Category: Art Assembled

Art Assembled – New This Week in October

October 30, 2024 0 Comment

As October comes to a close, we’re filled with excitement as we prepare for our upcoming exhibition, Japandi Revisited: shared aesthetics and influences, opening December 7, 2024, and running through January 25, 2025 at the Wayne Art Center in Wayne, Pennsylvania Three years ago, we curated a fascinating exhibition at browngrotta arts that delved into the inspirations shared by artists in Japan and Scandinavian countries—Sweden, Finland, Norway, and Denmark. The stories and artistic references we uncovered were so compelling that we decided to revisit this rich dialogue this winter at the Wayne Art Center. We can’t wait to share these insights with you!

Throughout October, our New This Week series introduced an array of talented artists, including Ed Rossbach, Norma Minkowitz, Laura Thomas, and Noriko Takamiya. We’re thrilled to showcase their remarkable contributions and invite you to explore their extraordinary work.

Ed Rossbach
220r Chief, Ed Rossbach, ash splints, found objects, 11.75″ x 10.5″ x 11″, 1990. Photo by Tom Grotta.

Ed Rossbach kicked off the month with his iconic sculptures that meld traditional techniques with innovative materials. Renowned as an imaginative and adept weaver, Rossbach is celebrated for his pioneering role in transforming basketry into a sculptural art form.

Rossbach expertly combines ancient weaving techniques with unorthodox materials, such as plastics and newspaper, challenging the boundaries of traditional craft. Additionally, his work often incorporates unconventional imagery and pop culture references, reflecting his innovative spirit and cultural commentary. With an eye for detail and a commitment to experimentation, Rossbach’s pieces are not only visually striking but also carry notable cultural significance.

Norma Minkowitz
Norma Minkowitz, 114nm The Seeker
pen and ink drawing, 20.25” x 16.25” x 1.5”, 2014. Photo by Tom Grotta.

Next, we featured the talented artist Norma Minkowitz, known for her innovative approach to crocheted, interlaced sculptures that are stiffened into hard mesh-like structures. For many years, Minkowitz has been exploring these techniques, achieving both structure and surface simultaneously. Minkowitz has studied drawing. In addition to “sketching” in crochet, she creates highly detailed collages with intricate drawing combined with pop and other images, like Picasso’s eyes in The Seekers.

A Fellow of the American Craft Council, Minkowitz’s work is held in numerous prestigious collections, including the Metropolitan Museum of Art and the Smithsonian American Art Museum. We hope you enjoyed her work as much as we do!

Laura Thomas
12lt Cross, Laura Thomas, handwoven silk, cotton, resist indigo dye, 11″ x 11″ x 1.75″, 2023

Following Minkowitz, we turned our spotlight to artist Laura Thomas, known for her innovative approach to contemporary textiles. Since her first experience of weaving in 1996, Thomas has been thoroughly absorbed by its infinite scope for exploration and experimentation. She established her studio practice in South Wales in 2004 and has worked on a diverse range of projects, spanning public art, commercial textile design, curation, artist residencies, and creating work for exhibitions.

Thomas’s multi-faceted approach sets her apart in the woven textiles sphere, making her a distinctive voice in contemporary textile art.

Noriko Takamiya
34nt Revolving Cross, Noriko Takamiya, paper, 5.5″ x 7.75″ x 4.5″, 2024. Photo by Tom Grotta.

Lastly, we showcased Noriko Takamiya, celebrated for her contemporary take on traditional Japanese basketmaking techniques. Takamiya’s practice is a captivating blend of experimentation and refinement, as she explores various weaving methods using materials such as wood splint, ramie, rice straw, and paper.

Her work often features non-vessel forms that highlight the unique interplay between structure and material. Takamiya is a member of a distinguished group of innovative basketmakers, inspired by Hisako Sekijima’s pioneering basket technology, which has evolved into a new method of three-dimensional modeling. This influential group has held an annual basketry exhibition since 1986, continually pushing the boundaries of basketry and significantly contributing to the field.

As we wrap up October, we’re grateful for your continued support and interest in our artists. Stay tuned for more exciting updates as we approach the opening of Japandi Revisited and keep exploring the incredible world of textile art!

Thank you for following along with our latest features and updates. Don’t forget to reserve your spot for the upcoming exhibition, and we look forward to sharing more details soon!

Art Assembled – New This Week in September

October 3, 2024 0 Comment

September has been a remarkable month at browngrotta arts, highlighted by the success of our exhibition, Ways of Seeing. We are immensely grateful to everyone who came out to join us for our Fall Art in the Barn exhibition. Your support means the world to us, and we are grateful for every opportunity we get to connect with each of you.

As we reflect on this past month, we’re excited to recap the talented artists featured in our New This Week series throughout September. Read on to see what talented artists we’ve put a spotlight on!

Mary Merkel-Hess
212mm Another Autumn, Mary Merkel Hess, paper cord, paper, 28″ x 18″ x 12″, 2023.

Kicking off the month, we had the pleasure of highlighting the work of Mary Merkel-Hess. Known for her intricate sculptures that evoke the natural world, Merkel-Hess draws inspiration from the beauty found in her surroundings. Using reed, paper, and paper cord, she creates what she refers to as “landscape reports,” sculptural forms that reflect her deep connection to nature.

Merkel-Hess’s work often incorporates broken borders and insets, allowing the viewer to engage with the layers and textures she so thoughtfully constructs.

Merkel-Hess was also one of the 20 women artists who were featured in, Impact: 20 Women Artists to Collect, in September. It’s no wonder to us why her work comes so acclaimed!

John McQueen
81jm The Weight of Empty, John McQueen, willow, 50″ x 26″ x 26″, 2020

We then turned our spotlight to the remarkable John McQueen and his intricate work. A sculptor, McQueen arranges natural materials to create vessels, sculptural figures, and representational images that challenge our perception of the natural order.

