Category: Exhibitions

Art Out and About: Abroad

Earlier this summer we published a blog post outlining current and upcoming exhibitions featuring browngrotta arts artists in North America. In addition to all of the exhibitions in North America, we have a ton of artists being featured in exhibitions abroad. Whether working in Denmark or vacationing in Greece take some time to relax and visit one of these spectacular exhibitions.

Jens Søndergaard with the touch of Ane Henriksen

Heltborg Museum (Thy, Denmark)

June 18-September 3

Ane Henriksen currently has a solo exhibition on view at the Heltborg Museum on the West Coast of Denmark. In Jens Søndergaard with the touch of Ane Henriksen, Henriksen uses weavings to interpret paintings by Jens Søndergaard. The weavings and paintings are on view at the Helborg Museum until September 3rd.

Jen Søndergaard with the touch of Ane Henriksen

 

A Darker Thread

Oriel Myrddin Gallery (Carmarthen, UK)

July 15-October 21  

Across the pond, there is A Darker Thread, at Oriel Myrddin Gallery in Carmarthen. Wales has been long celebrated for its’ distinctive textile design in both power-loomed blankets and hand stitched quilts. While all work in A Darker Thread references Welsh Culture or sense of place, artists were selected for their focus on the curious, the provocative, the humorous or the unpredictable. The exhibition features artists such as Alana Tyson, Laura Thomas and Ruth Harries. To compliment the exhibition there is a rich program of events over the summer for children and families. A Darker Thread is on show at the Oriel Myrddin until October 21st.

Treading Cloud by Spike Davis at A Darker Thread

Labyrinth

Mountados, Tinos, Greece

July 22-August 22

 

For Labyrinth, 10 artists were challenged to create a piece of art for a box that would hang above the streets of the village Mountados on the island of Tinos. The network created by the alleyways of cycladic villages is reminiscent of a labyrinth, therefore why the theme was chosen for Mountados. Though labyrinths are often seen as a place to get lost, they are instead the places to find oneself. “In these troubled and uncertain times, we are once again seeking a path. Here we are in this labyrinth, confronted with the idea of the inner journey that each of us pursues, in the face of our hesitation, our halts, our choices,” explains Mireille Liénard “It is the discovery of this labyrinth, but also this journey to the depths of ourselves, that this new edition of the Biennale of Mountados offers us.”             

Stéphanie Jacques for Labyrinth

Tapestry: Here and Now

The Holbourne Museum (Bath, UK)

June 23-October 1

Tapestry: Here & Now surveys contemporary tapestry while also showcasing some of the most innovative approaches to tapestry by a variety of international talent. This exhibit includes Sara Brennan and is curated by Dr. Lesley Millar, who wrote an essay in Retro/Prospective: 25+ Years of Art Textiles and Sculpture. Each piece exhibits a development in the artist’s career, textile making or society as a whole. The exhibition also exemplifies how artists use their medium to engage with political, aesthetic and personal issues of contemporary relevance.  Edward McKnight Kauffer’s “The ‘Arts’ Tapestry” will be on public display for the first time. The tapestry depicts a muse-like figure holding an open book, while beside a globe and fluted ionic column, expressing the importance of understanding classical art and architecture. Tapestry: Here & Now will be on view at The Holbourne Museum, in Bath until October 1st.

Broken White Band with Pink by Sara Brennan, linen, wool, and cotton, 32” x 32”, 2008

 

Everyday matter, The Value of Textile Art

Textilmuseet, Borås

September 16 – January 28

Everyday matter, an exhibition presented by Nordic Textile Art (NTA) in collaboration with the Textile Museum of Sweden, chronicles the slow processes of textile art. The exhibition not only shows methods to eliminate time in the textile making process but also shows artists how to communicate through materiality. Every two years the European Textile Network holds a conference in a European country. This year, Borås and the Textile Museum of Sweden are co-hosting the conference. Four browngrotta arts artist have been selected to present work in Everyday matter, including Løvaas & Wagle,Ulla-Maija Wikman, Grethe Wittrock and Ane Henriksen.

