that provide the framework for development. Both woven strips and written sentences can be rearranged to re-contextualize, to forge relationships, to develop meaning.”  

James Bassler
14jb On Inca Time, James Bassler, four selvedge weaving (scaffold weave) handspun and commercial wool, silk, linen, ramie, sisal, cotton, natural and synthetic dyes, 43″ x 36.75″, 2019. Photo by Tom Grotta.

American textile artist James Bassler did not disappoint when it comes to On Inca Time. This piece was created with inspiration from Pre-Columbian Andean Cultures, which you can see displayed through the checkerboard pattern throughout the four-selvedge weave. For decades Bassler has applied ancient techniques and materials to create works with contemporary themes, and we remain in awe of the outcome!

Eduardo Portillo & Mariá Eugenia Dávila
22pd Océano Cósmico, Eduardo Portillo & Mariá Eugenia Dávila, silk, cotton,
alpaca, indigo and copper leaf, 59” x 31”, 2022. Photo by Tom Grotta.

Océano Cósmico was created by Venezuelan artists Eduardo Portillo & Mariá Eugenia Dávila

These artists’ work is often driven by their relationship with their surroundings and how their ideas can be communicated within a contemporary textile language. Océano Cósmico reflects their conception of an imagined Cosmos, “a parallel world that we still see in the midst of changing times.” They also aim to promote an understanding and appreciation of natural dyes as an element in textiles, their importance as a means to preserve and disseminate cultural values and as a medium of contemporary expression. 

Norma Minkowitz
95nm Mother Mine, Norma Minkowitz, Mixed media
(My Mother’s Gloves) and fiber, 6.5″ x 11.75″ x 8″, 1984. Photo by Tom Grotta.

This profound artwork comes from one of our favorite artists, Norma Minkowitz. This particular piece of work incorporates a pair of gloves her mother owned as a tribute. 

Pat Campbell
36pc Mandela IV, Pat Campbell, rice paper, reed and wood, 19.75″ x 14.5″ x 9.875″, 2012

This exceptional piece of art comes from American artist, Pat Campbell. Often, Campbell’s intricate, airy pieces are influenced by Japanese shoji screen, which is traditionally made of rice paper. When asked about the why behind the her medium of choice, Campbell said: 

“Paper is exciting to work with. It is a fragile material that can be easily ripped or torn,” said Pat Campbell.” It is a natural choice of material for my work. It provides the translucency I am seeking in constructions.”

We drop new art every week, so follow us on social media to keep up with the art we bring into the fold! To get your hands on some art of your own, checkout our exhibition: Crowdsourcing the Collective: a survey of textiles and mixed media art, which is available online until June 13.


Art Assembled: New This Week in April

Although launching our spring exhibition, Crowdsourcing the Collective: a survey of textiles and mixed media art, has kept us busy, we still had no shortage of new art to introduce you to in April. We presented art from many talented artists, including work from: Masako Yoshida, Ethel Stein, Polly Barton, and John McQueen. Just in case you missed out, we’re covering all the details about these artists and their art! Read on for more.

Masako Yoshida
14my Air Hole #838, Masako Yoshida, walnut and flax, 8″ x 8″ x 7″, 2017

This artwork comes from Japanese basketmaker, Masako Yoshida. Yoshida created this piece by interlacing sheets of walnut bark with string made of nettle. When asked about her work, Yoshida said:

“My work provides a means of release, allowing the truth to emerge and open the mind. In the process, I ask myself, ‘what is my connection to society?'”

Ethel Stein
56es Touch of Green, Ethel Stein, mercerized cotton, 31.5” x 36” x 1/4”, 2008. Photo by Tom Grotta.

Touch of Green comes from the late Ethel Stein, who was an exceptional American textile artist. Within her career, Stein created countless intricate textile pieces, and browngrotta arts has had the honor of representing her work for nearly 15 years.

Within Stein’s work, she has been known for using reproposed items that have been discarded as a medium and creating something miraculous with them. Often, her artwork is distinguished by its rhythmic simplicity, although it’s created with extraordinary technical complexity.

