Tag: Jennifer Falck Linssen

November 26th: Our Online Exhibition Opens With an Offer for CyberMonday

On Monday, November 26th, browngrotta arts will present an online version of our 25th anniversary exhibition,Retro/Prospective: 25+ Years of Art Textiles and Sculpture at browngrotta.com. The comprehensive exhibition highlights browngrotta arts’ 25 years promoting international contemporary art. Viewers can click on any image in the online exhibition to reach a page with more information about the artists and their work.

“Some works in Retro/Prospective: 25+ Years of Art Textiles and Sculpture reflect the early days of contemporary textile art and sculpture movement,” says Tom Grotta, founder and co-curator at browngrotta arts. “There are also current works by both established and emerging artists, which provide an indication of where the movement is now and where it may be headed.”

Since Monday the 26th is CyberMonday this year, sales of art, books, catalogs, videos or dvds placed online or by telephone that day will be discounted 10% (excluding tax and shipping). In addition, bga will make a donation to the International Child Art Foundation for each sale made from November 24th through December 31, 2012. Visit browngrotta.com. For more information call Tom at 203.834.0623 or email us at art@browngrotta.com.


Coast to Coast — Exhibitions Around the US

Here’s a round up of exhibitions throughout the US that are worth traveling to see.  They are listed in date order — a few of them close this month or next; others are open through the fall.

Philadelphia, Pennsylvania
Craft Spoken Here
Last Week – through August 12th

Artists in the exhibit include: clockwise; WATERFALL by Lenore Tawney; SPIRALS AND PATHS by Rebecca Medel; CERAMIC 42 by Yasuhisa Kohyama; BODY LANGUAGE by John McQueen; SEASIDE by Krystyna Wojtyna-Drouet; RAY by Mary Merkel-Hess

With Craft Spoken Here, curated by Elisabeth Agro, the Nancy M. McNeil Associate Curator of American Modern and Contemporary Crafts and Decorative Arts, the Philadelphia Museum of Art seizes the opportunity to experiment with its craft collection and to understand craft in an international context. Some 40 contemporary works from 1960 to the present in ceramic, glass, metal, wood, lacquer, paper and fiber—some by living, acclaimed artists, including Lenore Tawney, Rebecca Medel, Yasuhisa Kohyama, John McQueen,  Krystyna Wojtyna-Drouet, and Mary Merkel-Hess and others by lesser-known creators—are on view. Representing the Americas, Africa, Asia and Europe, the works highlight formal qualities that cross cultures, time, and media. Hear Agro describe the evolution of the exhibition and the installation of Tawney’s Fountain of Water and Word, in a podcast at the art blog.

Philadelphia Museum of Art
Perelman Building
2525 Pennsylvania Ave
Philadelphia, PA 19130
phone 215.763.8100
www.philamuseum.org

Myrtle Beach, South Carolina
At First Light: The Katagami Sculpture of Jennifer Falck Linssen
through September 16, 2012

Handcrafted vessel of katagami-style handcarved paper. Materials include archival cotton paper, aluminum, waxed linen, paint, varnish, freshwater pearl, and sterling silver.

Utilizing the ancient Japanese paper carving technique of katagami, Colorado-based artist Jennifer Falck Linssen creates three-dimensional sculptures that explore the beauty of line and the delicacy of nature. Since 2003, Jennifer has been shaping katagami stencils into three-dimensional vessels and sculptures, combining the katagami paper carving with more traditional metal-smithing and basketry techniques to create contemporary sculptures that transform the two-dimensional stencil into a unique three-dimensional art form.