Grethe Wittrock working on a piece for Everyday Matter


The Nordic Tapestry Opens in Washington Depot, CT

Helena Hernmarck

Helena Hernmarck talking about her work at the opening reception of The Nordic Tapestry Group: Weaving Knowledge into Personal Expression, photo by Tom Grotta

The Nordic Tapestry Group: Weaving Knowledge into Personal Expression opened on Saturday in Washington Depot, Connecticut at the Washington Art Association and Gallery, 4 Bryan Plaza and the Judy Black Memorial Park and Gardens at One Green Hill. The exhibition extends through September 9th. The Nordic Tapestry group was founded 10 years ago by weavers from Sweden, Iceland and the United States after tapestry artist Helena Hernmarck traveled to Sweden to teach workshops on her weaving technique. Combining traditional Swedish weaving techniques with her own method, Hernmarck is able to achieve powerful photorealistic effects by bundling a variety of hued yarns that combine to create an illusion of depth. With a common passion for textiles, members of the Nordic Tapestry group have a desire to learn more about how Hernmarck’s tapestries are made, how to use light and how to use the different qualities of yarn to create images. The exhibition highlights works by 21 of those students alongside Hernmarck’s works. Hernmarck’s Anemones (1985) dominates one of the exhibition galleries, attractively paired with the more recent and more translucent work, Amaryllis (2014). Holding their own in the large gallery are also Stone Bridge and the impressionistic Morning Haze, by Lis Korsgen, Hernmark’s very accomplished student.

Hernmarck Student Work

The Nordic Tapestry Group: Weaving Knowledge into Personal Expression

In the Washington Art Association building are other works from Face to Face, which reveals the Nordic Tapestry weavers shared passion and ongoing exchange, and celebrates the transfer and evolution of weaving knowledge into personal expression. Through these works, they display their interest in using light and color and exploring the different qualities of yarn to weave images, create space and depth, and to depict three-dimensional forms. Swedish weaving has had a influential history in this country, in exhibitions, in creating art for the United Nations and in the curriculum at Cranbrook. For a very comprehensive look at this influence, including the role Swedish weaving has played in the work of American weaver Lia Cook, read Marion T. Marzolf’s paper, for the Textile Society of America, The Swedish Presence in 20th-Century American Weaving, http://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1313&context=tsaconf.

The Nordic Tapestry Group

The Nordic Tapestry Group


Anniversary Alert: 10 Years of Feminist Art…

Anniversary Alert: 10 Years of Feminist Art in Brooklyn;
More Chances to Celebrate at MOMA, LongHouse Reserve and elsewhere

Faith Ringgold, Early Works #25: Self-Portrait, Oil on canvas, 50 x 40 in. (127 x 101.6 cm), 1965. Brooklyn Museum, Gift of Elizabeth A. Sackler, 2013.96. © artist or artist’s estate.
Photo: Jim Frank

Lots of opportunities to see work by women artists and consider their role in the canon. The centerpiece are the exhibitions and events that make up A Year of Yes: Reimagining Feminism at the Brooklyn Museum which celebrates the10th anniversary of the Elizabeth A. Sackler Center for Feminist Art. A Year of Yes recognizes feminism as a force for progressive change and takes the contributions of feminist art as its starting point. It reimagines next steps, expanding feminism from the struggle for gender parity to embrace broader social-justice issues of tolerance, inclusion, and diversity. Among the exhibitions on view is We Wanted a Revolution: Black Radical Women, 1965–85, through September 17th, which presents a large and diverse group of artists and activists who lived and worked at the intersections of avant-garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking. Faith Ringgold, known for her quilts among other works, protested in the early 70s the Whitney Biennial’s prepondence of male artists. Ringgold also visited incarcerated women at Riker’s Island, and created a large painting there using their narratives, which is part of We Wanted a Revolution. Others artist included Alva Rogers, Alison Saar, Betye Saar, Coreen Simpson, Lorna Simpson, Ming Smith, and Carrie Mae Weems. Know before you go, with this primer from Artspace, 6 Black Radical Female Artists to Know Before You See We Wanted a Revolution: Black Radical Women, 1965–85.” If you are tied up for the next month, you have a second chance to see the exhibition at the ICA in Boston when it opens there next June 26th.
Also upcoming at the Brooklyn Museum is Roots of “The Dinner Party”: History in the Making which opens October 20, 2017 and runs through March 2018. Since the 1970s, Judy Chicago has been a pioneer in the development of feminism as an artistic movement and an educational project that endeavors to restore women’s place in history. Her most influential and widely known work is the sweeping installation The Dinner Party (1974–79), on which Judy Mulford worked, celebrating women’s achievements in Western culture in the form of a meticulously executed banquet table set for 39 mythical and historical women and honoring 999 others.Roots of “The Dinner Party”: History in the Making is the first exhibition to examine Chicago’s evolving plans for The Dinner Party in depth, detailing its development as a multilayered artwork, a triumph of community art-making, and a testament to the power of historical revisionism. Chicago’s ambitious research project combatted the absence of women from mainstream historical narratives and blazed the trail for feminist art historical methodologies in an era of social change. It also validated mediums traditionally considered the domain of women and domestic labor, as the artist studied and experimented with China painting, porcelain and needlework.

