Search Results for "pioneers"

browngrotta arts Returns to SOFA Chicago, November 5-8th

627mr PapelionIidae, Mariette Rousseau-Vermette wool, steel, 54” x 54” x 16”, 2000

627mr PapelionIidae, Mariette Rousseau-Vermette
wool, steel, 54” x 54” x 16”, 2000

After a few-year hiatus, browngrotta arts will return to the Sculpture, Objects, and Functional Art Exposition at the Navy Pier in Chicago next month. We’ll be reprising our most recent exhibition, Influence and Evolution: Fiber Sculpture…then and now, with different works for a number of artists, including Naoko Serino, Kay Sekimachi, Anda Klancic, Ritzi Jacobi, Randy Walker, Mariette Rousseau-Vermette, Carolina Yrarrázaval and Lenore Tawney. Other artists whose work will be featured in browngrotta arts’ exhibit are Magdalena Abakanowicz, Adela Akers, Lia Cook, Sheila Hicks, Masakazu Kobayashi, Naomi Kobayashi, Luba Krejci, Jolanta Owidzka, Ed Rossbach, Sherri Smith, Carole Fréve, Susie Gillespie, Stéphanie Jacques, Tim Johnson, Marianne Kemp, Federica Luzzi, Rachel Max, Eduardo Portillo & Mariá Eugenia Dávila, Michael Radyk and Gizella K Warburton. SOFA will publish a related essay, Fiber Art Pioneers: Pushing the Pliable Plane by Jo Ann C. Stabb,
on the origins of the contemporary fiber movement.

1cy AZUL Y NEGR Carolina Yrarrázaval rayon, cotton 116" x 40.5”, 2003

1cy AZUL Y NEGR
Carolina Yrarrázaval
rayon, cotton
116″ x 40.5”, 2003

Now in its 22nd year, SOFA CHICAGO is a must-attend art fair, attracting more than 36,000 collectors, museum groups, curators and art patrons to view museum-quality works of art from 70+ international galleries. After a nationwide competition, SOFA CHICAGO recently placed #7 in the USA Today Reader’s Choice 10 Best Art Events.New this year, SOFA CHICAGO will unveil a revamped floorplan created by Chicago architects Cheryl Noel and Ravi Ricker of Wrap Architecture. The re-envisioned design will create a more open and cohesive show layout, allowing visitors to explore the fair in a more engaging way. Changes include a new, centrally located main entrance where browngrotta arts’ booth, 921, will be located. Cheryl Noel of Wrap Architecture adds, “The most effective urban contexts contain distinct places within the larger space, corridors with visual interest and clear paths with fluid circulation. We believe this new floorplan will capture the spirit of the art and be an expression of the work itself, exploring form and materiality, with the same level of design rigor applied.”

1rw SAW PIECE NO.4 (AUTUMN) Randy Walker, salvaged bucksaw, steel rod, nylon thread 42" x 96" x 26", 2006, Photo by Tom Grotta

1rw SAW PIECE NO.4 (AUTUMN)
Randy Walker, salvaged bucksaw, steel rod, nylon thread
42″ x 96″ x 26″, 2006, Photo by Tom Grotta

On Friday, November 6th, from 12:30 to 2:30, Michael Radyk will be at browngrotta arts’ booth to discuss his Swan Point series, Jacquard textiles created to be cut and manipulated after being taken off the loom, in which Radyk was trying “to bring the artist’s hand back into the industrial Jacquard weaving process.” SOFA opens with a VIP preview on Thursday, November 5th, from 5 pm to 9 pm. The hours for Friday and Saturday are 11 am – 7 pm; and 12 to 6 pm on Sunday the 8th. SOFA is in the Festival Hall, Navy Pier, 600 East Grand Avenue Chicago, IL 60611. Hope to see you there!


The Resurgence of Interest in Fiber Sculpture and Art Textiles Will Continue in 2015

Last year was an extraordinary one for those of us who appreciate contemporary art fiber and art textiles. More than 10 exhibitions opened in the US and abroad. In October, the art newspaper reported that “textiles are gaining international stature in art museums” and further that “[c]ommercial interest is on the rise,” quoting art advisor Emily Tsingou: “Textile [art] has entered the mainstream.” Soft Fabrics-Have Solid Appeal. Below is a roundup of exhibitions and reviews from last year and a guide to what to expect in 2015.

