Tag: Toshio Sekiji

Books Make Great Gifts: 2014 Edition

As in previous years, artists represented by browngrotta arts have an eclectic and interesting list of books to recommend, art-related and otherwise. Thanks to dozen-plus artists who made suggestions, 18 books in all.

Tamiko Kawata reports that she had the chance to read a few books while icing her injured shoulder after therapy, first three times a day, then two times. She enjoyedHaruki Murakami’s Colorless Tsukuru Tazaki Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage. She is now reading — and enjoying — Even Back.Then.the.Fox.Was.the.HunterHerta Muller, Even Back Then, the Fox Was the Hunter.

Mary Merkel-Hess recommends Pilgrim.on.the.Great.Bird.ContinentPilgrim on the Great Bird Continent: The Importance of Everything and Other Lessons from Darwin’s Lost Notebooks by Lyanda Lynn Haupt. “It is the gracefully written account of how, during his five years on the Beagle, Charles Darwin became an accomplished naturalist who could discern scientific truths from the creatures he studied. “ she writes. “Haupt documents this transformation by concentrating on Darwin’s lesser-known writings, particularly his notebooks. At points it reads like a travelogue and a manual for bird watchers. I found it fascinating.”

“I do not get to read books as much as I like,” writes Kiyomi Iwata, ” but the best book I read this year wasThe.Grief.of.Others.Leah.Hager.Cohen The Grief of Others by Leah Hager Cohen. Even though she is very young — my daughter’s age — I found her prose most sensitive, insightful and compassionate. Her most recent book is No.Book.but.the.World.A.NovelNo Book for the World, which I am still reading.”

The most inspirational book Toshio Sekiji read this year was Korea.Economic.drilled.throughKorean Economy Drilled Through by Lee Hong Chang, which was originally published in Korea by Bobmun-sha,1999, the Japanese translation was by Hosei University Press in 2004. The book illuminates the dramatic changes from the medieval age to the modern age. It was one of a number of related books Toshio has read over the last two years as he prepared a report, “Korean Lacquer Culture through Neolithic Age to Modern Age” for the Bulletin of the Lacquer Art Museum in Wajima, Japan.

Ulla-Maija Vikman most enjoyed Flayed.ThoughtsNyljettyjä ajatuksia (Flayed Thoughts) by Juha Hurme. In Finnish only at this point, it’s a story of a 700-mile, 20-day rowing journey in which the characters eat, camp on islets and beaches and discuss what is essential and how what’s essential is transmitted.

There are two recommendations from Ruth Malinowski: The.Hare.With.Amber.EyesThe Hare with Amber Eyes by Edmund de Waal, recommended last year by Kay Sekimachi (and published by Rhonda’s other employer, FSG/Macmillan) and 1913: The Year Before the Storm1913.The.Year.Before.the.Storm by Florian Illies. The latter highlights developments in literature and art, as well as politics, covering the lives of Kafka, Rilke, Thomas Mann, Camille Claudel, Freud, Stalin, Hitler and some Royalty. Wars, love letters, art thefts and many more events from1913 are cleverly combined in 12 chapters, each reflecting a calendar month.

Ceca Georgieva rated ShantaramShantaram by Gregory David Roberts as her most inspirational read of the year. (Full disclosure, this one is also published by Rhonda’s other employer, St. Martin’s Press/Macmillan and a book she also quite enjoyed. It’s been optioned by Johnny Depp and the movie is currently in production.)