His bark-covered sculptures and drawings made from sticks lead viewers to reconsider their relationship to nature. McQueen’s work has been acquired by numerous prestigious museums, including the Museum of Arts and Design and the Philadelphia Museum of Art, and he is recognized with several accolades, such as the Gold Medal of the American Craft Council for his impactful contributions to the field of sculpture.

Nancy Koenigsberg
58nak Pocket Scroll, Nancy Koenigsberg, twisted copper, 73.5″ x 17.5″ x 6″, 2007

Following McQueen, we featured the captivating work of Nancy Koenigsberg. As a celebrated artist and educator, Koenigsberg’s pieces are a testament to her exploration of materiality and technique. Utilizing her expertise in weaving and embroidery, she creates intricate textile artworks that often reflect personal narratives.

Koenigsberg’s practice challenges the boundaries of traditional textile art, as she incorporates various techniques and materials to create layered, textural compositions that resonate with emotion and meaning.

She is one of our favorite artists to date, and we hope you all enjoy her work as much as we do!

Anneke Klein
7akl Black Monologue, Anneke Klein, hemp, cotton, linen, acrylic paint, 28.5″ x 28.5″ x .5″, 2020.

We then turned our attention to Anneke Klein, a talented artist from the Netherlands originally educated as a goldsmith. Her passion for weaving emerged from a desire to move away from hard, cold materials toward the warmth and softness of textiles. After designing and manufacturing clothing, she created commissioned works for renowned artists such as Richard Tuttle and Alexis Gautier, showcasing her ability to blend her goldsmithing precision with textile art.

Klein has developed her own style for wall objects, often employing the rhythmic and repetitive expressions learned during her time as a goldsmith. Her work reflects a unique exploration of materials, inviting viewers to engage with both tactile and visual elements.

Jin-Sook So
71jss Soul of Bowl II, Jin-Sook So, steel mesh, electroplated silver, pure gold leaf, acrylic, steel thread
6” x 12.75” x 9.75”, 2023.

Finally, we highlighted the work of Jin-Sook So, an artist renowned for her innovative approach to fiber art. So’s creations are characterized by their intricate layering and attention to detail, reflecting her deep understanding of traditional techniques while embracing contemporary aesthetics. Her work often incorporates elements of nature and cultural heritage, inviting viewers to consider the connections between art and identity. Jin-Sook So’s dedication to her craft and her ability to weave together diverse influences make her work truly exceptional.

As we step into October, we extend our heartfelt thanks to all who engaged with our September New This Week features and our Ways of Seeing exhibition. Your support means the world to us! Stay tuned for more artistic explorations and updates as we continue this creative journey together.

Art Assembled – New This Week in July

August 1, 2024 0 Comment

July has been good to us here at browngrotta arts. We’ve started getting into our final planning phases for our  Fall 2024 “Art in the Barn” exhibition, Ways of Seeing – exploring ways individuals envision and curate art collections. The exhibition within the exhibition will feature distinct groupings: The Art Aquatic, art influenced by water; Impact: Women Artists to Collect, accomplished artists from the US and abroad; and Right-Sized, art compiled with specific parameters in mind. The exhibition will be open to the public September 21-29. We hope to see you there!

Outside of prepping for this exhibition, we’ve had the opportunity to introduce six artists in our New This Week series, including: James Bassler, Susie Gillespie, Eduardo and Mariá Eugenia Dávíla Portillo, Eva Vargo and Adela Akers.

Now, we’re recapping everything we covered so you don’t miss a thing! Read on for the full breakdown.

James Bassler
20jbas This Old House by James Bassler, multiple cotton and silk warps, patched together multiple sisal, silk, linen, agave, ramie wefts, synthetic and natural dyes. batik plain and wedge-weave construction, 27” x 42”, 2024. Photo by Tom Grotta.

We kicked off the month with a powerful feature on James Bassler‘s piece, This Old House. Timed with the 4th of July, this piece resonated deeply with the occasion. Since 1980, Bassler has been celebrated for his innovative textile work, drawing inspiration from diverse traditions such as the Navajo wedge-weave, Japanese shibori, and pre-Columbian scaffold weaves.

In “This Old House,” Bassler draws from Isabel Wilkerson’s book Caste, which likens America to an old house, with the caste system of slavery being as foundational as the studs and joints. The piece’s flag design, adorned with wax resist and a rich array of woven elements, pays homage to the African textile traditions brought to Virginia in 1619, symbolizing the loss of identity and culture imposed by slavery.

Not only is this work profound, but it also stands out for its stunning complexity.

Susie Gillespie
Evidence of Passing Time by Susie Gillespie, handspun, machine-spun linen, dyed, indigo, oak gall. gesso paint weaving, 15.75″ x 15.75″ x 2″, 2021. Photos by Tom Grotta.

Next up, we featured the talented artist Susie Gillespie and her captivating piece, Evidence of Passing Time. Gillespie draws inspiration from the beauty found in the remnants of what was once new: the patterns in damp, crumbling plaster; remnants of paint on decayed wood; rotting bark; and broken carvings. Her intricate techniques, such as broken borders, insets, twining, and weaves of herringbone and twill, bring these elements to life.

When asked about her work, Gillespie said: “Out of decay and disintegration I wish to express a sense of renewal.”

It’s no secret to us why this artist come so acclaimed, and we hope our readers feel the same.

Mariá Eugenia Dávíla Portillo
16pd Amarillo, Eduardo and Mariá Eugenia Dávíla Portillo, silk, alpaca, moriche fiber, cooper leaf, natural dyes, 82.25” x 24.6”, 2019. Photo by Tom Grotta.

The next duo we highlighted did not disappoint! Turning our spotlight to Eduardo and Mariá Eugenia Dávíla Portillo. Renowned for their experimental approach, this artistic pair has made significant strides across all facets of their practice.

