Tag: paper

Art Update: What’s On in America and Abroad

 

Recall, Ane Henricksen, 2010. photo by Ane Henricksen

Recall, Ane Henricksen, 2010. photo by Ane Henricksen

Several artists represented by browngrotta arts are included in exhibitions in Europe and the US this Spring. Among the largest is Artapestry3 at the Jean-Lurçat Museum of Contemporary Tapestry in Angers, France. This is the third is edition of Artapestry3, an initiative launched by the European Tapestry Forum (ETF). The event contemporary  offers visitors an unusual perspective by aligning the works of 25 international textile artists, including Ane Hendricksen and Grethe Sørensen, with the Museum’s collection, which includes work by such artists as Paul Klee, Alexander Calder, Thomas Gleb, Magdalena Abakanowicz and Jean Lurçat. Also included in the exhibition are examples of traditional tapestry works whose iconographic repertory has inspired contemporary creation. The exhibition is structured around nine major themes that enable comparisons between the contemporary pieces that form part of Artapestry3 and the more traditional works from the Angers’ collections. Among these themes, in the Vitality section, a visitor may discover the Red Sun tapestry by Alexander Calder (1919-1976) alongside the lively motifs of Ariadna Donner’s The wolf crossed the road. In the Object section, visitors can admire Temps passé by Pierre Daquin (1936) next to Ivete Vecenáne’s The Bowl. The exhibition runs through May 18th. For more information visit the event website: musees.angers.fr/expositions/en-ce-moment/artapestry3-angers-allers-retours/artapestry3-angers-allers-retours/index.html.

Naoko Serino installing her works as "Fiber Futures" travels to Spain.

Naoko Serino installing her works as “Fiber Futures” travels to Spain.

Fiber Futures: Pioneers of Japanese Textile Art, continues its travels. It is open at c art c., the Computense Art Center in Madrid, Spainthrough May 18, 2014. The exhibition features Japan’s most important contemporary textile artists, including, Naoko Serino, Hideho Tanaka, Kiyomi Iwata, Naomi Kobayashi, Hisako Sekijima and Kyoko Kumai. For more information visit: www.ucm.es/.

works by Jennifer Falck Linssen and Norikko Takamiya

works by Jennifer Falck Linssen and Norikko Takamiya

In the US, in Mesa, Arizona, Norikko Takamiya and Jennifer Falck Linssen join an inventive group of artists working with paper.Fold, Paper, Scissors runs through August 10, 2014 at the Mesa Contemporary Art Museum. The Opening Reception is Friday, May 9th from 7 to 10 p.m. (We’ll be there!) The Mesa Contemporary Arts Museum at Mesa Arts Center is at One East Main Street, Downtown Mesa, Arizona, for more information, call: 480-644-6560 or visit:  www.MesaArtsCenter.com.

Big Tera, 2007 - Tissage de coton 259 x 127 cm

Big Tera, 2007 – Tissage de coton 259 x 127 cm

Lia Cook’s work is the subject of a one-person exhibition at the Drapers Gallery in Liege, BelgiumLia Cook: Icons Jacquard highlights faces woven in large scale on a Jacquard loom. For more information visit the Gallery’s site: www.lesdrapiers.be/events/lia-cook.


Exhibit News: Opportunities to see the work of artists represented by browngrotta arts abound this summer from New York to New Jersey to the Netherlands

Information Revisited: the Encyclopedia Britannica Project
Belskie Museum of Art & Science
280 High St
Closter, New Jersey 07624201.768.0286
Museum hours – Sat and Sun 1-5; other times by appointment

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Wendy Wahl Detail

 

extended through August 1st, 2010

Thirty-one international artists, including Wendy Wahl (US), transform books of words into works of art.

Holland Paper Biennial 2010
Museum Rijswijk
Herenstraat 67
2282 BR Rijswijk
070.390.36.17
CODA Apeldoorn
Vosselmanstraat 2997311 CL Apeldoorn055.526.84.00
http://www.museumryswyk.nl/hpb2010/hpb2010en.html

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Noriko Takamiya Detail

 

from June 8th through September 12, 2010

The 2010 Holland Paper Biennial is an exhibition of work by international paper artists taking place in two museums. A special selection of papers and books will be added to the usual range of products in the museum shop for the duration of the exhibition in Museum Rijswijk. The traditional paper fair will be held in the courtyard at the front of Museum Rijswijk and in the Oude Kerk (Old Church) opposite on Sunday September 12th. Jewellry and collage made of paper get special attention at this biennial. Closely related to these jewellery pieces, is the work of Noriko Takamiya (Japan). Using the traditional Japanese craft of basketry as her starting point, she develops new forms and techniques. She winds layers of thin strips of paper around each other, interweaving them into Escher-like objects. Three artists, Desiree de Baar (the Netherlands), Christophe Piallat (US) and Birgit Knoechl (Germany), have been asked to create installations using the dramatic architecture of the CODA building.


