Tag: Nancy Moore Bess

Still Crazy…30 Years: The Catalog

Still Crazy...30 Years: The Catalog Cover Naoko Serino and Mary Yagi

Still Crazy…30 Years: The Catalog

It’s big! It’s beautiful (if we do say so ourselves –and we do)! The catalog for our 30th anniversary is now available on our new shopping cart. The catalog — our 46th volume — contains 196 pages (plus the cover), 186 color photographs of work by 83 artists, artist statements, biographies, details and installation shots.

Still Crazy...30 Years: The Catalog

Naoko Serino Spread

Still Crazy...30 Years: The Catalog

Michael Radyk Spread

Still Crazy...30 Years: The Catalog

Lilla Kulka Spread

Still Crazy...30 Years: The Catalog

Jo Barker Spread

The essay, is by Janet Koplos, a longtime editor at Art in America magazine, a contributing editor to Fiberarts, and a guest editor of American Craft. She is the author of Contemporary Japanese Sculpture (Abbeville, 1990) and co-author of Makers: A History of American Studio Craft (University of North Carolina Press, 2010). We have included a few sample spreads here. Each includes a full-page image of a work, a detail shot and an artist’s statement. There is additional artists’ biographical information in the back of the book. Still Crazy After All These Years…30 years in art can be purchased at www.browngrotta.com http://store.browngrotta.
com/still-crazy-after-all-these-years-30-years-in-art/.
Our shopping cart is mobile-device friendly and we now take PayPal.


Contemporary Art Influenced by Korea and Japan: An Unexpected Approach

Opens September 16th in Greenwich, Connecticut

Mary Yagi Outdoor Sculptor Art from Japan

Mariyo Yagi preparing her outdoor sculpture “A cycle- Infinity” for the upcoming exhibit in the US. Photo by Yuna Yagi

From September 16th to November 4, 2016, the Bendheim Gallery of the Greenwich Arts Council in Greenwich, Connecticut will present Contemporary Art Influenced by Korea and Japan: An Unexpected Approach, curated by browngrotta arts. The exhibition includes select works of ceramics, textiles, baskets and sculptures by artists from Japan, Korea and the United States that each reflect an Asian sensibility.

Textiles and Ceramic Art from Korea and Japan

Weaving by Chiyoko Tanaka, Ceramic by Yasuhisa Kohyama. Photo by Tom Grotta

Varied materials and techniques

The 23 artists in this exhibit have a close relationship to a traditional craft aesthetic, manifested in a contemporary manner. They have chosen conventionally Asian materials and/or techniques (dyes, papers, gold leaf, persimmon tannin, kategami) used in both time-honored and unconventional ways. Examples include studies by Hiroyuki Shindo of the vanishing art of natural indigo dyeing and by Jun Tomita on ikat dyeing.  Jennifer Linssen’s innovative sculptures of katagami and Keiji Nio’s Interlacing-R, which references complex Japanese sumihimo braiding reimagine conventional techniques. Masakazu and Naomi Kobayashi, Naoko Serino and Kyoko Kumai also create new relationships among disparate material and techniques.

Kiyomi Iwata Gold Mesh Sculpture

Auric Grid Fold, Kiyomi Iwata, aluminum mesh, french embroidery knots, gold leaf, silk organza, 19″ x 18″ x 10″, 2013. Photo by Tom Grotta

In other works, like Kiyomi Iwata’s Auric Gold Fold, Glen Kaufman’s Shimogamo Scrolls: Studio View II and Jin-Sook So, Pojagi Constructions I and II, gold and silver leaf play a role, their luster and longevity suggesting immortality, power, divinity. The artists share a concern for surface and material interaction, evident in Chiyoko Tanaka’s Grinded Fabric-Three Squares Blue Threads and Blue #689, of linen distressed with earth and stones, Hideho Tanaka’s Vanishing and Emerging series of stainless steel and singed paper and Mariyo Yagi’s twisted rope sculpture, A cycle-Infinity. The artists in Contemporary Art Influenced by Korea and Japan: An Unexpected Approach create work that is formal and contained while visibly involving the hand of the artist. This exhibition is a collaboration between the Greenwich Arts Council and browngrotta Arts.

