Category: Paper

Art Assembled: A Round Up of July’s New This Week

July seemed to fly by here at browngrotta arts, but we still featured a full complement of New Art This Week. This month we had new pieces from Polly Adams Sutton, Jennifer Falck Linssen, Åse Ljones and Lenore Tawney.

Shady Lane by Polly Adams Sutton

2ps Shady Lane, Polly Adams Sutton
western red cedar bark, dyed ash, wire, cane, 16” x 12” x 9”, 2006 
Photo by Tom Grotta

Polly Adams Sutton’s basket Shady Lane is hand woven from pieces of western red cedar bark. With permission from logging operations, Sutton harvests the bark herself in the spring when the sap is running up from the roots of the trees. During her time spent collecting bark in the woods Sutton mulls over possible new forms she can weave. The manipulative qualities of cedar are the cornerstone of Sutton’s work, allowing her to bend the cedar as she desires.

Lucent by Jennifer Falck Linssen

Lucent by Jennifer Falck Linssen
Katagami-style hand-carved archival cotton paper aluminum, waxed linen, mica, paint and varnish
51 x 16 x 6 in, 2017

Through works like Lucent, Jennifer Falck Linssen explores the “delicacy of nature, the beauty of line, and the transformation of light and space.” By investigating both natural and manmade forms Linssen investigates how patterns lead to the overall strength of an objects, such as the veins in a plant or the structure of a moth’s wings. In her work, Linssen uses the ancient Japanese paper carving technique katagami. Katagami allows Linssen to bridge the gap between “human scale, the minute and intimate, and the vast and grand by freezing a moment in time, immortalizing it in pattern, light, and shadow.” Through these frozen moments, Linssen is sees humanity reflected in nature’s change, rebirth, resiliency and endurance.

Sound on the Fjord by Åse Ljones

Sound on the Fjord by Åse Ljones
hand embroidery on linen tapestry
99.5″ x 65.25″, 2014

Åse Ljones’ hand-embroidered tapestry Sound on the Fjord reflects Ljones’ upbringing on a small rural farm, where sea and nature were close by. Ljones starts her embroidery at either the corner or center of a piece of fabric. From there she takes her time sewing, reflecting along the way. Ljones never sews a wrong stitch, believing that a mistake it often what creates a dynamic space.

Tension by Lenore Tanwey

77t Tension, Lenore Tanwey
india ink drawing; number 9; pen and ink drawing
22.5″ 26.5″ x 1.5”, 10/23/64, Tom Grotta

Tension is one in a series of graph paper and pen-and-ink drawings Lenore Tawney started in 1964 inspired by her study of the Jacquard loom. Later in the 1990s Tawney converted some of the pen-and-ink drawings into thread sculptures in a series titled Drawings in Air. Tawney’s geometric explorations predated Sol Lewitt’s celebrated grid drawings, which were first exhibited by Paula Cooper in 1968. Tawney, whose work shaped the course of fiber art during the second half of the 20th century, is also well known for her tapestries, collages and assemblages.


Art Assembled Featured in May

New this Week in May Red Ferne Jacobs

3fj Interior Passages, Ferne Jacobs, coiled and twined waxed linen thread, 54” x 16” x 4”, 2017, Photo by Tom Grotta

Tapestry and sculptural fiber were on tap in May as browngrotta arts’ New This Week selections. First up, Interior Passages, Ferne Jacob’s remarkable wall sculpture of coiled and twined wax linen, a large and complex work that speaks against the desecration of women around the world. Interior Passages needs no one to tell her who she is or what she is says the artist. “She knows her value, and I expect the world to respect this inner understanding. When it doesn’t, I think it moves toward a destructiveness that can be devastating.”

New this Week in May Helena Hernmarck Tapestry

Helena Hernmarck in front of her tapestry Tabula Rasa 3, 2011, Wool, 37.5″ × 57″, Photo by Carter Grotta

Helena Hernmark’s Tabula Rasa 3 , integrates an unusual background of polyester from sequin making that adds a glimmer to the tapestry in the right light. The work is part of a series that included the first Tabula Rasa, commissioned for Yue-Kong Pao Hall, Purdue University.