Sheila Hicks, Prayer Rug, Hand-spun wool, 87 × 43″ (221
× 109.2 cm), 1965, The Museum of Modern Art, New York. Gift of Dr. Mittelsten Schied, 1966

But that’s not all. You still have  four days to see the acclaimed MOMA exhibition, Making Space: Women Artists and Postwar Abstraction which includes 100 works that “range from the boldly gestural canvases of Lee Krasner, Helen Frankenthaler, and Joan Mitchell; the radical geometries by Lygia Clark, Lygia Pape, and Gego; and the reductive abstractions of Agnes Martin, Anne Truitt, and Jo Baer; to the fiber weavings of Magdalena Abakanowicz, Sheila Hicks, and Lenore Tawney; and the process-oriented sculptures of Lee Bontecou, Louise Bourgeois, and Eva Hesse. The exhibition will also feature many little-known treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, and recent acquisitions on view for the first time at MoMA by Ruth Asawa, Carol Rama, and Alma Woodsey Thomas.” Again, you can become well-informed before your visit (or visit online in lieu of inperson) with online resources, YouTube presentations, one when the exhibition opened and another, a tour of the exhibition with a MOMA curator.

Beginning on September 13th, the ICA, University of Pennsylvania in Philadelphia, will present Nathalie Du Pasquier: BIG OBJECTS NOT ALWAYS SILENT, a retrospective exploring the prolific creative practice of artist and designer Nathalie Du Pasquier on view from September 13 through December 23, 2017. A founding member of the Italian design collective Memphis, Du Pasquier’s work across painting, sculpture, drawing, installation and design demonstrates a unique and considered interpretation of space and objects. A catalog will accompany the exhibition. A collection of graphic and whimsical textile designs by Nathalie Du Pasquier and George Sowden has been released by 4 Spaces and Zigzag Zurich.

Nathalie Du Pasquier, Still life on my bicycle, oil on canvas, 39 x 59 inches, 2005. Courtesy of Kunsthalle Wien and the Institute of Contemporary Art at the University of Pennsylvania

Must these artists be categorized as “women artists”? That’s just one of the questions that Hampton’s artist, Toni Ross hopes to explore ina  series of conversations at LongHouse Reserve in East Hampton, New York. “In my mind this is a complex issue,” she writes. “I do believe that there are forces that confront all non-white male artists and that that conversation is evolving and changing rapidly. The Hamptons, with its rich history of artists includes many important women who broke ground for us, many whom may have been overshadowed by their more recognized partners. I look forward to the conversations in all of their complexities.” The conversations, in WOMEN ARTISTS: Reshaping the Conversation, A series of panel discussions in the LongHouse Garden will unfold in three events, beginning this Saturday:

Saturday, August 12, 11:00 am
CHRISTOPHE DE MENIL
MICHELE OKE DONER
APRIL GORNIK
UZOAMAKA MADUKA
NEDA YOUNG

Saturday, August 26, 11:00 am
JOAN JULIET BUCK
ANDREA GROVER
BARBARA ROSE
MICHELLE STUART
TERRIE SULTAN

Saturday, September 23, 11:00 am
ALICE AYCOCK
PERNILLA HOLMES
BASTIENNE SCHMIDT
ALMOND ZIGMUND
additional panelists to be announced

Reservations to these events are required. RSVP to Mr. Jack Meyer at jack.meyer@gsmltd.net, 212.271.4283.


Art Out and About: North America

If you are vacationing in the East, South, Midwest, or West this summer, there is a wide variety of textile artists on display across the United States and Canada online, including exhibitions featuring artists whose work you’ll find at browngrotta arts. Emphasizing baskets in one case, abstraction in another and tapestry in two others, whether you’ve planned a family vacation, a weekend getaway or staycation there are exhibitions for art-lovers of all kinds.