The New Materiality: Digital Dialogues at the Boundaries of Contemporary Craft
Fuller Craft Museum
455 Oak Street
Brockton, MA 02301
508.588.6000

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Lawrence LaBianca Detail

 

through February 6, 2011

Curated by Fo Wilson, this exhibition steps beyond the boundaries that currently exist among technology, art, and craft. The New Materiality looks at a growing development in the United States toward the use of digital technologies as a new material and means of expression in craft. Contributing artists include: Wendy Maruyama (San Diego, CA), Nathalie Mieback (Brookline, MA), Brian Boldon (Minneapolis,MA), Shaun Bullens and Cat Mazza (Providence, RI), Sonya Clark (Richmond, VA), Lia Cook (Berkeley, CA), Susan Working (Snowmass Village,CO), Mike and Maaike, E.G. Crichton, Donald Fortescue and Lawrence LaBianca (San Francisco, CA), Christy Matson (Chicago, IL), Tim Tate (Mt. Rainier, WA), and Mark Zirpel (Seattle, WA).


(Re) Fashioning Fiber
Green Spaces NY
394 Broadway, 5th Flr
New York, NY 10013
646.783.8616

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Ceca Georgieva Detail

 

through August 13, 2010

Curated by environmental artist Abigail Doan, the works in this exhibit offer up new ways of thinking about “fiber” as a basis for how we might (re)fashion our lives, our patterns of consumption, and our personal style. Among the Invited artists and designers include: Abigail Doan, Atefeh Khas, Brece Honeycutt, Abigail McEnroe, Kaori Yamazaki, Mackenzie Frere, Melissa Kirgan, Meiling Chen, Michelle Vitale Loughlin, Renata Mann, Sibyll Kalff, Tara St. James, Tara Goodarzy, Xing-Zhen Chung-Hilyard and Ceca Georgieva (Bulgaria), who has creted jewelry of vegatation.


On View: Artists In Residence and Toe River Potters
The Bascom
Atrium and Education Gallery
323 Franklin Road
Highlands, NC 28741
828.526.4949
http://www.thebascom.org/future-exhibitions/5-exhibitions/22-future-exhibitions

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Lewis Knauss Detail


from July 24th through August 22, 2010

Artists in Residence: Matt Liddle, printmaker and bookarts; Holly Hanessian, ceramics; Lewis Knauss, fiber; Mira Lehr, mixed media; Tom Turner, ceramist; Phillip Garrett, painter. Toe River Potters: Norm Schulmann, Claudia Dunaway, Ken Sedberry, Mark Peters and Courtney Martin. Also at the Bascom: Stick Works: Patrick Dougherty’s Environmental Sculpture.


Faces & Mazes: Lia Cook
Textile Museum of Canada
55 Centre Avenue (Dundas St. W & University Ave., St. Patrick subway)
Toronto, Ontario
M5G 2H5
Canada
416.599.5321
http://www.textilemuseum.ca/apps/index.cfm?page=exhibition.detail&exhId=311

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Lia Cook Detail

 

through October 17, 2010

Faces & Mazes is part of Person Place Thing, which also features exhibits of the work of David R. Harper and Steven Schofield.  Cook, Harper and Schofield make work that is physically demanding and large in scale — wall-sized weavings of children’s and doll’s faces; sculptures of embroidered and taxidermied animals; and massive human figures made of textiles frozen in time. They draw the viewer into woven, embroidered and sewn narratives of nature, identity and history. As the faces in Lia Cook’s weavings fragment, a perceptual shift occurs, moving through a place of transition and ambiguity to reveal the physical, tactile nature of the constructed image.


13th International Triennial of Tapestry, Łódź 2010
Central Museum of Textiles
ul. Piotrkowska 282, 93 – 034
Łódź, Poland
042. 683.26.84

through October 31, 2010

Among the artists invited to participate are Nancy Koenigsberg (US); Aleksandra Stoyanov (Israel) and Anda Klancic (Slovania), whose work was “highly commended: by the interntional jury that includes artist Kyoko Kumai (Japan).


Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection
Museum of Arts and Design
2 Columbus Circle
New York, NY  10019
212.299.7777
http://collections.madmuseum.org/code/emuseum.asp?style=browse&currentrecord=1&page=seealso&profile=exhibitions&searchdesc=Current Exhibitions&searchstring=Current/,/greater than/,/0/,/false/,/true&action=searchrequest&s

through September 12, 2010

Intertwined provides an international look at contemporary basket making, offering insight into the evolution of the basket from a useful object to a work of art and challenging the notion of what defines a basket. The exhibition includes more than 70 traditional and non-traditional baskets.  Among the artists whose work is included are:  Ed RossbachKatherine Westphal, Sally Black, Kiyomi Iwata, Dorothy Gill Barnes, Carol Eckert, John McQueen, John Garrett, Ferne Jacobs and Norma Minkowitz.


In Print: Jennifer Falck Linssen in Surface Design Journal

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Jennifer Falck Linssen’s work is featured in the Fall 2009 Surface Design Journal in a six-page article, Katagami Inversions: Jennifer Falck Linssen’s Carved Paper Sculptures, by Ginger Knowlton. The article features five dramatic images of hand-carved cotton paper vessels from Linssen’s four-part sculpture series, Wave and Water, Fire and Emotion, Earth, and Wind.

In Knowlton’s view, “[the] process of transference, and of the imagined, is what seems to drive the artist: an exploration between real/physical/tangible and tenuous/ ethereal/potential. On the one level, there is the dynamic between negative and positive space constructed through paper carving, air and light passing through the small pieces of fiber cut away from a larger whole. But there is also the sweep and curve of a vessel filled with…nothing, but in this sense, everything — all of the potential of the absence of the missing elements. This is where Linssen’s sculpture becomes water, or fire, in that essential empty space at once created and surrounded by earth and air elements.