New this Week in May Jo Barker Dark Shimmer

Dark Shimmer, Jo Barker , wool, cotton and embroidery threads, 34” x 29.25” x 1.25”, 2017, Photos by Tom Grotta

Dark Shimmer, by Scottish artist Jo Barker, is from the series for which she won the prestigious Cordis tapestry prize in 2016.

New this week in May Complex plaiting by Norie Hatekayama

Complex Plaiting Series Pile 02, Norie Hatekayama , plaited paper fiber strips, 11” x 11” x 10”, 2002, Photo by Tom Grotta

Norie Hatakeyama’s Complex Plaiting Series, Pile 02 is made of paper tape. Hatakeyama’s plaited works reflect the complex structures that make up the universe. “Human beings explore structure in nature and create science and art,” she says. “I’ve observed that the transition of science (mathematics, geometry, etc.) and art overlaps with the direction of my work. I feel deeply that the outside world, the natural world, is a field, made up of matter and energy, repeating regeneration and radiating unremitting energy.”


Plunge: explorations above and below Opening Tonight, New Bedford Art Museum, Massachusetts

Annette Bellamy Long Lines

Annette Bellamy Long Lines

Rippling, roiling, teeming with life… Deep, dark, waiting to be explored…
Water has long been a potent influence for artists wishing to explore its majesty and mystery.

For the last several months, browngrotta arts has worked with Jamie Uretsky, Curator and Noelle Foye, Executive Director of the New Bedford Museum of Art/ArtWorks! in Massachusetts. Plunge: explorations from above and below, which examines the influence of water in the work of 16 artists from around the world, is the result.

New Bedford Plunge installation

Plunge explorations from above and below installation

The multifaceted exhibition combines sculptures, tapestries, installation works, paintings and photography. Each work resides at the intersection of the maker’s fascination with a variety of nautical and natural themes and the artmaking process. Plunge pairs Helena Hernmarck’s monumental woven depiction of tall ships in New York Bay 1884 and Chris Drury’s Double Echo, a print that superimposes a fragment of an echogram from Flight W34 over East Antarctica and an echocardiogram of the pilot’s heartbeat. In other galleries, Heather Hobler’s meditative photographs of seascapes join Karyl Sisson’s “sea creatures” made of domestic objects like zippers and clothespins; Christopher Volpe’s evocative paintings join Grethe Wittrock’s Arctica, a sculpture made from a repurposed sail from the Danish Navy. Unlike most musuem exhibtions, the works in Plunge are all available for sale.

Thirteen of the artists in Plunge, representing five countries, are represented by browngrotta arts: Dona AndersonJane BalsgaardAnnette BellamyMarian BijlengaBirgit BirkjaaerChris DruryHelena HernmarckLawrence LaBiancaSue LawtyJudy MulfordKaryl SissonUlla-Maija VikmanGrethe Wittrock. Their work, and that of the three other artists in the exhibition, Heather Hobler, Anne Leone and Christopher Volpe, will be included in the catalog for the exhibition, designed and photographed by Tom Grotta. It will be available beginning June 5th at www.browngrotta.com.

Plunge’s opening is tonight Friday, June 2nd at the New Bedford Museum of Art from 6 p.m. to 8 p.m. Jane Balsgaard, one of the artists in Plunge, will attend from Denmark.

The New Bedford Art Museum is great cultural destination for those on the way to the Vineyard, Nantucket or the Cape. You have plenty of time to see it, as the exhibition continues through October 7, 2017. The New Bedford Art Museum/ArtWorks! is located at: 608 Pleasant Street/ New Bedford, MA/02740/508.961.3072/info@newbedfordart.org.


Still Crazy After All These Years…30 years in art Preview: Hello Again!

For our 30th anniversary exhibition, we’ve invited six artists that had worked with browngrotta arts in previous years. Three; Leon Niehues, John Garrett and Kari Lonning, work in vessel forms. Laura Foster Nicholson and Eva create weavings and Carol Shaw-Sutton sculptural forms of fiber.