Mainstream attention began with the coverage of Sheila Hicks‘ inclusion

Sheila Hicks, Pillar of Inquiry/Supple Column, 2013-14 (installation view, Whitney Museum of American Art, New York). Photograph by Bill Orcutt

in the Whitney Biennial in March and was followed by coverage of the restoration of her remarkable 1960s tapestries at the Ford Foundation in New York Sheila Hicks Tapestries to Again Hang at Ford Foundation. In June, the Art Institute of Chicago’s textile galleries reopened, featuring 96-year-old Ethel Stein’s work, in Ethel Stein, Master Weaver.art institute of Chicago logo

September saw three fiber-related exhibitions; the Museum of Arts and Design opened What Would Mrs. Webb Do? A Founder’s Vision (closes

Kay Sekimachi, Ed Rossbach, Françoise Grossen, Katherine Westphal and others Museum of Art Design installation of What Would Mrs Webb Do?, Photo by Tom grotta


February 8, 2015),Kay Sekimachi, Ed Rossbach, Françoise Grossen, Katherine Westphal and others Museum of Art Design installation of What Would Mrs Webb Do?, Photo by Tom grotta

February 8, 2015), which featured significant textiles from the permanent collection by Anni Albers, Kay Sekimachi, Katherine Westphal, Ed Rossbach, Françoise Grossen and Trude Guermonprez, while The Drawing Center’s: Thread-Lines offered Anne Wilson creating fiber art in situ

Ann Wilson’s In Situ Performance at the Drawing Center, photo by tom Grotta

Ann Wilson’s In Situ Performance at the Drawing Center, photo by Tom Grotta

together with a collection of works by Lenore Tawney, Louise Bourgeois and others. Contemporary 108 in Tulsa, Oklahoma, featured a series of large photographic weavings by Aleksandra Stoyanov of the Ukraine

Aleksandra Stoyanov Tefen Open Museum exhibition traveled to Contemporary 108 in Tulsa, Oklahoma, photo copyright Tefen Open Museum

Contemporary 108 in Tulsa, Oklahoma, curated from the 2013 “Aleksandra Stoyanov” Tefen Open Museum, Israel exhibition. photo copyright Tefen Open Museum

and now Israel, described as “warp and weft paintings.”

In October, Fiber: Sculpture 1960 – present, opened at the Institute of Contemporary Art in Boston with works by 34 artists including

Fiber: Sculpture 1960 — present opening, photo by Tom Grotta

Fiber: Sculpture 1960 — present opening, photo by Tom Grotta

Magdalena Abakanowicz, Ritzi Jacobi and Naomi Kobayashi. The Boston Globe called the exhibition “[s]plendid, viscerally engaging…groundbreaking;” the exhibition catalog (available at browngrotta.com) was pronounced by Blouin art info, “an amazing resource for anyone interested in learning more about the medium.” Art Info – Art in the Air Fiber Sculpture 1960 Present October also saw a survey of the work of sculptor and poet, Richard Tuttle, at the Tate in London, Richard Tuttle: tuttle.tate.modern
I Don’t Know, Or The Weave of Textile Language in which Tuttle investigated the importance of textiles throughout history, across his remarkable body of work and into the latest developments in his practice. Tate Modern – Richard Tuttle I Don’t Know or Weave Textile Language

Throughout the year, Innovators and Legends, with work by 50 fiber
Innovators.Legends
artists, including Adela Akers, Nick Cave, Katherine Westphal and Sherri Smith toured the US, exhibiting at museums in Colorado, Iowa and Kentucky. The fiber fanfest culminated at Art Basel in Miami Beach in December, where Blouin’s Art Info identified a full complement of fiber works and textiles in its listing, “Definitive Top 11 Booths, “ including Alexandra da Cunha’s compositions of mass-produced beach towels and various colored fabrics at Thomas Dane Gallery, a Rosemarie Trockel embroidered work at Galerie 1900-2000, marble and dyed-fabric pieces by Sam Moyer at Galerie Rodolphe Janssen and woven paintings by Brent Wadden at Mitchell-Innes & Nash Blouin Art info – The Definitive Top-11 Booths at Art Basel Miami Beach.

And what’s ahead in 2015?

More auctions and exhibitions that include fiber sculpture and art textiles are scheduled for 2015. Fiber: Sculpture 1960 – present will

wexner.center.logo
open at the Wexner Center for the Arts, Columbus, Ohio on February 7th and travel to the Des Moines Art Center, Iowa in May. BCA_color_studyInnovators and Legends will open at contemporary 108 in Tulsa, Oklahoma in February, as well. In April, the Tate in London will open The EY Exhibition: Sonia Delaunay, which will show how the artist

Sonia Delaunay Tate Modern

Sonia Delaunay Prismes electriques 1914 Centre Pompidou Collection, Mnam / Cci, Paris © Pracusa 2013057

dedicated her life to experimenting with color and abstraction, bringing her ideas off the canvas and into the world through tapestry, textiles, mosaic and fashion.