Originating from Venezuela, they pioneered silk farming, utilizing local fibers and exploring natural indigo dyeing techniques inspired by their journeys through Orinoco and the Amazon. Extensive research in China and India further enriched their process, where they developed a comprehensive silk production cycle from mulberry tree cultivation to innovative textile design.

They make a spectacular duo, and we can’t wait to see more from them in the future!

Eva Vargo
8ev Paper Quilt 1, Eva Vargo, Japanese & Korean old book papers, handspun strings of old book papers, 23” x 23” x 2.25”, 2022. Photo by Tom Grotta.

We then turned our spotlight to artist Eva Vargö. With extensive travel experience, including time spent in Sweden, Japan, and Korea, Vargö has skillfully infused global influences into her practice.

Her current works are a fascinating blend of traditional weaving techniques and her own innovative paper-weaving methods. By integrating elements from Eastern philosophy, Vargö creates pieces that resonate with a deep sense of harmony and balance. Her unique approach not only reflects her diverse experiences but also continues to captivate audiences worldwide. It’s no wonder she’s earned such acclaim!

Adela Akers
53aa Five Windows, Adela Akers, linen and metal foil, 29” x 60”, 2005. Photo by Tom Grotta.

To close out the month, we are honored to highlight the work of the late, acclaimed artist Adela Akers. Her piece, Five Windows, created in 2005, showcases her masterful use of linen and metal foiling.

Born in Spain and later residing in the United States, Akers was a pivotal figure in the textile and fiber art world. Her career, which began in the 1950s, spanned the entire evolution of modern fiber art, leaving an indelible mark on the field.

We’re also thrilled to share that Akers’ work will be featured in Impact: 20 Women Artists to Collect, part of our upcoming Fall 2024 exhibition, Ways of Seeing. The exhibition will take place from September 21 to September 29, and we can’t wait for you to experience her remarkable artistry once again.

Thank you for joining us on this journey through July’s exciting features. We’re incredibly grateful for your continued support and enthusiasm for the artists and their remarkable work. Stay tuned for more updates and insights as we approach the unveiling of our upcoming Fall 2024 exhibition, Ways of Seeing. Don’t miss your chance to experience these stunning artworks in person—reserve your spot today! We look forward to seeing you there and sharing more artistic inspirations in the months ahead.

Art Assembled – New This Week in June

June 26, 2024 0 Comment

Summer has brought sunshine, adventures, and an abundance of art to browngrotta arts! We’ve been immersed in exhibitions, shining a spotlight on our fabulous artists, and proudly launched our catalog for Discourse, art across generations and continents.

As June draws to a close, join us in recapping our featured artists from the New This Week series, including Norma Minkowitz, Rachel Max, Sue Lawty, and Hisako Sekijima. Let’s dive in!

Norma Minkowitz
105nm Swept Away, Norma Minkowitz, fiber and mixed media, 40″ x 40″, 2022. Photo by Tom Grotta.

Starting off the month, we featured the work of artist Norma Minkowitz. Renowned sculptor Norma Minkowitz has dedicated years to exploring the potential of crocheted sculptures, intricately interlaced and hardened into mesh-like structures.

Her artworks seamlessly blend structure and surface, offering profound reflections on themes of enclosure and entrapment. Minkowitz frequently contemplates the cycles of life and renewal, leaving twigs and branches embedded within her sculptures. These elements peek through the exterior, evoking comparisons to human skeletal or circulatory systems.

We are lucky to be able to work with her, and we hope everyone else enjoyed her feature as much as we did!

Rachel Max
13rm Caesura, Rachel Max, woven cane sculpture, plaited and twined, dyed
11” x 16.5” x 8”, 2023-24. Photo by Tom Grotta.

Next, we featured the talented artist Rachel Max, known for her innovative approach to contemporary basketry from her London base. Max’s artistic journey explores the intricate interplay between lace and traditional basketmaking techniques, resulting in finely woven sculptural pieces designed for interior spaces.

Her creative process involves meticulous refinement, exploration, and development of delicate openwork structures, where the juxtaposition of precise patterns with more relaxed weaves emerges as a recurring motif. Throughout her work, color plays a pivotal role, serving as a unifying element essential to Max’s artistic expression.

Sue Lawty
33sl Juncture, Sue Lawty, lead, 15.25″ x 12.25″ x 1.5″, 2023. Photo by Tom Grotta

We then turned our spotlight to artist Sue Lawty; renowned for her extensive experience as an artist, designer, and educator, with works displayed in prestigious collections worldwide, including a notable residency at the Victoria and Albert Museum in London.

Lawty’s creative practice delves deep into emotional, spiritual, and physical connections with the land. Through intuitive and meticulous exploration of materials and construction techniques, she constructs unique textual languages. It’s no surprise her contributions are revered across the art world.

Hisako Sekijima
668=680 Grasp V, Hisako Sekijima, walnut, black and kan-chiku bamboo, 9” x 11” x 5.5”, 2023. Photo by Tom Grotta

Last, but certainly not least, we featured the work of artist Hisako Sekijima. Sekijima is known in the art world for her sculptural baskets created with diverse materials including cherry, hibiscus and cedar bark, kudzu, and bamboo.

She describes herself as a perpetual experimenter, fascinated by concepts of order and disorder, connection and disconnection. Her artistic pursuits encompass a wide range of techniques and themes, from binding and wrapping space to exploring spheres, handles, and the interplay of materials.

We look forward to continuing this exploration with you in the months ahead. Stay tuned for more inspiring stories and artists featured in our upcoming series!

Art Assembled – New This Week in May

May 30, 2024 0 Comment

May has brought with it a fresh wave of inspiration as we embrace the new opportunities that Spring offers. Alongside the launch of our exhibition, Discourse: art across generations and continents, we’ve been thrilled to introduce our audience to a diverse array of New This Week features, showcasing the work of talented artists we’ve had the privilege of collaborating with over the years.