The complete list of artists participating in this exhibition is:

Nancy Moore Bess (United States); Pat Campbell (United States); Kiyomi Iwata (Japan); Glen Kaufman (United States); Masakazu Kobayashi (Japan); Naomi Kobayashi (Japan); Yasuhisa Kohyama (Japan); Kyoko Kumai (Japan); Jennifer Falck Linssen (United States); Keiji Nio (Japan); Toshio Sekiji (Japan); Hisako Sekijima (Japan); Naoko Serino (Japan); Hiroyuki Shindo (Japan); Jin-Sook So (Korea/Sweden); Norkiko Takamiya (Japan); Chiyoko Tanaka (Japan); Hideho Tanaka (Japan); Takaaki Tanaka (Japan); Jun Tomita (Japan); Mariyo Yagi (Japan); Chang Yeonsoon (Korea); Jiro Yonezawa (Japan); Shin Young-ok (Korea).

The Bendheim Gallery is located at 299 Greenwich Avenue, Greenwich, Connecticut; 203.862.6750; info@greenwicharts.org.


Press Notes: browngrotta arts in the news

July issue of selvedge cover

July cover of selvedge magazine

We are excited to be featured in the July issue of selvedge magazine. We have long been fans of the UK magazine, which is artfully designed with lush photos and creative illustrations, and, like browngrotta arts, economical in its use of capital letters. We have a large collection of back issues, stockpiled for reference and inspiration.

Issue 10 A ROCK AND A SLOW PACE: Sue Lawty Interview pages 62-65 MUTUAL ADMIRATION: Bamboo has inspired artists worldwide by Nancy Moore Bess pages 66-71

Issue 10
A ROCK AND A SLOW PACE: Sue Lawty Interview
MUTUAL ADMIRATION: Bamboo has inspired artists worldwide by Nancy Moore Bess

Issue 10 was a particular favorite, not surprisingly, with an insightful profile of Sue Lawty, “A rock and a slow pace” followed by an update on bamboo artwork by Nancy Moore Bess, “Mutual Admiration: Bamboo Has Inspired Artists Worldwide.” But we also loved the piece on fashion drawings in the letters of Jane Austen, “Detailed statements” in the Romance issue (34) and the introduction to Indian embroidery in Issue 00. The magazine is a great source of information about what’s current and what’s past in textile art and design, interiors, fashion — around the world. Founded by Polly Leonard in 2003, selvedge is intentionally produced “with the time, thought and skill” required in textile practice. The magazine ably succeeds in its aim of “see[ing] the world through a textile lens, but cast[ing] our eye far and wide looking for links between our subject and achievements in other fields from architecture to archeology”— in this case, as far as Wilton, Connecticut.

page 31 July Selvedge magazine

page 31 July Selvedge magazine. Pictured works by Lia Cook, Marian Bijlenga, Sara Brennan, Kay Sekimachi, Noriko Takamiya, Nancy Moore Bess, Keiji Nio, Birgit Birkkjaer, Lenore Tawney

As we were preparing our Of Two Minds: Artists Who Do Two of a Kind exhibition in 2014, selvedge sent Rhonda Sonnenberg to interview us for a piece. Sonnenberg has written about fiber artists for some time, including Kate Anderson, Lisa Kokin and Fran Gardner, and we’ve talked shop with her at SOFAs in years past. Over the couple of hours she was in Wilton, we discussed with her the changes we have seen in the field in our two-dozen plus years promoting art textiles and we talked about some of the artists we were watching with interest. The conversation was a good prelude to our show that followed in 2015, Influence and Evolution: Fiber Sculpture…then and now, in which we highlighted work by 15 of the newer-to-the field artists whose work we admire. The selvedge article, “Consuming Fibre,” features photographs of work by many browngrotta artists. You can buy a copy online, through the Selvedge store at: http://www.selvedge.org/shop/64-ageless.


Art Out and About: Exhibitions Across the US

Coast-to-coast cultural opportunities to enjoy in August and through to November.

Traced Memories by Adela Akers, photo by Tom Grotta

Traced Memories by Adela Akers, photo by Tom Grotta

San Francisco, California
Adela Akers: Traced Memories, Artist-in-Residence
Through August 31st
Wednesdays–Sundays, 1–5 pm, plus Friday nights until 8:45 pm
Artist Reception: Friday, August 29, 6–8:30 p.m.
Fine Arts Museum of San Francisco de Young/Legion of Honor
Golden Gate Park
50 Hagiwara Tea Garden Drive
San Francisco, California
https://deyoung.famsf.org/programs/artist-studio/august-artist-residence-adela-akers-traced-memories
Textile artist Adela Akers has moved her studio to the de Young for a month. Visitors to the new studio will learn how each choice in her art-making process contributes to the unique character and quality of her work. Throughout her residency, Akers will invite visitors to engage in hands-on activities that explore her creative process—from inspiration and research to preparation of the materials she has selected to convey her concept to creation and final presentation of the finished artworks. Akers’s work has been influenced and informed by pre-Columbian textiles and, most recently, paintings by women of the Mbuti people of the Ituri Forest in the Democratic Republic of the Congo. Journeying from one point to another has been a physical and transformative reality in her life, increasing her self-confidence and expanding her vision of the world. Akers feels fortunate to have made these geographical voyages and to have experienced country living’s broad horizons and quiet strength, the power of nature and the palpitating rhythm of cities.