Also in April, the Museum of Arts and Design will host Pathmakers:

Lenore Tawney in her Coenties Slip studio, New York, 1958. Courtesy of Lenore G. Tawney Foundation; Photo by David Attie

Lenore Tawney in her Coenties Slip studio, New York, 1958.
Courtesy of Lenore G. Tawney Foundation; Photo by David Attie

Women in Art, Craft and Design, Midcentury and Today, featuring work by Sheila Hicks,  Lenore Tawney and Dorothy Liebes http://madmuseum.org/exhibition/pathmakers.

In June, the Toms Pauli Foundation in Lausanne, Switzerland will celebrate the International Tapestry Biennials held there from 1962 to toms.pauli.logo1995 and display work by the Polish textile artist and sculptor Magdalena Abakanowicz, in an exhibition entitled, Objective Station.

Also this summer, the Musée d’Art Contemporain de Baie St Paul in Musée.d'Art.ContemporaindeBaie.StPaul

Mariette Rousseau Vermette Portrait by Tom Grotta

Mariette Rousseau Vermette Portrait by Tom Grotta

Quebec, Canada will examine the work of Mariette Rousseau-Vermette, who participated in five of the Lausanne Biennials.

From April 24 – May 3, 2015, browngrotta arts will host Influence and Evolution, Fiber Sculpture then and now at our barn/home/gallery space in Wilton, Connecticut. In its 27-year history, browngrotta arts

InfluenceandEvolutionAdhas highlighted a group of artists – Sheila Hicks, Ritzi Jacobi, Lenore Tawney, Ed Rossbach and others – who took textiles off the wall in the 60s and 70s to create three-dimensional fiber sculpture. The influence of their experiments has been felt for decades. Influence and Evolution, Fiber Sculpture then and now, will explore that impact and examine how artists have used textile materials and techniques in the decades since, by juxtaposing works by artists who rebelled against tapestry tradition in the 60s, 70s and 80s,

Françoise Grossen, From the Mermaid Series IV, 1983, photo by Tom Grotta

Françoise Grossen, From the Mermaid Series IV, 1983, photo by Tom Grotta

including Magdalena Abakanowicz, Lia Cook, Kay Sekimachi and Françoise Grossen, with works from a later generation of artists, all born after 1960, through whom fiber sculpture continues to evolve. These artists, including María Eugenia Dávila and Eduardo Portillo of Venezuela, Stéphanie Jacques of Belgium and Naoko Serino of Japan, work in a time when classification of medium and material presents less of a constraint and fiber and fiber techniques can be more readily explored for their expressive potential alone.

“It is rare to find so many inventive, compelling works in one show, and it astounds that many are so little known,” wrote Kirsten Swenson in Art in America, about Fiber: Sculpture 1960 – present, in October 2014. Art in America Magazine – reviews: Fiber Sculpture 1960-present. This spring, in Influence and Evolutionbrowngrotta arts will offer dozens more significant works of fiber art for collectors to appreciate and new audiences to discover — more than two dozen works by fiber pioneers and another 30 more recent fiber explorations. We hope you will visit the exhibition, order the catalog or both. Please contact us for more information about what’s in store. art@browngrotta.com


Art on Display and In Print. In The Realm of Nature: Bob Stocksdale & Kay Sekimachi in San Diego

Kay Sekimachi, paper tower, photo by Tom Grotta

Kay Sekimachi, paper tower, photo by Tom Grotta

74b PISTASHIO 6

Pistashio Bowl by Bob Stocksdale, photo by Tom Grotta

In the Realm of Nature: Bob Stocksdale & Kay Sekimachi at the Mingei International Museum in San Diego, presents an inspiring, retrospective view of work by two of America’s foremost pioneers in wood and textile art. Kay Sekimachi (1926-) and Bob Stocksdale (1913-2003) married in 1972. Seen together, their 50 years of work has a true poetic resonance.

Hailed as a father of American woodturning, Bob Stocksdale revitalized the craft of lathe-turned bowls, beginning in the 1950s. In his exquisite works, he unveiled a compelling beauty in diseased and in rare woods, of which many are now endangered. Serpentine or ellipsoidal shapes— seemingly impossible to turn— are among his innovations. The exhibition features, for the first time on view, an example of his one-of-kind furniture.