Polly Barton
8pb Thistledown, Polly Barton, handwoven double ikat with Japanese silk warp and Japanese silk wrapped around a metal core, 41” x 31” x 1.125”, 2016. Photo by Tom Grotta.

Thistledown was created by nationally recognized American fiber artist, Polly Barton. Trained in Japan, Barton is known for working with traditional methods of binding and dyeing bundles of fiber to weave contemporary imagery. More specifically, Barton is known for her talent in adapting the ancient weaving technique of ikat into contemporary woven imagery.

Barton has been charting the way for fiber art over the past 40 years. In fact, early in here career in 1981, Barton moved to Kameoka, Japan to study with master weaver, Tomohiko Inoue.

John McQueen
John McQueen, 32jm Out From Under, wood, willow, bark, and held together with tiny spikes of bamboo 20.75” x 25.25” x 16”, 2021. Photo by Tom Grotta.

This artwork was created by American artist, John McQueen. Within his work, viewers can often find themes of prominent world associations. Often, his three-dimensional works are created with natural materials like twigs, bark, cardboard – he prides himself on being able to create with found objects.

McQueen has discussed how plastic and metal are ubiquitous in landfills and our own trash and he hopes to draw attention to this waste problem with his art, as we are burying ourselves in waste without seeing it.

If you like the art you see – keep your eye out for even more in May! You’ll even have the opportunity to see art in person at our spring exhibition launching this weekend. Visit: https://bit.ly/38QiXCe to join us.


Art Assembled: New This Week in March

As the spring season kicks off, our bright, blooming artists continue to amaze us with their contemporary and innovative pieces that continue to push the envelope within the art community. Throughout the month of March, we introduced you to pieces from Lija Rage, Paul Furneaux, Mary Giles, James Bassler and so many other talented artists. Read on for a closer look at the work from these artists!

Lija Rage’s Beginning, 2019, Bamboo, copper wire, fabric, 46 1/4 × 39 1/2 × 1 1/4 in, 117.5 × 100.3 × 3.2 cm. Photos by Tom Grotta.

This lively piece, Beginning, was created by Latvian artist, Lija Rage. Rage has said that she often finds inspiration from her homeland – drawing vibrant colors and attributes from the rich and diverse elements in Latvian nature and infusing them into her art.

In addition to the bright themes that can be found throughout Rage’s pieces, her artwork is also often created with bamboo and copper wire elements.

Paul Furneaux, 7pf Garden Shadows: City Shadows Mokuhanga (Japanese woodcut print ), gesso, rice paste and pva archival glue, solid tulip wood 20.5” x 55” x 4”, 2021. Photo by Tom Grotta.

Scottish artist, Paul Furneaux, consistently impresses us with his inspired use of traditional printing techniques within his art. Furneaux has been perfecting his use of traditional Japanese woodblock printing techniques for over the past decade, and his expertise shows clearly throughout his work.

When asked about his printing technique of choice, Furneaux said: “This inherently beautiful and simple process has allowed my work to develop in a contemplative and semi-abstract way.”

Silver Figure, Mary Giles, 24″ x 4.5″, 1999. Photo by Tom Grotta.

This innovative piece comes from the late Mary Giles, an American artist who was and is near and dear to our hearts at browngrotta arts. Throughout her career, Giles created dynamic artwork that ranged from mixed-media coiled baskets that are sculptural in nature, totems and three-dimensional wall works.

Her work is known for its tactile qualities and the reflective and malleable materials that it’s composed of. 

Before her death in 2018, the wall panels she created were inspired by her growing concerns about our population and problems that plague the word. 

6jb Pre-Columbian Meets Mid-Century Modern, James Bassler, single-ply linen,
synthetic dyes; four-selvage construction; 55” x 56” , 2006. Photo by Tom Grotta.

This artwork was created by James Bassler, a renowned American fiber artist based out of California. Bassler has built his career around the art and craft of weaving. He is well known around for his use of ancient pre-Columbian techniques and materials, which he uses to create traditional works with contemporary themes.  