Anemones by Helena Hernmarck, wool, 54” x 108”, 1985

The Nordic Tapestry Group: Weaving Knowledge into Personal Expression

Washington Art Association and Gallery (Washington Depot, CT)

August 12-Sept 9

Gallery Hours: Tuesday-Saturday 10:00 am – 5:00 pm, Sunday, 10am-2pm 

Website: http://www.washington

artassociation.org/exhibitions

/nordictapestryshow/

Weavers from Sweden, Iceland, and the United States formed the Nordic Tapestry group a decade ago after tapestry artist Helena Hernmarck traveled to Sweden to teach workshops on her weaving technique. Combining traditional Swedish weaving techniques with her own method, Hernmarck is able to achieve powerful photorealistic effects by bundling a variety of hued yarns that combine and create an illusion of depth.  With a common passion for textiles, members of the Nordic Tapestry group have a desire to learn more about how Hernmarck’s tapestries are made, how to use light, and how to use the different qualities of yarn to create images. Hernmarck’s Anemones will be on display along with smaller weavings by 21 of her students.

Sunrise Sentinel, Mary Giles, waxed linen, copper, iron, 26.25″ x 6.5″ x 6.5″, 2007

Opening in August, Rooted, Revived, Reinvented: Basketry in America

Lauren Rogers Museum of Art (Laurel, MS)

August 22-November 12

Gallery Hours: Tuesday-Saturday 10:00 am – 4:45 pm, Sunday 1:00 pm- 4:00 pm | Closed Monday

Website: https://www.lrma.org

This traveling exhibition curated by Josephine Stealey and Kristen Schwain, chronicles a history of American basketry from its origins in Native American, immigrant, and slave communities to its presence within the contemporary fine art world. Through the selection of materials, colors, designs, patterns, and textures, artists featured in this exhibition tell different stories and cultural histories. Rooted in local landscapes, basketry has been shaped by cultural tradition but is now thriving in our contemporary world. Browngrotta arts’ artists Polly Adams Sutton, Mary Giles, Nancy Moore Bess, Christine Joy, Nancy Koenigsberg, Dorothy Gill Barnes, Ferne Jacobs, Gyöngy Laky, Kari Lønning, John McQueen, Norma Minkowitz, Leon Niehues, Ed Rossbach, Karyl Sisson and Kay Sekimachi all have work featured in the exhibition. Rooted, Revived, Reinvented: Basketry in America is on show at the Lauren Rogers Museum of Art from August 22 to November 12.

 

Cosmos, Naomi Kobayashi, Gampi paper, sumi ink, and paper thread
15 x 15 1/4 x 2 7/8 inches, 2005
Cotsen Collection
Photography: Bruce M. White © Lloyd Cotsen, 2016

The Box Project

Racine Art Museum (Racine, WI)

May 21-August 27

Gallery Hours: Tuesday – Saturday  10:00 am – 5:00 pm, Sunday  12:00 – 5:00 pm | Closed Monday, Federal Holidays and Easter |The Museum Store closes at 4:45 pm each day.

Website: http://www.ramart.org/content/box-project-uncommon-threads

The Box Project challenges artists to work within the parameters of an archival box. Artists interpret the challenge their own way, resulting in a diverse array of one-of-a-kind art highlighting the artists’ creativity and skills. The limited edition book The Box Project book can be purchased here at browngrotta arts’ online store. The Box Project features work from 37 artists, 10 of whom are represented by browngrotta arts:  Helena Hernmarck, Agenta Hobin, Kiyomi Iwata, Lewis Knauss, Naomi Kobayashi, Nancy Koenigsberg, Gyöngy Laky, Heidrun Schimmel, Hisako Sekijima and Sherri Smith.  

 

Seaweed, Lenore Tawney, linen, silk, canvas, 120 x 32 in., The Lenore Tawney Foundation, New York. © Lenore G. Tawney Foundation

 

Between Land and Sea

The Menil Collection (Houston, TX)

April 14-August 27    

Gallery Hours: Wednesday–Sunday 11:00 a.m.–7:00 p.m.

