Tag: Mia Olsson

Check Out Our One-of-a-Kind Gift Guide: No Supply Chain Issues Here

2021 browngrotta Gift Guide

This year we’ve gathered our art selections into a clickable lookbook format. Whether you are gifting yourself, a friend or family member, a work of art makes a truly unique choice. Our curated collection includes art for every location, including crowdpleasing centerpieces (Rocking the Table) and coveted items to set on a bookshelf (Boosting a Bookshelf) or counter top (Counter Balancing)

Narrow wall art pieces

We’ve included art suggestions to fill special spots — including those often hard-to-fill narrow walls (On the Straight and Narrow). Our choices include a pleated fabric work by Caroline Bartlett of the UK and a hanging of hand-painted threads by Ulla-Maija Vikman, known as “Finland’s colorist.” Or have you got your eye on an empty space? The one that makes you think — “I wish I could find just the right piece of art for that spot.” We’ve got a batch of ideas for you there — from embellished photographs by Gyöngy Laky(US) to an intricate embroidery by Scott Rothstein(US) to a newsprint and lacquer collage by Toshio Sekiji of Japan.

Natural baskets

There are works at every price point, from the brightly colored abstract tapestry, Flow, by Jo Barker, a Cordis Prize winner from the UK to a basket sculpture of cottonwood by Christine Joy(US) to a new book about the innovative weaver Włodzimierz Cygan of Poland.

Take a look here: http://www.browngrotta.com/digitalfolios/HolidayFlipBook/Hoilday FlipBook 2021.html

The small print:

Order for the holidays by December 13th and we’ll ship by December 14th for domestic delivery by the holidays (though due to COVID and other delays, we can’t guaranteed the shippers’ schedule). If you’d like us to gift wrap your purchase, email us at art@browngrotta.com, as soon as you have placed your order. To ensure we know you want gift wrapping, don’t wait to contact us — we generally ship as soon as the orders are received. Quantities are limited.


Volume 50 Art Focus: The Salon Wall

In our recent exhibition, Volume 50: Chronicling Fiber Art for Three Decadeswe featured a gallery wall with art by nine international artists from five countries.

works by Claude Vermette, Wendy Wahl, Caroline Bartlett, Toshiko Takaezu, Joyce Clear. Photo by Tom Grotta
Works by Claude Vermette, Wendy Wahl, Caroline Bartlett, Toshiko Takaezu, Joyce Seymore. Photo by Tom Grotta

Salon walls, or gallery walls as they are also called, are a favorite with designers, according to Invaluable, for a reason: they can be curated to fit an assortment of styles and work well in virtually any room. (“15 Gallery Walls to Suit Every Style,”  https://www.invaluable.com/blog/gallery-wall-ideas/utm_campaign=weeklyblog&utm_medium=email&utm_source=house&utm_content=blog092420 ) Salon walls “first became popular in France in the late 17th century,” according to the Invaluable article. “Salons across the country began displaying fine art from floor to ceiling, often because of the limited space, that encapsulated the artistic trends of the time. One of the first and most famous salon walls was displayed at the Palace of the Louvre in 1670, helping to establish the Louvre as a global destination for art.”

clockwise, from upper right: Mia Olsson, Jo Barker, Karyl Sisson, Debra Valoma, Jennifer Falck Linssen, Marian Bijlenga, Polly Barton, Åse Ljones. center: Wendy Wahl. Photo by Tom Grotta
clockwise, from upper right: Mia Olsson, Jo Barker, Karyl Sisson, Debra Valoma, Jennifer Falck Linssen, Marian Bijlenga, Polly Barton, Åse Ljones. center: Wendy Wahl. Photo by Tom Grotta

Our Volume 50 salon wall was a fitting testament to the 50 catalogs we have produced and were celebrating in this exhibition. In our 50 catalogs we have featured 172 artists from 28 countries. Our salon wall featured works by nine of those artists from five countries. Wendy Wahl creates work from pages of encyclopedias, leading readers to think about changes over the time to the way acquire information. Mia Olsson of Sweden created a work of brightly colored sisal, inspired by traditional, pleated folk costumes. We included Jo Barker’s tapestry, Cobalt Haze. People often think Barker’s lushly colored tapestries are oil paintings until they are close enough to see the meticulous detail. Lewis Knauss imagined a landscape of prayer flags in creating Prayer Mountain. For Deborah Valoma, simplicity is deceptive. The truth, she says, “scratched down in pencil, lies below the cross-hatched embellishments.” 

Jennifer Falck Linssen found inspiration in Asian ink paintings for her wall work, Mountain. The peaks in the paintings are a play of opposites: serene and forceful, solid and ethereal, strong and vulnerable. Mountain explores this duality and also the layered, often subtle, emotions of the human heart and its own dichotomy. Marian Bijlenga‘s graphic, playful work displays a fascination with patterning. This work was inspired by the geometric patterning of Korean bojagi, which is comparable to modernist paintings by such artists as Piet Mondrian and Paul Klee. In bojagi,small, colorful leftover scraps of fabrics are arranged and sewn together to construct larger artful cloths. The triple-stitched seams are iconic. This work, says the artist, specifically references the grid of these seams and the special Korean use of color. For Polly Barton, the technique of ikat serves as her paintbrush for producing contemporary works. From Norway, Åse Ljones uses a blizzard of stitches to create her works. “No stitch is ever a mistake,” she says. “A mistake is often what creates a dynamic in the work.” 