Now, as the month comes to a close, we’re excited to recap each artist we’ve highlighted.

Polly Barton
14pb Guardians, Polly Barton, silk warp with pictorial weft ikat in rayon and viscose, woven in 3 panels. walnut frame, 24 x 49.875”, 2023. Photos by Tom Grotta.

To kick off the month, we featured the remarkable artwork of Polly Barton. In the art world, Barton is a nationally recognized artist who has been working in fiber for 40 years. Trained in Japan, she is known for working with traditional methods of binding and dyeing bundles of fiber to weave contemporary imagery.

In her practice, Barton incorporates a wide range of materials in her work including pigment, soy milk, pastel, metallic threads, stitching, papyrus, and metal leaf. She was also one of the many talented artists featured in Discourse, which is now live on Artsy.

Neda Al-Hilali
1na Crystal Planet, Neda Al-hilali
plaited color paper, acrylic, ink drawing, paper, 43″ x 49″ x 2.5″, 1982

Next, we highlighted the work of talented artist Neda Al-Hilali. This Czechoslovakian artist, who works in the US, is known for for vibrant, detailed works of paper created in the 80s and previously, dramatic “Rope Art,” (featured in Life magazine in the 70s). Al-Hilali is one of the artists included in Subversive, Skilled, Sublime: Fiber Art by Women, that opens at the Smithsonian American Art Museum this week.

Her work has been long recognized, and we are honored to be able to exhibit this strong work by Al-Hilali!

Michael Radyk
8mra Lift, Michael Radyk, cotton jacquard, 66” x 52” x 1”, 2014.

We then turned our spotlight to artist Michael Radyk. Radyk is an artist who explores woven textiles and the qualities inherent in their structure, production, design, craft, and history. He uses both the hand loom and Jacquard loom to produce his work. Radyk designs, weaves, cuts, sculpts, and manipulates his textiles into both two and three-dimensional sculptural forms.

In his artistry, Radyk’s work involves the reinvention of manufactured materials and familiar textiles such as corduroy. He creates work that is based in place and material research using mainly recycled and repurposed materials. ​

Ésme Hofman
4eh Dialogue No.4 (a study in black and white willow skeins), Ésme Hofman, peeled and boiled willow skeins, 7.625″ x 5.75″ x 5.75″, 2024

To close out the month, we highlighted the work of artist Ésme Hofman. Hofman is a traditionally trained basketmaker who learned the foundations of my craft at the German basketry school. When creating, Hofman looks beyond the borders of this traditional handcraft. This gives her freedom to explore creative possibilities, and generates other ways of making. 

Her techniques and materials now vary from the traditional to the contemporary using natural stems, leaves, bark, wire, plastics, vellum, paper and occasionally color. Although fascinated by different possibilities, her my main focus is with the very time-consuming willow skeinwork, a nearly-extinct basketry technique that results in an extremely fine surface texture. Almost like textile, it enables her to create fine objects.

We hope you’ve enjoyed discovering these remarkable works as much as we have. Stay tuned for more exciting updates and features in the months ahead!

Art Assembled – New This Week in April

May 1, 2024 0 Comment

April was all about highlighting new artists and gearing up for our upcoming exhibition Discourse: art across generations and continents (May 4 – 12, 2024). With just three short days until launch day, the exhibition, and all the featured artists, have been at the forefront of our minds! In case you missed any of our artist highlights from April, we’ve put together a recap for you. Read on for the full scoop!

Chiyoko Tanaka
4cht Grinded Fabric #3233, Chiyoko Tanaka, handwoven raw linen, ramie with brick, 17.25″ x 38.5″, 1988. Photo by Tom Grotta

To kick off the month, we featured the remarkable artwork of Chiyoko Tanaka. Tanaka’s art is a fascinating exploration of time, symbolized through the weaving of countless weft threads. Following the weaving process, Tanaka employs a unique technique she calls “grinding,” where the cloth is rubbed with specialized tools like bricks or white stones. This meticulous process adds depth and texture to her pieces.

Tanaka’s innovative approach has earned her numerous accolades, and we are honored to showcase her extraordinary work.

Mary Merkel-Hess
18mm.1 Seed Head, Mary Merkel-Hess, bamboo and paper, 11” x 9” x 9”, 1990. Photo by Tom Grotta

Next up in April, we turned our spotlight to artist Mary Merkel-Hess. Merkel-Hess is renowned for her captivating ‘landscape reports,’ intricate sculptural forms crafted from reed, bamboo, and paper, inspired by the serene natural landscapes of Iowa.

Merkel-Hess’s work has garnered high praise, notably becoming the first contemporary basket form to be acquired by the Metropolitan Museum of Art in New York City. We’re thrilled to include her remarkable pieces in our upcoming exhibition, Discourse, launching this weekend.

Ed Rossbach
78r Peruvian Tapestry, Ed Rossbach, printed weft, 20″ x 21″, 1972. Photo by Tom Grotta

Next, we highlighted the groundbreaking artwork of the late pioneer artist, Ed Rossbach. Renowned for his innovative approach to weaving, Rossbach fearlessly explored traditional techniques and unorthodox materials like plastics and newspaper. His visionary work transcended the boundaries of basketry, elevating it to a sculptural art form. Known for his imaginative flair, Rossbach infused his creations with unexpected imagery, including references to pop culture.

Rossbach’s iconic pieces will be featured in Discourse this weekend, adding to the rich tapestry of talent on display. We’re truly honored to showcase his groundbreaking work.

Yvonne Pacanovsky Bobrowicz
1ypb Cosmic Series, Yvonne Pacanovsky Bobrowicz, Knotted monofilament, gold leaf, 25″ x 20″ x 7″. Photo by Tom Grotta

We then turned our focus to the late, award-winning artist, Yvonne Pacanovsky Bobrowicz. Renowned in the art world for her mesmerizing sculptures crafted from synthetic monofilament, Bobrowicz’s work captivated audiences with its cascading and light-transmitting qualities. Her artistic vision was deeply rooted in the exploration of interconnections and continuum.

