Tag: Indigo

Influence and Evolution Introduction: María Eugenia Dávila & Eduardo Portillo

Patina II byMaría Eugenia Dávila & Eduardo Portillo. Photo by Tom Grotta

Patina II by María Eugenia Dávila & Eduardo Portillo. Photo by Tom Grotta

We are in full preparation mode for our spring exhibition, Influence and Evolution: Fiber Sculpture then and now, April 24th – May 3rd. Among the artists whose work we will be featuring are María Eugenia Dávila & Eduardo Portillo of Venezuela. You can see the artists’ work in

Amanecer by María Eugenia Dávila & Eduardo Portillo. Photo by Tom Grotta

Amanecer by María Eugenia Dávila & Eduardo Portillo. Photo by Tom Grotta

New Territories: Laboratories for Design, Craft and Art in Latin America at the Museum of Arts and Design in New York City through April 6th. Featuring more than 75 designers, artists, craftspersons, and collectives, New Territories explores several key themes, including: the dialogue between contemporary trends and artistic legacies in Latin American art; the use of repurposed materials in strategies of upcycling; the blending of digital and traditional skills; and the reclamation of personal and public space. http://browngrotta.com/Pages/calendar.php

Venus I.Detail

Venus I detail (woven bronze) by Eduardo Portillo & Mariá Eugenia Dávila, photo by tom Grotta

We are excited by the experimental approach Dávila and Portillo take to all aspects of their work — sourcing, technique and materials. They have spearheaded the techniques of rearing silk worms in Venezuela, weaving with locally sourced fibers and dyeing with natural dyes. They were inspired to work with natural indigo by visits to Orinoco and the Amazon.

Atardecer.Detail

Atardecer.Detail by Eduardo Portillo & Mariá Eugenia Dávila, photo by tom Grotta

The artists spent several years in China and India studying sericulture, or silk farming, and since then their research has taken them worldwide. In Venezuela they established the entire process of silk manufacture: growing mulberry trees on the slopes of the Andes, rearing silkworms, obtaining the threads, coloring them with natural dyes, and designing and weaving innovative textiles. We will include an example of woven “mosaics” from their Indigo series—metaphors for moments of the day —

Encontrada by Eduardo Portillo & Mariá Eugenia Dávila, photo by tom Grotta

Encontrada by Eduardo Portillo & Mariá Eugenia Dávila, photo by tom Grotta

in Influence and Evolution. Recently, they have been working on incorporating copper and bronze into their work, and also using textiles as inspiration for works that are cast in bronze and that work will be represented in Influence and Evolution as well. You can learn more about the artists, their process, inspiration and exquisite work by watching them on Vimeo: http://vimeo.com/102751766. For more information on our exhibition, Influence and Evolution, or the catalog that will accompany it, check: http://browngrotta.com/Pages/catalogs.php


25 at 25 at SOFA NY Countdown: Chang Yeonsoon

Matrix II-201011 Detail, Chang Yeonsoon, photo by Tom Grotta

 

“Encountering the real self through meditation is at the core of my work,” explains Korean artist Chang Yeonsoon. Yeonsoon is one of the artists that browngrotta arts will feature at SOFA New York. She was Artist of the Year at the Museum of Contemporary Art in Seoul in 2009. Four works from Yeonsoon’s Matrix series will be displayed at SOFA. The works in the series “derive from the oriental perspective that observes the human mind and body as unified. These fiber artworks  represent my own Korean formative language. In them, I minimize my body while my mind fills with abstract ideas. To transform the abstract idea into a three-dimensional structure requires a 12-step process that includes starching, ironing, cutting and sewing sparsely woven abaca fiber after dyeing it with indigo. The process of production involves an extreme level of concentration and a training of mind and body. As the work emerges, I feel myself being purified as I become one with the abaca fiber.”

Matrix Series by Chang Yeonsoon, photo by Tom Grotta

Yeonsoon’s work has been exhibited extensively in Asia and the US, including at  the National Museum of Contemporary Art, Seoul, Korea (artist of the year exhibition); Art Institute of Chicago, Illinois; Insa Art Center, Seoul, Korea; Dowaru Gallery, Fukuoka, Japan; Museum of Ewha Women’s University, Seoul, Korea; Art Center for The Foundation of Korean Culture & Arts, Seoul; Moyer Arts & Crafts Center, Seoul, Korea; Museum of Arts & Crafts, Itami, Japan; Pittsburgh Arts Center, Pennsylvania; Daegu Convention Center, Korea; Honolulu Academy of Arts, Hawaii; Marronnier Art Center, Seoul, Korea; Cheongju Crafts Center, Korea; Korea Economic Daily, Seoul, Korea.