Category: Exhibitions

25 at 25 at SOFA NY Countdown: Anda Klancic

March 31, 2012 0 Comment

Anda Klancic, Black Grove detail, photo by Tom Grotta

Cerni Goj means the black grove in the ancient Slovenian language, but it is also a surname in Slovenia, the name of the late Slovenian painter and graphic artist, August Cernigoj. At SOFA NY 2012 , browngrotta arts will exhibit Anda Klancic’s work, The Black Grove. The work involved several techniques and manipulations, took 13 years to complete and explores the themes of global linkage and the interaction of humans and nature.
Klancic’s  first stimulus for The Black Grove was the structure of the vein-like net of the dried fruit from the plant echynocystis lobata, a wild pumpkin. Inspired by this natural structure, Klancic designed a pattern for industrial machine-embroidered lace and machine-embroidered fabric. From a piece of this embroidered fabric, produced from selected raw materials especially for this hand-manipulated experiment, she produced The Black Grove, using numerous hand-applied techniques.
Klancic’s work has garnered international acclaim. Her three-dimensional lace work, Foothpaths 2, was commended by the judges at last year’s International Triennial of Tapestry in Poland. Her lighted works Aura and Aura F&M, were presented at the Miniartextil Energheia touring exhibition that opened in Milan, Italy. Aura which is made of palm tree bark, optical fibre,  and includes three halogen light sources, is currently in Zagreb, Croatia in the Textil{e}tronic exhibition.

25 at 25 at SOFA NY Countdown: Susie Gillespie

March 30, 2012 0 Comment

SETTLEMENT detail by Susie Gillespie, photo by Tom Grotta

Susie Gillespie’s weavings contain many influences besides those of ancient textiles that have survived the millennia. The artist writes that she finds “beauty in the ruins of what once must have been new: the patterns in damp and crumbling plaster; the remains of paint on decayed wood; rotting bark; broken carvings; fallen monoliths. Some of these I express in broken borders, insets and slits; twining and wrapping; weaves of herringbone and twill; mends, darns, fraying; drawn threads and slits.” She seeks to reinvent the past to some extent, “Despite my weaving having roots in the past, I look forward to a future where we do not discard things because they are worn out or outmoded. Out of decay and disintegration I wish to express a sense of renewal.”

Settlement by Susie Gillespie, antique handspun linen & Nepalese nettle yarn, modern linen, cotton, natural pigments from caves. gesso, hand-made paper, 45.5″ x 48″ x 1″, 2010, photo by Tom Grotta

At SOFA NY 2012, browngrotta arts will exhibit Gillespie’s 2012 work, Settlement, in which the artist has combined antique handspun linen yarn, handspun Nepalese nettle yarn, modern linen, cotton, natural pigments from caves, gesso and handmade paper to create a contemporary haptic artifact. Gillespie’s work has been exhibited at the Coombe Gallery, Dartmouth, UK; Somerset House, London, UK (Origin); Torre Abbey, Torquay, UK; Brewery Arts Centre. She is a recipient of the Theo Moorman Trust Weaving Award.

25 at 25 at SOFA NY Countdown: Mary Giles

March 29, 2012 0 Comment

TWIST by Mary Giles, photo by Tom Grotta

53mg TWIST, Mary Giles, waxed linen, iron twists, and hammered tin coated copper wire, 22″ x 10″ x 5″, 2012, photo by Tom Grotta

Mary Giles‘ sculptures, Sentry Field and Twist, made of knotted linen, pressed metal and springs, will be on display at browngrotta arts at SOFA 2012 , booth 208.  Giles says of her work,  “I interpret and express my concerns about our environment and the human condition through my work. I have also explored themes related to communication and intimacy in relationships, and the results are reflected in my figural work. Today, however, I am very concerned about the environment and try to capture the forms, textures, and light found in nature. I admire the directness and honesty I see in tribal art, and I try to incorporate those qualities in my own.” Giles’ work is in numerous museum collections including that of the Museum of Arts and Design in New York, the Detroit Institute of Arts, the St. Louis Art Museum  and the Minneapolis Institute of Arts.