“Of the many inspiring reads this year,” writes Wendy Wahl, “two authors stand out who had an impact on my work as a visual artist interested in the potency of printed text on paper. I was given The.Size.of.ThoughtsNicholson Baker’s The Size of Thoughts, by my husband when I was trying to weave together seemingly disparate yet connected ideas that sometimes are considered mundane and should be thought of as blessed into a cohesive short story. Baker’s style reminded me to keep doing what I was doing. I went onto read his Double.Fold.Libraries.and.the.Assault.on.PaperDouble Fold: Libraries and the Assault on Paper, which became the inspiration for a sculpture I made this year that shares its name. One of my favorite library activities is to stroll through the stacks with my head cocked to one side and my index finger underlining titles vertically to see what’s there. I was delighted to come upon On Paper,On.Paper.The.Everything.of.Its.2000.Year.History The Everything of Its Two-Thousand-Year History by Nicholas Basbanes, ‘a self-confessed bibliophiliac.’ I’ve checked this book out several times, paid late fees and, since I can’t write in this copy, I realize I must own it.”

Five art books got the nod from our artist/correspondents including Iridescent.LightIridescent Light: The Emergence of Northwest Art by Deloris Tarzan Ament with photographs by Mary Randlett. Dona Anderson “enjoyed immensely” Ament’s profiles of 21 artists who lived and worked in Washington State during formative periods in their careers, profiles that blend discussion of their work and commentary on the obstacles they faced and the influences they brought to bear on one another.

Scott Rothstein rates Bharany.CollectionsA Passionate Eye: Textiles, Paintings and Sculptures from the Bharany Collections, Giles Tillotson, ed. as a “great book.” Mr. Bharany is Scott’s “Indian Father.” He is very involved with textiles as well as paintings and other Indian art forms. Scott says, “I had tea with him three times a week when I lived there and we get back to India almost every year, mostly to spend time with him. He is around 88 years old, so we feel we need to be with him as much as we can.” The book on Judith Scott, Judith.Scott.Bound.UnboundJudith Scott, Bound and Unbound, he recommends, too — more for the photos than the text.

Nancy Koenigsberg found the volume created to accompany the traveling exhibition at the Institute of Contemporary Art, Boston, Fiber Sculpture 1960-presentFiber: Sculpture 1960 to the Present (available on our website, browngrotta.com), “a must read for fiber people,  makers and buyers — especially young artists who don’t know who some of these artists are. I was really surprised to discover that!!,” she says.

“My favorite book for this year,” writes Adela Akers, “is, without a doubt: In the Realm of NatureIn The Realm Of Nature: Bob Stocksdale & Kay Sekimachi (available on our website, browngrotta.com). A beautiful book, well conceived with excellent writing by Signe S. Mayfield. The life history of these two wonderful artists is beautifully intertwined with perfect images of their work. What a pleasure!”

Wishing you all new year that provides plenty of time for pleasure reading!


Art News — Pulp Culture: Paper is the Medium

Morris Museum, Morristown New Jersey, photo by Tom Grotta

Morris Museum, Morristown New Jersey, photo by Tom Grotta

Morris Museum, Morristown, New Jersey

Takaaki Tanaka work "A Harden Nest" in front of the Morris Museum's Pulp Culture exhibit. Photo by Tom Grotta

Takaaki Tanaka work “A Harden Nest” in front of the Morris Museum’s Pulp Culture exhibit. Photo by Tom Grotta

Through December 7th

More than 80 works are presented in the Morris Museum’s current exhibition of art by contemporary artists who have stretched the boundaries of paper as a creative medium and source of inspiration.

A Red Grethe Wittrock among the works at the  Morris Museum, Pulp Culture exhibit, Photo by Tom Grotta

A Red Grethe Wittrock among the works at the Morris Museum, “Pulp Culture” exhibit, Photo by Tom Grotta

The exhibition includes surprising objects made from paper ranging from life-size sculptures of human figures and whimsical figures to geometrically complex folded objects to jewelry and paper dresses. The “paper” includes dollar bills, book pages, florists’ wrapping, dress patterns and more. Included are papermakers, sculptors and engineers, whose methods and materials include handmade paper pulp, folded paper, molded paper, recycled paper and cut paper.