Athena by Nancy Koenigsberg, photo by Tom Grotta

Athena by Nancy Koenigsberg, photo by Tom Grotta

Brockton, Massachusetts
Game Changers: Fiber Art Masters and Innovators
Through November 23rd
Fuller Craft Museum
455 Oak Street
Brockton, MA
http://fullercraft.org/press/game-changers-fiber-art-masters-and-innovators/
“Game changers” are artists, past and present, who continuously revisit traditional techniques and materials while developing revolutionary approaches in the realm of fiber art. Every work in the exhibition was chosen to showcase the individual practice of each invited artist. These creators epitomize the dynamism and fluidity of work in fiber. Artists featured in the exhibition include: Olga de Amaral, Dorothy Gill Barnes, Mary Bero, Nancy Moore Bess, Archie Brennan, John Cardin, Lia Cook, John Garrett, Jan Hopkins, Mary Lee Hu, Lissa Hunter, Diane Itter, Michael James, Naomi Kobayashi, Nancy Koenigsberg, Gyongy Laky, Chunghie Lee, Kari Lonning, Susan Martin Maffei, John McQueen, Norma Minkowitz, Michael F. Rohde, Ed Rossbach and Kay Sekimachi.

Midland Museum Forming: The Synergy Between Basketry and Sculpture, photo by Jennifer Falck Linssen

Midland Museum Forming: The Synergy Between Basketry and Sculpture, photo by Jennifer Falck Linssen

Midland, Michigan
Forming: The Synergy Between Basketry and Sculpture
Through September 7th
Alden B. Dow Museum
Midland Center for the Arts
1801 West Saint Andrews Road
Midland, Michigan
http://www.mcfta.org/ab-dow-museum-announces-summer-exhibitions-press-release/
The works by eight artists featured in Forming: The Synergy Between Basketry and Sculpture, including Jennifer Falck Linssen, were designed and executed as alternative approaches to sculptural form, in which the line dissolves between traditional basketry and contemporary sculpture. A selection of artists from across America inquisitively open our eyes to new alternatives in basketry and fiber-based sculptural form. The craftsmanship is superb, the creative and technical finesse is complex while the vision is beyond today yet with inspiration from long-revered fiber traditions.

Midland, Michigan
Modern Twist: Contemporary Japanese Bamboo Art

Cocoon by Jiro Yonezawa, photo by Tom Grotta

Cocoon by Jiro Yonezawa, photo by Tom Grotta

Through September 7th
Alden B. Dow Museum
Midlands Center for the Arts
1801 West Saint Andrews Road
Midland, Michigan
http://www.mcfta.org/ab-dow-museum-announces-summer-exhibitions-press-release/

Bamboo is a quintessential part of Japanese culture, shaping the country’s social, artistic, and spiritual landscape. Although bamboo is a prolific natural resource, it is a challenging artistic medium. There are fewer than 100 professional bamboo artists in Japan today. Mastering the art form requires decades of meticulous practice while learning how to harvest, split, and plait the bamboo. Modern Twist brings 38 exceptional works by 17 artists, including Jiro Yonezawa, to U.S. audiences, celebrating the artists who have helped to redefine a traditional craft as a modern genre, inventing unexpected new forms and pushing the medium to groundbreaking levels of conceptual, technical, and artistic ingenuity.

29ww EB mixed editions #12, Wendy Wahl, Encylodpedia Britanica pages, poplar frame, 24" x 32" x 1.5",  2011 photo by Tom Grotta

29ww EB mixed editions #12, Wendy Wahl, Encylodpedia Britanica pages, poplar frame, 24″ x 32″ x 1.5″, 2011
photo by Tom Grotta

Jamestown, Rhode Island
PAPER-MADE
Through August 30th
Wed. – Sat. 10am – 2pm
Jamestown Arts Center
18 Valley Street
Jamestown, Rhode Island
http://www.jamestownartcenter.org/exhibitions
Paper art is emerging as a global phenomenon. PAPER-MADE explores paper’s transformation from an everyday object into an exquisite three dimensional sculptural artwork. The exhibit’s title PAPER-MADE is a reference to Marcel Duchamp’s concept of the “ready-made,” since paper is an everyday object. The alchemic transformation from simple paper to art highlights the artist’s creativity and demonstrates the limitless potential of the art form. Eighteen showcased artists, including Wendy Wahl, explore this material’s ephemeral nature and beauty. Each artist explores different qualities of paper, from hand-made paper and paper string, to site-specific installation made of book pages, from Korean joomchi paper to found lottery tickets and archival photographs.