Woven Open Neck by Leon Niehues. Photo by Tom Grotta

Leon Niehues, a studio basket maker, creates his vessel forms from the young white oak trees that grow in his immediate area of the Ozarks. While using traditional splint techniques, he has added new construction methods and simple design elements that dramatically change his oak baskets into exciting contemporary pieces. We’ve captured several samples of his designs in a catalog that features his work and that of Mary Merkel-Hess. View them at: http://www.browngrotta.com/Pages/c15.php.

Emerging from Chaos by Kari Lønning. Photo by Tom Grotta

Best known for her double-walled constructions and a complex-weaving process she refers to as her “hairy technique,” Kari Lønning works extensively with graphic patterns, using both bold and subtle color schemes. Lønning’s work is also featured in a browngrotta arts’ exhibition catalog, Mary Giles/Kari Lønning, which can be viewed at http://www.browngrotta.com/Pages/c11.php.

Age Basket No.4 by John Garrett, recycled metals. Photo by Tom Grotta

A weaver and teacher of experimental basketry, John Garrett’s weaving materials consist of aluminum, steel, brass, or cooper in slat or wire form. Many of his creative pieces are included in the permanent collections of museums nationwide. View samples of his weaving in our catalog, Dorothy Gill Barnes and John Garrett: http://www.browngrotta.com/Pages/c14.php.

Being Here by Laura Foster Nicholson. Photo by Tom Grotta

Laura Foster Nicholson is a textile artist known for her powerful hand-woven tapestries that feature whimsical, engaging imagery. Her artwork is featured in several museum collections, including the Art Institute of Chicago, The Minneapolis Institute of Art, and the Denver Art Museum, among others. Nicholson was included in the 10th Wave II: New Textile and Fiber Wall Art: http://www.browngrotta.com/Pages/c18.php.

Ist All History by Eva Vargo. Photo by Tom Grotta

Eva Vargö fuses paper and linen-thread materials into her weaving techniques to employ paper craft artwork. Many of her pieces are inspired by her own life experiences and also by integrating the various materials she discovers on her travels across the world. Vargö is from Sweden, but has lived in Korea as well as Japan. Vargo was included in the Retro/Prospective: 25+ Years of Art Textiles and Sculpture: http://www.browngrotta.com/Pages/c25.php

White Sound by Carol Shaw-Sutton. Photo by Tom Grotta

A participant in browngrotta arts’ 25 for the 25th: Glancing Back, Gazing Ahead http://www.browngrotta.com/Pages/c25.php, Carol Shaw-Sutton creates sculptural forms of fiber. Her artwork often consists of personal narrative objects and installations that utilize both ancient and modern textile. Her new work focuses on our inter relationship to each other, which is reflected in images of the human form as organic flowing substance.

Still Crazy After All These Years…30 years in art runs from
April 22nd to 30th at browngrotta arts, 276 Ridgefield, Connecticut. For more information, visit: http://www.browngrotta.com/Pages/calendar.php.


Greenery On My Mind; Pantone Color of the Year

Pantone Color of the Year Greenery

Pantone Color of the Year Greenery

Pantone has revealed that “greenery” will be the Color of the Year for 2017. Pantone describes “greenery” as “a refreshing and revitalizing shade” that is “symbolic of new beginnings.”
With new beginnings in mind, here, in honor of January — are some green-themed artworks for you to view. Baskets, tapestries and mixed media sculpture–green can inspire works of all sorts, made of materials from glass beads to copper wire to Japanese paper.