25 at 25 at SOFA NY Countdown: Chris Drury

March 28, 2012 0 Comment

Crossing and Recrossing the Rivers of Iceland by Chris Drury, photo by Tom Grotta

Chris Drury’s Crossing and Re-crossing the Rivers of Iceland will be exhibited by browngrotta arts at SOFA NY 2012. The handwritten text on the peat-impregnated paper lists and repeats all the rivers crossed on a six- day walk from Porsmork to Landmanalauga in Iceland. The pattern is from a satellite image of a storm that hit us on the fourth day. The story behind Crossing and Re-crossing the Rivers of Iceland Drury and a friend with a heart condition, went on a six-day walk in central Iceland. On the fourth day they were hit by a storm and waited out the night in a hut. The following day, the storm was still raging but they used a four-hour lull to try and catch their plane.  They started for the next hut at 3:00 p.m., crossing a cold river and climbing 2000 feet to a snow-covered plateau. On the top the storm returned and they were enveloped in a whiteout.

7cd Crossing and Recrossing the Rivers of Iceland, photo by TomGrotta

Drury’s friend announced that he wasn’t going to make it to the hut. He was, in fact, having a heart attack. Drury didn’t know it, but his heart was shutting down. He gave him some water, which he used to swallow pills given him by his doctor for just such an emergency. The pills saved his life and he was able to make it to the hut. This experience is reflected in Crossing and Re-crossing the Rivers of Iceland. The blood flows in the heart in a double vortex pattern called a Cardiac Twist; the storm that Drury and his friend were caught in had that same pattern. Drury is an environmental artist who has created site-specific works from South Africa to Ireland to Wyoming. In recent years he has studied systems in the body and on the planet, with particular reference to systems of blood flow in the heart, including combining measurements of the “Earth’s heartbeat,” echograms of Antarctica, with the heartbeat, echocardiogram, of a pilot who flies there in his work, Double Echo. Drury’s work has been included in several books, including Chris Drury: Found Moments in Time and Space (Harry N. Abrams, Inc.).

25 at 25 at SOFA NY Countdown: Lia Cook

March 27, 2012 0 Comment

Neural Networks Detail by Lia Cook, photo by Tom Grotta

At SOFA NY 2012, browngrotta arts‘ display will include Neural Networks by Lia Cook. Cook works in a variety of media, combining weaving with painting, photography, video and digital technology. Cook’s current practice explores the sensuality of the woven image and the emotional connections to memories of touch and cloth. Working in collaboration with neuroscientists at the University of Pittsburg School of Medicine,

23lc Neural Networks, Lia Cook, woven cotton and rayon, 83″ x 51″ x 1.5″, 2011, photo by Tom Grotta

Cook has investigated the nature of the emotional response to woven faces by mapping in the brain these responses and using the laboratory experience both with process and tools to stimulate her work in reaction to these investigations. Her solo exhibition, Bridge 11: Lia Cook, which includes large-scale woven images of human faces and introduces several works based on her recent art-neuroscience collaboration, is at the Houston Center for Contemporary Craft through May 13th. Cook is one of 11 artists whose work is highlighted in the current exhibition, Sourcing the Museum, at the Textile Museum in Washington, DC through August 19th and one of 14 artists featured in Sleight of Hand at the Denver Art Museum through May 13th.

