Category: Book Recommendations

Books Make Great Gifts 2023, Part 2

December 20, 2023 0 Comment

Here, as promised, a second batch of book recommendations from artists and browngrotta arts:

The Real Work On the Mystery of Mastery-Adam Gopnik

Wendy Wahl (US), writes that “Most mornings I find my spouse reading a book. It was clear that The Real Work: On the Mystery of Mastery by Adam Gopnik was speaking to his inner being as a furniture maker and writer. With each chapter he would share a quote or passage followed by, ‘I think you’re going to like this one.’ When he gave me the book it contained many dog-eared pages. I started with those, wondering what needed to be revisited. From start to finish Adam Gopnik reveals his trials, failures, and triumphs while trying to become proficient at something unfamiliar like drawing, magic, driving, baking, boxing, and overcoming fears. Through these short stories, he invites us to look at our own “mystery of mastery” that he suggests we all possess in some grand or compact form. His humor and skill at storytelling give us a glimpse into his approach as a novelist and critic.”

The Wave - In Pursuit of The Rogues, Freaks, and Giants of The Ocean

This year Wahl also herself immersed in Susan Casey’s The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean (Anchor, 2011). which documents enormous waves and the surfers who travel the globe in search of them. “Reading about this takes me to a place where I can imagine the incredibly heightened sensation of being while knowing it could be my last breath. I’m not called to the water in that way. However, Casey has also given us Voices in the Ocean: A Journey into the Wild and Haunting World of Dolphins (Anchor, 2016). She reveals the light and dark characteristics of these amazing cetaceans and the conditions created by human interaction. I read this during an expansive experience of swimming with dolphins in the wild on their terms and learning to think like one.”

The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean

In exhibition catalog recommendations, Wahl had two. “There are two exhibitions that I was unable to attend but grateful that one had a catalog and the other a monograph. The first exhibition was Encyclopedism from Pliny to Borges at the University of Chicago Library (Encyclopedism from Pliny to Borges, University of Chicago Library, 1990). The exhibition included 77 volumes from the Library’s rare book collection highlighting the different forms of encyclopedias. I stumbled across this exhibition doing research as an artist who uses discarded encyclopedias in their work. Viewing it through the online and physical catalogs has given me another perspective on these books. The second was the exhibition Gego: Measuring Infinity at the Guggenheim, in New York this year (Gego: Measuring Infinity, Guggenheim Museum Publications).  A dear friend sent me the monograph after a conversation we had about missed exhibitions. She said, ‘As someone who makes, makes, makes, you need to have this book. I was moderately familiar with Gego’s work and this publication presents the breadth of her talent as a sculptor, painter, and printmaker.'”  

Life with Picasso by Francoise Gilot and Carlton Lake

“Going back in time a bit,” writes Lizzie Farey (UK) “I am currently gripped by Life with Picasso by Francoise Gilot and Carlton Lake (Virago Press, Ltd, 1990). “This memoir,” the publisher writes, “is both a vivid portrait of a monstrously difficult man and a brilliant depiction of a great artist at work.” When Picasso met the young painter Francoise Gilot in a Parisian Cafe he was 62 and already acknowledged as the greatest artist of his century. During the next 10 years they were lovers, worked closely together and she became the mother of two of his children, Claude and Paloma.  In an account filled with intimate revelations about the man, his work, his thoughts, his friends – Matisse, Braque, Gertrude Stein and Giacometti amongst others – Francoise Gilot paints a compelling portrait of her turbulent life with the temperamental genius that was Pablo Picasso. 

Persepolis: the story of a childhood

Carolina Yrarrázaval (CH) has been reading Persepolis: the story of a childhood (Pantheon Classics, 2004) by Marlane Satrapi. A “wonderful book,” she says of Satrapi’s depiction of her childhood in Tehran through it’s revolution

Four Seasons in Rome, Cloud Cuckoo Land, All the Light We Cannot See, These Truths: A History of the United States,  If on a Winter’s Night a Traveler

“I did an enjoyable deep dive into Andrew Doerr this year,” Blair Tate (US) writes, “I  started with Four Seasons in Rome (Scribner, 2008), while visiting there, then Cloud Cuckoo Land (Scribner, 2022) (a previous year’s recommendation) and All the Light We Cannot See (Scribner, 2017). Tate also recommends: These Truths: A History of the United States by Jill Lepore (W.W. Norton & Co., 2019) and If on a Winter’s Night a Traveler by Italo Calvino (Vintage Paperback, 2023). 

Fabric: The Hidden History of the Material World

Fabric: The Hidden History of the Material World (Pegasus Books, 2022) by Victoria Finlay is highly recommended by Gizella Warburton (UK). “It is a moving and informative read.” 

I Paint What I Want to See, Barbara Riboud/Aberto Giacometti: Standing Women, Craft, edited by Tanya Harrod

Stéphanie Jacques (BE) has three books on her list. First, I Paint What I Want to See, Philip Guston (Penguin Classics, 2022) “Thank God for yellow ochre, cadmium red medium, and permanent green light,” says the author. One of the most significant artists of the 20th century, he speaks about art with candor and commitment. Second on Jacques’ list is an exhibition catalog, Barbara Riboud/Aberto Giacometti: Standing Women (FAGE, 2021). Riboud is a sculptor, who, like Giacometti, has focused on the human body. In this catalog, she describes her work and Giacometti’s influence. Finally, Jacques recommends, Craft, edited by Tanya Harrod (MIT 2018), billed as “[a] secret history of craft told through lost and overlooked texts that illuminate our understanding of current art practice.”

Radical Fiber: Threads Connecting Art and Science

At browngrotta arts, we’re hoping to use some of the quieter days between Christmas and New Year’s to delve deeper into some of the compelling art books that we’ve picked up this year. Radical Fiber: Threads Connecting Art and Science, edited by Rebecca McNamara (DelMonico Books/Tang, 2023) celebrates the overlap between art, science, interdisciplinary creativity, and collaborative learning. It features artists at work in these areas, including Lia Cook. And, it explores engaging questions, such as: Can crochet explain the complexities of non-Euclidean geometry? How does the 1804 Jacquard loom relate to modern computing? Why do we respond differently to a woven photograph than a printed one?

Woven Histories: Textiles and Modern Abstraction

Chosen as one of the year’s best art book by The New York Times, Woven Histories: Textiles and Modern Abstraction, edited by Lynne Cook (University of the Chicago Press, 2023) is high on our list and sold on our list. “The sheer variety of work produced by more than 50 artists chosen by the book’s editor, Lynne Cooke, will knock your socks off,” writes Holland Carter.”(Just wait till you see what’s happening in the field of basketry alone.)” The exhibition on which the book is based, will travel to several venues, including LACMA in Los Angeles, the National Gallery in DC and then MoMA in New York City. It includes many browngrotta arts’ favorites: Kay Sekimachi, Dorothy Gill Barnes, Ed Rossbach, Katherine Westphal, Lenore Tawney and Sheila Hicks.

www.linkedin.com/in/rhonda-brown-11a1999

Another book that accompanies an exhibition is Making Their Mark: Art by Women Artists from the Shah Karg Collection (eds. Katy Siegel and Mark Godfrey, Gregory R.Miller & Co. 2023). This book explores the extensive collection of work by women artists compiled by Komal Shah and Gaurav Garg. There are essays, artists’ commentary, and more than 250 pages of plates of work by diverse group of artists that includes Jaune Quick-to-See Smith, Olga de Amaral, Kay Sekimachi, Rosemarie Trockel, Trude Guermonprez, Jennifer Bartlett, and Faith Ringgold.