Myrtle Beach Museum of Art
3100 South Ocean Boulevard
(across from Springmaid Pier)
Myrtle Beach, SC 29577
phone 843.238.2510
fax 843.238.2910
www.myrtlebeachartmuseum.org

East Hampton, New York
Accumulations NOW
through October 6th

Dawn MacNutt is one of the artists included in Accumulations NOW

Accumulations: NOW bills itself as, “[s]imply, the best of craft. NOW.” Cuurated by Jack Lenor Larsen, the exhibition at LongHouse Reserve features 500 works made in the last 100 years, including a number of important pieces from the collection of the late Dena Katzenberg. Artists shown in the NOW collections include, in fiber Anni Albers, Jun-ichi Arai, Dawn MacNutt, Ed Rossbach, Peter Collingwood, Ethel Stein, Helena Hernmarck and Chunghie Lee; in clay Hans Coper, Toshiko Takezu and Peter Voulkos; hollowware by Chunghi Choo; and furniture masters including Judy Kensley McKie and Edward Wormley. You can see the exhibition catalog and installation shots, here: Accumulations_Now_Catalog.pdf and here: http://www.longhouse.org

LongHouse Reserve
133 Hands Creek Road  East Hampton, NY 11937
phone 631.604.5330
http://longhouse.org

 

San Francisco, California
Fiber Futures: Japan’s Textile Pioneers
Part one through October 6th
Part two October 13 – December 29th

Takaaki Tanaka in front of his work at Fiber Futures when it was in New York at the Japan Society

If you missed this remarkable exhibition last fall at the Japan Society in New York (or in an earlier incarnation in Japan) you’ve got another chance. Fiber Futures explores a new art that is emerging from a remarkable fusion of Japanese artisanal and industrial textile making. Coaxed from materials as age-old as hemp and newly developed as microfilaments, a varied array of works by 30 artists from multiple generations, including Hisako Sekijima, Takaaki TanakaNaoko Serino, Hideho Tanaka, Naomi Kobayahsi and Kyoko Kumai, are on view in this important two-part exhibition.

Museum of Craft and Folk Art
51 Yerba Buena Lane
San Francisco, CA 94103
phone 415.227.4888
http://www.mocfa.org

Minneapolis, Minnesota
In Our Nature: Tapestries of Helena Hernmarck
through October 14th

Helena Hernmarck 2009 FOREST PATH , wool and linen, 6′ 7″ x 6′ 7

In Our Nature: Tapestries of Helena Hernmarck, is an assemblage of 19 large-scale tapestries by  legendary trompe-l’oeil weaver, Helena Hernmarck. Monumental works immerse the viewer in the best of nature: lush blooms, rich green forest scenes, and sunny poppy pastures. Hernmarck’s work represents a lifetime of closely honed weaving technique that combines intensely sensitive attention to color with one-of-a-kind combination of textures creating layered, shaded effects. The tapestries in In Our Nature: Tapestries of Helena Hernmarck are on loan from three major arts museums, several corporate and individual collectors, and from Hernmarck’s own collection.

American Swedish Institute
2600 Park Avenue
Minneapolis, MN 55407
phone 612.871.4907
http://www.asimn.org


Exhibit News: Contained Excitement – Pleasures of the Void

Jiro Yonezawa, Nancy Moore Bess, Hisako Sekijima at Cavin-Morris Gallery Exhibit photo courtesy of Cavin-Morris Gallery

Through January 22, 2011, the Cavin-Morris Gallery in New York is exhibiting a remarkable grouping of eclectic  cross-cultural, multi-genre objects.  The exhibition, entitled, Contained Excitement – Pleasures of the Void, includes work  by several artists represented by browngrotta arts,  including Dorothy Gill Barnes, Nancy Moore Bess, Lizzy Farey, Mutsumi Iwasaki, Jennifer Falck Linssen, Hisako Sekijima, Kay Sekimachi, Jiro Yonezawa and Masako Yoshida, deftly combined with ceramics, boxes, bowls, books and furniture and more.

Hisako Sekijima and Jiro Yonezawa at Cavin-Morris Gallery Exhibit photo courtesy of Cavin-Morris Gallery