Art News: Korean Art Gains Exposure

March 9, 2012 0 Comment

The Korean Art Show opened this week at 82 Mercer Street in New York and runs through March 11th. Interest in Korean Art is on the rise. The Museum of Arts and Design and Korean Art Show opened the Korean Eye: Energy and Matter from last November through February. It was accompanied by a 300-page catalog. Last year’s Cheong-ju International Craft Biennale featured artworks by 189 international artists. The Korean Design & Craft Foundation began exhibiting at SOFA expositions in 2010. In recognition of this escalation of interest we offer this online view of work by three accomplished artists from Korea who explore traditional and innovative techniques in their work.  Chang Yeonsoon was Artist of the Year at the National Museum of Art in Seoul in 2008. The artworks of her Matrix series illustrate the Asian perspective of the human mind and body as unified, rather than separate. To transform her abstract ideas into three-dimensional structures requires an elaborate 12-step process that includes starching, ironing, cutting and sewing sparsely woven abaca fiber after dyeing it with indigo. Jin-Sook So has spent much of her career in Sweden and her work reflects her time in two cultures.  So creates abstract and rhythmical works by applying various techniques to wire mesh, organza and paper. Her works, like Untitled Steel Mesh in the permanent collection of the Museum of Arts and Design, combine Western influences and Korean sensibilities.  Young-Ok Shin transfoms traditional Korean aesthetics into contemporary works of art.  In Ways of Wisdom, for example, which is part of the permanent collection of the Philadelphia Museum of Art, the artist repurposed an entire volume of a 19th-century printed version of the The Analects of Confucius to create five scrolls, woven with ramie and cotton threads, standing, rather laying flat in the traditional manner, each presenting the five elements of the East Asian cosmology: Water (black); Fire (red); Earth (yellow); Wood (blue) and Metal (white).

Exhibit News: Fiber Philadelphia 2012

February 29, 2012 0 Comment

This weekend marks the opening of Fiber Philadelphia is an international biennial and regional festival for innovative fiber/textile art.Pick up a copy of the FiberPhiladelphia directory, with all the venues listed (there’s even an app to help you get directions). You’ll see our 25th Anniversary ad in the Directory, featuring work by Ritzi Jacobi and Mary Merkel-Hess, and an ad for SOFA NY featuring a concrete basket by Klaus Titze and a much-appreciated congratulations to us. Among the Philadelphia exhibitions we hope to visit later this month: Distinguished Educators, at the Crane Arts Building: Grey Area, 1440 North American Street through April 12th which includes celebrates significant artist/mentors who have shaped the field:

WINTER GOLD, Adelea Akers, Linen, horsehair, paint & metal 30″ x 72″, 2011

Adela Akers, Lewis Knauss, Gerhardt Knodel, Gyongy Laky, Joan Livingstone, Rebecca Medel, Jason Pollen, Cynthia Schira, Warren Seelig, Deborah C. Warner, Carol Westfall, Pat Hickman, solo and in collaboration with the late Lillian Elliott; Andrea Donnelly: Binary, Sondra Sherman: Found Subjects at the Philadelphia Art Alliance, 251 South 18th Street, through April 21st; and Secret Garden, which includes work by Lenore Tawney, Mary Merkel-Hess, Ted Hallman, Sheila Hicks,
and Jim Hodges at the Philadelphia Museum of Art, Perelman Building, Fairmount and Pennsylvania Avenues, through July.
Visit the FiberPhiladelphia website for complete details. http://www.fiberphiladelphia.org/

 

On Exhibit Abroad: Sørensen, Bilenga and Drury

February 5, 2012 0 Comment

Traces of Light, couples digital jacquard by Sorensen and video by Bo Hovgaard

Grethe Sørensen’s work is the subject of a dramatic installation at the Round Tower in Copenhagen, Denmark. Traces of Light, couples digital jacquard by Sørensen and video by Bo Hovgaard, film & video producer. Video recordings of light in the city at night served as the starting point for the project. The unfocused camera acts as a filter that transforms the realism of billboards, street lamps and brightly colored surfaces into varying color effects. The recordings reflect four themes: Rush Hour, City Light, Passing by and Times Square in a Rush. The exhibition includes 18 large weavings alongside the video in large format. The flowing movements of the video create an ethereal counterpoint to the weight and structure of the weavings. Rundetaarn Købmagergade 52A, 1150 Copenhagen K, 33 73 03 73; post@rundetaarn.dk; http://rundetaarn.dk/engelsk/udstillinger.html#Traces_of_Light_; through March 11, 2012.

