Another wide-ranging selection of books selected by browngrotta arts’ artist this year. Mary Merkel Hess: recommends What Happened by Hillary Clinton (Simon and Schuster). “Have you ever wondered what Hillary Clinton’s favorite snack is?,” Mary asks. “Me neither, but now I know. I listened to the audio version of this book read by Hillary herself. Hearing the book in her own voice made it ‘up close and personal.’ Her detailed description of life on the campaign trail, from a feminine perspective in an unusual political year, is fascinating.” Mary also has an art book on her list: Vitamin C: Clay + Ceramic in Contemporary Art (Phaidon). “For those of you who enjoy a book of luscious photography in coffee table size,” says Mary, “this is for you. Vitamin C is a medium-specific survey of more than 100 ceramic artists nominated by international art world professionals. A disclaimer: My son, Matthias Merkel-Hess, is included in this book but I am enjoying the photos and short essays enough that I am reading the other entries too. Some larger lights in the ceramic world like Ai Wei Wei and Betty Woodman are included as well as younger artists.”
Chance and Change by Mel Gooding, about the nature artist Herman de Vries (Thames & Hudson) “is a wonderful book,” says Lizzie Farey. “It appraises De Vries’s work with beautiful images and argues that a proper contemplation and experience of nature is essential to living in any meaningful sense.”
“Today’s world is so utterly filled with alternative facts and a reality of denial that for reasons unexplainable,” Wendy Wahl writes, “I decided to immerse myself in Margaret Atwood’s dystopian trilogy. While not new on the literary scene, I recently finished the first book, Oryx and Crake (Anchor), and am absorbed in The Year of the Flood (Anchor) which will be followed by 
MaddAddam (Anchor) to close 2017. Atwood brilliantly takes us on an idiosyncratic journey with her keen wit and dark humor combining adventure and romance while forecasting a future that is at once all too recognizable and beyond envisioning. I highly recommend this environmental, philosophical and spiritual work of science fiction as a parallel view of the current global crossroads.”
Scott Rothstein recently received
Jangarh Singh Shyam: The Enchanted Forest Paintings and Drawings from the Crites Collection, by Aurogeeta Das (ROLI), a “truly remarkable” book from the collector of this work, who Scott knows from Delhi. You can read more about the show here: http://artfoundout.blogspot.com/2017/10/jangarh-singh-shyam-enchanted-forest.html, and read a great interview with the collector here: https://www.youtube.com/watch?v=yh1JhXAebGc.
“I’m reading a poem book by Japanese poet in Japanese….it is wonderful and strong,” says Tamiko Kawata. Sorry, not in English!!! “ It’s title is Ambarvalia アムパルワリア 旅人かえらず, by Nishiwaki Junzaburo 西脇順三郎 (Kodansha Bungei Bunko). “I hope someone will enjoy.”
Nancy Moore Bess’s contribution is The Sculpture of Ruth Asawa: Contours in the Air, Elisa Urbanelli (University of California Press). It is the 2007 catalogue from the traveling exhibition of the same name. “Perhaps you saw it when it was at Japan Society,” she writes. “I missed it at the deYoung, but I was lucky to catch it shortly thereafter at the Japanese American National Museum in Los Angeles. The book is an inspiring documentation of her life, work, values and sense of community. There are drawings, which I had never seen before, photos of her with her early work and with friends. And then the stunning photographs of her later work. When the deYoung opened its new (and very controversial) building in 2005, over a dozen of her pieces were installed at the base of the tower. They are lit in such a way as to reveal how important shadows are to complete each piece. The photographs in the book really capture the installation. Buy the book and then come see the work in person! Prepare to stay a while and take it all in. Recently friends visited – Leon Russell from Seattle and Nancy Koenigsberg from New York. Both are now living with the book! Ruth died in 2013, but she is still revered in San Francisco – both for her artwork and for her commitment to children and the community. So wish I had met her! My great loss.”
“The book that moved me and opened my eyes to a world that I knew superficially was Hillbilly Elegy by J.D. Vance,”writes Kyomi Iwata. “This book explained in a way why people chose the current political leader. I had a casual conversation with a Southern lady during our visit to the William and Mary College Art Museum in Williamsburg, Va this spring. She was a stranger who was holding the book and saying she did not like the book. It was the reading recommendation from her book club. At the end of our brief encounter though, we both agreed that knowing something which is not familiar is a worthwhile read. This book emphasized the importance of education and getting out from a familiar situation even though it is scary sometimes. The author felt this way and eventually went to Yale Law School. Afterwards he came back to the community to help others. Oh yes, he is a white man.”
