2023 was a good press year for artists we work with and for browngrotta arts. 2024 is off to a good start, too! Below are some highlights.
The first week of January, Elle Decor covered the Young Collectors Global Weekend and featured the work of Neha Puri Dhir, observing that it “encapsulates a sophisticated sensibility”
The next week, the selvedge blog reported on the Threaded Visions: Contemporary Weavings from the Collection exhibition at the Art Institute of Chicago in Illinois. The blog featured images of James Bassler’s A Weaving and White Dwarf by Eduardo Portillo and Mariá Dávila.
Masakazu Kobayashi’s retrospective in Kyoto, Japan, Masakazu Kobayahsi and his Contemporaries — Beyond Fiber Art (through March 10, 2024) was featured in the ETN online newsletter this month.
In the Fall 2023/Winter 2024 issue of basketry+, the cover story “Pushing Boundaries,” by Barbara Delaney, pp. 2-7, featured on Ferne Jacobs. “Jacobs doesn’t want her work to be ‘pretty,'” Delaney wrote. “She hopes it’s interesting to others, take it has life and breath, and she will take risks to make that happen. She doesn’t want to be predictable either,…Her art shows that she definitely is not.”
https://browngrotta.com/artists/glen-kaufmanThe Winter 2023 issue of Shuttle, Spindle & Dyepot featured an article by Rhonda Brown, Glen Kaufman: An Art Odyssey, pp. 42-47.
In March 2023, Eduardo Portillo and Mariá Dávila, lectured at “Codes: Stories in Textiles.” the European Textile Network conference in Lodz, Poland. In February, their work, Oceanica, was featured in the ETN online newsletter announcing the conference.
The Summer 2023 issue of NBO’s basketry+ featured Jeannet Leenderste in an artist profile, “Capturing Place in a Basket,” by Noelle Foye. The author, wrote about Leenderste’s experiments in making baskets with seaweed. “Leenderste loves to experiment and see where an idea might take her. Not knowing how to construct a basket simply meant an opportunity to play and explore in the studio.”
ArteMorbida profiled Simone Pheulpin in a cover article in July 2023 by Maria Rosaria Roseo.
The ETN online newsletter reviewed Włodzimierz Cygan’s solo exhibition in Latvia, “At own pace,” in June. The article reported that Cygan loves experimentation with fiber optics within textile art trying to link the permanence of textile materials and a continuous change of the light.
browngrotta arts’ Acclaim! exhibition garnered press coverage including an article in Arte Morbida’s April issue by Rhonda Brown, “In and Out of Favor Fiber Art Persisted: The Rewards of Recognition,” (pp. 45-51) and one in selvedge magazine’s online blog in April 2023.
We Told You So: Fiber Art Continues to Trend
22sh/r Color Alphabet Tapestry by Sheila Hicks, wool, silk, 6’ x 6’, 1982. Photo by Tom Grotta
Last year we predicted that fiber art’s new-found popularity would continue into 2015. You need not take just our word for that — take the Wall Street Journal’s. Earlier this month, the paper identified fiber as the “Art World’ New Material Obsession,” http://www.wsj.com/articles/the-art-worlds-new-material-obsession-fiber-1439565675 and dubbed Sheila Hicks and Françoise Grossen “overlooked masters.” The short piece quotes Sheila Hicks, “I always joke that fiber is my alphabet. I can say an unlimited range of things.” (The Hicks’ work featured here, Color Alphabet Tapestry (1982), is an ideal example.) The New York Time’s review of Françoise Grossen’s long-awaited US survey exhibition, “Françoise Grossen, a Fabric Artist Inspired by Other Fields,”
FROM THE MERMAID SERIES IV, Francoise Grossen, poly, metal, paper, braided, 16″ x 72″ x 72″
http://www.nytimes.com/
2015/08/07/arts/design/
review-francoise-grossen-a-fabric-artist-inspired-by-other-fields.html, adds additional context. The author, Martha Schwendener, quotes Grossen describing the approach of pathmaking fabric artists of the 60s, “First we broke with the rectangle, then we broke with the wall.” Interested in learning more? The contemporary art fabric movement is discussed (and illustrated) in our recent catalogs, Retro/Prospective: 25+ Years of Art Textiles and Sculpture, with essays by Jo Ann C. Stabb and Lesley Milar, MBE and Influence and Evolution: Fiber Sculpture…then and now with an Essay by Ezra Shales, PhD
Influence and Evolution: Fiber Sculpture…then and now
catalog cover artwork by Federica Luzzi
http://www.browngrotta.com/Pages/catalogs.php.