When reflecting on her creations, Bobrowicz expressed, “My work combines natural materials with synthetics, bridging opposites and exploring concepts of randomness and order.” Her pieces, adorned with elements like gold leaf and characterized by reflective surfaces, served as alchemically symbolic representations, unifying contrasting elements in various densities, scales, and configurations.

As expected, Bobrowicz’s exceptional artistry will be showcased in our exhibition this weekend, adding another layer of depth and intrigue to the collection.

Lija Rage
7lr Home-II, Lija Rage, mixed media, wooden sticks, linen and copper, 53″ x 38″, 2020. Photo by Tom Grotta

Last, but certainly not least, we highlighted the work of artist Lija Rage. In her artistic process, Rage employs a unique approach, painting small sticks and wrapping them in copper wire, meticulously layering them through gluing and sewing until the artwork is brought to completion.

Rage’s pieces possess a timeless quality, distinguished by her vibrant color infusions that draw inspiration from the natural landscapes of Latvia, her home country.

Once again, Rage stands among the many talented artists featured in Discourse this weekend, contributing her distinctive vision and craftsmanship to the exhibition.

Thank you for reading and staying up to date on all our “New This Week” features in April. We hope to see you all in person at Discourse to see some of these works in person. Reserve your spot here.

Art Assembled – New This Week in January

February 1, 2024 0 Comment

At browngrotta arts, we’re kicking off the year with the same enthusiasm that propels us forward year after year. Throughout January, we’ve had the privilege of shining a spotlight on some extraordinary artists and their creations. The talents of Mariette Rousseau-Vermette, Warren Seeling, Nancy Moore Bess, Federica Luzzi, and Ethel Stein have graced our ‘New This Week’ series.

But, that’s just the beginning of the excitement. We’ve also been hard at work prepping for our next upcoming exhibition.. We will be sharing the details soon, so be sure to keep following along so you don’t miss out!

Until then, we invite you to recap on our past month of ‘New This Week’ features below.

Ethel Stein
54es Rust Abstract, Ethel Stein, mercerized cotton lampas, 36” x 35.25” x 1”, 2005. Photo by Tom Grotta.

To start off our series for the month, we began by highlighting the late, Ethel Stein. With a career spanning decades, Stein left an indelible mark on the world of weaving and textile art. Her intricate and masterful creations were not only celebrated across the country but also earned her a solo exhibition at the prestigious Art Institute of Chicago in 2014.

What makes Stein’s artistic journey truly exceptional is her mastery of the drawloom—a skill that few contemporary weavers possess. This expertise allowed her to craft intricate textiles that were both technically advanced and visually captivating.

Her influence resonated across the globe, as her works found a place in exhibitions not only in the United States, but also in the United Kingdom, the Netherlands, Switzerland, and beyond.

Federica Luzzi
13fl White Shell, Federica Luzzi, knotting technique, cotton cord, 15″ x 15″x 7.25″, 2018. Photo by Tom Grotta.

Up next in January, we turned our focus to the talented Federica Luzzi. Luzzi’s vertical loom technique allows her to transform fibers from their traditional two-dimensional frame into captivating three-dimensional creations.

What truly sets Luzzi apart is her presentation. She curates her works in dimensional installations, where they appear as fragments of a galaxy, blending the macrocosm and microcosm seamlessly. Her artistry is akin to a magnetic aggregation of fragile bodies, meticulously arranged like constellations or an enigmatic form of writing.

At the core of Luzzi’s exploration lies a deep connection with nature. Her work delves into the intricate beauty of leaves, barks, seeds, and plant pods. Through her art, she unveils the hidden wonders of these organic elements, inviting viewers to ponder the intricate patterns of the natural world.

Nancy Moore Bess
71nmb Jakago I, Nancy Moore Bess, dyed, kiln-dried Japanese bamboo, waxed linen and cotton, 7.5″ x 4″ x 4″, 2007. Photo Tom Grotta.

Up next in our series, we highlighted the work of artist, Nancy Moore Bess. Based in California, Bess is an artist who views tradition as a reference point rather than a boundary. Her journey has revolved around the idea of mystery and containment within the realm of basketry, and she brings a unique twist to her creations using lids and closures inspired by her time living in Japan.

When creating, Bess seamlessly weaves together the practicality of traditional basketry with an enigmatic, and almost secretive allure. Her works beckon viewers to imagine the hidden treasures they might hold.

We are continuously impressed by the work Bess creates, and that’s exactly why we wanted to shine a light on her, so our audiences can see it too!

Warren Seeling
7was.1 Shadowfield/ Colored Light/ Single by Warren Seeling, silver brazed stainless steel/ mixed colored plexiglass, 36” x 21” x 8”, 2017. Photo by Tom Grotta.

Nearing the end of the month, we brought you all art from the one and only, Warren Seeling. Seelig’s impact on the art world is significant, with his work featured in over 30 major museum exhibitions worldwide. His relentless exploration of possibilities within textile and fiber art continues to inspire and challenge conventional ideas of texture, weight, and form.

Warren Seelig’s journey as an artist has been marked by a relentless pursuit of innovation. Back in the late ’70s, he ventured into creating structural, fan-like works, using mylar frames and introducing a unique double-weave technique that pushed the boundaries of traditional textile art. Over time, Seelig’s focus evolved, leading him to craft suspended spoke-and-axle pieces and wall-mounted shadow fields.

Mariette Rousseau-Vermette
561mv.1 Repos + Paix, Mariette Rousseau-Vermette, brushed wool, aluminum, 48″ x 54″, 1988.
Photo by Tom Grotta.

