It’s not news that the world of printed text on paper is challenged in the 21st century by digital media and the reorganization of how information is created, distributed and accessed. Knowledge saving and sharing continues to be reinvented – 5000 years ago the Incans used a device called a quipu made of string and knots for communication, 3000 years
ago the Sumerians had libraries containing clay tablets while the Egyptians used papyrus and parchment scrolls. During the Han Dynasty the Chinese invented paper to write on and in the 15th century Europeans began printing with movable type to create a codex. In the 1970s computers were incorporated into the printing process.
Social and environmental conditions along with technological developments influence the structure of books that are produced. These objects evolve to fit the needs of the cultures that use them. Today there
are e-readers with names like kindle, nook and ibook. For nearly a decade my response to the current transformation has been to use discarded encyclopedias as a material to create art works and large scaled installations as an expression of the significance and potency of the printed word on paper.
The form of the book has been used physically and figuratively in paintings, in architecture, as furniture and as sculpture – in and out of the landscape. The medium is the message and, because of a typesetting error, more accurately, the massage. Thank you Marshall McLuhan.
Some Observations: On Light and Air
Recently I visited the Los Angeles County Museum of Art specifically to spend time immersed in the imagination of James Turrell whose retrospective covers fifty years of work exploring light, sky, perception, color, shape and architecture. http://www.lacma.org/art/exhibition/james-turrell-retrospective. The meditative quality of this exhibition encourages the viewer to be a considered observer and allow what they see and perceive to be altered by their physical experience with the work. Ultimately the transformative and ephemeral qualities of light exist in the mind of each person. The artist gives us the opportunity to bathe our senses in illusion and reflection.
The next day on a non-stop eastbound flight traveling in the morning from Los Angeles to Boston I was seated on the north side of the airplane and could view the magnificent snow covered Rocky Mountains below rising from the earth with the suggestion of a world without grief.
photo by Wendy Wahl
In the minutes that followed I found myself focused on the carbon footprint that air travel leaves and thinking about the best way to balance my personal footprint. Knowing for the moment “I am where I am” my gaze returned to the framed light as we swiftly moved above the fruited plains. I watched until somewhere over the Great Lakes the image through the oval-edged window changed into another remarkable illuminated landscape.
photo by Wendy Wahl
As a commercial airline passenger for over four decades I have encountered a wide range of situations and had experiences that touch on almost every imaginable emotion. Each flight has a unique dimension heightened by the sounds, sights, smells and physical proximity of the other passengers in a tightly enclosed space. The curious activity of moving at fast speeds from one environment to another, around and about what has become a very small sphere in a short period of time, stimulates thought about place, perception and the possibility of portals. Having flown on Pan Am, Continental, Delta, American Airlines, United Airlines, Laker Airways, Peoples Express, Southwest, British Airways, Hawaiian Air, TWA, Qantas, Virgin Australia, Aero Mexico, China Air, Alitalia, Air India, Lufthansa, Air France, JetBlue and a number of puddle jumpers – I’m feeling that of all these, Virgin America has created an illusion of a different sort for air travelers through the use of color and light.
Wendy Wahl
March 2014