Kay Sekimachi is an influential master of complex weave structures in both off-loom and on multiple-harness loom techniques. Transparent marine creatures were the inspiration for the interlocking hangings in monofilament (fish line) that she created in the 1960s. With these majestic pieces she ascended to the forefront of contemporary fiber art during the 1960s and 1970s. Her work is included in the current exhibition Fiber: Sculpture 1960-present at the Institute of Contemporary Art in Boston, Massachusetts through January 4, 2015. Throughout her 60-year career she has created unique works of art in such natural materials as skeletal leaves, hornet’s nest paper and grass. The exhibition includes examples of her translucent sculptural hangings and room dividers, along with other woven forms – accordion-formatted books, vibrant scrolls, seamless nesting boxes and jewelry. The Mingei is at 1439 El Prado, San Diego, California, 92101. Open Tuesday through Sunday from 10 a.m. to 5 p.m. For more information: ph. 619.239.0003; web address: http://www.mingei.org.

In the Realm of NatureExhibition curator Signe Mayfield has authored a lush 210-page book to accompany the exhibition. In the Realm of Nature: Bob Stocksdale & Kay Sekimachi, available at browngrotta.com features scores of attractive object photos. It includes essays by Melissa Leventon (former Curator-in-Charge of Textiles at the Fine Arts Museums of San Francisco and founding member of Curatrix Group of museum consultants) and John C. Lavine (former editor of Woodwork Magazine and furniture maker.)


Don’t Miss: Anne Wilson’s Performances and Thread Lines at The Drawing Center in New York

Anne Wilson’s In Situ Performance at the Drawing Center, photo by tom Grotta

Anne Wilson’s In Situ Performance at the Drawing Center, photo by Tom Grotta

We watched one of the Anne Wilson’s mesmerizing weaving in situ performances at The Drawing Center on Thursday. Titled To Cross (Walking New York), the performance was conceived when Ms. Wilson discovered that The Drawing Center’s SoHo building was originally built in 1866 for the Positive Motion Loom Company. In it, the artist uses the main gallery’s four central columns as a weaving loom. Four participants walk around the 12-foot columns, carrying a spool of thread to form a standard weaving cross (a method used to keep warp threads in order). The effect is meditative as the walker/weavers slowly move in a deliberate pattern and ethereal as shadowy figures are viewed through the threads of the work in progress. When concluded, the result will be a 5- x 34-foot foot sculpture: a colorful cross composed of innumerable strands of thread. There are three performances remaining: Sunday, October 26th, 12:30-5:30 p.m.; Saturday, November 1st, 12:30-5:30 p.m. and Sunday, November 2nd, 12:30-5:30 p.m. Find more information on those at: http://www.drawingcenter.org/en/drawingcenter/20/events/21/public-programs/879/Anne_Wilson_Performance/. If you can’t get to The Drawing Center for one of the performances, there’s a vimeo, http://thebottomline.drawingcenter.org/2014/09/30/anne-wilson-to-cross-walking-new-york-2014/, but by all means, go and see the exhibition, Thread Lines, as it is well worth a trip.

Lenore Tawney Drawing Center installation, UNION OF WATER AND FIRE linen weaving and pen and ink drawing. Photo by Tom Grotta

Lenore Tawney Drawing Center installation, UNION OF WATER AND FIRE linen weaving and pen and ink drawing. Photo by Tom Grotta

On display through December 14, 2014, the exhibition contains a thoughtful combination of works by 16 artists who engage in sewing, knitting and weaving to create works that “activate the expressive and conceptual potential of line and illuminate affinities between the mediums of textile and drawing.” As the catalog essay by curator, Jessica Kleinberg Romanow, explains, the exhibition joins the pioneers, including Lenore Tawney, Sheila Hicks and Louis Bourgeois, “who first unraveled the distinction between textile and art” and “a ‘new wave’ of younger practitioners who have inherited and have expanded upon their groundbreaking gestures.”

Sheila Hicks Drawing Center installation of her miniatures. Photo by Tom Grotta

Sheila Hicks Drawing Center installation of her miniatures. Photo by Tom Grotta

The combination, wrote Karen Rosenberg in The New York Times, http://www.nytimes.com/2014/10/17/arts/design/thread-lines.html?ref=design&_r=0, “sets up some smart intergenerational conversations.” The Drawing Center is in Soho at 35 Wooster, New York, New York; 212.219.2166; info@drawingcenter.org; http://www.drawingcenter.org.