We are big fans of Weaving Modernist Art: The Life and Work of Mariette Rousseau-Vermette by Anne Newlands (Firefly Books, 2023), available on our website, and not just because you’ll find Tom Grotta’s photos in the book. Born into a large French-Canadian family in 1926, Mariette Rousseau embraced her passion for creative expression through wool and weaving at an early age. She studied art and weaving at l’École des beaux-arts in Quebec City and then worked at the California studio of ground-breaking American textile designer Dorothy Liebes. Back in Canada after an art-inspired trip to Europe, she and her husband, artist and ceramist Claude Vermette, joined the growing movement of young French-Canadian artists in their embrace of abstraction and new forms of art. The book covers her work in Canada and abroad, her collaborations with architects, involvement in the Lausanne Biennial of International Tapestry and leadership of the fiber program at the Banff Centre for Arts and Creativity.

Vogue Magazine called Helen Molesworth, “the Art World’s Most Beloved Provocateur.” The former curator of the Museum of Contemporary Art, Los Angeles (from which she was fired) she is also an art historian, a writer, a curator, a critic, and a podcaster. Her latest book, Open Questions: Thirty Years of Writing about Art (Phaidon 2023), includes 30 years’ of essays on artists as diverse as Ruth Asawa and Marcel Duchamp. 

Leap Before You Look: Black Mountain College 1933–1957

We’ve got a copy of Molesworth’s Leap Before You Look: Black Mountain College 1933–1957 (Institute of Contemporary Art, Boston, 2015) to crack. A major incubator of midcentury American art, Black Mountain College in North Carolina was founded in 1933, as an experiment in making artistic experience central to learning. In just 24 years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry. An astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, Buckminster Fuller, Karen Karnes, M. C. Richards, and Willem de Kooning, and students included Ruth Asawa, Robert Rauschenberg, and Cy Twombly. The publisher says the book takes “a fresh approach” to convey the atmosphere of creativity and experimentation that was unique to Black Mountain, and served as an inspiration to so many.

We can’t wait … Happy Reading!

Books Make Great Gifts 2023, Part 1

December 13, 2023 0 Comment

This year we have a rash of suggestions for books, from artists and from browngrotta. It’s such a bumper crop that this post will be the first of two. In no particular order here are reviews and recommendations:

Gyöngy Laky(US) recommends a tiny book about a big idea: Poetry as Insurgent Art (New Directions, 2007) by Lawrence Ferlinghetti. In the early 2000s, Laky joined the Board of the non-profit, North Beach Citizens (NBC) in her neighborhood in San Francisco, addressing the needs of our homeless and low-income citizens.  “Founded by Francis Ford Coppola,” she writes, “he invited his friend, Lawrence Ferlinghetti, to join him – both having been longtime residents and businessmen in North Beach.  The 4” x 6.3” book I am writing about is by Ferlinghetti, poet, painter, art critic, activist, and co-founder of the famed City Lights Book Sellers and Publishers.  I got to know him a little in the years I was on the Board.  He was a lively participant in NBC’s spring Galas sometimes contributing a stirring and inspiring poem.

City Lights Booksellers & Publishers, San Francisco, Photographed by user Coolcaesar on August 6, 2023

“I began to read his modest, little book and heard his, now-silent, voice echoing in my head.  I found every line as if written directly to me, entreating me to greater boldness in my art even though his words were meant for poets.  I am not a poet though I often have said that I want my artwork to create a conversation with the viewer.  My sculptures, more and more over the years, led me to express my responses to the issues I find in the world around me. I sometimes refer to myself as an artist participant, an artist activist, a feminist, an environmentalist and, lately, even, an anti-militarist.  The translation for me as I read, became ‘Art as Insurgent Art’ urging and inspiring me to greater activism through the artworks I create. I found 15 examples in just the first 13 pages particularly and personally poignant!” Here are a few of them:

Be subversive, constantly questioning reality, and the status quo.

If you would be a poet [artist], discover a new way for mortals to inhabit the Earth.

Through art, create order out of the chaos of living.

Reinvent, America and the world.

Climb the Statue of Liberty.*

“Thank you, Ferlinghetti,” Laky writes, “for persuading me to never flinch, shrink or wince when an idea appears unexpectedly in my studio.”

* As a 5-year-old refugee arriving in New York Harbor I did dream of climbing the Statue of Liberty!

Patchwork: A Life Amongst Clothes by Claire Wilcox

Jo Barker( UK) recommends “a beautiful, sensitive, thought-provoking book,” Patch Work: A life amongst clothes by Claire Wilcox. Wilcox is the senior curator of fashion at the V&A Museum in London. Her book won the 2021 Pen Ackerley Prize. “In Patch Work,” the publisher writes, “Wilcox deftly stitches together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother’s black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in luminous prose the spellbinding power of the things we wear: their stories, their secrets, their power to transform and disguise and acts as portals to our pasts; the ways in which they measure out our lives, our gains and losses, and the ways we use them to write our stories.” Author Laura Cumming wrote that she was overwhelmed by this book: “It is an absolute masterpiece. A book of such beauty and profundity, of such poetry in its emotion and observation … I found my sense of life transformed by her writing as I often find it transformed after the exhibition of a great artist.”

The Sculpture of Ruth Asawa contours in the air

Like Laky, another Californian, who is always a thoughtful contributor to our annual book review post, is Nancy Moore Bess (US). She recommends The Sculptures of Ruth Asawa – contours in the air (Daniel Cornell, Fine Arts Museums of San Francisco and University of California Press,

2007; the University of California has released an expanded edition, The Sculpture of Ruth Asawa, Second Edition: Contours in the Air, Paperback, 2020 by Timothy Anglin Burgard (Editor), Daniel Cornell (Editor)). “I’ve recently begun rereading this (I reread a lot, including favorite mysteries),” says Bess, “using Asawa’s New York Times obituary notice as a bookmark. Yesterday, I finished the third Zoom presentation from the Whitney Museum, inspired by its current exhibition devoted to her works on paper. (I hope one of your artists adds that catalogue to your list.) In rereading this book, I no longer focused entirely on her amazing wire work but moved more widely into all of her art. It’s a big book. I’ll be busy for awhile, but I’m in no hurry.”

Bess writes that “When we lived in San Francisco, not so long ago, it was clear how beloved Asana is – present tense! She continues to be an integral, enriching part of the city. Her continued presence reminded me of how people in Honolulu respected/revered/honored Toshiko Takaezu when we lived there a long time ago. These creative women continue to have impact on us. And I am immensely grateful. Ruth cooked, carved, gardened, bent wire, designed installations, molded masks from friends, mothered, loved and drew, drew, drew. 

See if you can find a copy of this amazing book,” Bess says. “It will so much be worth the effort.” 

From Germany, Heidrun Schimmel (DE) also recommends an exhibition catalog

Inside other spaces. Environments by Women Artists 1956-1976 (the exhibition is at Haus der Kunst, Munich, Germany through March 10, 2024). Many of the pioneers in environmental art were women, but their works were often ephemeral, destroyed once a show was over. The exhibition highlights women’s fundamental contributions to the history of environments and presents the work of 11 women artists across three generations from Asia, Europe as well as North and South America: Judy Chicago, Lygia Clark, Laura Grisi, Alexsanda Kasuba, Lea Lublin, Marta Minujin, Tania Mouraud, Martia Nordman, Nanda Vogo, Faith Wilding, Tsuruko Yamazaki. The curators have painstakingly recreated some of these artists’ works that were destroyed after being exhibited, bringing these artists back into the spotlight.

