Monthly archives: May, 2014

Guest Post: Wendy Wahl on Big Beautiful Books

 “Branches Unbound”, Wendy Wahl at the Grand Rapids Art Museum, Photo by: Jim West

Branches Unbound, Wendy Wahl’s work at the Grand Rapids Art Museum, Photo by: Jim West

It’s not news that the world of printed text on paper is challenged in the 21st century by digital media and the reorganization of how information is created, distributed and accessed.  Knowledge saving and sharing continues to be reinvented – 5000 years ago the Incans used a device called a quipu made of string and knots for communication, 3000 years

 “Ed Ruscha” at Gagosian Gallery, Chelsea, photo by: Librado Romero

“Ed Ruscha” at Gagosian Gallery, Chelsea, photo by: Librado Romero

ago the Sumerians had libraries containing clay tablets while the Egyptians used papyrus and parchment scrolls. During the Han Dynasty the Chinese invented paper to write on and in the 15th century Europeans began printing with movable type to create a codex. In the 1970s computers were incorporated into the printing process.

photo #3.ww

Matej Kren’s, Book Cell at Centro de Arte Moderna, Lisbon Portugal. Photo by: Ferran Moreno Lanza

Social and environmental conditions along with technological developments influence the structure of books that are produced. These objects evolve to fit the needs of the cultures that use them. Today there

Erik Olofson’s furniture, courtesy of Big Cozy Books.

Erik Olofson’s furniture, courtesy of Big Cozy Books.

are e-readers with names like kindle, nook and ibook.  For nearly a decade my response to the current transformation has been to use discarded encyclopedias as a material to create art works and large scaled installations as an expression of the significance and potency of the printed word on paper.

Kansas City Public Library, Missouri. photo by Mike Sinclair

Kansas City Public Library, Missouri. photo by Mike Sinclair

The form of the book has been used physically and figuratively in paintings, in architecture, as furniture and as sculpture – in and out of the landscape. The medium is the message and, because of a typesetting error, more accurately, the massage. Thank you Marshall McLuhan.

“book outcropping” at Penistone Hill Country Park. courtesy of Google images.

Book outcropping at Penistone Hill Country Park. courtesy of Google images.

Three Gorges Dam Project, Tanziling Ridge - Yangtze River, China. Photo by  Sharon Wahl

The artist at the Three Gorges Dam Project, Tanziling Ridge – Yangtze River, China.
Photo by Sharon Wahl

Wendy Wahl


Art Update: What’s On in America and Abroad

 

Recall, Ane Henricksen, 2010. photo by Ane Henricksen

Recall, Ane Henricksen, 2010. photo by Ane Henricksen

Several artists represented by browngrotta arts are included in exhibitions in Europe and the US this Spring. Among the largest is Artapestry3 at the Jean-Lurçat Museum of Contemporary Tapestry in Angers, France. This is the third is edition of Artapestry3, an initiative launched by the European Tapestry Forum (ETF). The event contemporary  offers visitors an unusual perspective by aligning the works of 25 international textile artists, including Ane Hendricksen and Grethe Sørensen, with the Museum’s collection, which includes work by such artists as Paul Klee, Alexander Calder, Thomas Gleb, Magdalena Abakanowicz and Jean Lurçat. Also included in the exhibition are examples of traditional tapestry works whose iconographic repertory has inspired contemporary creation. The exhibition is structured around nine major themes that enable comparisons between the contemporary pieces that form part of Artapestry3 and the more traditional works from the Angers’ collections. Among these themes, in the Vitality section, a visitor may discover the Red Sun tapestry by Alexander Calder (1919-1976) alongside the lively motifs of Ariadna Donner’s The wolf crossed the road. In the Object section, visitors can admire Temps passé by Pierre Daquin (1936) next to Ivete Vecenáne’s The Bowl. The exhibition runs through May 18th. For more information visit the event website: musees.angers.fr/expositions/en-ce-moment/artapestry3-angers-allers-retours/artapestry3-angers-allers-retours/index.html.

Naoko Serino installing her works as "Fiber Futures" travels to Spain.

Naoko Serino installing her works as “Fiber Futures” travels to Spain.

Fiber Futures: Pioneers of Japanese Textile Art, continues its travels. It is open at c art c., the Computense Art Center in Madrid, Spainthrough May 18, 2014. The exhibition features Japan’s most important contemporary textile artists, including, Naoko Serino, Hideho Tanaka, Kiyomi Iwata, Naomi Kobayashi, Hisako Sekijima and Kyoko Kumai. For more information visit: www.ucm.es/fiber-future.

works by Jennifer Falck Linssen and Norikko Takamiya

works by Jennifer Falck Linssen and Norikko Takamiya

In the US, in Mesa, Arizona, Norikko Takamiya and Jennifer Falck Linssen join an inventive group of artists working with paper.Fold, Paper, Scissors runs through August 10, 2014 at the Mesa Contemporary Art Museum. The Opening Reception is Friday, May 9th from 7 to 10 p.m. (We’ll be there!) The Mesa Contemporary Arts Museum at Mesa Arts Center is at One East Main Street, Downtown Mesa, Arizona, for more information, call: 480-644-6560 or visit:  www.MesaArtsCenter.com.

Big Tera, 2007 - Tissage de coton 259 x 127 cm

Big Tera, 2007 – Tissage de coton 259 x 127 cm

Lia Cook’s work is the subject of a one-person exhibition at the Drapers Gallery in Liege, BelgiumLia Cook: Icons Jacquard highlights faces woven in large scale on a Jacquard loom. For more information visit the Gallery’s site: www.lesdrapiers.be/events/lia-cook.


Catalog News – Of Two Minds: Artists Who Do More Than One of a Kind

 

Of Two Minds: Artists Who Do More Than One of a Kind Exhibition Catalog Cover

Of Two Minds: Artists Who Do More Than One of a Kind Exhibition Catalog Cover

Hot off the presses is our 42nd catalog, Of Two Minds: Artists Who Do More Than One of a Kind. The 76-page full-color volume features 87 images of work by 25 international artists in textiles, glass and mixed media. The introductory essay, Transcendence: Language, Universality and the Plastic Arts was written by  Elisabeth R. Agro, the Nancy M. McNeil Associate Curator of American, Modern and Contemporary Craft and Decorative Arts at the Philadelphia Museum of Art. “Artists retain their own language of making and identity within but share a universal nonverbal language that communicates formation, movement, attitude and meaning,” she writes. In Of Two Minds: Artists Who Do More Than One of a Kind,  “[a]rt and language are intertwined as conveyances of communication.” Order a copy for $35.00 plus tax and shipping from browngrotta arts at http://browngrotta.com/Pages/c38.php.