Anne Wilson’s In Situ Performance at the Drawing Center. Photo by Tom Grotta

Anne Wilson’s In Situ Performance at the Drawing Center. Photo by Tom Grotta


Art Update: What’s On in America and Abroad

 

Recall, Ane Henricksen, 2010. photo by Ane Henricksen

Recall, Ane Henricksen, 2010. photo by Ane Henricksen

Several artists represented by browngrotta arts are included in exhibitions in Europe and the US this Spring. Among the largest is Artapestry3 at the Jean-Lurçat Museum of Contemporary Tapestry in Angers, France. This is the third is edition of Artapestry3, an initiative launched by the European Tapestry Forum (ETF). The event contemporary  offers visitors an unusual perspective by aligning the works of 25 international textile artists, including Ane Hendricksen and Grethe Sørensen, with the Museum’s collection, which includes work by such artists as Paul Klee, Alexander Calder, Thomas Gleb, Magdalena Abakanowicz and Jean Lurçat. Also included in the exhibition are examples of traditional tapestry works whose iconographic repertory has inspired contemporary creation. The exhibition is structured around nine major themes that enable comparisons between the contemporary pieces that form part of Artapestry3 and the more traditional works from the Angers’ collections. Among these themes, in the Vitality section, a visitor may discover the Red Sun tapestry by Alexander Calder (1919-1976) alongside the lively motifs of Ariadna Donner’s The wolf crossed the road. In the Object section, visitors can admire Temps passé by Pierre Daquin (1936) next to Ivete Vecenáne’s The Bowl. The exhibition runs through May 18th. For more information visit the event website: musees.angers.fr/expositions/en-ce-moment/artapestry3-angers-allers-retours/artapestry3-angers-allers-retours/index.html.

Naoko Serino installing her works as "Fiber Futures" travels to Spain.

Naoko Serino installing her works as “Fiber Futures” travels to Spain.

Fiber Futures: Pioneers of Japanese Textile Art, continues its travels. It is open at c art c., the Computense Art Center in Madrid, Spainthrough May 18, 2014. The exhibition features Japan’s most important contemporary textile artists, including, Naoko Serino, Hideho Tanaka, Kiyomi Iwata, Naomi Kobayashi, Hisako Sekijima and Kyoko Kumai. For more information visit: www.ucm.es/.

works by Jennifer Falck Linssen and Norikko Takamiya

works by Jennifer Falck Linssen and Norikko Takamiya

In the US, in Mesa, Arizona, Norikko Takamiya and Jennifer Falck Linssen join an inventive group of artists working with paper.Fold, Paper, Scissors runs through August 10, 2014 at the Mesa Contemporary Art Museum. The Opening Reception is Friday, May 9th from 7 to 10 p.m. (We’ll be there!) The Mesa Contemporary Arts Museum at Mesa Arts Center is at One East Main Street, Downtown Mesa, Arizona, for more information, call: 480-644-6560 or visit:  www.MesaArtsCenter.com.

Big Tera, 2007 - Tissage de coton 259 x 127 cm

Big Tera, 2007 – Tissage de coton 259 x 127 cm

Lia Cook’s work is the subject of a one-person exhibition at the Drapers Gallery in Liege, BelgiumLia Cook: Icons Jacquard highlights faces woven in large scale on a Jacquard loom. For more information visit the Gallery’s site: www.lesdrapiers.be/events/lia-cook.


Hot off the Press: Our Largest Catalog Yet

The catalog for Retro/Prospective: 25+ Years of Art Textiles and Sculpture is an ambitious venture for us. Currently weighing in at 182 pages, it features a timeline of art textile events from the 40s to the present, including the Lausanne Biennials (1962 to 1995), Fiber/Revolution in Milwaukee in 1986, Beyond Weaving in Greenwich, Connecticut in 2006, and key dates for fiber pioneers like Dorothy Liebes, Lenore TawneyMagdalena Abakanowicz and Ed Rossbach. The catalog also includes two essays, one by designer Jo Ann Stabb, formerly on the design faculty at the University of California, Davis, on the emergence of contemporary textiles and fiber arts, the other by Lesley Millar, Professor of Textile Culture at the UK’s University of the Creative Arts, on recent developments in the field and what’s ahead. The catalog will be available in our online bookstore at  http://browngrotta.com/Pages/c37.php for $55.00, plus shipping and  sales tax where applicable.