Ikigai: The Japanese Secret to a Long and Happy Life

Polly Sutton (US) shared a favorite book of hers with us, Ikigai: The Japanese Secret to a Long and Happy Life by Héctor Garćia and Francesc Miralles (Penguin, 2017).  

Caste The Origins of our Discontents

We have an update on a previous recommendation from Gyöngy Laky and Jim Bassler, Caste: The Origins of Our Discontent, by Isabel Wilkerson (Random House, 2020): Caste has been made into a film by noted director Ava DuVernay. In the film, titled Origin, writer Isabel Wilkerson, grappling with tremendous personal tragedy, sets herself on a path of global investigation and discovery as she writes the book, Caste. Caste is also serving as inspiration for Jim Bassler’s work. “For months,” he writes, “I have been working out ideas mentioned in the book.  I am finally getting around to putting it together. It includes another flag hanging on a very dark brown background with suggestions of African mud cloth.”

More book notes to come in Part 2!

Artist Focus: Ferne Jacobs

February 15, 2023 0 Comment
Installation Photo of Building the Essentials: Ferne Jacobs
Installation Photo of Building the Essentials: Ferne Jacobs. Photo: Madison Metro, Craft in America

At the forefront of the revolution in fiber art, Ferne Jacobs has been creating innovative work since the mid-60s. At her retrospective in 2022 in Los Angeles, Building the Essentials: Ferne Jacobs, the Craft in America Center noted that Jacobs is recognized for her mastery of material and process. Reinventing and advancing traditional techniques used for basketry, including knotting, coiling, and twining, Jacobs has generated an entirely new language of sculptural art. Her acute sense of color melded with her poetic and intuitive approach set her work apart. You can order a copy of the catalog at browngrotta.com.

Ferne Jacobs Portrait
Portrait by Carter Grotta

Ferne Jacobs began as a painter, exploring the possibilities of three-dimensional painting in the mid-1960s, before moving to weaving after workshops by such avant-garde fiber artists as Arline Fisch and Olga de Amaral. After the American Craft Museum (now Museum of Art and Design) exhibition Sculpture in Fabric (1972), Jacobs gained national attention for her work. Jacobs has taught and lectured on fiber arts and design since 1972. She received her M.F.A. from Claremont Graduate University in 1976 and has been featured in solo and group exhibitions throughout the United States and abroad. She is the recipient of the Flintridge Foundation Award for Visual Artists, and in 1995 she was named a Fellow of the College of Fellows by the American Craft Council. 

Red Sculpture by Ferne Jacobs
3fj Interior Passages, Ferne Jacobs, coiled and twined waxed linen thread, 54” x 16” x 4”, 2017.
photos by Tom Grotta

Jacobs’ work is meticulous, intensive and personal. She felt particularly close to Interior Passages, “as though we are one and the same.” She says that “[t]his has never happened so completely to me before. It has caused me to ask why, and to try to find a way to explain it to others. In the world I find myself today, feminine values are often desecrated. I am beginning to understand that there is no such thing as a ‘second class citizen’ — anywhere, anytime. There are aspects of world culture where weak people try to control others; because that is the only way they feel their own existence.” Interior Passages emphatically resists that approach. “Interior Passages knows she exists,” Jacobs notes. “She needs no one to tell her who she is or what she is. She knows her value, and I expect the world to respect this inner understanding. When it doesn’t, I think it moves toward a destructiveness that can be devastating.”

Green Basket sculpture by Ferne Jacobs
4fj Open Globe, Ferne Jacobs, coiled and twined wax linen thread, 13” x 13”, 2001. Photo by Tom Grotta

Open Globe reflects Jacobs’ reaction to the environment. “The title Open Globe came from experiencing the piece as I was making it,” Jacobs explains. “In my mind, it was the earth. The colors green, brown, blue, grey are the elements on our planet. Open came because there is no bottom or top. The piece is open, so can we see the earth as a globe/ball and open/unending.” The undulations in Blue Wave operate on numerous levels, conjuring ancient Greek pottery, wave froth and water, and the female form among other references.

Detail of Blue and white Ferne Jacobs wall sculpture
5fj Blue Wave detail, Ferne Jacobs, coiled and twined waxed linen thread, 19” x 17.5” x 6”, 1994.
Photo by Tom Grotta

Jacobs’s work is found in many public collections, including the Smithsonian American Art Museum, Washington D.C., the Metropolitan Museum of Art, New York, New York, the Museum of Arts and Design, New York, New York, the Museum of Fine Arts, Boston, Massachusetts, the de Young Museum, San Francisco, California and the Rhode Island School of Design, Providence, Rhode Island. 

Ferne Jacobs’ work will be included in browngrotta arts’ spring 2023 exhibition Acclaim! Work by Award-Winning International Artists. You can order a copy of the catalog Ferne Jacobs: Building the Essentials at browngrotta.com.

Ferne Jacobs Building the Essentials catalog

Books Make Great Gifts, Part II

December 14, 2022 0 Comment

More great book reading ahead. This week, fiction and philosophy and recommendations from browngrotta arts and our artists.

Cloud Cuckoo Land Black Water
Cloud Cuckoo Land by Anthony Doerr and Black Water by Kerstin Ekman

In Cloud Cuckoo Land, Wendy Wahl writes, “Anthony Doer takes the reader on a kaleidoscopic ride that is expansive and intimate. His characters include those from the past, present, future, and multi-species beings bound together on a journey about the love of books in general and one in particular. I was drawn in from the beginning by the thought of young girls tied to needle and thread embroidering liturgical garments. Each of the storylines brought up unexpected emotions. I will return to this novel again and again. Learn more about this amazing tale from this NPR review: https://www.npr.org/2021/09/28/1041004908/anthony-doerr-cloud-cuckoo-land-review. 

Both Gjertrud Hals and Jane Balsgaard are fans of Swedish writer Kerstin Ekman. Hals says Ekman is her favorite autjor. She just read Löpa Varg, (only in Swedish, for now) and her big book about the woods Herrarna i slogan, from 2007. The Free Online Library says of Herrarna i slogan, “Appropriately, the title is ambiguous. Ekman is writing about the forest (skogen); more precisely, about the vast Swedish acreage of forested land, a forest paradigm as good as any. The first word in the title (herrarna) means either “the men/ gentlemen” or “the masters/lords.” These are the men, real or fictional, who have lived with the forest and known it and turned it into what it is today, be they masterful industrial foresters or crouching botanists, lumberjacks or poets, Sir Olof in a sad medieval folksong or Dr. Astrov in Chekhov’s Uncle Vanja.”  Balsgaard read Blackwater (in English) a thriller by Ekman that gave her“the feeling of the soul from old Sweden.” 

Things I don’t want to Know by Deborah Levy and Power of Gentleness; Meditations on the Risk of Living by Anne Dufourmantelle

A few of the recommendations are more philosophical. Things I Don’t Want to Know, by Deborah Levy is recommended by Stéphanie Jacques, who read it in French, and also the other two volumes in her Cost of Living series. “Great books,” says Jacques. “I loved her voice, her writing, the way she looks at life. She talks about creation and how to continue but not only that.” Jacques also recommends Power of Gentleness; Meditations on the Risk of Living by Anne Dufourmantelle. “Also a great author, and a book that helps us through life.” Yeonsoon Chang is rereading the Asian classic, Book of Changes (The I Ching). “This book inspires me,” she says.