Bassler has spent a lifetime investigating Peruvian and cube weaving and other techniques and materials like nettle and cochuyi. In some of his works, though, politics takes center stage.

We have so many exciting things (art and exhibitions alike) in store as the spring months unfold, so keep your eyes peeled for all that awaits! We will also be introducing our followers to new art every Monday, so follow us on social media to stay up-to-date on all the new art we’re bringing to the table.


Art Assembled: New This Week in February

February has been a busy month at browngrotta arts, as we move quickly into 2022, we have been hard at work planning our spring exhibition and introducing you all to the talented artists we have the opportunity to work with. Most recently, we’ve introduced our followers to works by: Jiro Yonezawa, Keiji Nio, Masako Yoshida, and Jo Barker. All uniquely different and exceptionally talented – it’s worth a recap to ensure you all see these impressive works.

This one of a kind piece, Red Fossil, comes from acclaimed Japanese artist, Jiro Yonezawa. Yonezawa’s work has been exhibited nationally and internationally on a large scale, and he was also featured in our Japandi exhibition. Yonezawa is widely known for his mastery of bamboo basketry created from traditional techniques; with each artwork he creates, there is often a contrast of disciplined formality in technique and natural freedom in form. 

He has said that his recent baskets “represent a search for the beauty and precision in nature and a way to balance the chaos evident in these times.” 

Flowers is one of our favorite pieces from Keiji Nio. If you don’t know by now, Keiji Nio is a Japanese artist, who is commonly known for impeccable plaiting and textile works. Nio’s work is done through the traditional technique of Kumihimo, a Japanese form of braid-making.

In this particular piece, Nio said he drew inspiration from flowers he observed online amid the pandemic: “The picture of the flower used for this work was taken when I was looking for the flower that emphasized red, yellow and green in the botanical garden,” said Keiji Nio. “Now that I can’t go out freely, I made a work using these flowers as materials so that I can feel the vivid color and fragrance of these flowers which we’ll experience again in the world after COVID is cured.” 

Another gifted artist we highlighted throughout February was Masako Yoshida. Yoshida is a Japanese artist who has committed much of her career to also teaching her techniques, which have resulted in work being exhibited worldwide.

Often, the constructions Yoshida envisions are built by interlacing sheets of walnut bark with string made of nettle. She has said that her work often provides her a means of release, allowing the truth to emerge and open the mind.

Jo Barker is British textile artist who has been long known for her complex designs and woven tapestries that are based upon a long-term interest in color. This contemporary abstract tapestry, Cobalt Haze, is no exception.

When explaining her inspirations, Barker said: “My current work is a part of an ongoing series of tapestries exploring themes initially inspired by qualities and patterns of light: transient and ephemeral starting points translated slowly into woven form. I am interested in the contradiction of the contrast in materials between the flowing nature of ink and paint and the illusion of fluidity translated into soft, richly colored yarns.

We hope you all enjoyed this recap and opportunity to learn more about the artists we work with. Follow along throughout March to see more new artwork at browngrotta arts!


Art Assembled: New This Week in December

As this year comes to a close, we’re finishing our New This Week series with some of our favorite artists! Throughout the month of December we’ve highlighted art from notable artists like: Norie Hatakeyama, Mia Olsson, Grethe Sørensen, and Åse Ljones. Here’s a recap of all the art we’re closing out 2021 with.

This piece comes from Japanese artist, Norie Hatakeyama. Hatakeyama is predominantly known for her contemporary and complex plaited works of paper tape. The works resemble living organisms — and, on close inspection, have no apparent starting or endpoints.

This piece comes from Swedish artist, Mia Olsson. Together is made of sisal fibers, dyed and formed in a technique unique to Olsson. The sisal fibers used are shiny and reflect the light, even more when formed in relief. The colors are richly saturated — engaging the viewer on each viewing.

This piece comes from internationally acclaimed artist, Grethe Sørensen. Since 2004, she has been working exclusively with digital thread control/digital jacquard weaving. She is credited with revolutionizing the art of tapestry through her method of converting photographic pixels into threads. The technique allows her to create complex motifs; the city, urban landscapes, light and optical patterns are frequent inspirations for her.