Mutsumi Iwasaki at Cavin-Morris Gallery Exhibit photo courtesy of Cavin-Morris Gallery

photo courtesy of Cavin-Morris Gallery

photo courtesy of Cavin-Morris Gallery

The exhibition focuses on the way the artists control the sensual expectations of space in an object, which may or may not take leave of its utilitarian purpose. The exhibition features Art Brut, ancient and contemporary ceramics, New Basketry, and other media. Included are Chinese ceramic reliquaries for keeping wrapped sutr as, the transformation of Native American Sweetgrass into deconstructions of molecular perfection in Debora Muhl’s work; the nervous and dark recycling in the forms made by Jerry Bleem and John Garrett; the beckoning toward initiatory revelation in Susan Kavicky and Lissa Hunter; the brooding presence in the lithops-like ceramic sculptures of Kenji Gomi; the Zen poems inscribed in the early ceramics of the Buddhist nun Rengetsu; hidden books of healing and magic from the tribal peoples in Southern China; the incredible repression and resultant freedom in the ceramics boxes of Shuji Ikeda where the clay is woven like bamboo; the opening of soul to the elements of wind and light in the sweeping bamboo constructions of Charissa Brock met by the dark compression of clay into Place and Mortality in the ceramics of Tim Rowan; the erotic beckoning of release through restraint and role-play in the bondage bed made by Sullivan Walsh; the New Baskets of JoAnne Russo and Nancy Moore Bess; and the ancient feminism of the ceramics of Avital Sheffer. A special inclusion will be an installation of Choson-period tea bowls from Korea and two intricate and rare woven rattan shields from early Kongo.

Also included are: Emogayu,  Jill Bonovitz, Polly Jacobs Giacchina, Deirdre Hawthorne, Mei-Ling Hom, Kentaro Kawabata, Gerri Johnson-McMillin,  Shozo Michikawa, Drew Nichols, Akira Satake, Hyungsub Shin, Polly Adams Sutton, Akiko Tanaka, Tyrome Tripoli, and Shannon Weber. The Gallery is at 210 Eleventh Avenue, Suite 201, between 24th and 25th, For more information contact: Shari Cavin, Randall Morris, or Mariko Tanaka: 212-226-3768 or email: mtanaka@cavinmorris.comwww.cavinmorris.com.


Sneak Peek: Artpalmbeach, January 14th -19th

Palm-Beach-Ad.jpgWe’re leaving the ice and snow (sigh) for sunnier climes next week, where browngrotta arts will join more than 50 other galleries exhibiting at the Palm Beach County Convention Center at Artpalmbeach, art + photography + design. The fair opens on January 15th and lasts through the 19th. A theme of this year’s Artpalmbeach,  art + photography + design is “going global.” As always, browngrotta arts will do its part; we are exhibiting the work of artists from 15 countries. Our installation in Booth 204 will include some of the highlights of this fall’s 10th Wave III exhibitions as well as new works by several artists including a significant wall sculpture by Ritzi Jacobi; pieces made of fish scales by Marian Bijlenga and new works of repurposed encyclopedias by Wendy Wahl. We’ll present the work of two artists in Palm Beach for the first time: We’ll present the work of two artists in Palm Beach for the first time: Jennifer Falck Linssen of the US and Carolina Yrarrázaval of Chile. US Artist Norma Minkowitz will be at the booth on Monday, January 18th from 2-4 p.m. to discuss her work; Dawn MacNutt of Nova Scotia will be at the booth to discuss her work on Tuesday, January 19th, from 2-4 p.m.


In Print: Jennifer Falck Linssen in Surface Design Journal

linssen_surfacedesign.jpg

Jennifer Falck Linssen’s work is featured in the Fall 2009 Surface Design Journal in a six-page article, Katagami Inversions: Jennifer Falck Linssen’s Carved Paper Sculptures, by Ginger Knowlton. The article features five dramatic images of hand-carved cotton paper vessels from Linssen’s four-part sculpture series, Wave and Water, Fire and Emotion, Earth, and Wind.

In Knowlton’s view, “[the] process of transference, and of the imagined, is what seems to drive the artist: an exploration between real/physical/tangible and tenuous/ ethereal/potential. On the one level, there is the dynamic between negative and positive space constructed through paper carving, air and light passing through the small pieces of fiber cut away from a larger whole. But there is also the sweep and curve of a vessel filled with…nothing, but in this sense, everything — all of the potential of the absence of the missing elements. This is where Linssen’s sculpture becomes water, or fire, in that essential empty space at once created and surrounded by earth and air elements.