Book of Changes (The I Ching) and Forest Breathing: How Trees Can Bring You Health and Happiness

Nancy Moore Bess has been pursuing an interest in Shinrin Yoku, or Forest Breathing. “It was formulated by a Japanese government agency in the early 1980s,” she writes, “but I feel there’s a strong connection to Shintoism and its respect for and connection with nature. Practicing Shinrin Yoku is a form of meditation that draws calmness from being in nature. I have often experienced this sense of peace and calm when alone in a bamboo grove. I guess this is a good time in my life to remember those moments. Wish I could capture them again.” Want to know more? Amazon lists Forest Breathing: How Trees Can Bring You Health and Happiness as having 4.5 stars from 777 reviewers. 

At browngrotta arts we also have a group of recommendations — all of which are found on our website. First, our most recent book, Gyöngy Laky: Screwing with Order — assorted art, actions and creative practice with text by Mija Reidel, David M. Roth, and design by Tom Grotta. At 328 pages, it is the first comprehensive monograph on the work of this exceptional artist. It looks at her life from three perspectives: “Laky’s personal story of immigration and education is narrated by arts and culture writer, Mija Reidel. An assessment of the evolution and impetus for Laky’s work is given by David M. Roth, editor and publisher of Squarecylinder, a San Francisco Bay Area online visual art magazine. Finally, images of forms, vessels, and wall works provide insight into Laky’s studio practice, activism, and philosophy of sustainable art and design, original thinking, and the value of the unexpected.” (“Celebrating Gyöngy Laky,” Selvedge Magazine, July 17, 2022).

Gyöngy Laky: Screwing with Order — assorted art, actions and creative practice and Ferne Jacobs: Building the Essentials

An expansive catalog was also created in conjunction with the retrospective of Ferne Jacob’s work at the Craft in Americagallery in Los Angeles. You can obtain a copy of Ferne Jacobs: Building the Essentials on our website. Jacobs has been at the forefront of the revolution in fiber art since the 1960s, She has pioneered ways to create a new category of sculpture. Transforming materials and pushing boundaries, she builds solid structures with coiled, twined, and knotted thread. This exhibition was the first to survey more than 50 years of Jacobs’ pivotal and timeless work through the present. Jacobs’ intimate drawings and collage diaries, which had never been publicly displayed, were included providing an additional lens into her vision, inspiration, and philosophical perspective. 

Crowdsourcing the Collective. a survey of textile and multimedia art and Allies for Art: work from NATO-related countries

Two of our 2023 exhibition catalogs are available from our store. Crowdsourcing the Collective. a survey of textile and multimedia art (148 pages) features 42 international artists whose work illustrates the vitality of art textiles, ceramics and mixed media. The artists come from four continents and work in a wide varity of materials and techniques: tapestries of silk and agave, sculptures of seaweed, seagrass and willow, wall works made of sandpaper, hemp and horsehair, and ceramics of Shigaraki clay. Our most recent catalog, published in October is Allies for Art: work from NATO-related countries (148 pages). It showcases work by nearly 50 artists from 21 countries made from the 1960s through the present. The diverse fiber works and sculpture in the exhibition were created by artists who fled repressive regimes, who have worked under and around government restrictions and who have been influenced by current political instability in Europe. The catlog includes 132 photos and an essay by Kate Bonansinga, Director, School of Art, College of Design, Architecture, Art, and Planning at the University of Cincinnati, Ohio. 

Good gifting and good reading!!

Books Make Great Gifts, Part 1

December 7, 2022 0 Comment

Another year, another interesting and eclectic round up of reading recommendations. There are so many good choices from our artists this year that we are dividing them into two posts. This week, a plethora of art books. Next week, a mix of fiction, nonfiction and browngrotta arts’ suggestions.

Garden, by Derek Jarman, Art Forms in the Plant World by Karl Blossfeldt, and Champs D’Oeuvre by Frank Stella
Garden, by Derek Jarman, Art Forms in the Plant World by Karl Blossfeldt, and  Champs d’Oeuvre by Frank Stella

Art books always make up a good portion of our list, and this year is no exception. Shoko Fukuda told us about three books: Garden, by Derek Jarman, Art Forms in the Plant World by Karl Blossfeldt, and  Champs d’Oeuvre by Frank Stella. Heidrun Schimmel says that “in spite of all the trouble and problems with the documenta fifteen exhibition in Kassel, Germany this year,  it was an important exhibition event with a good catalog: Documenta Fifteen: Handbook, (English ed., Hatje Cantz, Stuttgart, Germany, 2022). 

Documenta Fifteen: Handbook, Lee Bontecou
Documenta Fifteen: Handbook and Lee Bontecou

Stéphanie Jacques discovered an artist that she did not know this year and a catalog about her, Lee Bontecou, that was “a good door to go inside her world.” Jacques says she was “overwhelmed by her sculptures and her engravings, her drawings. And how she always continued to invent and manufacture her unusual materials.”

Conversations Avec Denise René and Was ist ein Künstler? by Verena Kreiger
Conversations Avec Denise René and Was ist ein Künstler? by Verena Kreiger

From Korea, Young-ok Shin read the following book “with great interest” this year: 5000 Years of Korean Textiles: An Illustrated History and Technical Survey by Yeon-ok Sim (available in libraries). She also recommends Conversations Avec Denise René (in French). Denise René was a gallerist in France who specialized in kinetic and op art. And, another look at art (in German), Was ist ein Künstler? by Verena Kreiger.

Artist Begins Her Life's Work at 72, by Molly Peacock and Last Light, How 6 great artists made old age a time of triumph by Richard Lacayo
The Paper Garden: An Artist Begins Her Life’s Work at 72, by Molly Peacock and Last Light, How 6 great artists made old age a time of triumph by Richard Lacayo

This year, Polly Barton “loved” The Paper Garden: An Artist Begins Her Life’s Work at 72, by Molly Peacock. “Mary Delaney’s work with color, dyes and flowers through collage, as well as her life story was deeply inspiring to me,” Barton writes. “In the contemplation of each flower as a product of a period in the artist’s life, I found myself reflecting on my own forty years of work in woven ikat. It is a quiet, absorbing, book. The images a treat for the eyes.” She highly recommends it. Polly Sutton found the stories of older artists of interest, too. She has been reading Last Light, How 6 Great Artists Made Old Age a Time of Triumph by Richard Lacayo. “The book is heavy in more ways than one, while reading myself to sleep!” she writes. “But it is compelling to understand these artists’ productive later years.” Gertrud Hals also recommended 

Simone Pheulpin: Cercle d’art and  Kiki Smith, Camille Morineau, SilvanaEditoriale
Simone Pheulpin: Cercle d’art and  Kiki Smith, Camille Morineau, Silvana Editoriale

Simone Pheulpin: Cercle d’art (available from browngrotta arts) about the 81-year old French artists’ unique works of cotton tapes and stainless steel pins and the monograph from Kiki Smith’s major exhibition in France in 2019 and 2020, Kiki Smith, Camille Morineau, Silvana Editoriale.