Rachel Max has been reading Mark Rothko: From the Inside Out, by his son, Christopher Rothko. “Rothko’s meditative sensitivity and use of colour inspires me and this is a personal and engaging analysis of his father’s work. I was particularly interested in the chapter on Rothko and Music and of the emotional power of Rothko’s paintings and its parallels to music. Music was hugely important to Rothko and his son draws similarities between Mozart’s melodies and his father’s transparent textures, clarity, and purity of from in order to give what he calls greater expression – for both artist and composer alike nothing was added unnecessarily. Rothko’s application of paint and varnish allows us to see layers which would otherwise be concealed. He also draws comparisons between their artistic power to convey complex feelings and to what he describes as the coexistence between ecstasy and doom. He also describes how they both had the paradoxical ability to create an intimate and yet grand space. Christopher Rothko doesn’t draw the line at Mozart, he makes comparisons to Schubert’s shifts in tone and of the interplay between Rothko’s pigments, and to the relationship between Rothko’s sense of space with Morton Feldman’s use of silence. Rothko wanted his paintings to affect us in the same way he felt that music and poetry does – an absolute means of expressing what perhaps cannot be explained in words, “ she writes. “I grew up surrounded with music. The relationship between music and weaving is something I have been exploring and this particular essay resonated with me, but the others are equally personal and thought provoking.” Rachel has also been given copies of
From Tapestry to Fiber Art (Skira) and 
Rooted Revived Reinvented: Basketry in America by Kristin Schwain and Josephine Stealey (Schiffer) and she can’t wait to read them!
At browngrotta arts we are awaiting our on-order copy of 
From Tapestry to Fiber Art: The Lausanne Biennals 1962-1995 with text by Giselle Eberhard Cotton, Magali Junet, Odile Contamin, Janis Jefferies, Keiko Kawashima, Marta Kowalewska, Jenelle Porter (Skira). We have on good authority that it is a beautiful book. We are also looking forwarded to wandering through the re-issue of 
Anni Albers’ On Weaving (Princeton University Press) (shhhhh, it’s still under the tree!). Enjoy!
The Upanishads, introduced and translated by Eknath Easwaran (Nigiri Press). This collection of teachings is as timely now as it was 2000 years ago. Understanding the following words from the Brihadaranyaka Upanishad (iv.4.5) could be useful,” she says. You are what your deep, driving desire is. As your desire is, so is your will. As your will is, so is your deed. As your deed is, so is your destiny. The Mundaka Upanishad furnished the motto of the modern Indian nation, she notes, satyam eva jayate, nanritam, Truth alone prevails, not unreality” (iii.1.6).”Perhaps the global collective consciousness will awaken to this concept. I’m trying to remain hopeful.” Wahl adds that for readers interested in one of her favorite materials, 
It’s Never Too Early: How to Buy Art in Your 20s
Lizzie Farey($1,800), Deborah Valoma($1,700) and Stéphanie Jacques($1,200). Photo by Tom Grotta
Thanks to the DIY movement and a mass of online and cable design and decor resources, we’ve never had more encouragement to create environments that inspire and invigorate. Art can be an essential element of such an environment and investing in art need not be a bank breaker. Domino, a curated site that encourages readers to “bring your style home,” offers several tips for buying art in your 20s, including not buying too big and not being afraid to invest http://domino.com/how-to-buy-art-in-your-twenties/story-image/all. We at browngrotta arts have a few additional thoughts:
INYO (95-2), Tsuruko Tanikawa, brass and iron wire, coiled and burned, 7.5″ x 6.5″ x 14″, 1995 ($1,200)
1) Think objects: If you are in your first apartment or are fairly certain that a move is in your future, Ceramics, Art Baskets, Glass sculptures can be easier to place in your next home than a large wall piece may be.
Naomi Kobayashi Red & White Cubes ($1,000 each)
2) Invest for impact: Prints are generally less expensive than originals, editions less expensive than a one off. And you will find that some mediums are, in general, priced more accessibly than others. Art textiles and fiber sculpture are an example. Work by the best-known artists in the field go for under a million dollars, compared to tens of million dollars for paintings by well-recognized artists. You can start small with works in fiber, ceramics and wood, and create a small, but well-curated, collection. Consider Naomi Kobayashi, a Japanese textile artist whose work is in the permanent collection of many museums, including the Metropolitan Museum of Art and whose work can be acquired for $1000. Or an up-and-coming artist like Stéphanie Jacques from Belgium, whose masterful multi-media works address issues of gender and identity, and begin at prices below $1500.
GRAY WITH BLACK, Sara Brenan, wool & silks linen, 12.5” x 19”, $1,900 photo by Tom Grotta
3) Take advantage of digital placement: Reviewing art online is a great way to expose yourself to a wide variety of work, and develop your personal aesthetic. Once you’ve found a work that appeals, digital placement can give you a greater level of confidence before you press “Buy.” At browngrotta arts, we ask clients to send us a photo of the space the propose to install the work. We can digitally install the piece, to scale and with shadow, so you have a sense of how will work there.
32pc CONSTRUCTION III, Pat Campbell, rice paper, reed, 8″ x 7.5″ x 5.5″, 2002
4) Document: If the work you purchase has appeared in a book or a catalog, make sure you get a copy. Ask the seller for any information he/she has on the artist for your files. On each artist’s page on browngrotta.com, you can find a list of publications in which the artist’s work appears. The documentation is good to have for insurance and appraisal purposes and you can watch as the artist’s cv —hopefully — expands in the next several years.
5) Buy for love: It’s great to learn 10 years down the road that a work of art you purchased has appreciated and is worth more than you paid for it. We’d argue, though, that if you’ve enjoyed owning it for 10 years, and thought each time you looked at it, “I really love that piece,” you’ll have gotten your money’s worth, and enriched your life in the process.