 


Make a Day of It! Visit Retro/Prospective and Other Art Events Near Wilton, CT

If you plan to come to Wilton, Connecticut between October 26th and November 4th for browngrotta arts anniversary exhibition, Retro/Prospective: 25+ Years of Art Textiles and Sculpture, consider adding a stop at one of the other cultural venues in our area on your trip. There are several exhibitions to choose from — all within 30 minutes of browngrotta arts:

Flinn Gallery
Greenwich Library
9 x 9 x 3: New Visions
101 West Putnam Avenue
Greenwich, CT 06830
203.622.7947
through November 28, 2012

Katherine D. Crone, Blades of Grass, Wood, Usuyou Gampish, nylon monofilament Digitally altered photograph, inkjet printed, bookbinding stitched

9 x 9 x 3: New Visions is an exhibition of works created by members of the Textile Study Group of New York to fit inside wooden boxes with 9” x 9” x 3” exterior dimensions. Juror for the exhibition was Janet Koplos, who is a contributing editor of Art in America, where she was senior editor for 18 years. Among the artists included in the exhibition are: Katherine D. Crone, Margaret Cusack, Jeanne Heifetz, Nancy Koenigsberg, Carole P. Kunstadt, Yasuko Okumura, Gail Resen, Lois Russell, Barbara Schulman, Naomi Tarantal, Charlotte Thorp, K. Velis Turan, Saaraliisa Ylital and Erma Martin Yost. The Gallery hours are: Sunday 1:00 pm – 5:00 pm; Monday, Tuesday, Wednesday, Friday, Saturday 10:00 am – 5:00 pm and Thursday 10:00 am – 8:00 pm.


The Aldrich Contemporary Art Museum

Wendell Castle
Wandering Forms— Works from 1959–1979
258 Main Street
Ridgefield, CT 06877
203.438.4519
through February 20, 2013

Wendell Castle birdsyeye Maple Veneer and Mahogany Table, private Collection
photo by Tom Grotta

Celebrated American designer/craftsman Wendell Castle (b. 1932) has been creating unique pieces of handmade sculpture and furniture for over five decades. Castle, who has consistently challenged the traditional boundaries of functional design since the outset of his career, was instrumental in helping to shape the American studio furniture movement throughout the 1960s and 1970s. He remains one of the most important American furniture makers working today.”To be inventive and playful and produce furniture which is a complement to nature, rather than in contrast to it is my philosophy,” Castle wrote in the catalog for the exhibition, Fantasy Furniture, held at the Museum of Contemporary Crafts, New York, New York in 1966.”My idea is not to reconstruct or stylize natural forms, but to produce a synthesis or metamorphosis of natural forms.” The Aldrich Museum hours are: Tuesday to Sunday, 12 noon to 5 pm.

The Aldrich Contemporary Art Museum
united states
Artist’s Projects
through February 24, 2013

united states is a semester of solo exhibitions and artist’s projects that approach both the nature of the United States as a country and “united states” as the notion of uniting separate forms, entities, or conditions of being. Timed to coincide with the 2012 American election season, united states is presented at a time when political and social divisions in this country are readily apparent, and polarization on many major issues is at an historical high. The Aldrich Museum hours are: Tuesday to Sunday, 12 noon to 5 pm.

The Wilton Historical Society
Building a Future From the Past: Architecture
224 Danbury Road
Wilton, CT 06897
203.762.7257
through October 31, 2012

Architect David Ling holding, model of the browngrotta barn from the building a Future From the Past: Architecture exhibit ion. Photo by TomGrotta

This exhibition explores architects’ work to preserve antique homes while bringing them into the 21st Century. Among the homes included is browngrotta arts‘ home/office, designed by David Ling Architect, New York, New York. The Society’s hours are: Tuesday through Friday: 10 am to 4 pm; Saturday: 1 to 4 pm; 2nd & 4th Sundays of the month 1 to 4 pm.

browngrotta arts
Retro/Prospective: 25+ Years of Art Textiles and Sculpture
276 Ridgefield Road
Wilton, CT 06897
203.834.0623
October 26 through November 4, 2012

Ray Series, Mary Merkel-Hess, paper, reed, 24″ x 24″ x 6″ each, 2012, photo by Tom Grotta

This exhibition features work by more than 70 artists, some are pioneers, some mid career and some new to the field of art textiles, while others work in wood and metal, porcelain, glass and clay. Artists’ reception and Opening: October 27th, 1 to 5 pm; http://browngrotta.com’ hours October 26th and October 28th- November 4th: 10 am to 5 pm.