To close out our series for the month, we brought you art from the late artist, Mariette Rousseau-Vermette. With a career spanning four decades, she left an indelible mark on the world of tapestries and sculptures, captivating collectors and commissions across the globe.

Rousseau-Vermette’s artistic journey took her from the Quebec School of Fine Arts to working alongside Dorothy Liebes in California. She later participated in five International Tapestry Biennials in Lausanne, using these opportunities to connect with artists worldwide. In the 1980s, she made significant contributions as part of the Art and Architecture program, ultimately heading the Fibers Department at the Banff Center for the Fine Arts.

It’s no wonder why her achievements are so widely recognized! She is truly one of the best.

We hope you enjoyed our January series! Stay tuned for more ‘New This Week’ features in the months ahead.

Art Assembled – New This Week in December

December 28, 2023 0 Comment

Welcome to the December edition of our Art Assembled series, where we unwrap a month filled with vibrant creations from talented artists. December is a unique time of year, marked by its own kind of magic and reflection. And in December, we had the pleasure of showcasing the incredible works of Dominic Di Mare, Lizzie Farey, Karyl Sisson, and Gizella Warburton. Each artist has brought their unique perspective and creative energy to our New This Week series.

As we approach the year’s end, we want to extend our heartfelt gratitude to you, our loyal supporters and art enthusiasts. Your passion for art fuels our mission, and we’re excited to continue sharing the beauty and creativity of contemporary art with you.

Read on to discover what new art we showcased throughout December!

Dominic Di Mare
29ddm Mourning Station #4, Dominic Di Mare, hawthorn, handmade paper, silk, bone, bird’s egg, feathers, gold and wood beads, 13″ x 7″ x 7″, 1981. Photo by Tom Grotta.

Our month began with a spotlight on Dominic Di Mare‘s exceptional body of work. Di Mare, a distinguished American artist and craftsperson, has left an indelible mark on the world of contemporary art through his diverse array of creative expressions. His artistic voyage has been a testament to his pioneering spirit, always pushing the boundaries of what art can be.

Dominic first garnered acclaim for his groundbreaking work in dimensional weaving in the 1960s, a period when he carved a distinctive niche for himself in the art world. His ability to weave together intricate patterns and textures in three-dimensional space was nothing short of revolutionary. In the 1970s, Di Mare embarked on a new artistic journey, venturing into the realm of cast paper art. This phase saw him seamlessly blend elements of paper, sculpture, and mixed media into a mesmerizing

Over the years, Di Mare’s artistic journey continued to evolve, exploring watercolor paintings and abstract mixed-media sculpture. His art often touches on themes of personal spirituality, inviting viewers to embark on their own introspective journeys through his creations.

Lizzie Farey
3lf.1 Willow Ball 2 Lizzie Farey, willow 18” x 18” x 18”, 2000

Up next in December, we turned out spotlight to Lizzie Farey, a remarkable artist residing in from Scotland. Farey’s work is a testament to her deep connection with the natural world, drawing inspiration from the inherent qualities of the materials found in her Scottish surroundings.

Using locally grown woods such as willow, birch, heather, and bog myrtle, Farey’s creations encompass a wide range, from traditional to organic sculptural forms. Her innovative approach often pushes the boundaries of traditional techniques, resulting in pieces that are both rooted in tradition and remarkably contemporary.

Farey’s art invites viewers to reconnect with the profound pleasures of nature, transporting them to a universal place and time. Her creations are a harmonious fusion of the tangible and the ethereal, showcasing the boundless beauty found in the world around us.

Karyl Sisson
100ks Fissueres III, Karyl Sisson, vintage drinking straws, thread and polymer, 16.5” x 16.5” x 1.75”, 2019

We then turned our attention to Karyl Sisson, a visionary artist based in Los Angeles. Sisson’s work is a testament to her extraordinary ability to weave together the fibers of everyday life, seamlessly blending elements of the past and the present into sculptural and textured forms that transcend traditional boundaries.

Drawing inspiration from a diverse array of sources, including the landscape of Los Angeles, microbiology, and fashion manufacturing, Sisson’s art is a captivating exploration of patterns, repetition, and structure. These themes are at the heart of her work, and she approaches them dimensionally, building upon her foundation in basketry and needlework.

One can’t help but be captivated by Sisson’s innovative use of materials, a practice that allows her to confront domesticity and challenge traditional gender roles. Her recent foray into working with paper straws, inspired by the intricate world of cells and organisms, has resulted in creations that appear to grow naturally and organically, inviting viewers to marvel at the wonders of the microscopic world.

Gizella Warburton
32gw Scirpi Xiii, Gizella Warburton, mixed media fiber sculpture, paint , thread, 13.75″ x 13.75″ x 13.75″, 2023

Last, but certainly not least, we turned our focus to Gizella Warburton, an artist whose abstract compositions take shape through the tactile and contemplative process of drawing with paper, cloth, and thread. Warburton’s artistic journey is deeply intertwined with the materiality of her chosen mediums—cloth, paper, thread, wood, and paint. Through these elements, she connects with an innate human desire to create marks, to decipher the meaning of our physical and emotional landscapes, and to explore the transient nature of the warp and weft of our lives.

The slow, tactile intimacy of stitching serves as a mantra in Warburton’s work, inviting viewers to join her in a contemplative journey. Her creations evoke a sense of meditation, as if each mark and stitch were carefully placed to guide us through the intricate labyrinth of emotions and experiences.

Warburton’s artistry has been showcased in exhibitions across the UK, Europe, and Australia, leaving an indelible mark on the global art scene. Her work invites us to pause, reflect, and unravel the layers of meaning woven into the fabric of our existence.

As we bid farewell to December and this year, we look ahead with great anticipation for what the new year will bring. Thank you for being a part of our art-loving community. We wish you a joyful holiday season and a new year filled with inspiration, creativity, and the boundless beauty of contemporary art. Cheers to the exciting adventures that await us in the year ahead!

