Tag: Jin-Sook So

Intercultural Approaches: Artfully Connected at the Swedish Embassy in Tokyo

Artfully Connected

Artfully Connected artists and Swedish Ambassador Lars Vargö.

Earlier this year, the Embassy of Sweden in Tokyo presented Artfully Connected, a look at Sweden through the eyes of  an exciting group of artists from Japan, Korea, Sweden and the US, curated by artist

Eva Vargo Download me Korean paper cord, Korean old book paper, Japanese ink 48 x 48 cm, 2012

Eva Vargö, Download me (photo: Eric Micotto)
Korean paper cord, Korean old book paper, Japanese ink
48 x 48 cm, 2012

Eva Vargö. The artists who participated were: Young Soon CHA, Korea (Fiber),

CHO-Hikaru

CHO Hikaru, Every thing is not what it seems, Acrylic painting (Photo: Hikaru Cho), 60 × 42 cm, 2013

Hikaru CHO, Japan (Photos and videos), Miwha OH, Korea (Metalsmith – Jewelry), Hisako SEKIJIMA, Japan (Basketmaker),

Jin-Sook So, View the Storsjön (Photo: Pack Myung Re) Steel mesh, electroplated silver, gold painted acrylic color, 90 x 42 x 9 cm, 2012

Jin-Sook So, View the Storsjön (Photo: Pack Myung Re)
Steel mesh, electroplated silver, gold painted acrylic color, 90 x 42 x 9 cm, 2012

Jin-Sook SO, Sweden/Korea (Paintings on steel mesh), Naoki TAKEYAMA, Japan (Enamelled works on copper), Eva VARGÖ, Sweden(Paper weaving and paper Objects),

Lisa VERSHBOW Corsages, six brooches on a stand, Silver, Copper with color pencil patina and wet-felted wool Installation – 21 x 67 x 3 cm, (each brooch approx. 14 x 3 x 1 cm), 2013

Lisa Vershbow, Corsages (photo: Eric Micotto) six brooches on a stand, Silver, Copper with color pencil patina and wet-felted wool, Installation – 21 x 67 x 3 cm, (each brooch approx. 14 x 3 x 1 cm), 2013

Lisa VERSHBOW, USA (Metalsmith – jewelry). Click the links on each name and you can read a brief “story” about the artists and the influence Sweden had on their works.

Hisako Sekijima SE, Kudzu vine, 33 x 20 x 17 cm, 2013

Hisako Sekijima
SE (photo: Eric Micotto) Kudzu vine, 33 x 20 x 17 cm, 2013

Hisako Sekijima, for example, describes the map of Sweden she found on the internet as influencing, SE, the basket she created for the exhibitionHikaru Cho’s Every Thing Is Not As it Seems speaks to discrimination.”We always bear prejudice and a sense of discrimination somewhere inside,” says the artist in her story. “Often, we don’t even notice it. I have experienced it many times while living in Japan with Chinese nationality. People differentiate the own ethnic group from others in order to strengthen the solidarity.” You can read more about Cho, in the Asahi Shimbun article, “Japan-born artist turns her eye to discrimination,” by Louis Templado, June 14, 2013, http://ajw.asahi.com/. The Embassy also teamed up with well-known Swedish cameramaker Hasselblad to create a behind-the-scenes video, filmed by Eric Micotto, that you can view here: http://vimeo.com/65644600.


November 26th: Our Online Exhibition Opens With an Offer for CyberMonday

On Monday, November 26th, browngrotta arts will present an online version of our 25th anniversary exhibition,Retro/Prospective: 25+ Years of Art Textiles and Sculpture at browngrotta.com. The comprehensive exhibition highlights browngrotta arts’ 25 years promoting international contemporary art. Viewers can click on any image in the online exhibition to reach a page with more information about the artists and their work.

“Some works in Retro/Prospective: 25+ Years of Art Textiles and Sculpture reflect the early days of contemporary textile art and sculpture movement,” says Tom Grotta, founder and co-curator at browngrotta arts. “There are also current works by both established and emerging artists, which provide an indication of where the movement is now and where it may be headed.”

Since Monday the 26th is CyberMonday this year, sales of art, books, catalogs, videos or dvds placed online or by telephone that day will be discounted 10% (excluding tax and shipping). In addition, bga will make a donation to the International Child Art Foundation for each sale made from November 24th through December 31, 2012. Visit browngrotta.com. For more information call Tom at 203.834.0623 or email us at art@browngrotta.com.