November 26th: Our Online Exhibition Opens With an Offer for CyberMonday

On Monday, November 26th, browngrotta arts will present an online version of our 25th anniversary exhibition,Retro/Prospective: 25+ Years of Art Textiles and Sculpture at browngrotta.com. The comprehensive exhibition highlights browngrotta arts’ 25 years promoting international contemporary art. Viewers can click on any image in the online exhibition to reach a page with more information about the artists and their work.

“Some works in Retro/Prospective: 25+ Years of Art Textiles and Sculpture reflect the early days of contemporary textile art and sculpture movement,” says Tom Grotta, founder and co-curator at browngrotta arts. “There are also current works by both established and emerging artists, which provide an indication of where the movement is now and where it may be headed.”

Since Monday the 26th is CyberMonday this year, sales of art, books, catalogs, videos or dvds placed online or by telephone that day will be discounted 10% (excluding tax and shipping). In addition, bga will make a donation to the International Child Art Foundation for each sale made from November 24th through December 31, 2012. Visit browngrotta.com. For more information call Tom at 203.834.0623 or email us at art@browngrotta.com.


Books Make Great Gifts 2011: Artist Recommendations

This year we asked the artists we represent just one question:

What was the most enjoyed/most inspirational book you read this year?? Here are their wide-ranging replies:

Nancy Moore Bess and her friend, artist Sharon McCartney share studios with for occasional “play dates” that involve hours of restorative art chat, small handwork and book sharing. It was Sharon, Nancy says. who introduced me to the exhibition catalogue, El Anatsui at the Clark (Clark Art Institute). “I had seen ads for his work,” adds Nancy, “but the catalog was more than glorious photographs – it placed his current work in the larger context of his entire career/life. Known now for his monumental ‘fabrics’ with metals and Nigerian liquor bottle caps, his earlier work with wood, found metals, steel sheets, etc. was equally exciting for me. I love rust! I was extremely sorry to have missed the exhibition which was installed in the Stone Hill Center at the Clark Museum, but delighted to have access to the book.

Sharon loved a book that Nancy owned, Boro, by Amy Sylvester Katoh, who lives and works at the Blue & White shop in Tokyo. When she tried to order it, she found a different book that Nancy recommends,  Boro: Rags and Tatters from the Far North of Japan by Yukiko Koide and Kyoichi Tsuzuki (Aspect). Both books illustrate the traditional practice of reusing rags and stitching them into clothing and household textiles. Amy’s book concentrates on mostly indigo fabrics which she collects. Both books include impressive photographs with the closeup images really illustrating how the fabrics are used. “Sharon and I both do a great deal of top stitching,” Nancy says, “she on her fabric constructions (she is the queen of French knots!) and I on my experimental paper work. The variety of garments in her book and the variety of fabrics really inspires me to get to the book store!!”

“I have one great book to add,” writes Gyöngy Laky, “though only peripherally art related:
The Absolutely True Diary of a Part-Time Indian by Sherman Alexie, illustrated by Ellen Forney (Little, Brown; National Book Award) . This is a semi-autobiographical novel by award-winning author, poet and film-maker, Sherman Alexie.  Alexie has been named one of Granta’s Best Young American Novelists and has been lauded by The Boston Globe as “an important voice in American literature.” He is one of the most well-known and beloved literary writers of his generation, with works such as Reservation Blues and War Dances. He also wrote the screenplay for the film, Smoke Signals, based on a short story from his book, Lone Ranger and Tonto Fistfight in Heaven.   In his novel, Alexie tells the heartbreaking, hilarious, and beautifully written story of a young Native American teen, Arnold, as he attempts to break free from the life he was destined to live.  Arnold’s drawings illustrate the book.”

Kate Hunt’s suggestion was a CD, rather than a book, Souvenirs, featuring opera star Anna Netrebko. The Independent says she is, “in a word, sensational . . . Netrebko’s strength is not just in the mobility of her voice and the razzle-dazzle of her upper register’s big-money notes – no, it’s the fullness and beauty of the middle voice that singles her out . . . properly overwhelming. For once, fullness of heart is truly matched in fullness of sound.”