Save the Date: Retro/Prospective: 25+ Years of Art Textiles and Sculpture this October

Helena Hernmarck, Jo Barker and Kiyomi Iwata are three of the artists participating Retro/Prospective 25+ Years of Art Textiles, photo by Tom Grotta

This fall we will present a catalog exhibition, Retro/Prospective: 25+ Years of Art Textiles and Sculpture in Wilton, Connecticut from October 26th to November 4th to commemorate browngrotta arts’ 25 years promoting international contemporary art. The comprehensive exhibition will look at the past and future of the art textile movement, and as always, include related works in ceramics and wood and mixed media. There will be works in the exhibition by pioneers of the contemporary textile art and sculpture movement and there will be current work by established and emerging artists, to explain where the movement is now and provide a sense of what’s ahead.

Retro/Prospective: 25+ Years of Art Textiles, work by John McQueen, Sue Lawty
photo by Tom Grotta

The artworks selected by browngrotta arts for Retro/Prospective: 25+ Years of Art Textiles and Sculpture express a powerful sensibility. John McQueen was persuaded to take the dramatic sculpture, Centered, begun in 2007, from his personal collection and place it on display. Naoko Serino’s ethereal Generating 12 is from her most current body of work. Sue Lawty’s Calculus is a contemplation made of thousands of tiny stones, from a series she began as artist in residence at the V&A, While Chris Drury’s Roussillon I, takes viewers on a visual adventure by combining rubbed ochre on paper and a woven map.

The artists in Retro/Prospective: 25+ Years of Art Textiles and Sculpture come from a wide range of countries and art  backgrounds. They utilize diverse materials and techniques. Some, like Lia Cook and Gyöngy Laky from the US, are mid-career artists who have achieved international recognition. Others, like Laura Thomas of the UK, Jennifer Falck Linssen of the US and recent graduate Stéphanie Jacques of Belgium, are emerging talents. The work of others, like Chang Yeonsoon, 2008 Artist of the Year at the National Museum of Contemporary Art in Seoul, Korea and Grethe Sorensen of Denmark, has been celebrated abroad, but only rarely shown in the United States. The exhibition will also include artists whose work complements our art textile emphasis, including sculptor Lawrence LaBianca and ceramicist Yasuhisa Kohyama.

GENERATING 12 by Naoko Serino, photo by Tom Grotta


The Artists Reception and Opening for Retro/Prospective: 25+ Years of Art Textiles and Sculpture will be held Saturday, October 27, 2012 from 1:00 to 5:00 p.m. at browngrotta arts, 276 Ridgefield Road, Wilton, Connecticut. From October 28th through November 4th, the exhibition will be open from 10:00 a.m. to 5 p.m. For more information, call 203-834-0623; email: art@browngrotta.com or visit browngrotta.com. A catalog will accompany the exhibit and be available after the opening.


Coast to Coast — Exhibitions Around the US

Here’s a round up of exhibitions throughout the US that are worth traveling to see.  They are listed in date order — a few of them close this month or next; others are open through the fall.

Philadelphia, Pennsylvania
Craft Spoken Here
Last Week – through August 12th

Artists in the exhibit include: clockwise; WATERFALL by Lenore Tawney; SPIRALS AND PATHS by Rebecca Medel; CERAMIC 42 by Yasuhisa Kohyama; BODY LANGUAGE by John McQueen; SEASIDE by Krystyna Wojtyna-Drouet; RAY by Mary Merkel-Hess

With Craft Spoken Here, curated by Elisabeth Agro, the Nancy M. McNeil Associate Curator of American Modern and Contemporary Crafts and Decorative Arts, the Philadelphia Museum of Art seizes the opportunity to experiment with its craft collection and to understand craft in an international context. Some 40 contemporary works from 1960 to the present in ceramic, glass, metal, wood, lacquer, paper and fiber—some by living, acclaimed artists, including Lenore Tawney, Rebecca Medel, Yasuhisa Kohyama, John McQueen,  Krystyna Wojtyna-Drouet, and Mary Merkel-Hess and others by lesser-known creators—are on view. Representing the Americas, Africa, Asia and Europe, the works highlight formal qualities that cross cultures, time, and media. Hear Agro describe the evolution of the exhibition and the installation of Tawney’s Fountain of Water and Word, in a podcast at the art blog.

Philadelphia Museum of Art
Perelman Building
2525 Pennsylvania Ave
Philadelphia, PA 19130
phone 215.763.8100
www.philamuseum.org

Myrtle Beach, South Carolina
At First Light: The Katagami Sculpture of Jennifer Falck Linssen
through September 16, 2012

Handcrafted vessel of katagami-style handcarved paper. Materials include archival cotton paper, aluminum, waxed linen, paint, varnish, freshwater pearl, and sterling silver.