Website: https://www.menil.org/exhibitions/249-between-land-and-sea-artists-of-the-coenties-slip

 

In Houston, Texas, Lenore Tawney is one of six artists featured in The Menil Collection’s exhibition Between Land and Sea: Artists of the Coenties Slip. The exhibition is a combination of work from a group of artists, intellectuals, filmmakers and poets who lived and worked in the old seaport at the lower tip of Manhattan throughout the late 1950s and early 1960s. The works in the aesthetically diverse exhibition is united by artists’ desire to explore new ways of abstraction. Between Land and Sea: Artists of the Coenties Slip is on show at The Menil Collection until August 27th.

 

Ithaka, Dawn MacNutt, willow, 108.5” x 21” x 24”, 2006

Crossing Generations: Past, Present & Future

Oregon College of Art and Craft (Portland, OR)

July 10-August 6

Gallery Hours: Monday-Sunday, 10:00am-5:00pm

Website:

https://ocac.edu/events/

sda-exhibition-crossing-generations-past-present-future

The Surface Design Association’s Exhibition Crossing Generations: Past, Present & Future includes two bga artists: Lia Cook, Glen Kaufman. Curated by well-known gallerist Jane Sauer, the goal of this exhibition was to “highlight the work of the great mentors that laid the ground work for what is happening today, mid-career artists, and a look into what the future hold by showing the work of a few emerging artists.”  The exhibition will be on show at the Hoffman Gallery at the Oregon College of Art and Design until August 6th.

 

And online — you can still see Dawn MacNutt’s May exhibition A Fortunate Adversity, at Sunbury Shores. Nova Scotia, online at http://sunburyshores.org/fortunate-adversity-dawn-macnutt/ .Using willow to make figurative basketry,  Dawn MacNutt is inspired by the “beauty of human frailty.” In MacNutt’s words,  A Fortunate Adversity “expresses a full life enriched by caring and seeing loved ones overcome disasters and small misfortunes.”


Artist in the House: Jane Balsgaard from Denmark

 

Browngrotta arts’ artist Jane Balsgaard recently visited the gallery on her way to the opening of Plunge: explorations from above and below at the New Bedford Art Museum. Balsgaard, a native of Denmark, has been very busy lately. In addition to participating in both Plunge and our 30th Anniversary Exhibition, Still Crazy After All These Years…30 years in art, Balsgaard has just completed a lofty commission for the Hotel Bretagne located in Hornbaek, Denmark.

Jane Balsgaard working

Jane Balsgaard holding “Deck,” a new piece she made while visiting browngrotta.
Photo by Tom Grotta

For the Hotel Balsgaard was commissioned to create something to adorn a 29.5 ft wall facing the Hotel’s staircase. Gallery Hornbaek owner, Susanne Risom, saw Balsgaard’s work as a solution to the immense design dilemma. Balsgaard’s installation, titled Waterfall, consists of 18 reliefs, one sculpture, and one relief in the ceiling, all made with natural materials.

"Waterfall" by Jane Balsgaard

Looking down Jane Balsgaard’s “Waterfall” at the Hotel Bretagne.

The reliefs, varying in length, stretch down the length of the wall creating a straightforward course for the eye to follow. In a statement for Gallery Hornbaek, which assisted in arranging the commission, Art Historian Johan Zimsen Kristiansen explains that the “in the transition between pins, a number of small harmoniously matched fractures and character, along with transparent dots or bubbles of colored paper, all contribute to creating the falls’ dynamics,” and connect the once problematic space.

"Wilton Boat" by Jane Balsgaard

Jane tediously working on “Wilton Boat.”

During her visit at browngrotta arts in Connecticut, Balsgaard worked on a new piece called Wilton Boat, a 12.5” x 11” x 1.5” sailboat made from glass and natural materials, which she sourced fro her yard in Denmark and ours in Wilton.

You can see Jane Balsgaard’s newest works in in browngrotta arts’ online exhibition Cross-Currents: Art Inspired by Water and at the Plunge exhibition through October 8th and of course, by booking a stay at the Hotel Bretagne.


Plunge: explorations above and below Opening Tonight, New Bedford Art Museum, Massachusetts

Annette Bellamy Long Lines

Annette Bellamy Long Lines

Rippling, roiling, teeming with life… Deep, dark, waiting to be explored…
Water has long been a potent influence for artists wishing to explore its majesty and mystery.

For the last several months, browngrotta arts has worked with Jamie Uretsky, Curator and Noelle Foye, Executive Director of the New Bedford Museum of Art/ArtWorks! in Massachusetts. Plunge: explorations from above and below, which examines the influence of water in the work of 16 artists from around the world, is the result.