Gyöngy Laky

Gyöngy Laky, Proceeding
Photo: M. Lee Fatherree

Rachel Max

Rachel Max, After Haeckel II
Photo by Tom Grotta

Lawrence LaBianca

Lawrence LaBianca, My Fathers Dream
Photo by Tom Grotta

Ed Rossbach

Ed Rossbach, Green with Four Ears
Photo by Tom Grotta

Scott Rothstein

Scott Rothstein, #62
Photo by Tom Grotta

Nancy Koenigsberg

Nancy Koenigsberg, Aurora
Photo by Tom Grotta

Adela Akers

Adela Akers, Five Windows
Photo by Tom Grotta

Debra Sachs

Debra Sachs, Green Armadillo Basket
Photo by Debra Sachs

Deborah Valoma

Deborah Valoma, The Surge
Photo by Tom Grotta

Jeannine Anderson

Jeannine Anderson, Untitled
Photo by tom Grotta

Axel Russmeyer

Axel Russmeyer, Untitled
Photo by Tom Grotta

Noriko Takamiya

Noriko Takamiya, #36 Revolving
Photo by Tom Grotta


Art Assembled: Featured in December

Dona Look White Birch Bark Baskets

Dona Look
10dl #10-1, white birch bark and waxed silk thread, sewn with wrapped edge
12.6” x 10” x 10”, 2010
10dl #13-2, woven white birch bark, sewn and wrapped with waxed silk thread
13.75” x 8.5” x 8.5”, 2013
9dl #15-2, white birch bark and waxed silk thread sewn exterior, woven interior and wrapped edge
11.75” x 11.75” x 11.75”, 2015.
Photo by Tom Grotta

Each week of the year at browngrotta.com, we draw attention to a work, a book or a project by one of the artists we represent. Beginning this December, we’ll be providing a monthly round up of these works here on arttextstyle.com. This month on browngrotta.com we featured four very disparate works. First, baskets of white birch by Dona Look, who harvests the bark herself in Wisconsin where she lives. “Look carefully selects bark from large, healthy trees that will soon be logged—evaluating the diameter of each tree and the bark’s thickness, for its unique markings and flexibility,” explains Jane Milosch in “The Entanglement of Nature and Man,” Green from the Get Go: Contemporary International Basketmakers (browngrotta arts, Wilton, CT 2016). “Collecting and preparing the bark is painstaking and must be done in the spring when the sap is running. Unfortunately, her work has become increasingly difficult of late as not all of the trees are in a natural cycle, and some are dying due to climate change, such as white birch trees, once prevalent in northern Wisconsin forests.” The simple geometric patterns of some of her works, writes Milosch, “recall the patterns of Native American parfleche pouches, which were a kind of geographical depictions of the surrounding land, at the same time her basket preserves the radiant splendor of birch.”

steel weaving by Kyoko Kumai

31kk Kyoko Kumai, Sen Man Na Yu Ta, stainless steel filaments, 44″ x 38″ x 7.75″, 2016. Photo by Tom Grotta

A strikingly different sensibility is evident in Sen Man Na Yu Ta, Kyoko Kumai’s wall sculpture of stainless steel. The steel filaments, mass-produced in a factory, are inorganic and monotonous by themselves, but when they are woven, twisted or bundled together they take on an organic appearance that serves to express various aspects of wind, air and light.

Glass and paper boat

32jb Glass Boat, Jane Balsgaard, plantpaper, twigs and glass, 14″ x 13″ x 1.5″ 2015. Photo by Tom Grotta

Our third choice, Jane Balsgaard’s Glass Boat, deftly blends a sail of lightly processed handmade paper and a hull of glossy glass. Finally, in Process Piece, Ed Rossbach takes on construction, deconstruction and reconstruction in one work. First, he printed an image onto fabric, then he unraveled the fabric and finally re-constructed it into a new version. “I thought he was crazy,” his wife, artist Katherine Westphal told us.
The four works create a fine sentiment for 2017: Seek the splendid, airy, shiny and light; be willing to re-envision and remake.

Ed Rossbach Weaving

159r Process Piece, Ed Rossbach, 15″ x 15″ x 2.5″, 1981. Photo by Tom Grotta


Art: Antidote to an Edgy Election

No matter on what side of the political divide you sit, it’s been a long 16 months. And for some of us, the next 16 months will likely feel even longer. In our house we’re hunkering down – old movies, dinners with friends, letter writing and getting to all those to dos, like organizing our art books – and a news ban, at least for the next few weeks. We’re also aiming for an art fix. We are going out in search of what’s inspired, exhilarating, thought provoking. The markets are holding steady; why not invest in art? Surround yourself with what brings you joy. Here are four works that brought us feelings of peace, gratitude, tolerance and awe.