This artwork was created by talented Norwegian artist, Åse Ljones. Ljones uses a blizzard of stitches to create her works. Ljones told TextileArtist.org in an interview that, “To embroider by hand takes time. It is a slow process that gives room for silence. I seek silence. In silence, I retrieve memories and find new paths forward. In all my work as an artist I have eliminated the extraneous. I’ve cultivated simplicity to approach the core of myself, in myself, with fewer measures.” For Ljones, “the sewing needle is like the pencil is to the author,” with it, she can create pictures and tell stories.

Thank you to everyone who’s been a part of this past year at browngrotta arts. We’re going into 2022 excited for another year of art-filled fun!


Art Assembled: New This Week in November

This holiday season, we’re feeling extra thankful to be able to introduce you all to new artists and their impressive artwork. Over the course of the month, we’ve highlighted art from notable artists like: Irina Kolesnikova, Norma Minkowitz, Gudrun Pagter, Masakazu Kobayashi, and Toshio Sekiji. Just in case you missed it, we’re recapping all the pieces we think you should check out sooner rather than later!

This piece comes from renowned Russian artist, Irina Kolesnikova. Kolesnikova created this piece amid the pandemic, where she was able to take the time to reflect and do a deeper dive into herself; the end result was a series of powerful works titled Letters from Quarantine.

Around and A Round comes from internationally recognized textile artist, Norma Minkowitz. Often, Minkowitz works with fiber to create transparent mixed media sculptures – creating work that is at times fragile and relates to the human form and forms from nature. When asked about her artwork as a whole, Minkowitz said: 

“I seek mystery in the shadows of the work. The netting’s effect is to blur the shape within. There is often paint on the surface, which can at times be invisible and at other times obvious depending on the light, another important element of my work. I want the openness to convey a sense of energy as the viewer moves around the sculpture. My work retains implications of containment and psychological complexity, while focusing on the human form and often the land-scape. I am engaged in a process that weaves the personal and universal together. The interlacing suggests a delicate quality symbolic of the human condition, but conversely, the pieces could also imply the strength of steel mesh. In many of my works twigs and branches are left inside, and are visible in an eerie way through the exterior of the sculpture, often suggesting connections to the human skeletal or circulatory systems.” 

These woven tapestries come from talented Danish artist, Gudrun Pagter. In Pagter’s work, she often uses lines and shapes to achieve a tension and a spatial effect, with inspiration drawn from architecture. Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed Japandi.

This one-of-a-kind contemporary piece comes from the late Masakazu Kobayashi. When interviewed, Kobayashi once stated that when creating his own work he searches for an equilibrium between his capacity as a creator and the energy of the world around him.

“In my own work, I search for an equilibrium between my capacity as a creator and the energy of the world around me,”  said Kobayashi. ‘When I am able to find this equilibrium, my works exist on their own. Among the works I have created are projects that incorporate several styles and emphasize primary colors. In creating such combinations, I want the viewer to experience the resonating chords that come from each element of the work.”

Toshio Sekiji is a Japanese artist widely known for his exploration of merging cultures in his complex collages and weavings. Often, Sekiji uses repurposed newspapers, maps and book pages within his artwork. The end result is the creation of new stories atop the old – intertwining strips of paper from various cultures, rewriting messages and imaging a harmonious confluence of disparate cultures, languages and nationalities.

If you like this lineup, be sure to keep your eye out for the artwork we will be highlighting throughout December. We have another round of impressive artwork coming your way! 


Art Assembled: New This Week in December

Anyone else happy to say goodbye to 2020 and hello to new, brighter beginnings? We know we are.

The last month in 2020 certainly kept us busy at browngrotta arts. From introducing new art, to having our Volume 50 exhibition come to a close – there hasn’t been a dull moment for us.

In this blog, we’re charting the new art we’ve introduced to the public in the month of December, including works from: Carolina Yrarrázaval, Włodzimierz Cygan, and Caroline Bartlett.