A salon wall is a great way to collect for people who are interested in different artists and different mediums. At browngrotta we’ve always suggested that clients had more wall space on which to display art — it just hadn’t been uncovered yet. We’ve created another salon wall in our non-gallery space. On it, we’ve combined oil paintings, fiber works, ceramics and photography. The wall can accommodate our continuing desire to collect — above, below and on the side.

works by Ed Rossbach. Photo by Tom Grotta
A gallery wall highlights weavings by Ed Rossbach. Photo by Tom Grotta

“A gallery wall is absolutely ideal for a small apartment, as it can give a room real interest, depth and a properly decorated feel without taking up any floor space — and thereby minimizing clutter,” Luci Douglas-Pennant, told The New York Times in 2017. Douglas-Pennant founded Etalage, with Victoria Leslie, an English company specializing in antique prints, vintage oil paintings and decorative pictures for gallery walls. “If you don’t have one large wall, gallery walls can be hung around windows, around doors, above bed heads, above and around fireplaces or even around cabinets in a kitchen.”

Three works by Sheila Hicks from our 1996 exhibition: Sheila Hicks: Joined by seven artists from Japan
Sheila Hicks introduced us to the gallery wall in an exhibition she curated at browngrotta arts in 1996, Sheila Hicks: Joined by seven artists from Japan. In that exhibition, she displayed three of her works in the space between two windows.

For works of varying sizes and shapes to get you started on your own version of a salon wall, visit browngrotta.com, where we have images of dozens of available artworks to pique your interest.


Objects of Desire Gift Guide: Part Four — The Concierge Collection

Are you looking for an overlooked, understated, exceptional gift? We’ve culled just such a selection for The Concierge Collection. Priced from $55 to $5000, in this grouping you’ll find good reads and items from our back room that we are surprised have not yet been acquired.

Conceirge Gifts
1) LITTLE RED, Grethe Wittrock
paper, aluminum, 69″ x 14″ x 9″, 2009

2) BALANCING II, Irina Kolesnikova
flax, silk, paper, hand woven, 21″ x 16″, 2009

3) TRACES 3 RELIEF, Mia Olsson
sisal and coconut fibers on blastered acrylic glass, 
14″ x 11.875″ x 1.25″, 2006

4)TRACES 4 RELIEF, Mia Olsson
sisal and coconut fibers on blastered acrylic glass, 
14″ x 11.875″ x 1.25″, 2006

5) TOURBILLIONSimone Pheulpincotton, slate, 7.75″ x 7.75 x 2.25″ , 2009

6) TOURBILLION, Simone Pheulpin, cotton, slate, 7.75″ x 7.75 x 2.25″ , 2009

7) TOURBILLION, Simone Pheulpin, cotton, slate, 7.75″ x 7.75 x 2.25″ , 2009

8) TERRA ALTERIUS I, Caroline Bartlett
dyed, discharged, foiled, stitched linen, 
37″ x 32″, 2005

9) SUSPENDED RED, Nancy Koenigsberg
polynylon coated copper wire, 16″ x 16″ x 16″, 1998

10) WALTZ, Jennifer Falck Linssen
archival cotton paper, waxed linen, coated copper wire, aluminum, stainless steel, seagrass, paint, and varnish
 

(katagami-style handcarved paper.), 16” x 14” x 4”, 2008

11) PAGODA P, Naomi Kobayashi
cotton and aluminum cast, 2.75” x 11.5” x 11.5”, each

12) PAGODA B, Naomi Kobayashi
cotton and aluminum cast, 2.75” x 11.5” x 11.5”, each

13) TINY BOAT, Jane Balsgaard
homegrown willow and plant paper, 11″ x 24″ x 9.5”, 2010

14) RETRO/PROSPECTIVE: 25+ Years of Art Textiles and Sculpture Catalog, 184  pages; 248 photos

15) KAMOSU, Naoko Serino
jute, 6.75″ x 6.75″ x 6.75″, 2009

16) LOOP AND RETURN, Laura Thomas
cotton encapsulated in acrylic, 
6.375″ x 6.375″ x 3.25″, 2009

17) YOUNG WIRE POD, Debra Sachs
wood, paper twine, copper wire, copper tacks, mixed polymers, 
36″ x 7.5 x 7.5″

Conceirge Gifts


November 26th: Our Online Exhibition Opens With an Offer for CyberMonday

On Monday, November 26th, browngrotta arts will present an online version of our 25th anniversary exhibition,Retro/Prospective: 25+ Years of Art Textiles and Sculpture at browngrotta.com. The comprehensive exhibition highlights browngrotta arts’ 25 years promoting international contemporary art. Viewers can click on any image in the online exhibition to reach a page with more information about the artists and their work.