Art Assembled – New This Week in November

November 29, 2023 0 Comment

As November comes to a close, we take a moment to reflect on the remarkable artists and their works that have taken center stage in our New This Week series throughout the month. Naomi Kobayashi, Karyl Sisson, Katherine Westphal, and Laura Foster Nicholson have each shared their unique creative journeys, leaving a lasting impression on our vibrant community.

As we turn the page on November, our online doors remain open for exploration. You can continue to discover the captivating work from Vignettes on our website, where the artistry of Dorothy Gill Barnes, Glen Kaufman, and more continues to shine. Additionally, our exhibition Abundance of Objects graces Artsy, showcasing an impressive array of baskets, ceramics, and sculptures from over three dozen accomplished artists.

Now, we invite you to revisit the highlights of our New This Week features throughout the last month. Read on for more!

Naomi Kobayashi
66nko Cubic Harmony III, Naomi Kobayashi, koyori thread, washi paper, 5″ x 5″ x 5″, 1995. Photos by Tom Grotta.

Our month began with a spotlight on Naomi Kobayashi, an exceptional textile artist and sculptor whose contributions to contemporary art are both profound and enduring.

Kobayashi’s artistic journey is a tale of dedication and innovation. She began her career by crafting highly constructed, sculptural works of thread, showcasing her mastery of textile artistry. However, her creative path led her to explore new avenues, particularly constructions, often using paper as her medium. These creations exude an airy, ephemeral quality that sets them apart, inviting viewers to engage with her art in unique and profound ways.

And yes, before you even ask, her artwork is included in Abundance of Objects as a part of the Vignettes exhibition on Artsy from now until December 13!

Karyl Sisson
104ks Blue Hole, Karyl Sisson, vintage paper straw wrappers, thread, polymer, 4″ x 5″ x 5″, 2023

Up next in November, we focused on the talented Karyl Sisson, a visionary artist located in Los Angeles. Sisson’s artistic path is a testament to her ability to weave together the threads of everyday life, both past and present, to craft sculptural and textured forms that transcend traditional boundaries. Her work is an exploration of patterns, repetition, and structure, woven together through her foundation in basketry and needlework.

One can’t help but be captivated by Sisson’s ability to confront domesticity and challenge traditional gender roles through her innovative use of materials. Her recent work with paper straws, for example, draws inspiration from the intricate world of cells and organisms, resulting in creations that seem to grow naturally and organically.

Sisson is yet another artist featured in An Abundance of Objects as part of our Vignettes series online on Artsy.

Katherine Westphal
38w Geisha, Katherine Westphal, paper, dyed, heat-transfer photo copy, patched101” x 64” x 4”, 1985

Moving further into November, we highlighted the captivating works of Katherine Westphal, a visionary artist with a profound knack for exploring surface, pattern, and decoration. Westphal’s creative journey was a continuous exploration of her medium, whether it was textiles, quilts, clothing, or baskets.

What truly set Westphal apart was her fearless embrace of fractured and surprising images, which became a signature element of her work. Her collages were vibrant, combining bold imagery with bright colors, inviting viewers to immerse themselves in the visual tapestries she composed.

Drawing from her background in painting, Westphal’s process was one of building up and breaking down, allowing her textiles to evolve in an organic and unpredictable manner. Each piece was a fusion of cutting, sewing, embroidery, quilting, tapestry, and fringes, guided by her intuitive and visual senses until she felt the message was complete.

Notably, Westphal was an early pioneer in incorporating color photocopies into her work, showcasing her innovative spirit. Her legacy is celebrated in our ongoing Vignettes exhibition, where her art continues to inspire and tell its unique story.

Laura Foster Nicholson
24lf The Maze, Laura Foster Nicholson wool, rayon with cotton brocade 35.5” x 32.25” x 2.375”, 1982

Wrapping up our artistic journey through November, we cast our spotlight on Laura Foster Nicholson, a renowned textile artist celebrated for her exquisite handwoven tapestries.

Nicholson’s art speaks to the intersection of art and craft, where each thread is carefully chosen, and every image is intentional. Her dedication to her practice is evident in her extensive lecture and teaching experience, sharing her knowledge and passion with others who are drawn to the world of textile art.

Throughout her career, Nicholson’s distinctive style has left an indelible mark on the art world, captivating audiences with her ability to transform threads into captivating narratives. Her works are not just tapestries; they are vibrant stories woven with the threads of creativity and imagination.

As November comes to an end, we want to express our heartfelt gratitude to our dedicated community of art enthusiasts and supporters. Your unwavering encouragement fuels our passion for bringing the world of contemporary art to life. With the holiday season just around the corner, we are excited to continue sharing the beauty and creativity of our featured artists with you.

Don’t forget, our online viewing room for An Abundance of Objects on Artsy remains open for exploration until December 13. Thank you for being a part of the browngrotta arts community, and we can’t wait to see what December has in store!

Art Assembled – New This Week in October

November 2, 2023 0 Comment

As October comes to a close, we take a moment to reflect on the incredible artists and their works that have graced our New This Week series throughout the month. Our spotlight shone brightly on the creative minds of Tim Johnson, Gyöngy Laky, Glen Kaufman, Stéphanie Jacques, and Dona Look. Their unique talents and innovative approaches to art have left a lasting impression on our community.

But, that’s not all that October brought to browngrotta arts. We proudly launched the much-anticipated Vignettes exhibition, a harmonious fusion of three distinct showcases. Our in-person exhibition opened its doors, allowing art enthusiasts to experience the masterful craftsmanship of wood sculptor Dorothy Gill Barnes, the visionary weaving and surface design of Glen Kaufman, and the captivating diversity of An Abundance of Objects, featuring an array of baskets, ceramics, and sculptures crafted by over three dozen talented artists.