New Bedford Plunge installation

Plunge explorations from above and below installation

The multifaceted exhibition combines sculptures, tapestries, installation works, paintings and photography. Each work resides at the intersection of the maker’s fascination with a variety of nautical and natural themes and the artmaking process. Plunge pairs Helena Hernmarck’s monumental woven depiction of tall ships in New York Bay 1884 and Chris Drury’s Double Echo, a print that superimposes a fragment of an echogram from Flight W34 over East Antarctica and an echocardiogram of the pilot’s heartbeat. In other galleries, Heather Hobler’s meditative photographs of seascapes join Karyl Sisson’s “sea creatures” made of domestic objects like zippers and clothespins; Christopher Volpe’s evocative paintings join Grethe Wittrock’s Arctica, a sculpture made from a repurposed sail from the Danish Navy. Unlike most musuem exhibtions, the works in Plunge are all available for sale.

Thirteen of the artists in Plunge, representing five countries, are represented by browngrotta arts: Dona AndersonJane BalsgaardAnnette BellamyMarian BijlengaBirgit BirkjaaerChris DruryHelena HernmarckLawrence LaBiancaSue LawtyJudy MulfordKaryl SissonUlla-Maija VikmanGrethe Wittrock. Their work, and that of the three other artists in the exhibition, Heather Hobler, Anne Leone and Christopher Volpe, will be included in the catalog for the exhibition, designed and photographed by Tom Grotta. It will be available beginning June 5th at www.browngrotta.com.

Plunge’s opening is tonight Friday, June 2nd at the New Bedford Museum of Art from 6 p.m. to 8 p.m. Jane Balsgaard, one of the artists in Plunge, will attend from Denmark.

The New Bedford Art Museum is great cultural destination for those on the way to the Vineyard, Nantucket or the Cape. You have plenty of time to see it, as the exhibition continues through October 7, 2017. The New Bedford Art Museum/ArtWorks! is located at: 608 Pleasant Street/ New Bedford, MA/02740/508.961.3072/info@newbedfordart.org.


We’re getting crazy great press for our 30 years in art

Wilton, Bulletin, The Norwalk Hour, Coastal, Venu selvedge, Fiber Art Now, Good Morning Wilton, Eventbrite, Cottage and Gardens, New England Home

30th anniversary press clippings

We were in the news a lot last month for browngrotta arts’ 30th anniversary and our annual exhibition, Art in the Barn, Still Crazy After All These Years…30 years in art. Here’s a sampling of our clips– selvedge, Venü, New England Home, Coastal Connecticut, Fiber Art Now blog, the Wilton Bulletin and the Norwalk Hour, Cottages and Gardens, EventbriteGood Morning WiltonEventbrite,  Fiber Arts Now. It’s our 30th anniversary all year, so watch for more news, including about Plunge: explorations above and below, an exhibition about to open at the New Bedford Museum of Art (May 26 – October 8, 2017) in Massachusetts.


Still Crazy…30 Years: The Catalog

Still Crazy...30 Years: The Catalog Cover Naoko Serino and Mary Yagi

Still Crazy…30 Years: The Catalog

It’s big! It’s beautiful (if we do say so ourselves –and we do)! The catalog for our 30th anniversary is now available on our new shopping cart. The catalog — our 46th volume — contains 196 pages (plus the cover), 186 color photographs of work by 83 artists, artist statements, biographies, details and installation shots.

Still Crazy...30 Years: The Catalog

Naoko Serino Spread

Still Crazy...30 Years: The Catalog

Michael Radyk Spread

Still Crazy...30 Years: The Catalog

Lilla Kulka Spread

Still Crazy...30 Years: The Catalog

Jo Barker Spread

The essay, is by Janet Koplos, a longtime editor at Art in America magazine, a contributing editor to Fiberarts, and a guest editor of American Craft. She is the author of Contemporary Japanese Sculpture (Abbeville, 1990) and co-author of Makers: A History of American Studio Craft (University of North Carolina Press, 2010). We have included a few sample spreads here. Each includes a full-page image of a work, a detail shot and an artist’s statement. There is additional artists’ biographical information in the back of the book. Still Crazy After All These Years…30 years in art can be purchased at www.browngrotta.com http://store.browngrotta.
com/still-crazy-after-all-these-years-30-years-in-art/.
Our shopping cart is mobile-device friendly and we now take PayPal.