Traces of Light, couples digital jacquard by Sorensen and video by Bo Hovgaard

 

A Sense of Place, at the Philadelphia Art Alliance, 251South Street, http://www.philartalliance.org/exhibitsnew.htm, includes work by Marian Bijlenga and seven other artists. It closes on April 21st.

Bijlenga’s work will be part of Langsam + Leise (Softly + Quietly) at Künstlerforum Bonn, Hochstadenring 22-24, 53119 in Bonn, Germany, http://www.kuenstlerforum-bonn.de/typolight/index.php/suche.html?keywords=bijlenga&x=0&y=0, which opens March 11th and runs through August 4, 2012.

Chris Drury’s work will be a part of Landscapes of Exploration, at the Peninsula Arts Gallery, Plymouth University, UK, from February 11th to March 31, 2012. Ten visual artists, one musician and three writers undertook residencies in the Antarctic between 2001 and 2009, under the auspices of the British Antarctic Survey, supported by Arts Council England. This exhibition will bring together for the first time art resulting from the various artistic investigations, offering an opportunity to examine the role of contemporary art in examining Antarctica. Plymouth University, Roland Levinsky Building, Drake Circus, Plymouth, PL4 8AA; http://www.plymouth.ac.uk/pages/view.asp?page=28345#landscapes.

8cd Double Echo, Chris Drury, Inkjet print with UV coating, 54.25″ x 46.25″ x 2.75″, 2000

The Plymouth City Museum and Art Gallery in Drake Circus will feature a companion exhibit, From Plymouth to Pole: Scott, Science and the Men who Sailed South through April 14, 2012.

Exhibition News: Green from the Get-Go at the Wayne Art Center a “Must See”

January 8, 2012 0 Comment

Green From the Get Go: Jiro Yonezawa, Hisako Sekijima, Jan Buckman, Dona Anderson, Gyongy Laky, Chris Drury, John McQueen, Dail Behennah and Christine Joy

Green From the Get Go: Valerie Pragnell; John McQueen; Dawn MacNutt; Mary Merkel-Hess; Naoko Serino; Kay Sekimachi; Marien Hildebrandt

There are just two weeks left to see the exhibition Green from the Get Go: International Contemporary Basketmakers at the Wayne Art Center in Pennsylvania. The Ethel Sergeant Clark Smith Gallery, where the exhibition is hung, is an attractive space with high walls and ceilings.

Green From the Get Go: Chris Drury and Dail Behennah

Green From the Get Go: Hisako Sekijima and Jiro Yonezawa

The installation is exciting — if we do say so ourselves – with work displayed on and off the floor and hung from the ceiling. But don’t just take our word for it. On philly.com, Victoria Donahoe of the Philadelphia Inquirer called Green from the Get Go “superb”  and “[a]bsolutely must-see.”  handmadeinpa.net calls it “a mind-bending (and fiber bending) exhibition of out-of-this-world baskets.”  And visitors have been kind enough to write us:  “Beautiful exhibit, both the artwork of course and the installation;” “…some of the work took my breath away;” “Thank you for putting together with Jane Milosch such a stimulating exhibition.” Green from the Get Go features more than 50 works by 28 artists. Through January 21st: Wayne Art Center, 413 maplewood Avenue, Wayne, PA 19087, 610-688-3553; http://www.wayneart.org/exhibition/green-from-the-get-go-international-contemporary-basketmakers.

Guest Post Alert: Crafting Modernism by Carol Westfall

December 26, 2011 0 Comment

In her second post, Carol Westfall reviews Crafting Modernism

Music Rack Wendell Castle, 1964 REQUIRED PHOTO CREDIT: Purchased by the American Craft Council, 1964

at the Museum of Arts and Design in New York CIty through January 15, 2011.
https://arttextstyle.com/guest-posts-carol-westfall