Monthly archives: November, 2016

Art Press: Sara Brennan in the News on Two Continents

Sara Brennan in both American Craft and Selvedge Magazines this month

Sara Brennan in both American Craft and Selvedge Magazines this month

Viewing Sara Brennan’s tapestries is to be immersed in a land- or skyscape. Brennan’s evocative weavings are featured in two different magazines this month, selvedge published in the UK and American Craft in the US. In selvedge, in “View,” Issue 73, pp. 92-93, Lesley Millar writes about the layering of history in Brennan’s tapestries, “At the centre of her work there is a stillness and a sense of being held, which is an echo of the experience at the centre of an ancient forest.” Millar notes that the artist uses a traditional Gobelin high warp technique which links her tapestries to the Middle Ages. She also uses yarns she has been given, old yarns, sometimes yarns she had inherited from her father’s studio in Edinburgh. Brennan admits to obsessing about the surface in her tapestries, the qualities of a specific yarn. “The surface texture,” Millar writes, “slows down our gaze through a series of subtle, textured intervals forming a visual interplay between our eye and the sensuality of the surface.”

American Craft and Selvedge Magazine Covers

American Craft and Selvedge Magazine Covers

The article in American Craft, December/January 2017, by editor in chief, Monica Moses is in a section called “Collective Unconscious: On the Horizon,” pp. 36-37, features five artists, includling Brennan, whose work envisions where the sky and land meet. Brennan reduces the landscape to its essence, “earth and sky, demarcated by horizon.”

Linen Tapestry with Broken Grey Line by Sara Brennan, linen, wool, and cotton, 42.5" x 42", 2014

Linen Tapestry with Broken Grey Line by Sara Brennan, linen, wool, and cotton, 42.5″ x 42″, 2014

Brennan’s work can be seen at browngrotta.com and, through January 2017, in Here and Now a touring exhibition curated by the UK’s National Centre for Craft and Design of contemporary British tapestry artists and weavers from Australia, Norway, Latvia, Japan and the USA. For more information visit: http://www.nationalcraftanddesign.org.uk/whatson/future-nccd-touring-show-here-and-now/#future-nccd-touring-show-here-and-now.


Art: Antidote to an Edgy Election

No matter on what side of the political divide you sit, it’s been a long 16 months. And for some of us, the next 16 months will likely feel even longer. In our house we’re hunkering down – old movies, dinners with friends, letter writing and getting to all those to dos, like organizing our art books – and a news ban, at least for the next few weeks. We’re also aiming for an art fix. We are going out in search of what’s inspired, exhilarating, thought provoking. The markets are holding steady; why not invest in art? Surround yourself with what brings you joy. Here are four works that brought us feelings of peace, gratitude, tolerance and awe.

Lenore Tawney, The Path, Tapestry

Lenore Tawney, The Path, Tapestry. Photo Tom Grotta

Lenore Tawney’s The Path II, is meditative and reflective of a passage she marked in a favorite book: “[t]he spiritual path, the path of purification, of emancipation, of liberation, is a path where we change our inner nature.”

37ts Vertical to Horizontal and Vice Versa, Toshio Sekiji. Photo by Tom Grotta

37ts Vertical to Horizontal and Vice Versa, Toshio Sekiji. Photo by Tom Grotta

yagi

Mariyo Yagi, Nawa Axis for Peace Project 2014

In his “fugue weavings” like Vertical to Horizontal and Vice Versa, Toshio Sekiji, imagines a harmonious confluence of disparate cultures, languages and nationalities, so different than the facts on the ground. Mariyo Yagi’s art is infused with concern about the Cosmos. “Art is committed to the energy of human life,” she says. In creating her sculptures she has been informed by the study of nawa –– which means a spiral cord, which for Yagi provides a link between earth and heaven and all living things, creating a spiritual loop from DNA to the cosmos. Enlightening and innovative, Anda Klancic’s work combines creative use of machine-embroidered lace technique with experience from other disciplines, including photography. In Aura, Klancic says, “I wanted to show the vital energy in the human species: that the light, connected from man to the earth and the universe, has the rhythm of breath, of life.”

Anda Klancic FiberOptic, textile sculpture

Anda Klancic FiberOptic, textile sculpture

Have you other works to recommend? Let us know.


BLOG: Where’s Wlodzimierz? Can you find browngrotta arts’ art at SOFA Chicago

We are exhibiting at SOFA Chicago this week in Booth 921. We’ve got great work there from Keiji Nio, Jin-Sook So, Aleksandra Stoyanov and many others. But that’s not all. Artwork from browngrotta arts, including Miracle, a tapestry by innovator, Wlodzimierz Cygan, can be found throughout the art fair.
How may of these can you find??? (There’s a helpful hint below.)

1) Are We the Same by Norma Minkowitz. Photo by tom Grotta

1) Are We the Same by Norma Minkowitz. Photo by Tom Grotta

Are We the Same? mixed media sculpture, Norma Minkowitz (US)

2 Out of Focus by Grethe Sørensen. Photo by Tom Grotta

2) Out of Focus by Grethe Sørensen. Photo by Tom Grotta

Out of Focus 1-9, handwoven tapestry of cotton, Grethe Sørensen (Denmark)

Blue Holes by Marian Bijlenga. Photo by Tom Grotta

3) Blue Holes by Marian Bijlenga. Photo by Tom Grotta

Blue Holes, tapestry, of paper yarn, and blue-dyed horsehair, stitched, Marian Bijlenga (The Netherlands)

Linen Tapestry with Broken Grey Line by Sara Brennan. Photo by Tom Grotta

4) Linen Tapestry with Broken Grey Line by Sara Brennan. Photo by Tom Grotta

Linen Tapestry with Broken Grey Line, tapestry of linen, wool, and cotton, Sara Brennan (UK)

Silver Waves by Adela Akers. Photo by Tom Grotta

5) Silver Waves by Adela Akers. Photo by Tom Grotta

Silver Waves, tapestry of linen, horsehair, paint and foil, Adela Akers (US)

Miracle by Włodzimierz Cygan. Photo by tom Grotta

6) Miracle by Włodzimierz Cygan. Photo by Tom Grotta

Miracle, tapestry of linen, wool and sisal, Wlodzimierz Cygan (PL),  Encontrada I ( Found I ) by Eduardo Portillo and Mariá Eugenia Dávila (VE)

Encontrada I ( Found I ) by Eduardo Portillo & Mariá Eugenia Dávila, bronze casting, 13.5” x 11.375” x 2”, 2014

7) Encontrada I ( Found I ) by Eduardo Portillo & Mariá Eugenia Dávila

And, the not-to-be missed:

Judy Mulfords installation of 80 Empty Chairs

8) Judy Mulfords installation of 80 Empty Chairs

Empty Chairs, room-sized mixed media installation, Judy Mulford (US) and Simple Abundances, an individual work, Judy Mulford (US).

Cheat Sheet:
1) Are We the Same?: Main Aisle; 2) Out of Focus: VIP Concierge Booth; 3) Blue Holes; VIP Concierge Booth; 4) Linen Tapestry with Broken Grey Line; Chubb Personal Risk Services, Booth 925 (outside); 5) Silver Waves: Chubb Personal Risk Services, Booth 925 (inside); 6) Miracle: Chubb Personal Risk Services, Booth 925; 7) Encontrada I ( Found I ): Chubb Personal Risk Services, Booth 925 (inside)  8) Empty Chairs: Special Exhibit, Booth 921; Simple Abundances: Special Exhibit, Booth 221.

C:UsersJustinDesktopTAFCSOFA 16SOFA Preliminary - 10.6 Mod