Lenore Tawney, The Path, Tapestry

Lenore Tawney, The Path, Tapestry. Photo Tom Grotta

Lenore Tawney’s The Path II, is meditative and reflective of a passage she marked in a favorite book: “[t]he spiritual path, the path of purification, of emancipation, of liberation, is a path where we change our inner nature.”

37ts Vertical to Horizontal and Vice Versa, Toshio Sekiji. Photo by Tom Grotta

37ts Vertical to Horizontal and Vice Versa, Toshio Sekiji. Photo by Tom Grotta

yagi

Mariyo Yagi, Nawa Axis for Peace Project 2014

In his “fugue weavings” like Vertical to Horizontal and Vice Versa, Toshio Sekiji, imagines a harmonious confluence of disparate cultures, languages and nationalities, so different than the facts on the ground. Mariyo Yagi’s art is infused with concern about the Cosmos. “Art is committed to the energy of human life,” she says. In creating her sculptures she has been informed by the study of nawa –– which means a spiral cord, which for Yagi provides a link between earth and heaven and all living things, creating a spiritual loop from DNA to the cosmos. Enlightening and innovative, Anda Klancic’s work combines creative use of machine-embroidered lace technique with experience from other disciplines, including photography. In Aura, Klancic says, “I wanted to show the vital energy in the human species: that the light, connected from man to the earth and the universe, has the rhythm of breath, of life.”

Anda Klancic FiberOptic, textile sculpture

Anda Klancic FiberOptic, textile sculpture

Have you other works to recommend? Let us know.


SOFA Chicago Sneak Peek: Jennifer Falck Linssen – Work, a Panel and an Artist Q&A

Jennifer Falck Linssen

13jl Undone, Jennifer Falck Linssen
Katagami-style handcarved paper and metal, archival cotton paper, aluminum paint, waxed linen and varnish, 25″ x 27.5″ x 9″, 2014. Photo by Tom Grotta

This November, browngrotta arts will feature Jennifer Falck Linssen’s work in its Booth 921 at SOFA Chicago (November 3-6). The foundation of Linssen’s work lies in the ancient Japanese paper and textile traditions of katagami, stencil cutting, and katazome, a resist-print dyeing technique. Her artwork recontextulaizes the stencil, combining the paper carving with more traditional metal-smithing and basketry techniques to create contemporary sculptures that transform the two-dimensional stencil into a unique three-dimensional art form. In her work, Linssen seeks to understand how pattern lends overall strength to an object, and how light itself can be molded and shaped to conceptually express moments which embrace nature’s change, rebirth, resiliency, and endurance. Linssen will attend SOFA Chicago and participate in a CHUBB-sponsored panel, Art in the Future: A Look at Collecting Fragile and Unusual Materials, 2:30 to 3:30 pm in Room A, Friday November 4th, to discuss how collectors should approach art involving innovative techniques and non-traditional materials. At 5 pm on Friday, the 4th, Linssen will be at browngrotta arts booth 921 for an Artist Q&A. For more information, visit: http://www.sofaexpo.com.


SOFA Chicago Sneak Peek: Norma Minkowitz

The Gathering, a Lecture and an Artist Q&A

Minkowitz installation

The Gathering and Patterns of Flight, Norma Minkowitz, mixed media, 2016, photo by Tom Grotta

Next month, browngrotta arts will present an eye-catching installation from Norma Minkowitz‘ series, The Gathering in it Booth 921 at SOFA Chicago (November 3-6). Minkowitz is known for intricate pen-and-ink drawings, collages, crocheted wall works and three-dimensional mixed media sculptures. Her work is included in the permanent collections of the Metropolitan Museum of Art, New York, New York, Renwick Gallery, National Museum of American Art, Smithsonian Institution, Washington, D.C., Museum of Arts and Design, New York, New York, Montreal Museum of Fine Arts, Canada, Philadelphia Museum of Art, Pennsylvania and the Wadsworth Atheneum, Hartford, Connecticut (where t s currently on display in the exhibition, SHE: Images of Female Power from the Permanent Collection, through April 2, 2017). The Gathering at SOFA will combine three-dimensional, life-sized birds, rendered in stiffened, crocheted linen, and gut with pen-and-inked detail with meticulously stitched drawings of bird flight, captured at high speed.