Mutsumi Iwasaki enjoyed,「朝鮮陶磁図録」(tyousen toji zuroku), a book on ancient Korean pottery that accompanied last year’s exhibition of Korean Ceramics – 50 Years After the Death of Muneyoshi Yanagi at the Japan Folk Crafts Museum in Tokyo.

Lawrence LaBianca recommends The Last Place on Earth by Roland Huntford (Modern Library) and Kon-Tiki: Across the Pacific by Raft (Simon & Schuster) by Thor Heyerdahl. Both are true accounts of heroism and determination and creative reasoning used to reach historic goals in exploration — Huntford in the South Pole and Heyerdahl in the South Seas..

Sue Lawty, wrote to us about Edward R. Tufte’s Envisioning Information (Graphics Press), a book I bought for Tom a few years ago.  Sue bought the book, which covers wide-ranging systems, patterns or logic for presenting information from mathematics to maps, a couple of weeks ago in London as a present for her nephew, but now she wants a copy of her own. “It stimulates thinking,” writes Sue.  “For example, in the micro/macro design of the Vietnam Veterans Memorial in Washington, artist Maya Ying Lin had the vision of ordering names chronologically (resolutely resisting pressure for a more pedestrian telephone directory-type listing) thus, within the overwhelming density of 58,000 named dead, the unique loss of each individual is retained. I know I need this book on my shelves to dip into at sly moments and be informed by.”

“I read a good book called The Craftsman by Richard Sennett (Yale University Press),” Mary Merkel-Hess  wrote. “It is a broad-ranging analysis of what it means to do good work. His definition of a craftsman extends beyond those who work with their hands to include everyone who wants to do a job well. So many references to literature, sociology, society — it was fascinating.” Mary also enjoyed Architecture of Silence: Cistercian Abbeys of France, photographs by David Heald which contains marvelous photos of stone buildings and their simple but inspiring interiors and the catalog from Stimulus: art and its inception (browngrotta arts). “[S]peaking of inspiring, thanks for the Stimulus catalog! It’s great!”

For Lija Rage, her most-enjoyed book this year was Haroun and the Sea of Stories (Penguin), the first work by Salman Rushdie after The Satanic Verses (Random House Trade Paperbacks). She’s also been reading about Chinese culture in preparation for her next exhibition.

“The most important book this year is for me,” writes Heidrun Schimmel, “is the catalog of the Venice Biennial, 54.Esposizione Internazionale d´Arte Illuminations. I visited most of the exhibitions in Venice for three days and of course there are many ‘pros’ and ‘cons.’ But this year the catalog is very good and there is an English edition, The Venice Biennale. 12th International Architecture Exhibition. People meet in architecture (Marsilio Editions). In Munich now you can see two wonderful exhibitions with works of Ellsworth Kelly. In Pinakothek der Moderne you see 60 drawings of plants (through January 8th) http://www.pinakothek.de/en/kalender/2011-10-07/14412/ellsworth-kelly-plant-drawings. And the catalog is an inspirational artwork for itself! But there is only a German edition.”

Karyl Sisson reports that, “Sometimes I just need to laugh.  Tina Fey’s Bossypants (Reagan Arthur Books) did it for me.”

Wendy Wahl, writes that, “It is with pleasure I sing the praises for a book that is pure joy to consume in a vicarious living sort of way. Rosamond Bernier has written Some of My Lives, A Scrapbook Memoir (Farrar, Straus and Giroux). The author’s voice comes alive as she tells the stories of her amazing life’s experiences with leading personalities of the 20th century in the world of art and music. She has lead such a vivid and unique life; the book is fabulous armchair travel.” (Full disclosure: my day job is with this publisher’s parent.)

Sensual Relations by David Howes (University of Michigan) is Deborah Valoma’s recommendation.

Randy Walker  found Portraits of the Mind: Visualizing the Brain from Antiquity to the 21st Century by Carl Schoonover (Abrams) to be inspirational. His wife bought the book for her sister, who is a Doctoral student in Psychology, but when Randy saw the images in the book, he nabbed it and his wife had to buy another one for her sister.

Lena McGrath Welker loved Jane Urquhart’s  Sanctuary Line (MacAdam/Cage Publishers).