Richard Meier Collages among the artists exhibited in "Pulp Culture" at the Morris Museum. Photo by Tom Grotta

Richard Meier Collages among the artists exhibited in “Pulp Culture” at the Morris Museum. Photo by Tom Grotta

Among those featured in Pulp Culture are architect Richard Meier, designer Massimo Vignelli and jeweler Robert Ebendorf. Ten of the 46 featured artists are represented by browngrotta arts. Takaaki Tanaka’s several-part paper pulp piece appears at the entrance. Wendy Wahl’s works made of Encyclopedia Britannica pages are also included along with

Morris Museum, Pulp Culture, Wendy Wahl, Kazue Honma, Merja Winqvist. Photo by Tom Grotta

Morris Museum, Pulp Culture, Wendy Wahl, Kazue Honma, Merja Winqvist. Photo by Tom Grotta

work by Dona Anderson. Jennifer Falck Linssen, Grethe Wittrock, Kay Sekimachi, Toshio Sekiji, Merja Winqvuist, Mary Merkel-Hess and Kazue Honma. The Morris Museum is at 6 Normandy Heights Road, Morristown, New Jersey and open 11 a.m. to 5 p.m. Tuesdays through Saturdays; noon to 5 p.m. Sundays. For more information: 973-971-3700 or www.morrismuseum.org.


November 26th: Our Online Exhibition Opens With an Offer for CyberMonday

On Monday, November 26th, browngrotta arts will present an online version of our 25th anniversary exhibition,Retro/Prospective: 25+ Years of Art Textiles and Sculpture at browngrotta.com. The comprehensive exhibition highlights browngrotta arts’ 25 years promoting international contemporary art. Viewers can click on any image in the online exhibition to reach a page with more information about the artists and their work.

“Some works in Retro/Prospective: 25+ Years of Art Textiles and Sculpture reflect the early days of contemporary textile art and sculpture movement,” says Tom Grotta, founder and co-curator at browngrotta arts. “There are also current works by both established and emerging artists, which provide an indication of where the movement is now and where it may be headed.”

Since Monday the 26th is CyberMonday this year, sales of art, books, catalogs, videos or dvds placed online or by telephone that day will be discounted 10% (excluding tax and shipping). In addition, bga will make a donation to the International Child Art Foundation for each sale made from November 24th through December 31, 2012. Visit browngrotta.com. For more information call Tom at 203.834.0623 or email us at art@browngrotta.com.


Quiz: Sleight of Hand: Can You Identify these Remastered Materials?

Sleight of Hand, currently on exhibit at the Denver Art Museum, celebrates artists, including Lia Cook and Norma Minkowitz, who create works of art that challenge viewers’ perception, through their innovative use of materials and textile techniques. There are a several other artists represented by browngrotta arts who do the same. Inspired by the concept, we created a quiz.  See if what you can guess about the materials and methods used to create the works in these images. The short answers appear at the end. You can click on each answer to see a larger version on our website (but not until you’ve made a guess!).

Ed Rossbach, Axel Russmeyer, Sue Lawty, Adela Akers, Karyl Sisson, Kazue Honma, Tomiko Kawata, Kate Hunt, Dani Marti, Merja Winqvist, Heidrun Schimmel, Wendy Wahl, Toshio Sekiji, Simone Pheulpin, Heidrun Schimmel

 

Answer Key:
a) Ed Rossbach – plastic tubing
b) Axel Russmeyer – bobbins with thread
c) Sue Lawty – woven lead
d) Adela Akers – linen, horsehair, paint and metal wine foil
e) Karyl Sisson – cloth measuring tapes
f) Kazue Honma – Japanese strapping tape, tannin
g) Tamiko Kawata – safety pins on canvas
h) Deborah Valoma – woven copper
i) Dani Marti – marine rope — polypropylene and nylon
j) Merja Winqvist – florist paper
k) Kate Hunt – newspaper, gold leaf, burnt plaster
l) Wendy Wahl – industrial paper and yarn
m) Toshio Sekiji – newspapers from Japan. China and Korea
n) Simone Pheulpin – folded cotton
o) Heidrun Schimmel – heavily stitched cotton, large sewing needle