Ninth Street Women by Mary Gabriel and What Artists Wear by Charlie Porter
Ninth Street Women by Mary Gabriel and What Artists Wear by Charlie Porter
How Art Can Be Thought by Allan deSouza and Cy Twombly: The Sculpture by Hatje Kantz
How Art Can Be Thought by Allan deSouza and Cy Twombly: The Sculpture by Hatje Kantz

Aby Mackie tells us that her “all-time favorite art book” is Ninth Street Women by Mary Gabriel. The publisher describes the book as, “Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of 20th-century abstract painting — not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come.” Aby has been reading this year, and recommends, an additional group of art books: What Artists Wear by Charlie Porter and How Art Can Be Thought by Allan deSouza; and Cy Twombly: The Sculpture by Hatje Kantz. 

Teresa Lanceta Weaving as Open Source by MACBA and Louise Bourgeois: The Woven Child by Hatje Kantz
Teresa Lanceta Weaving as Open Source by MACBA and Louise Bourgeois: The Woven Child by Hatje Kantz

Two of the recommended books reference weaving:  Teresa Lanceta Weaving as Open Source by MACBA and Louise Bourgeois: The Woven Child by Hatje Kantz, which documents that artist’s fiber works from the last two decades of her life.

The Story of Art Without Men by Katy Hessel
The Story of Art Without Men by Katy Hessel

Her last recommendation is a book that redresses an historic imbalance: The Story of Art Without Men by Katy Hessel which promises you will have “your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed,” through 300 works of art from the Renaissance to the present day.

Chunghi Choo and Her Students: Contemporary Art and New Forms in Metal and Magdalena Abakanowicz, Writings and Conversations
Chunghi Choo and Her Students: Contemporary Art and New Forms in Metal and Magdalena Abakanowicz, Writings and Conversations

Just out this past fall, Chunghi Choo and Her Students: Contemporary Art and New Forms in Metal, a large-sized book of lush photographs of Choo’s work in fiber and metal, is recommended by Mary Merkel-Hess (and browngrotta arts). “Jane C. Milosch, the editor, has written a fascinating biography of Choo’s life from her childhood in South Korea through her study at Cranbrook, her teaching at the University of Iowa and her rise as a world-famous artist,” she writes. The book also includes short sections and photographs of work by 30 of her students, including Mary Merkel-Hess, Sun-Kyung Sun, Jocelyn Chateauvert and Sam Gassman. The students’ works show how techniques learnt in a metal program are impressively transferred to other fields of art.

Last, but certainly not least, Rachel Max calls out a “amazing” book: Magdalena Abakanowicz, Writings and Conversations, which she is reading after seeing the brilliant Abakanowicz show at the Tate in London. “It’s an incredible compendium of archival material and a fascinating insight into Abakanowicz’s creative mind,” Rachel says. “She talks of her necessity to create and of soft materials and weaving as something which enabled her to realize her ideas. She also talks of her pieces as compositions in space, of their scale and sense of movement and ours as we walk through her installations. Her Abakans, she says, are ‘shelters’, objects of protection, a second skin and even to some extent mobile homes, giant pockets of interior and exterior spaces. Hardly surprising given that Abakanowicz’s whole life was in her own words, ‘formed and deformed by wars and revolutions of various kinds’.  Art, she says, tells about reality because it springs from the reality from which it develops.” Rachel wishes to some extent that she’d started reading this book before visiting the exhibition, that artist’s “voice feels so present and strong and her words and thoughts so insightful.”

So many books, so little time!

Good gifting and great reading.

Hot Off the Presses! Gyöngy Laky: Screwing With Order Now Available

June 22, 2022 0 Comment
Rib Structure, 1988 and her book Gyöngy Laky: Screwing With Order, Assembled Art, actions and creative practice. Photo by Tom Grotta.

We are thrilled to report that copies browngrotta arts’ latest book, Gyöngy Laky: Screwing With Order, Assembled Art, actions and creative practice, have arrived in the US from our publishing partner arnoldsche art publishers in Stuttgart, Germany. Order a copy on our website: http://browngrotta.com. Designed by Tom Grotta, with text edit assistance from Laky and Rhonda Brown, and featuring Tom’s photography and that of several other photographers, the book examines the career of renowned textile artist and sculptor Gyöngy Laky from three perspectives. First, is Laky’s personal story of immigration and education narrated by arts and culture writer, Mija Reidel. Second, is an assessment of the evolution and impetus for Laky’s artwork by David M. Roth, editor and publisher of Squarecylinder, a San Francisco Bay Area online visual art magazine. Third, are images of forms, vessels and wall works, 249 pages, divided into seven sections: Drawings in Air, Grids, Vessels, Words & Letters, Signs & Symbols, Site Installations, and Abstractions.

Sun Stream, 1995 and Flat Figure, 1992

Laky has been described as a “wood whisperer.” Her highly individual, puzzle-like assemblages of timber and textiles helped propel the growth of the contemporary fiber-arts movement. Laky’s art reflects an extraordinary personal story: Born amid the bombings of World War II, escaping from post-war, Soviet-dominated Hungary to a sponsor family in Ohio, attending grade school in Oklahoma, studying at the University of California, Berkeley and in India, then founding Fiberworks Center for Textile Arts in the 1970s and fostering innovations as a professor at the University of California, Davis. And, since the late 60s, she has been creating individual works and installations in the US and abroad. 

Line, 1992 and Oll Korrect, 1998

Laky’s oeuvre, which reflects those experiences, “defies easy classification,” writes David M. Roth. “It draws on the history of indigenous people using found or harvested objects to create art and basic necessities; the 20th-century tradition of using found objects in collage,assemblage and sculpture; and the design and engineering principles that undergird contemporary architecture.“ Symbols and three-dimensional words feature in much of Laky’s work — using wood in this way, Roth posits, is akin to learning a foreign language, and Laky is conversant in more than a dozen,”becoming conversant in the dialects ‘spoken’ by each species.” Pieces like Line have been described as “cheeky.” Letters in works like Lag can be read in more than one way — in this case, as “Gal,” a statement on the hiring of women faculty at the University of California. “[It’s] an intellectual kind of play,” says Bruce Pepich, executive director and curator of collections at the Racine Art Museum, in Wisconsin.”It’s not a conventional sense of humor, but it’s the kind one gets from walking into various layers that exist in objects …You can take them at face value, but the more questions you ask, the deeper your engagement goes.” You can engage with more of Laky’s story and her art in Screwing with Order. The book provides insight into Laky’s studio practice, activism, and teaching philosophy, which champions sustainable art and design, original thinking, and the value of the unexpected.

Detail: Natura Facit Saltum, 2011 . Photo by Tom Grotta.

Books Make Great Gifts 2021, Part Two: Novels, Art Books and the Like

December 8, 2021 0 Comment

2021 has brought us a bumper crop of book recommendations. In Part One, we looked a biographies and autobiographies. This week. in Part Two will look at a broader list — novels, art and reference books, politics and philosophy and a charming children’s biography of Ruth Asawa that we didn’t discover until after Part One was posted.

Nocturnes by Kazue Ishiguro and Netsuke Soseki And Then
Putas asesinas / Murdering Whores

Novels:

Wlodmierz Cygan recommended Nocturnes, Five Stories of Music and Nightfall, by Kazuo Ishiguro. Tamiko Kawata is rereading another Japanese novelist, Soseki Netsuke, while on an exercise bike — currently Sorekara. Carolina Yrrazaval is finding  Putas Asesinas by Roberto Bplagno, Murdering Whores in English, “very interesting.”