Summer Stock: Artist Lectures, Classes, Workshops and Walkthroughs

Here’s a list of opportunities to connect this summer with the artists that browngrotta arts promotes and information on an interesting Archaeological Textile Course at Bryn Mawr:

 

Reflective Haze by Lewis Knauss, photo by Tom and Carter Grotta

Lewis Knauss
August 22nd to August 26th

Anderson Ranch Arts Center, Snowmass Village, CO
http://www.AndersonRanch.org
“Advanced Fiber Workshop”

Waltzing Matilda, Waltzing Matilda by Sheila Hicks, photo by Tom Grotta

Sheila Hicks
May 5th, 10:30 a.m.
Institute of Contemporary Art, Philadelphia
http://www.icaphila.org/exhibitions/hicks.php
Walkthrough: Sheila Hicks: 50 Years

Glacial Planes by Nancy Moore Bess, photo by Tom and Carter Grotta

Nancy Moore Bess
April 29th to May 10th
Snow Farm, Williamsburg MA
http://www.snowfarm.org
Japanese Inspired Baskets

June 5th to 11th
Snow Farm, Williamsburg MA
http://www.snowfarm.org
Japanese Inspired Baskets

June 24th to 28th
Peters Valley Craft Center, Layton NJ
http://www.petersvalley.org
Japanese Packaging: Paper, Baskets & More

July 9th and 10th
Garage Annex School (GAS), Easthampton MA
http://www.garageannexschool.com
Japanese Packaging: Seeking a Narrative

July 17th, 12 to 3 pm
Museum of Fine Arts, Boston MA
http://www.mfa.org/programs
Artist Demonstration, “Bamboo and Tea
Exhibition: “An Unspoken Dialogue with Japanese Tea

August 12th
Berkshire Botanical Garden, Stockbridge MA
http://www.berkshirebotanical.org
Wrapping Your Garden: Herbs, Flowers & Veggies

Mandella by Pat Campbell, photo by Tom grotta

Pat Campbell
July 25th to July 29th
Waynflete School, Portland, ME
http://www.waynflete.org/podium/default.aspx?t=124856Weaving Works” for Grades 3-8

Kayak by Chris Drury, photo by Chris Drury

Chris Drury
May 3rd
Tagore Festival, Dartington, Devon, UK
http://www.tagorefestival.com
Artist’s Talk

Big Question, By Gyöngy Laky, photo by Tom Grotta

Gyöngy Laky
May 26th, 6 p.m.

The Textile Museum. Washington D.C.
http://www.textilemuseum.org/green
Lecture: “Geometric Disturbances

July 17th to July 29th
Haystack Mountain School of Crafts, Deer Isle, Maine
http://www.haystack-mtn.org/workshops.php
Visiting Artist

Tall blue tapestry

AZUL Y NEGR by Carolina Yrarrázaval Photo by Tom Grotta

Carolina Yrarrázaval
August 15th to August 21st
Santiago/Valparaiso/Ilsa Negra, Chile
http://www.yrarrazaval.com
Pre-Columbian Textile Techniques Workshop
click for details

 

For extra credit, at Bryn Mawr
June 5th to June 11th
Bryn Mawr College, Bryn Mawr, PA
cipstextiles@gmail.com
Textile Archea: CIPS Archaeological Textile Course
(Centers on the tools and techniques employed in the analysis of
archaeological textile materials of ancient Peru and introduces students to the archaeology of the Andes.)


Exhibit News: Contained Excitement – Pleasures of the Void

Jiro Yonezawa, Nancy Moore Bess, Hisako Sekijima at Cavin-Morris Gallery Exhibit photo courtesy of Cavin-Morris Gallery

Through January 22, 2011, the Cavin-Morris Gallery in New York is exhibiting a remarkable grouping of eclectic  cross-cultural, multi-genre objects.  The exhibition, entitled, Contained Excitement – Pleasures of the Void, includes work  by several artists represented by browngrotta arts,  including Dorothy Gill Barnes, Nancy Moore Bess, Lizzy Farey, Mutsumi Iwasaki, Jennifer Falck Linssen, Hisako Sekijima, Kay Sekimachi, Jiro Yonezawa and Masako Yoshida, deftly combined with ceramics, boxes, bowls, books and furniture and more.

Hisako Sekijima and Jiro Yonezawa at Cavin-Morris Gallery Exhibit photo courtesy of Cavin-Morris Gallery