“Some works in Retro/Prospective: 25+ Years of Art Textiles and Sculpture reflect the early days of contemporary textile art and sculpture movement,” says Tom Grotta, founder and co-curator at browngrotta arts. “There are also current works by both established and emerging artists, which provide an indication of where the movement is now and where it may be headed.”

Since Monday the 26th is CyberMonday this year, sales of art, books, catalogs, videos or dvds placed online or by telephone that day will be discounted 10% (excluding tax and shipping). In addition, bga will make a donation to the International Child Art Foundation for each sale made from November 24th through December 31, 2012. Visit browngrotta.com. For more information call Tom at 203.834.0623 or email us at art@browngrotta.com.


Summer Stock: Artist Lectures, Classes and Workshops

Here’s a list of opportunities to connect this summer with artists that browngrotta arts promotes:

Dorothy Gill Barnes in her studio

Dorothy Gill Barnes
May 30th to June 11th

From Nature: Textiles/Sculpture, Penland School of Crafts, Penland, North Carolina ;
Using mostly materials gathered from the Penland landscape, students in this class will construct vessels or sculptures that honor nature using a variety of techniques: carpentry, sewing, weaving—whatever is appropriate to local materials and suitable to individual inspiration. We will work with respectfully harvested heavy and delicate barks, grasses, wood, vines, and roots.

Dail Behennah at COLLECT 2009

Dail Behennah
May 30th to June 11th

Line, Light, and Shadow: An Approach to Basketry Construction, Haystack Mountain School of Crafts, Deer Isle, Maine;
The shadows that baskets cast and contain are often complex and beautiful and you will be encouraged to consider this aspect of the structures that you make. Ways of joining hard and soft materials will be demonstrated and, if necessary, invented in order that 2D and 3D forms can be constructed. Demonstrations, exercises, and discussions will provide inspiration, which will enable you to develop your own ideas. Participants will be encouraged to make samples, 3D sketches, and a more considered piece of work.

Nancy Moore Bess holding Glacial Planes at SOFA NY 2010

Nancy Moore Bess
May 16th to 22nd

Japanese-Inspired Baskets, Snow Farm, Williamsburg, Massachusetts;

Some traditional Japanese Baskets require only fifteen minutes and a smile. Others can consume the length of an entire workshop, no matter its length. Each example in this workshop can lead to hours of experimentation and dozens of variations.

July 23rd

Wrapping Flowers — Japanese Style , Berkshire Botanical Garden, Stockbridge, Massachusetts.
In Japan, presentation influences so much – food, flowers, tea. But Japan is not the only culture this worksop will be inspired by. Their are wonderful exsiting flower arrangement traditions from many cultures and this worksop will draw from them.

August 6th to 10th

Pillow Baskets: Screen and Paper, Peters Valley Craft Center, Layton, New Jersey; Contact: Jennifer Brooks; www.petersvalley.org
A wide variety of hardware store screening can be cut, folded, woven and stitched into lovely vessels. A covering of bits of handmade papers creates a luminescent skin. Years of travel to Japan and teaching has exposed Nancy Moore Bess to a wide range of vessel forms. Her passion for Japanese Packaging influences all that she creates.

Green Sculptures by Ceca Georgieva

Ceca Georgieva
Weekends from May to September

Green Summer Workshops, Ceca’s garden in the Vitosha Mountains near Sofia, Bulgaria. Email us at art@browngrotta.com if you’d like more details. The workshops will focus on dyeing with natural dyes using old traditional Bulgarian recipes.

Sheila Hicks Reflected in her Deck Weaving

Sheila Hicks
July 2010; exact date to be determined

Global Intrigue II 4th International Textile and Fibre Triennial , Museum of Decorative Arts and Design, National Museum of Art, Riga, Latvia
The exhibition opens July 9th at the Arsenals Exhibition Hall and runs through September 5, 2010. Sheila Hicks, one of two specially invited artists, will speak and exhibit work.

Lewis Knauss in Front of RETURNING GRASSES

Lewis Knauss
August 10th to August 14th

Fiber and Handmade Paper into Sculpture (and Artist in Residence) , The Bascom, P.O. Box 766, Highlands, North Carolina 28741

Mia Olsson TRACES 6 RELIEF Detail

Mia Olsson
June 28th to July 4th

Dyeing with Plants , Sätergläntan, College of Handicrafts, Knippbodarna 119, SE-793 4, Insjön, Sweden

August 9th to 13th

Free Embroidery, Black on white, White on black, White on white…, Sätergläntan, College of Handicrafts, Knippbodarna 119, SE-793 4, Insjön, Sweden

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Ceca Georgieva, Dail Behennah, Dorothy Gill Barnes, Lewis Knauss, Nancy Moore Bess, Sheila Hicks, Artist Lectures, Artist Workshops, Artist Classes