Bauhaus Textiles, Art for the built environment in the Province of Ontario
Soft Art and Te Aho Tap
Beyond Craft: the art of fabric and Anna Albers on Weaving

Art and Reference Books:

Young Ok Shin offered us a sampling of favorite books from her bookshelf — those of lasting import:

Bauhaus Textiles (T&H, London, 1993), by Sigrid Wortmann Weltge (who wriote the essay in our catalog, Lenore Tawney: celebrating five decades of work); Art in Architecture, Jeanne Parkin (Visual Arts, Ontario 1982); Soft Art, Erika Billetier (Benteli 1980); Te Aho Tapu–The Sacred Thread, Mick Pendergrast (Reed Publishing, NZ, 1987). This book is based on the Te Aho Tapu exhibition of traditional Mâori clothing, mainly cloaks, put on by the Auckland Institute and Museum; Beyond Craft: the art fabric, Mildred Constantine and Jack Lenor Larsen (Van Nostrand Reinhold Co, 1973) and On Weaving. Anni Albers (Wesleyan University Press, 1974).

Basketry and The Grotta Home by Richard Meier

Stéphanie Jacques has a classic that she returns to again and again: Hisako Sekijima’s  Basketry, projects from baskets to grass slippers (Kodansha USA, 1986).

Woman Made and Japandi

The Grotta Home by Richard Meier: A Marriage of Architecture and Craft (Arnoldsche, 2019) remains Dawn MacNutt’s “fave and inspiration.” She kindly shared a comment on the book from her correspondence with the late Jack Lenor Larsen: “Have you seen the newest Grotta Book?. It’s spectacular and a durable tribute to Son and Author.” Well, we can’t argue with that! At browngrotta arts we recommend Women Made: Great Women Designers (Phaidon 2021). The Wall Street Journal says it’s: “Thoroughly international in scope… a compendium of disarming surprises.” We’d also recommend our Japandí catalog (Japandí: shared aesthetics and influences, browngrotta arts 2021) our best-selling catalog of the year.

Webster's Third New International Dictionary

“Recently, I had to discard our family dictionary that I’ve depended on for 50 years,” Wendy Wahl, writes. “I could no longer engage daily with my trusted lexicon because every time I turned the pages to discover a new word it released its microbial matter causing me to sneeze. As much as I loved this book I knew it was time to let it go. This Webster’s Third New International Dictionary has been temporarily replaced by a two-volume World Book Dictionary set from my collection of encyclopedic materials reserved for artwork. Fortunately, WTNID, while not cloth bound, is still in print and available from amazon.”

Craft An American History

Annette Bellamy and James Bassler both recommended Craft: An American History by Glenn Adamson (who wrote the essay in our Volume 50 catalog in 2020). “Well worth reading!,” says Bellamy.

Undinge and Say it Loud

Politics and Philosophy:

“The most important book for me this year is Un-Dinge written by the philosopher Han, Byung-Chul,” says Heidrun Schimmel (Ullstein, Berlin 2021)There are some essays about ” our hand”, meaning “working by hand,” today in our digital world, she says. “This fact is very interesting for me as ‘craft artist.'”

Caste by Isabel Wilkerson

Say it Loud by Randall Kennedy (Random House, 2021) is Polly Sutton’s choice. It’s a collection of provocative essays exploring the key social justice issues of our time—from George Floyd to antiracism to inequality and the Supreme Court. The New York Times says Kennedy is “among the most incisive American commentators on race.” James Bassler has just begun Caste: The Origins of Our Discontent, by Isabel Wilkerson (Random House, 2020) highly recommended last year, too, by Gyöngy Laky.

biography of Ruth Asawa

One more biography:

While gift hunting this season, we discovered Andrea D’Aquino’s biography of Ruth Asawa (A Life Made by Hand: The Story of Ruth Asawa (Princeton University Press, 2019) for children. It is lovely and informative. D’Aquino is an artist. The book is charmingly illustrated, describing Asawa’s interest in spider webs and education in wire work in Mexico. It includes additional factual information in the back and also an activity guide.

To a Year of Good Reading in 2022!

Books Make Great Gifts Part One: the Lives of Others

November 17, 2021 0 Comment

We don’t know about you, but we’ve gotten a sort of voyueristic pleasure out of seeing people’s kitchens, living rooms and even bedrooms on Zoom calls and tv interviews for the last year and a-half. We’ve enjoyed seeing the art and decor and occasional cat, dog or child walk by. Is that the same impulse that spurred browngrotta arts’ artists to go heavy on memoirs and biographies this year? We can’t say for sure, but they surely have. Here are their recommendations and one of ours, as well.

Fate and Art

Gyöngy Laky wrote eloquently about her re-reading of Fate and Art, the illustrated autobiography of pioneering Polish sculptor, Magdalena Abakanowicz, whose organic installations explored the politics of space in presciently fresh ways.

“This work it is not a woven Abakan nor a Bronze Crowd,” writes Laky. “It is Abakanowicz speaking to us directly herself in a most intimate and electrifying way.  The first edition of Fate and Art, a monologue in her own words, was published in 2008.  This second edition was initiated and overseen by Mary Jane Jacob, renowned American curator, writer, and professor at the School of the Art Institute of Chicago.  It was published in 2020 in the midst of an unexpected and deadly virus pandemic that is responsible for the deaths of nearly 800,000 Americans, more than in all the wars in which the US engaged since 1898.” In the current struggle, Laky sees an echo of WWII’s horrific conflict. Abakanowicz was 9, growing up in Poland, when the Nazis invaded. “Experiences that might have defeated others forged an artist whose works express the power, intensity and mystery of human existence,” Laky observes.

“Abakanowicz writes in English, an adopted language – every sentence honed to poetic perfection with each recounted episode providing the strong intellectual and emotional impact so characteristic of the muscle and might of her sculptures and installations,” says Laky.

“She was absorbed by the physical world around her.  She writes of her childhood, ‘The urge to have around me, to touch, to hoard —twigs, stones, shards and bark— continued.  They embodied stories with which I wanted to live.’  Those stories she absorbed and magnified to build the large themes of her work.”

Laky recommends that, if you did not read this captivating book in 2008, you should read it now.  “Given the magnitude of the struggles we face today, Abakanowicz’s life and art will renew inspiration to hope, to act and to create.  This monologue will regenerate belief in human resilience, so well expressed through her stirring and thought provoking narrative and in her art.” 

Everything She Touched: the life of Ruth Asawa and Silence and Beauty by Makoto Fugimura

Tamiko Kawata also recommended an artist’s biography, Everything She Touched: the life of Ruth Asawa. Mary-Merkel-Hess did, too: Silence and Beauty by Makoto Fugimura. “I have been following Makoto Fugimura,” Merkel-Hess writes.. He is a Japanese American, a Christian, a writer as well as an artist and recently had a show at the High Line Nine Gallery in Manhattan. As a Japanese artist and a Christian he was an advisor to Martin Scorsese during the filming of the movie Silence based on the 1966 novel by Shisaku Endo also called Silence. Both the book and the movie tell the story of the martyrdom of Japanese Christians in the late 17th century.” Fugimura’s book Silence and Beauty is an extended reflection on Endo’s novel, the nature of art and how Fugimura’s faith journey overlaps with Endo’s. Fugimura recently published another book called Art and Faith: A Theology of Making (2020).