25 at 25 at SOFA NY Countdown: Jin-Sook So

STEEL MESH UNTITLED, Detail, Jin-Sook So

At SOFA NY,  browngrotta arts will present the work of Korean artist Jin-Sook So who will attend the exposition in New York. Since 1984, So has been using transparent steel mesh cloth, which she burns, paints, electroplates  in gold or silver, sews and shapes to create sculptural and wall pieces. In creating Steel Mesh Untitled, which will be exhibited at SOFA, So was inspired by Korea’s landscape. She has been an artist-in-residence at the Youngeun Museum outside of Seoul for the last year.

46jss Steel Mesh Untitled Jin-Sook So, steel mesh, gold-leafed and painted acrylic, charcoal, ink colors, electroplated, 17.75″€ x 16.5″€ (each), 2011, photo by Tom Grotta

So’s work has been exhibited extensively in the US and abroad, including at the Röhsska Arts and Crafts Museum, Göteborg, Sweden; Nationalmuseum, Osaka, Japan; Skissernas Museum, Lund Sweden; Brooklyn Museum, New York; National Museum, Stockholm, Sweden; Museum of Arts and Design, New York, New York; Pittsburgh Center for the Arts, Pennsylvania; Kulturhuset, Stockhom, Sweden; Museé d’Angers, France; Kwang-Ju City Museum, Korea; Lane Municipal Gallery, Erfurt, Germany; Savaria Museum, Szombathely, Hungary; Academy of Arts & Design, Tsinghua University, Beijing, China.
 

Check Out: “On Thin Ice: Two Russians Skate Off the Reservation,” in the WSJ

 

Oksana-Domnina-and-Maxim-Shabalin

Contemporary textile artists’ work is often rich in references to other cultures. Traditional techniques are used to generate new forms; images and themes from other cultures are re-envisioned and contemporized. Through her study of Peruvian gauze weavings, Lenore Tawney discovered a reed that she was able to adapt to create the innovative slits and openings that characterized her work.

Shrouded River detail by Lenore Tawney

Carol Eckert’s coiled sculptures feature animal figures that are inspired by African ceremonial head dresses of the Yorubas; Kirsten Wagle and Astrid Løvaas

use old Norwegian tapestry techniques on unconventional materials from aluminum cladding to pantyhose;

Løvaas & Wagle create tapestries that are visually captivating, beautiful, surprising, and rich in references to art historical sources

Nancy Moore Bess’s baskets are informed by her travels to Japan, most recently re-interpretations of the jakago/snake baskets used in Asia to bind stones at the edge of a river or lake to prevent soil erosion; and Jin-Sook So reinvents Korean pojagi by creating patchworks of gold-plated steel mesh instead of the traditional scraps of ramie and hemp.

(Pojagi-inspired work) by Jin-Sook So

Is there a point at which cultural “borrowing” stops being an acceptable compliment and becomes unacceptable co-option? That’s the criticism being made of Russian figure-skaters Oksana Domnina and Maxim Shabalin, whose multicultural ice-dancing theme, based on aboriginal costumes, music and dance, have drawn the ire of Australian Aboriginal activists. On January 28, 2010 in the Wall Street Journal, Eric Felten reviewed the Olympic controversy, similar arguments made about white musicians having no right to play jazz, and recent cross-cultural creations by the likes of Paul Simon and Vampire Weekend.
In “On Thin Ice: Two Russians Skate off the Reservation,” Felten cites T.S. Eliot as endorsing artistic appropriation, quoting him as saying, “bad poets deface what they take, and good poets make it into something better, or at least something different.” Felten argues that it is too much to expect “cultural interlopers” to make something better; it should be enough that the borrowing “makes for something different”. And sometimes that something different will be more than different. It will be art.


10th Wave III: Online– The next best thing to being there

Jazzy-10th-wave.jpg

Our first online exhibit, the10th Wave III: Online, opens today. The exhibit is a carefully curated selection of works presented in installation shots, images of individual works and detail photos. Approximating the in-person experience, viewers can “walk” through 26 images of the exhibit installed; click to view each of the 125 works in the show more closely, focus in on images of dozen of details and click to read more about each of the artists in the exhibition. “Images of individual works of art online are commonplace,” says Tom Grotta, president of browngrotta arts. “We have tried, instead, to give viewers a sense of the work in space, combined with the option of looking more closely at the pieces that interest them, just as they would have if they were visiting the exhibit in person.”

The artists in the 10th Wave III are experimenting with forms and techniques in novel and surprising ways, exploring new relationships among structure, design, color, and pattern.” They work in a wide range of materials from silk, stainless steel and rubber to recycled raincoats and linen to tree bark, safety pins and telephone books. Among the artists in the online exhibition are Lewis Knauss, Lia Cook, Gyöngy Laky from the US, Sue Lawty from the UK, Ritzi Jacobi from Germany, Jin-Sook So from Sweden, Carolina Yrarrázaval from Chile and Hisako Sekijima and Jiro Yonezawa from Japan.

The 10th Wave III: Online runs through December 20, 2009.