Tag: Hiroyuki Shindo

Contemporary Art Influenced by Korea and Japan: An Unexpected Approach

Opens September 16th in Greenwich, Connecticut

Mary Yagi Outdoor Sculptor Art from Japan

Mariyo Yagi preparing her outdoor sculpture “A cycle- Infinity” for the upcoming exhibit in the US. Photo by Yuna Yagi

From September 16th to November 4, 2016, the Bendheim Gallery of the Greenwich Arts Council in Greenwich, Connecticut will present Contemporary Art Influenced by Korea and Japan: An Unexpected Approach, curated by browngrotta arts. The exhibition includes select works of ceramics, textiles, baskets and sculptures by artists from Japan, Korea and the United States that each reflect an Asian sensibility.

Textiles and Ceramic Art from Korea and Japan

Weaving by Chiyoko Tanaka, Ceramic by Yasuhisa Kohyama. Photo by Tom Grotta

Varied materials and techniques

The 23 artists in this exhibit have a close relationship to a traditional craft aesthetic, manifested in a contemporary manner. They have chosen conventionally Asian materials and/or techniques (dyes, papers, gold leaf, persimmon tannin, kategami) used in both time-honored and unconventional ways. Examples include studies by Hiroyuki Shindo of the vanishing art of natural indigo dyeing and by Jun Tomita on ikat dyeing.  Jennifer Linssen’s innovative sculptures of katagami and Keiji Nio’s Interlacing-R, which references complex Japanese sumihimo braiding reimagine conventional techniques. Masakazu and Naomi Kobayashi, Naoko Serino and Kyoko Kumai also create new relationships among disparate material and techniques.

Kiyomi Iwata Gold Mesh Sculpture

Auric Grid Fold, Kiyomi Iwata, aluminum mesh, french embroidery knots, gold leaf, silk organza, 19″ x 18″ x 10″, 2013. Photo by Tom Grotta

In other works, like Kiyomi Iwata’s Auric Gold Fold, Glen Kaufman’s Shimogamo Scrolls: Studio View II and Jin-Sook So, Pojagi Constructions I and II, gold and silver leaf play a role, their luster and longevity suggesting immortality, power, divinity. The artists share a concern for surface and material interaction, evident in Chiyoko Tanaka’s Grinded Fabric-Three Squares Blue Threads and Blue #689, of linen distressed with earth and stones, Hideho Tanaka’s Vanishing and Emerging series of stainless steel and singed paper and Mariyo Yagi’s twisted rope sculpture, A cycle-Infinity. The artists in Contemporary Art Influenced by Korea and Japan: An Unexpected Approach create work that is formal and contained while visibly involving the hand of the artist. This exhibition is a collaboration between the Greenwich Arts Council and browngrotta Arts.

The complete list of artists participating in this exhibition is:

Nancy Moore Bess (United States); Pat Campbell (United States); Kiyomi Iwata (Japan); Glen Kaufman (United States); Masakazu Kobayashi (Japan); Naomi Kobayashi (Japan); Yasuhisa Kohyama (Japan); Kyoko Kumai (Japan); Jennifer Falck Linssen (United States); Keiji Nio (Japan); Toshio Sekiji (Japan); Hisako Sekijima (Japan); Naoko Serino (Japan); Hiroyuki Shindo (Japan); Jin-Sook So (Korea/Sweden); Norkiko Takamiya (Japan); Chiyoko Tanaka (Japan); Hideho Tanaka (Japan); Takaaki Tanaka (Japan); Jun Tomita (Japan); Mariyo Yagi (Japan); Chang Yeonsoon (Korea); Jiro Yonezawa (Japan); Shin Young-ok (Korea).

The Bendheim Gallery is located at 299 Greenwich Avenue, Greenwich, Connecticut; 203.862.6750; info@greenwicharts.org.


In Honor of Asia Week: Seven More Japanese Artists

Traditionally, art of Asia Week New York has been Asian Contemporary Art Week. This spring, Asian Contemporary Art Week extends beyond its usual week-long format to last an entire season, capturing the best of contemporary art from Asia in New York. A complete list of contemporary offerings, which includes Bomb Ponds, Vandy Rattana’s installation of photographs and video that explores the U.S. bombing of Cambodia during the Vietnam War, is found on the ACAW webiste at http://www.acaw.info/?page_id=2062. Here is a selection of wall and three-dimensional work by seven more contemporary Japanese artists.

Large Silk Akiha Devider by Chiaki Maki, photo by Tom Grotta

Large Silk Akiha Devider by Chiaki Maki, photo by Tom Grotta

Chiaki Maki (Japan)

Large Tassar Spun Silk and Wool by Kaori Maki, photo by Tom Grotta

Large Tassar Spun Silk and Wool by Kaori Maki, photo by Tom Grotta

Kaori Maki (Japan)

Large Interlacing-R by Keiji Nio, photo by Tom grotta

Large Interlacing-R by Keiji Nio, photo by Tom grotta

Keiji Nio (Japan)

Shadow Alphabet by Toshio Sekiji, photo by Tom Grotta

Shadow Alphabet by Toshio Sekiji, photo by Tom Grotta

Toshio Sekiji (Japan)

A Hole to See II by Hisako Sekijima, photo by Tom Grotta

A Hole to See II by Hisako Sekijima, photo by Tom Grotta

Hisako Sekijima (Japan)

Generating 12 by Naoko Serino, photo by Tom grotta

Generating 12 by Naoko Serino, photo by Tom grotta

Naoko Serino (Japan)

Shindigo Square Series by Hiroyuki Shindo, photo by Tom Grotta

Shindigo Square Series by Hiroyuki Shindo, photo by Tom Grotta

Hiroyuki Shindo (Japan)