Patterns of light Detail

Patterns of light Detail

The artist’s new multimedia work, Are We the Same?, will also be on view in one of SOFA’s public spaces. Minkowitz will attend the opening of SOFA on Thursday evening and will speak about her work as one of three artists in the panel, Fiber Art in Three Dimensions: A History and Discussion of Fiber Art Off the Wall at 10:30 a.m. to 12 p.m., Lecture Room B on Friday November 4th at the Navy Pier. At 2 p.m., on Friday, Minkowitz will be at browngrotta arts Booth 921 for an Artist Q&A. For more information, visit: http://www.sofaexpo.com.

 


Art Events: Birds on the Brain in New York and Massachusetts

Minkowitz Bird Stitch Drawing

61nm Patterns of Flight II, Norma Minkowitz, stitched, drawn, collage, pen and ink on paper, 20 x 14.75″, 2015

Perhaps it’s in the air —  or are three avian-themed art exhibitions in one season a mere coincidence? In any event, there are three very different takes on a popular theme for viewers to sample. At the Shirley Fiterman Art Center, 81 Barclay Street, New York, NY, 10007 is The Conference of the Birds, curated by painter Brenda Zlamany. The Conference of the Birds, is based on a poem composed in the 12th century by the Persian poet Farid ud-Din Attar, about an epic, mystical quest narrative in which hundreds of birds embark on a perilous journey in search of a king called the Simurgh, who can right the wrongs in their world. Attar’s poem can be seen as a metaphor for the often perilous journey of self-discovery that artists face. This metaphor and the rich imagery of birds in the poem are the gravitational glue that brings together a diverse group of works for this exhibition, which features 36 artists. Among those included are Lesley Dill and Norma Minkowitz, who is exhibiting works from her new Patterns of Flight Series, which combines detailed drawings, collage and stitching. The Gallery, located at the Borough of Manhattan Community College, is open Tuesday through Saturday from 12 to 6 p.m. For more information, go to: http://www.bmcc.cuny.edu/sfac/.

Birds Norma Minkowitz

The Gathering by Norma Minkowitz
mixed media, 2016

At the Katonah Museum of Art through June 19th, is theThe Nest, an exhibition of art in nature, which provides an unexpected lens through which to observe the fascinating parallels between human and animal behavior, raising timely questions about the survival of birds and their habitats in our increasingly fragile ecological world The Katonah Museum of Art is at 134 Jay Street/Route 22, Katonah, New York, and is closed on Mondays http://www.katonahmuseum.org/exhibitions/TheNest/Baby Birds: An Artist Looks into the Nest is at Mass Audubon in Lincoln, Massachusetts now through September 18th. The featured artist, Julie Zickefoose, is an author, artist and naturalist in addition to being a wildlife rehabilitator. She works in a variety of mediums, though primarily watercolors, leaving the viewer with the sense that connectivity is important to all of us. Also on exhibit at Mass Audubon is Classic American Bird Carving: An Introduction. The Museum is located on a 121-acre wildlife sanctuary and has a collection of engravings and lithographs by John James Audubon and related works by many other artists including sculptor Larry Barth, Charly Harper and 100 prints from his Endangered Species series that were donated by Andy Warhol. The Museum of American Bird Art is at 963 Washington Street, Canton, MA 02021;781-821-8853; http://www.massaudubon.org/learn/museum-of-american-bird-art/exhibitions/current-exhibitions/baby-birds-an-artist-looks-into-the-nest-watercolors-by-julie-zickefoose.