Utilizing the ancient Japanese paper carving technique of katagami, Colorado-based artist Jennifer Falck Linssen creates three-dimensional sculptures that explore the beauty of line and the delicacy of nature. Since 2003, Jennifer has been shaping katagami stencils into three-dimensional vessels and sculptures, combining the katagami paper carving with more traditional metal-smithing and basketry techniques to create contemporary sculptures that transform the two-dimensional stencil into a unique three-dimensional art form.

Myrtle Beach Museum of Art
3100 South Ocean Boulevard
(across from Springmaid Pier)
Myrtle Beach, SC 29577
phone 843.238.2510
fax 843.238.2910
www.myrtlebeachartmuseum.org

East Hampton, New York
Accumulations NOW
through October 6th

Dawn MacNutt is one of the artists included in Accumulations NOW

Accumulations: NOW bills itself as, “[s]imply, the best of craft. NOW.” Cuurated by Jack Lenor Larsen, the exhibition at LongHouse Reserve features 500 works made in the last 100 years, including a number of important pieces from the collection of the late Dena Katzenberg. Artists shown in the NOW collections include, in fiber Anni Albers, Jun-ichi Arai, Dawn MacNutt, Ed Rossbach, Peter Collingwood, Ethel Stein, Helena Hernmarck and Chunghie Lee; in clay Hans Coper, Toshiko Takezu and Peter Voulkos; hollowware by Chunghi Choo; and furniture masters including Judy Kensley McKie and Edward Wormley. You can see the exhibition catalog and installation shots, here: Accumulations_Now_Catalog.pdf and here: http://www.longhouse.org

LongHouse Reserve
133 Hands Creek Road  East Hampton, NY 11937
phone 631.604.5330
http://longhouse.org

 

San Francisco, California
Fiber Futures: Japan’s Textile Pioneers
Part one through October 6th
Part two October 13 – December 29th

Takaaki Tanaka in front of his work at Fiber Futures when it was in New York at the Japan Society

If you missed this remarkable exhibition last fall at the Japan Society in New York (or in an earlier incarnation in Japan) you’ve got another chance. Fiber Futures explores a new art that is emerging from a remarkable fusion of Japanese artisanal and industrial textile making. Coaxed from materials as age-old as hemp and newly developed as microfilaments, a varied array of works by 30 artists from multiple generations, including Hisako Sekijima, Takaaki TanakaNaoko Serino, Hideho Tanaka, Naomi Kobayahsi and Kyoko Kumai, are on view in this important two-part exhibition.

Museum of Craft and Folk Art
51 Yerba Buena Lane
San Francisco, CA 94103
phone 415.227.4888
http://www.mocfa.org

Minneapolis, Minnesota
In Our Nature: Tapestries of Helena Hernmarck
through October 14th

Helena Hernmarck 2009 FOREST PATH , wool and linen, 6′ 7″ x 6′ 7

In Our Nature: Tapestries of Helena Hernmarck, is an assemblage of 19 large-scale tapestries by  legendary trompe-l’oeil weaver, Helena Hernmarck. Monumental works immerse the viewer in the best of nature: lush blooms, rich green forest scenes, and sunny poppy pastures. Hernmarck’s work represents a lifetime of closely honed weaving technique that combines intensely sensitive attention to color with one-of-a-kind combination of textures creating layered, shaded effects. The tapestries in In Our Nature: Tapestries of Helena Hernmarck are on loan from three major arts museums, several corporate and individual collectors, and from Hernmarck’s own collection.

American Swedish Institute
2600 Park Avenue
Minneapolis, MN 55407
phone 612.871.4907
http://www.asimn.org


Art News: Paperworks: material as medium — Takaaki Tanaka

Visitors to Paperworks: medium as message at the Flinn Gallery, at the Greenwich Public Library (May 10th – June 21st) will see Takaaki Tanaka’s show-stopping work, A Hardened Nest, at the entrance to the exhibition. A Hardened Nest was created by arranging threads tightly in space and then covering these threads with a paper fiber mixture which, once dried, hold its given shape in space. Combining prepared units, the artist has built a substantial wall of what he refers to as “nests,” which, he notes, are a fundamental starting point for many species of animal life. “I am interested in the way that fiber made from paper, a material harvested from plants, can take on a completely different aspect when it hardens to form a new shape inspired by the natural world,” says Tanaka. “The shapes become emotional shapes,” he says, that illustrate themes of nature, sense of touch and communication.” Tanaka’s work was featured in the exhibition and catalog for Fiber Futures: Japan’s Textile Pioneers at the Japan Society in New York 2011.