As we bid farewell to October, we invite you to join us in revisiting the highlights from our New This Week features and to explore the rich tapestry of Vignettes, now viewable on our website. At browngrotta arts, art and creativity continue to converge in a breathtaking display of talent and inspiration.

Tim Johnson
22tj Wall Pocket, Tim Johnson, willow skein, earth pigments, split chestnut and tarred
hemp twine, 20” x 10” x 6”, 2023. Photo by Tom Grotta.

Welcome to another edition of our New This Week series, where we embark on a journey through the world of contemporary art, one artist at a time. To kick off the month of October, we delve into the captivating creations of Tim Johnson, a skilled artist and basketmaker hailing from the United Kingdom.

With a rich history spanning nearly three decades, Tim Johnson has dedicated himself to exploring the intricate relationships between materials, place, nature, and culture. His artistic voyage is a fusion of traditional craftsmanship and innovative techniques, influenced by his extensive travels across the globe.

What sets Tim Johnson apart is his ability to breathe new life into humble materials and age-old practices. He blurs the lines between art and craft, inviting us to reconsider how we perceive both. Notably, you can find his work showcased in the current online version of the Vignettes exhibition at browngrotta arts, a testament to his lasting impact on the world of contemporary art.

Gyöngy Laky
48L.1 Beach Sketch, Gyöngy Laky, twigs, wire, plastic, cloth, 57″ x 50″ x 6″, 1987. Photo by Tom Grotta.

As we look back on our features throughout October, it’s clear that Gyöngy Laky is a remarkable artist who has left an indelible mark on the world of sculpture. Her ability to blend tradition and innovation, creating sculptures that transcend boundaries, is nothing short of inspiring.

Laky’s influence extends far and wide, with her works featured in exhibitions spanning continents. Her early recognition for her linear sculptures, rooted in the architectural techniques of textile arts, marked the beginning of a remarkable career. Beyond gallery spaces, she has ventured into the realm of site-specific outdoor installations and contributed to land art projects in various corners of the globe, showcasing her adaptability and creativity.

We’re thrilled to have shared her captivating artwork with you this past month, and we invite you to explore more of her work, including her presence in the Vignettes exhibition, online November 22.

Glen Kaufman
152-155gk Istana/Seri Menanti, Glen Kaufman, yarn-dyed silk stripe, copper, 28.75″ x 47.5″, 1998. Photo by Tom Grotta.

Up next, we were privileged to feature the remarkable works of the late, renowned artist Glen Kaufman. Kaufman’s artistic legacy, spanning over four remarkable decades, left an indelible mark on the world of art.

Kaufman’s artistic odyssey began with a foundation in textural weaving and macramé, setting the stage for a lifelong pursuit of creative discovery. His restless spirit and boundless imagination led him to traverse uncharted territories in the realm of surface design. With a fusion of traditional techniques and contemporary sensibilities, he crafted sculptural forms that challenged the boundaries of artistic expression.

In the later stages of his career, Kaufman’s work underwent a transformation, reflecting a profound connection with Japanese aesthetics and architecture. His pieces, adorned with intricate photo collages and the application of gold and silver leaf, demonstrated a deep appreciation for the beauty of Japan’s artistic heritage.

As we celebrated Kaufman’s contributions this past month, we were reminded that true artistry transcends the constraints of time and place. We’re honored to continue his legacy by featuring his artistry in our ongoing Vignettes exhibition, where his works continue to inspire and captivate.

Stéphanie Jacques
4-5-20sj Paniers-liens II-IV, Stéphanie Jacques, 60″ x 20.5″ x 16″ (22″ x 17.25″ x 17.25″; 43.25″ x 15.5″ x 17.75″; 60″ x 20.5″ x 16″), 2011. Photo by Tom Grotta.

Continuing our artistic journey through October, we cast our spotlight on Stéphanie Jacques, an artist whose work revolves around the art of connection. Jacques’s unique approach centers on weaving together elements that seemingly exist on opposite ends of the spectrum: hard and soft, old and new, valuable and trivial, conscious and unconscious, human and plant.

Her chosen mediums include wood, wicker, and clay, each one a canvas for her imaginative exploration. Basketry, cutting, and intricate assembly serve as both her tools and her muse, propelling her to discover novel solutions to age-old questions.

With each sculpture and installation, she delves deeper into the notion of connection, weaving together the threads of life in her own unique way. And yes, you’ll also find her work thoughtfully showcased in our ongoing Vignettes exhibition, a testament to her exceptional talent and boundless creativity.

Dona Look
12dl Basket #84, Dona Look, white birch bark and waxed silk thread, 8″ x 7″ x 7″, 1984

And last, but certainly not least, we highlighted the work of artist Dona Look. Look is a skilled basket maker from the beautiful landscapes of Wisconsin. Look’s art is deeply connected to the nature that surrounds her. She starts her creative process by gathering bark from the region’s birch trees. With this simple yet extraordinary material, she weaves intricate baskets, capturing the essence of the woodlands in her craft. To hold everything together, she uses silk thread, turning these natural elements into stunning works of art.

We were delighted to feature this talented artist’s work in the ongoing Vignettes exhibition, where her creations shine alongside those of other exceptional artists.

October has been more than just a showcase of talent; it’s been a month of expansion and connection. The launch of our Vignettes exhibition, both in-person and online, has allowed us to bridge physical and digital spaces, bringing art enthusiasts closer to the remarkable works of Dorothy Gill Barnes, Glen Kaufman, and a myriad of other gifted artists. If you want to learn more about the artists and artwork in Vignettes: one venue; three exhibitions, join our Zoom presentation on November 17 at 7 pm EST: Art on the Rocks: an exhibition talkthrough with spirits!

As we bid farewell to this month, we extend our gratitude to our dedicated community of artists, collectors, and art lovers. We look forward to seeing what November brings!