Anita Pittoni's diaries and articles

Stéphanie Jacques has been reading Anita Pittoni’s diaries and articles, Anita Pittoni: Journal 1944-1945, and a postface by Christina Benussi, Journal 1944-1945 (Editions La Baconnière, Genève). The author was a textile designer,  an artist, a writer and an editor. The book is in French, but she provided us a translated passage: “For me, writing is made exactly like a fabric, it brings me back to my humble artisan work (…); the same law governs me, makes me perform the same movements, so that the material and the structure of the fabric, made of stitches that are linked rather than tight threads, follows the thread of my thought.” Also on Jacques’ nightstand, a memoir of Belgian choreographer Anne Teresa De Keersmaeker, Incarneune abstraction /Embodying an abstraction, bilingual edition French-English (Actes Sud, 2020) summarizing her career and artistic aims. Shaped by 40 years of research and risk-taking, she takes the reader on a journey — each chapter is inspired by major encounters: from Constantin Brancusi and Trisha Brown to Johann Sebastian Bach and Pythagoras.

The Luminous Solution

Lizzie Farey is reading The Luminous Solution by Charlotte Wood (Allen & Unwin, 2021) “Drawing on research and decades of observant conversation and immersive reading,” Farey writes, “Wood shares what artists can teach the rest of us about inspiration and hard work, how to pursue truth in art and life, and how to find courage during difficult times.” Charlotte Wood is one of Australia’s most provocative and gifted writers, Farey notes, an award-winning author, and, just happens to be, Lizzie’s cousin. In the Preface, Wood writes, “A rich inner life is not just the preserve of the arts. The joys, fears and profound self-discoveries of creativity — through making or building anything that wasn’t there before, any imaginative exploration or attempt to invent — I believe to be the birthright of every person on this earth.  If you live your life with curiosity and intention – or would like to — this book is for you.”

Poet Warrior

Poet Warrior is a beautifully written memoir by Joy Harjo, the first Native American to serve as U.S. poet laureate, recommended by Annette Bellamy. Harjo shares with readers the heartaches, losses, and humble realizations of her “poet-warrior” road. Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice.

Michelangelo in Ravensbruck

Polly Sutton referred to us Michelangelo in Ravensbruck. The inspiring and beautifully written memoir records a neglected side of World War II: the mass murder of Poles, the serial horrors inflicted by both Russians and Nazis, and the immense courage of those who resisted. The memoir is of Countess Karolina Lanckoronska, a professor and wealthy landowner, who joined the Polish underground in 1939, was arrested, sentenced to death, and was held in Ravensbruck concentration camp. There she taught art history to other women who, like her, might be dead in a few days. 

The remarkable life story of the pioneering surgeon, Samuel Pozzi, is the subject of The Man in the Red Coat by Julian Barnes, which was recommended by Włodzimierz Cygan. Pozzi was a society doctor, free-thinker and man of science with a famously complicated private life who was the subject of one of John Singer Sargent’s greatest portraits. Barnes’ story of Belle Epoque Paris features Henry James, Sarah Bernhardt, Oscar Wilde, Proust, James Whistler, among others and holds more parallels to our own age than we might imagine.

, (Nina M. Schjønsby (ed.) Arnoldsche). This monograph tells the story of Sætrang (b. 1946) and he

We would add to this list, Bente Sætrang, (Nina M. Schjønsby (ed.) Arnoldsche). This monograph tells the story of Sætrang (b. 1946) and her 40-year commitment to the medium of textile. She is known for her intensive investigation of trompe l’oeil drapery, bold textile printing, monumental abstract color studies, and charcoal drawings. She was Norway’s first professor of textile art, and her political engagement and unique knowledge of color and textile qualities permeate her work. Through essays, poems, interviews, montages, and rich imagery, this monograph sheds light on the different phases of Sætrang’s artistic practice.

1000 years of Joys and Sorrows

Last, but certainly not least, Ai Weiwei’s much-anticipated memoir, 1000 Years of Joys and Sorrows: A Memoir (Random House) is just published. It tells a century-long epic tale of China through the story of his own extraordinary life and the legacy of his father, the nation’s most celebrated poet and is, according to Michiko Kakutani, “an impassioned testament to the enduring powers of art.” Edward Snowden’s notes on the book and what it has to tell us about freedom (“The message that emerges from Ai’s work is that the truest resistance to the oppression of conformity is the riot of human diversity,….”) can be found here: https://edwardsnowden.substack.com/p/culturalrevolutions

This list may offer you enough reading inspiration for all of 2022, but there are more recommendations on the way! Watch for Books Make Great Gifts, Part Two: Novels, Art Books and the Like on arttextstyle next month.

Books Make Great Gifts 2020 Edition

December 18, 2020 0 Comment
Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures
Photo from Amazon. The book was dampened
and inoculated with Pleurotus (oyster mushroom) mycelium. The mycelium then digested the pages – and the words – of the book, and sprouted over the
course of seven days. Pleurotus can digest many things – from crude oil to used cigarette butts – and is one of the fungal species that shows the most promise in mycoremediation. It is also delicious when fried lightly with garlic and will make it possible for the author to eat his words. Photo Credit: DRK Videography

Book sales are up nationwide and the artists promoted by browngrotta arts have done their share of reading this year. Polly Sutton pulled Michelangelo and the Pope’s Ceiling by Ross King (Penguin) off her shelf where it had been sitting for years. “Worth it,” she says. Nenna Okore recommends 50 Women Sculptors, from Aurora Metro Books. The book, which challenges the perception that sculpture is a male pursuit, features Okore’s work and that of Louise Bourgeois, Ruth Asawa, Yayoi Kasuma and others.

“If you’re curious about the weird wonderful world of mushrooms and how we are related to the Fungi Kingdom, then Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures (Random House) is a literary journey to take,” writes Wendy Wahl. “Merlin Sheldrake stitches together a story of our co-evolution offering scientific and historical analysis in a captivating and thought-provoking way. The author transports the reader into the Fungi Kingdom revealing the mysterious maneuverings of this powerful part of nature’s network and the filament threads that binds us together. In two hundred and twenty five pages followed by chapter notes and bibliography, this is a book with doors to unusual discoveries and pathways of connecting in all directions.”


Caste: The Origins of Our Discontents by Isabel Wilkerson (independently published) is excellent”, says Gyöngy Laky. “Difficult and painful… a must read for every adult person in the U S… should be mandatory reading in high school.” 

L’art du fil, by Marie-Madeleine Masse


Randy Walker recommends a new book from France, L’art du fil, by Marie-Madeleine Masse, published in October by Alternatives press. From the book’s press notes,  photos and embroidered ceramics, arachnean sculptures or totem tapestries … the thread never ceases to inspire contemporary artists from here and elsewhere, as superbly evidenced by the 80 international designers selected in this book one of whom is Walker. “The book is inspiring to me,” he writes,” because it exemplifies how fiber-based work is translated to many scales and contexts and that small, gallery-scale work can and should be celebrated alongside larger works.” 


Objects USA 2020

At browngrotta arts we took note of three beautiful art books that arrived in 2020. First up, Objects USA 2020 (Monacelli Press), with essays by Glenn Adamson and others. In 1969, the Objects: USA  exhibition opened at the Smithsonian Institution, travelling to 22 venues. The exhibtion defined the American studio craft movement. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog–which has become a bible of sorts to curators, gallerists, dealers, craftspeople, artists, and auction houses–by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use–and upend–the traditional methods and materials of craft to create new forms of art.