Mutsumi Iwasaki at Cavin-Morris Gallery Exhibit photo courtesy of Cavin-Morris Gallery

photo courtesy of Cavin-Morris Gallery

photo courtesy of Cavin-Morris Gallery

The exhibition focuses on the way the artists control the sensual expectations of space in an object, which may or may not take leave of its utilitarian purpose. The exhibition features Art Brut, ancient and contemporary ceramics, New Basketry, and other media. Included are Chinese ceramic reliquaries for keeping wrapped sutr as, the transformation of Native American Sweetgrass into deconstructions of molecular perfection in Debora Muhl’s work; the nervous and dark recycling in the forms made by Jerry Bleem and John Garrett; the beckoning toward initiatory revelation in Susan Kavicky and Lissa Hunter; the brooding presence in the lithops-like ceramic sculptures of Kenji Gomi; the Zen poems inscribed in the early ceramics of the Buddhist nun Rengetsu; hidden books of healing and magic from the tribal peoples in Southern China; the incredible repression and resultant freedom in the ceramics boxes of Shuji Ikeda where the clay is woven like bamboo; the opening of soul to the elements of wind and light in the sweeping bamboo constructions of Charissa Brock met by the dark compression of clay into Place and Mortality in the ceramics of Tim Rowan; the erotic beckoning of release through restraint and role-play in the bondage bed made by Sullivan Walsh; the New Baskets of JoAnne Russo and Nancy Moore Bess; and the ancient feminism of the ceramics of Avital Sheffer. A special inclusion will be an installation of Choson-period tea bowls from Korea and two intricate and rare woven rattan shields from early Kongo.

Also included are: Emogayu,  Jill Bonovitz, Polly Jacobs Giacchina, Deirdre Hawthorne, Mei-Ling Hom, Kentaro Kawabata, Gerri Johnson-McMillin,  Shozo Michikawa, Drew Nichols, Akira Satake, Hyungsub Shin, Polly Adams Sutton, Akiko Tanaka, Tyrome Tripoli, and Shannon Weber. The Gallery is at 210 Eleventh Avenue, Suite 201, between 24th and 25th, For more information contact: Shari Cavin, Randall Morris, or Mariko Tanaka: 212-226-3768 or email: mtanaka@cavinmorris.comwww.cavinmorris.com.


Books Make Great Gifts 2010: Artist Recommendations, Part III

Here is the final set of this year’s book recommendations from artists whose work browngrotta arts represents. In the next posting, I’ll list the books Tom and have been talking up in 2010.

Kiyomi Iwata finds The Human Condition, a six-volume novel by Junpei Gomikawa a continuing inspiration.  Published between 1956 and 1958, Kiyomi says, “it is an epic novel about an ordinary man who tried to live true to his own soul during the Second World War.”  It is not available in English, but a well-reviewed film version, Ningen No Joken, directed by Matsaki Kobayashi, can be found on DVD. Among Kiyomi’s favorite books are Hungry Planet: What the World Eats by Peter Menzel and Faith D’Alusio, who photographed 30 families in 24 countries – 600 meals in all, and  Growing, Older: A Chronicle of Death, Life and Vegetables by Joan Gussow. And Kyomi casts another vote for Haruki Murakami as best in 2010, ranking 1Q84 as the best book she read this year. (Lena McGrath Welker selected Haruki Murakami’s Kafka on the Shore as her favorite read this year.) There are three volumes in the 1Q84 series, which has created a sensation in Japan. The first two have been translated into English and will be published by Knopf in September 2011. A third translation will follow.

Nancy Moore Bess reports, “Some version of How to Wrap Five Eggs will always be on my coffee table, in my studio, or on my lap. The most recent purchase in a Tokyo used book bookstore is a boxed edition from the early 1970s and includes all the images we love, plus many photographs documenting the process of making. What a find! New workshops inspired me to reread (with some care) Kunio Ekiguchi’s Gift Wrapping: Creative Ideas from Japan which is much more than a book about giving gifts. Much of her introduction explains the connection between traditional packaging (tsutsumi) and gift wrapping (origata), something I had forgotten.”  Nancy notes that her “art” reading has been devoted to trying to understand the “vocabulary of beauty.”  She writes, “I have an old, dented copy from the Strand of Japanese Sense of Beauty. I have reread every copy of every book I own that discusses wabi-sabi in Japan. Diane Durston’s Wabi Sabi: The Art of Everyday Life is the one I keep by my reading chair. I can flip it open to any page and be delighted. Tim McCreight wrote two books I go back to: Design Language and Design Language: Interpretive Edition. I love the way these books all make me evaluate what I want to look at and touch.”

For continuing inspiration, Helena Hernmarck returns to Gunta Stölzl: Bauhaus Master.  The book includes dozens of key works by Stölzl  accompanied by excerpts drawn from her journals, letters and articles. The writings offer an intimate view of the artist’s life and work as a student, a Red Cross nurse during the war, student and then master of the weaving workshop  at the Bauhaus in Weimar and Dessau and founder of her own hand-weaving business in Zurich. “The illustrations are beautiful,” says Helena, “and it’s so interesting to read Stölz’s impressions of what occurred at the Bauhaus, as it was happening.” Helena is currently reading My Stroke of Insight: A Brain Scientist’s Personal Journey by Jill Bolte Taylor.  Taylor, a Harvard-trained neuroanatomist experienced a massive stroke at 37 when a blood vessel exploded in the left side of her brain. It would take eight years for Taylor to heal completely. The stroke taught Taylor that the feeling of nirvana is never more than a mere thought away and can be accessed by stepping to the right of our left brains.