Detail of Tapíz “El abrazo" by Carolina Yrarrázaval
Detail of Tapíz “El abrazo” by Carolina Yrarrázaval, 2017.
Photo by Tom Grotta.

Carolina Yrarrázaval is a Chilean artist known for her impeccable textile work. When asked about her work and her aspirations, Yrarrázaval said:

“Throughout my entire artistic career I have devoted myself to investigating traditional textile techniques from diverse cultures, especially Pre-Columbian techniques, trying to adapt them to my creative needs,” said Carolina Yrarrázaval. “Abstraction has always been present as an aesthetic aim, informing my choice of materials, forms, textures and colors. The simple proportions are guided by an intuitive sense that avoids the use of mathematical formulas.”

Detail of Traps by Włodzimierz Cygan
Detail of Traps by Włodzimierz Cygan
wool, viscose, linen, sisal, fiber optic installation 92” x 106”, 2019

Włodzimierz Cygan is a Polish artist who’s widely known for his intriguing and detailed weaving and tapestry work. Growing up, Cygan lived in a city called Łódź, which has very strong textile traditions that inspired him to create his own works of art.  “I use optical fiber mono-filament with increased light transmission for warp and weft as a complementary material for the textile structure, “ says the artist. In doing so, he is able to connect two contradictions: durability of textile materials and a constant change of the light. 

Detail of Meeting Point by Caroline Bartlett
Detail of Meeting Point by Caroline Bartlett
Mono-printed, stitched and manipulated linen, cotton threads, 60” x 16.5,” 2020.
Photo by Tom Grotta.

Caroline Bartlett is a UK artist who’s widely known for her textile work – which provides the means and materials to process and articulate ideas in relation to content in reference to historical, social and cultural associations. These have significance in relation to touch and their ability to trigger memory in Bartlett’s work, imprinting, erasing and reworking, stitching, folding and unfolding become defining characteristics.

At browngrotta arts, we’re excited to begin the new year and to continue to bring forth art that inspires and incites emotion. We’re determined to continue to bring light into the world with art that connects us all as one. Keep your eye out for all the exciting things to come!


Art Assembled: New This Week in October

October was a busy month for us at browngrotta arts. Between our Volume 50 exhibition, election buzz and the new art we brought into our fold – there was never a dull moment. Last month we highlighted some talented artists and their exceptional work, including: Polly Barton, Mary Giles, Gudrun Pagter, Dail Behennah and Kiyomi Iwata.

Polly Barton
Blue Veil by Polly Barton, handwoven double ikat in 2 panels. Framed in a gold leaf shadow box, 34” x 34”, 2000. Photo by Tom Grotta.

Polly Barton is a New Mexico-based artist known for her eye-catching handwoven art pieces.

“To greet the day, I weave,” said Polly Barton. “I weave to find my gesture. I weave to regain solitude. I weave to discover the texture of the day. I weave to build shimmering color in layers of dyed silk threads. I weave to find the thread of understanding. I weave because it connects me to the world of weavers. I weave pulled along the threads of history and tradition. I weave to break tradition. I weave happily when I have a dye pot simmering on the stove. I weave to keep my brain nimble. I weave for joy and inspiration. I weave in sadness. I weave to feel calm. I weave while listening to the birds sing.”

Mary Giles
Annointed Manstick by Mary Giles, waxed linen, wire, paint, gesso, steel base, 33.5″ x 5” x 5” 1997. Photo by Tom Grotta.

Mary Giles provided insight on her work and where she found her inspiration from, and we must say that we admired her passion.

“I interpret and express my concerns about our environment and the human condition, through my work,” Mary Giles wrote before her death in 2018.  “I have explored communication and intimacy in relationships. The results are reflected in my figural work. I admire the directness and honesty I see in tribal art and I try to incorporate those qualities in my own. My baskets express both action and reaction to what I have loved in the past and what I am discovering today.”

Gudrun Pagter
Tapestry by Gudrun Pagter: Form-on-Black-and-Blue, linen, sisal, and flax 63” x 55”, 2020. Photos by Tom Grotta. 