Olga de Amaral: To Weave a Rock

Another visually striking volume, Olga de Amaral: To Weave a Rock (Arnoldsche) traces Amaral’s career over five decades, features more than 40 key pieces of work, and examines the artist’s oeuvre through the lens of contemporary and fiber art. Olga de Amaral: To Weave a Rock celebrates an artist who for decades has gracefully produced across traditional divides: fine art and craft, local and universal, ethereal and material. Published to accompany an exhibition at Cranbrook Art Museum, Bloomfield Hills (US), between 19 November 2020 and 7 March 2021, and The Museum of Fine Arts, Houston (US) between 27 June to 19 September 2021, and at Museum of Arts and Design, New York (US), between 21 October 2021 and 27 February 2022.

Signe Mayfield

Published in 2018, but new to us is Anchors in Time: Dominic di Mare by Signe Mayfield (Fine Arts Press). The book includes insightful essays, but much of it features full-page photos of DiMare’s meticulously crafted constructions and detailed oil paintings.The book was produced in conjunction with an exhibition of DiMare’s work at the Museum of Craft and Design in San Francisco, California in 2018. 

Agneta Hobin

Last but nowhere near least, Agneta Hobin oversaw the publication of Agneta Hobin, this year which features lush photographs of her work, a passel of family and historical photos and text in English and Danish. You can puchase the book at browngrotta arts http://store.browngrotta.com
/agneta-hobin/.

Books Make Great Gifts 2019 Edition

December 4, 2019 0 Comment
From Tapestry to Fiber Art: The Lausanne Biennials 1962-1995

We’ve gathered another year of varied and interesting book recommendations. Gyöngy Laky recommends From Tapestry to Fiber Art: Lausanne Biennials 1962-95 by Giselle Eberhard Cotton and Magali Junet of Fondation Toms Pauli, Lausanne, Switzerland, a book bag recommends as well. “The book describes and illustrates the worldwide exuberance of an art movement that burst, with new energy, onto the world stage of avant garde art in the 1960s and 70s,” she writes.  “The title might fool a reader into believing that the artwork within is traditional weaving, but the cover shouts the excitement to be found within its pages. Nearly 6,000 miles away in Berkeley, California, my artist friends and I were inspired and energized by the sculptural works the Biennales Internationale de la Tapisserie presented at the Musee Cantonal des Beaux Arts.  Not only were many of the works exhibited monumental, they were also breaking with traditional forms and expanding what this astoundingly flexible art medium could be.” The first of Laky’s friends to be included in one of the Biennales, she recalls, was artist Lia Cook. Several years later, in 1989, Laky’s seven-and-a-half-foot high sculpture, That Word, was exhibited in Lausanne. It’s now housed in the Federal Courthouse in San Francisco.

Cotton and Junet are joined by other contributors who, together, give a thoughtful and well-researched view of the development of this art form from the early Biennales to present day.  “Reading this book and viewing the illustrations will provide an understanding of how this movement became so dynamic and why it continues to be so today,” Laky predicts. “Holland Cotter is quoted from a review in 2014, ‘The major art critics are acknowledging what artists have always known, that textile materiality with all its gravity, responsiveness and connections to life and loss holds tremendous capacity to speak to issues of our human condition.'”

Overwhelmed: Literature, Aesthetics, and the Nineteenth-Century Information Revolution


Earlier this year Princeton Press solicited an image of Wendy Wahl’s Branches Unbound, aninstallation at the Grand Rapids Arts Museum 2011, for the cover its forthcoming book by Maurice S. Lee. Wahl writes that she received her copy of Overwhelmed: Literature, Aesthetics and the Nineteenth-Century Information Revolution and, “I am completely delighted. My not-quite-natural trees of deconstructed Encyclopedia Britannica volumes are a fitting image for a book with chapters titled Reading, Searching, Counting and Testing. The author’s historically grounded exploration of the 19th and 20th centuries’ intersection of literature and information offers new ways to think about the 21st century digital humanities.

The Songs of Trees
The Overstory by Richard Powers


We received four recommendations from Chris Drury: The Songs of Trees by David George Haskell, The Overstory by Richard Powers, Underland by Robert MacFarlane and The Wisdom of Wolves by Elli H Radinger.

Underland by Robert MacFarlane
The Wisdom of Wolves

I’m really enjoying The Golden Thread: How Fabric Changed History by Kassia St Clair at the moment, reports Laura Thomas.

The book offers insights into the economic and social dimensions of clothmaking―and counters the enduring association of textiles as “merely women’s work.”

A House in Norway by Vigdis Hjorth


Stéphanie Jacques is reading A House in Norway by Vigdis Hjorth, a novel in which the main character is a woman who is also a textile artist. “You follow her,” she says, “in her creative process and in the difficulties with her neighbors.” Jacques also recommends Hisako Sekijima’s Basketry: Projects from Baskets to Grass Slippers.

Basketry: Projects from Baskets to Glass Slippers

“Not really a new one ;-),” she says, “but for me this book is a gift to get back to basketry in the spring.” 

The Buried: An Archaeology of The Egyptian Revolution

“My favorite book this year was The Buried: An Archaeology of the Egyptian Revolution by Peter Hessler,” writes Mary Merkel-Hess. “The author is well known for his previous books about living in China. In 2011, he moved to Cairo with his wife and infant twin daughters to learn Arabic and write about the Middle East and soon found himself caught up in the Arab Spring. This book is about that political upheaval but also a very human story about living in Cairo, exploring ancient archaeological sites as well as navigating the political unrest of modern Egypt. I had the great good fortune to visit Egypt for several lengthy periods in 2007-8 and this book explained much about a culture that I found fascinating, baffling and at times, frustrating.”

Mrinalini Mukherjee

were two books that we were pleased to add to browngrotta arts’ library this year. First was Mrinalini Mukherjee by Shanay Jhaveri. Mukherjee’s work, which is on exhibit in the new galleries at MoMA, was not exhibited in the US until after her death in 2015. As the book notes explain, “Within her immediate artistic milieu in post-independent India, Mukherjee was an outlier artists. Her art remained untethered to the dominant commitments of painting and figural storytelling. Her sculpture was sustained by a knowledge of traditional Indian and historic European sculpture, folk art, modern design, local crafts and textiles. Knotting was the principal gesture of Mukherjee’s technique, evident from the very start of her practice. Working intuitively, she never resorted to a sketch, model or preparatory drawing. Probing the divide between figuration and abstraction, Mukherjee would fashion unusual, mysterious, sensual and, at times, unsettlingly grotesque forms, commanding in their presence and scale.”

Lenore Tawney: Mirror of the Universe

The second was Lenore Tawney: Mirror of the Universe, Karen Patterson, Editor. The book notes, explain that Tawney was known for employing an ancient Peruvian gauze weave technique to create a painterly effect that appeared to float in space rather than cling to the wall. She was known, too, for being one of the first artists to blend sculptural techniques with weaving practices and pioneering a new direction in fiber art, in the process. Tawney has only recently begun to receive her due from the greater art world. She is currently the subject of a four-exhibition retrospective at the John Michael Kohler Arts Center. This book accompanies the exhibition and features a comprehensive biography of Tawney, additional essays on her work and two hundred full-color illustrations, making it of interest to contemporary artists, art historians and the growing audience for fiber art.