Summer Stock: Artist Lectures, Classes and Workshops

Here’s a list of opportunities to connect this summer with artists that browngrotta arts promotes:

Dorothy Gill Barnes in her studio

Dorothy Gill Barnes
May 30th to June 11th

From Nature: Textiles/Sculpture, Penland School of Crafts, Penland, North Carolina ;
Using mostly materials gathered from the Penland landscape, students in this class will construct vessels or sculptures that honor nature using a variety of techniques: carpentry, sewing, weaving—whatever is appropriate to local materials and suitable to individual inspiration. We will work with respectfully harvested heavy and delicate barks, grasses, wood, vines, and roots.

Dail Behennah at COLLECT 2009

Dail Behennah
May 30th to June 11th

Line, Light, and Shadow: An Approach to Basketry Construction, Haystack Mountain School of Crafts, Deer Isle, Maine;
The shadows that baskets cast and contain are often complex and beautiful and you will be encouraged to consider this aspect of the structures that you make. Ways of joining hard and soft materials will be demonstrated and, if necessary, invented in order that 2D and 3D forms can be constructed. Demonstrations, exercises, and discussions will provide inspiration, which will enable you to develop your own ideas. Participants will be encouraged to make samples, 3D sketches, and a more considered piece of work.

Nancy Moore Bess holding Glacial Planes at SOFA NY 2010

Nancy Moore Bess
May 16th to 22nd

Japanese-Inspired Baskets, Snow Farm, Williamsburg, Massachusetts;

Some traditional Japanese Baskets require only fifteen minutes and a smile. Others can consume the length of an entire workshop, no matter its length. Each example in this workshop can lead to hours of experimentation and dozens of variations.

July 23rd

Wrapping Flowers — Japanese Style , Berkshire Botanical Garden, Stockbridge, Massachusetts.
In Japan, presentation influences so much – food, flowers, tea. But Japan is not the only culture this worksop will be inspired by. Their are wonderful exsiting flower arrangement traditions from many cultures and this worksop will draw from them.

August 6th to 10th

Pillow Baskets: Screen and Paper, Peters Valley Craft Center, Layton, New Jersey; Contact: Jennifer Brooks; www.petersvalley.org
A wide variety of hardware store screening can be cut, folded, woven and stitched into lovely vessels. A covering of bits of handmade papers creates a luminescent skin. Years of travel to Japan and teaching has exposed Nancy Moore Bess to a wide range of vessel forms. Her passion for Japanese Packaging influences all that she creates.

Green Sculptures by Ceca Georgieva

Ceca Georgieva
Weekends from May to September

Green Summer Workshops, Ceca’s garden in the Vitosha Mountains near Sofia, Bulgaria. Email us at art@browngrotta.com if you’d like more details. The workshops will focus on dyeing with natural dyes using old traditional Bulgarian recipes.

Sheila Hicks Reflected in her Deck Weaving

Sheila Hicks
July 2010; exact date to be determined

Global Intrigue II 4th International Textile and Fibre Triennial , Museum of Decorative Arts and Design, National Museum of Art, Riga, Latvia
The exhibition opens July 9th at the Arsenals Exhibition Hall and runs through September 5, 2010. Sheila Hicks, one of two specially invited artists, will speak and exhibit work.

Lewis Knauss in Front of RETURNING GRASSES

Lewis Knauss
August 10th to August 14th

Fiber and Handmade Paper into Sculpture (and Artist in Residence) , The Bascom, P.O. Box 766, Highlands, North Carolina 28741

Mia Olsson TRACES 6 RELIEF Detail

Mia Olsson
June 28th to July 4th

Dyeing with Plants , Sätergläntan, College of Handicrafts, Knippbodarna 119, SE-793 4, Insjön, Sweden

August 9th to 13th

Free Embroidery, Black on white, White on black, White on white…, Sätergläntan, College of Handicrafts, Knippbodarna 119, SE-793 4, Insjön, Sweden

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Ceca Georgieva, Dail Behennah, Dorothy Gill Barnes, Lewis Knauss, Nancy Moore Bess, Sheila Hicks, Artist Lectures, Artist Workshops, Artist Classes