Gudrun Pagter is a Denmark-based artist that is known for creating exquisite woven tapestries.

“In my compositions, I use lines and shapes to achieve a tension and a spatial effect, with inspiration drawn from architecture,” said Gudrun Pagter. “The tapestries are woven on a foot-powered loom; the materials are mainly dyed sisal and flax.”

Dali Behannah
56db Two Golds, Dail Behennah, pleated and plaited paper, 37.25” x 25.25” x 2.25”, 2019. Photo by Tom Grotta.

Dail Behennah is a UK-based artist known for her impeccable and detailed artwork. When discussing this piece, Behannah said:

“Paper can be transformed beyond the mundane into something extraordinary. By creating this undulating and faceted surface I am drawing with the light that falls on it. Clouds may pass, light wax and wane, shadows fall and candlelight flicker. Each variation in light changes the work, and as you move past it and look back it will appear different again.

This is a strong and flexible textile made in a three dimensional, three directional plaiting technique. Two widths of strip are used and some of the wide strips have been split during the weaving, creating a rich surface. The different angles of the facets combine with the two shades of gold paper to create a shimmering effect.”

Kiyomi Iwata
23ki Baggage Five, By Kiyomi Iwata woven fine Kibiso, embellished with French embroidery knots, 27” x 23.375” x 8,” 2020. Photo by Tom Grotta.

Kiyomi Iwata was born in Japan, and although she’s living in the United States now, she has said her roots have a great influence on her work.

“After decades of living in the United States, I am still surprised that my work continues to be influenced by the cultural tradition of my upbringing in Japan,” Iwata says. “In my work, I explore the boundaries of East and West through absence and presence, void and volume.”

These talented artists each bring a unique, thought-provoking perception on the world, and intriguing creative works to match. Keep your eye out for all the new art coming your way next month. In the meantime, if you have yet to view our online exhibition, Volume 50: Chronicling Fiber Art for Three Decades, check it out while you still can by visiting this link.


Art Assembled: New This Week June

June and July have been busy months at browngrotta arts. We’ve been immersed with our Artsy shows Catalog Lookback: Fan Favorites and Cross Currents: Water/Art/Influence that we’re just catching up on our month-end wrap-ups. We’ve also brought in some spectacular art from some of your favorites during this time, including work from Jane Balsgaard, Grethe Wittrock, Annette Bellamy, Ed Rossbach, and so many more outstanding artists.

Jane Balsgaard Raven
39jb Raven, Jane Balsgaard, wood and paper, 15.75″ x 20.5″ x 5.375″, 2017. Photo by Tom Grotta.

Jane Balsgaard is a Denmark-based artist who experiments with expressions in paper in connection with sticks and other finds from nature, like the piece presented above. Her workspace consists of collections of natural materials for use in her work – most of her natural materials come from her own garden.

Grethe Wittrock Magpies
8gw Magpies, Grethe Wittrock, sail cloth, dyed and cut, 43″ 22″ x 10″, 2017. Photo by Tom Grotta.

Made of sailcloth, Grethe Wittrock’s Magpies symbolizes the start of spring and a new beginning. A magpie couple has built their nest in a tree outside her studio window in Copenhagen. They come back every spring to repair the same nest, gathering twigs and branches. When she gazes out her window, she sees the baby magpies growing into young magpies who eventually learn to fly. Wittrock’s works resemble the birds’ wings and their blue-and-white feathers.

“I use sailcloth as a canvas, “ said Grethe Wittrock. “It gives the pieces a distinct lightness as well alluding to the process of using the wind to travel across the oceans.

Annette Bellamy The Sea Within Us
4ab The Sea Within Us, Annette Bellamy, 2017 fish skin and artificial sinew (Wall hung against grey background with black pins) 10’ x 8’. X 2”, 2017. Photo by Wayne McCall.

Annette Bellamy is an artist based out of Seattle, Washington who also doubles as a commercial fisherwoman. When asked about her inspiration in work and life, the two are intertwined quite seamlessly.