Art Assembled: Featured in April


April has been a busy month for us at bwongrotta arts. We’ve been celebrating our 30th Anniversary for the past 10 days so one of our new this week items was a short video about our 30th Anniversary exhibition, Still Crazy After All These Years…30 years in art.

outdoor bronze sculpture featured new this week April

21dm Timeless Figure, Dawn MacNutt, bronze, 51″, x 21″, 2004. Photo by Tom Grotta

We added outdoor sculpture for this exhibition and highlighted Dawn MacNutt’s bronze work, Timeless Figure, which began as a willow sculpture before it was cast in bronze.

boat wall reliefs featured new this week April

34b Small Reliefs, Jane Balsgaard, willow, cotton rope, fishing line, handmade plant paper, plastic wire ties, 36” x 80”, 2015-16. Photo by Tom Grotta

Jane Balsgaard’s small reliefs of willow, cotton rope, fishing line, handmade plant paper and plastic wire ties also featured this month. Balsgaard’s airy “boats” of plant paper will be featured in Plunge: Explorations Above and Below at the New Bedford Art Museum, Massachusetts, that opens Memorial Day weekend, official opening June 2nd: http://newbedfordart.org/upcoming-exhibitions/. We’ve partnered with NBAM to mount Plunge; 13 of browngrotta arts’ artists will be included. We’ll be preparing a catalog for the exhibition which is open through October 8, 2017. This month we also drew attention to

horsehair wall relief featured new this week April

25mb Untitled, Marian Bijlenga, horsehair, cotton, viscose, 15” x 15”, 2012. photo by Tom Grotta

Marian Bijlenga’s untitled work of horsehair, cotton and viscose. Bijlenga is one of the artists in Still Crazy as is Gyöngy Laky. Her is her work, Lefty Loosey, Righty Tighty a digital print combined with bullets for building.


Artist RSVPs—International Artists Travel the World to Attend browngrotta’s Opening April 22nd

From across the globe to the beautiful rural and coastal landscape of Connecticut, artists traveling from four different countries and nine US states will attend browngrotta arts’ artist reception and opening this Saturday, April 22, 2017.

We are delighted to welcome these 16 national and international artists as we celebrate our 30th anniversary exhibition, Still Crazy After All These Years…30 years in art.

Jennifer Falck Linssen

Jennifer Falck Linssen

Wendy Wahl

Wendy Wahl

John McQueen

John McQueen

Blair Tate

Blair Tate

Nancy Koenigsberg

Nancy Koenigsberg

Tamiko Kawata

Tamiko Kawata

Lewis Knauss

Lewis Knauss

Mary Giles

Mary Giles

Mary Merkel-Hess

Mary Merkel-Hess

Norma Minkowitz

Norma Minkowitz

Ferne Jacobs

Ferne Jacobs

Gizella K Warburton

Gizella K Warburton

Hisako Sekijima

Hisako Sekijima

Kyomi Iwata

Kyomi Iwata

Jin-Sook So

Jin-Sook So

Helena Hernmarck

Helena Hernmarck

As with our world-renowned collection of art textiles, dimensional art pieces and mixed media, many of our visiting artists represent acreative blend of diverse cultures and countries from all over the world, including Helena Hernmarck, originally from Sweden, now Connecticut, who continues to work with weavers in Sweden to create her tapestries; Jin-Sook So, from Korea, who has also lived for more than two decades in Sweden; Hisako Sekijima of Yokohama, Japan; and Gizella K Warburton from the UK.

We’re also pleased to welcome the following artists who are traveling from across the United States, including California, Iowa, Minnesota, New York, Pennsylvania, Rhode Island, Virginia, Wisconsin, and of course our home state of Connecticut:

Each of the 16 artists expected to attend browngrotta arts’ artists reception and opening this Saturday will be available to offer insights into this unique combination of art forms, including textiles, sculptures, stitched work and sculptural baskets among others. Visit our Artists pages to learn more about our visiting artists’ techniques, inspirations and remarkable art forms.
The Artists Reception and Opening for Still Crazy After All These Years…30 Years in art is at browngrotta arts, 276 Ridgefield Road, Wilton, CT 06897, April 22nd, 1 pm to 6 pm.