“I am an artist and a fisherwoman,” said Annette Bellamy. “Life on the water and life making art fuel each other. I value the physicality of both as well as the dependence upon my hands, the importance of timing, the work ethic and tools required, and the reflection afforded.”

Ed Rossbach Fish-trap
Ed Rossbach, Fish-Trap, 1988. Photo Tom Grotta.

This alluring, classic piece of artwork, Fish-Trap was created in 1988 by the late Ed Rossbach, iconic American fiber artist who was known for working in basketmaking and weaving.

Several years before his death, Ed Rossbach offered this insight:

“Well, I love all this mixture of things that people might interpret in various ways that I didn’t intend,” said Ed Rossbach. “I think it’s sort of amusing to have people misunderstand things and take things seriously that you mean not to be serious. Of course I don’t persuade myself that people think much about these things at all; I think they just sort of pass before their eyes. May-be somebody will think a little bit about it, but I don’t think anybody is very concerned about what the meaning is of what I’m doing. I think it’s very unusual for people to look seriously at what someone else is offering as a work of art. You’re very much doing it for yourself. And I suppose that’s the essence of what I’m doing….”

In September, we will be launching our Volume 50 exhibition and catalog. We’re excited to launch, as we know you’re going to love what’s in store – you’ll even be seeing some familiar artists like Wittrock and Bellamy.


Art Assembled: New This Week May

As we can all agree, May has certainly been a month for the books. Now, more than ever, we’ve been using creativity as a stress-relieving outlet. During the month of May, the art that we highlighted comes from a very talented group of artists that draw profound inspiration from everyday life, including: Kazue Honma, Sylvia Seventy, Gyöngy Laky, and Adela Akers

Kazue Honma
13kh Seed of plaiting/9cross-11pit, Kazue Honma, gettou fiber, 8.75” x 8” x 9.75,” 2

Kazue Honma is a Japan based artist who has radically experimented with traditional Japanese weaving techniques. As you can see, the work that Honma creates is nothing short of facinating.

Sylvia Seventy
24ss Continuing with the Bridge to Nowhere, Sylvia Seventy, recycled handmade paper, willow, redbud and deadfall sticks, nylon and linen cords, wax and acrylic paint, 6” x 10.25” x 6.5,” 1983-2019.

California based artist, Sylvia Seventy often finds inspiration from her own life when creating art – stating that her art can be seen as the pages in the diary of her adult life.

“My molded paper art vessels are pages in the diary-like book of my adult life,” says Sylvia Seventy. “When I started making my vessels, it soon became evident to me that the universal shape of what appeared to be an ancient pottery bowl was an approachable path for the viewer. With or without an art background, my bowls allowed people to let their guard down and be drawn into the complexity of the art vessel, its intricate interior and conceptual allusion.”

Gyöngy Laky
127l Reach, Gyöngy Lakytwigs, paint, doll arms, trim screws, 35.5” x 25” x 6.5”, 2012.

In creating Reach, Gyöngy Laky was inspired by two new monetary symbols adopted this decade, one for the Indian rupee in 2010 and this one, for the Turkish lire in 2011.

They simultaneously suggested to her both greater globalism and stronger nationalism. “I was intrigued when the new rupee was announced,” said Gyöngy Laky. “Because I had begun a currency series of sculptures and by 2010 had completed a dollar sign, a couple of cent signs, the Chinese renminbi (yuan), the Japanese yen and the European Euro. Shortly after, Turkey did not want to be left behind and came up with a new design for its lire. I added both, as Neo-Rupee and Reach, to my currency series.”

Adela Akers
59aa The Grid, Adela Akerslinen, horsehair, paint, metal foil, 45″ x 38″, 2008.

Before Adela Akers devoted her life to the arts, she completed studies to be a pharmacist, in which she says has a strong influence into her artwork.

“There is a mathematical discipline in the way the work is constructed,”
​says Akers. “This mathematical sequence is in strong contrast to the organic process (handweaving) and materials (linen and horsehair) that bring the work to fruition.”

​Stay Safe, Stay Distant, Stay Inspired!