Artboom Artists Introduction: Gudrun Pagter and Włodzimierz Cygan

Posted in Art, Art Textiles, Danish Tapestry, Exhibitions, Galleries, Tapestry on April 30th, 2016 by arttextstyle
Włodzimierz Cygan and Gudrun Pagter tapestry details. Photos by Tom Grotta

Włodzimierz Cygan and Gudrun Pagter tapestry details. Photos by Tom Grotta

Among the 33 accomplished artists featured in Artboom: Celebrating Artists Mid-Century, Mid-Career, are two artists from Europe, Gudrun Pagter and Włodzimierz Cygan who have not shown with browngrotta arts before. She creates strong graphic imagery in her tapestries, which reference architecture, with narrow lines and changes in color fields. ” In my works” she explains, “I consistently probe and explore concrete artistic idioms. I am engaged in a constant process of exploring the picture plane through a highly disciplined structuring of geometrical form elements and lines and through a restricted color spectrum.” Pagter’s work has been exhibited worldwide, including at the Danish Museum of Decorative Arts, Copenhagen, the Central Museum in Lodz, Poland, at the 14th International Tapestry Triennial and in China, at the 5th and 6th Internaitonal Fiber Art Biennials, From Lausanne to Beijing, where she received a Silver Medal and an Excellence Award. Włodzimierz Cygan’s

Gudrun Pagter catalog spread from artboom Artboom: Celebrating Artists Mid-Century, Mid-Career

Gudrun Pagter catalog spread from artboom Artboom: Celebrating Artists Mid-Century, Mid-Career

work has also been exhibited in Europe and abroad, including the Jean Lurcat Museum in France, the Kyoto Art Center in Japan and the National Gallery in San Jose, Costa Rica. He was awarded a Bronze Medal at the 6th International Fiber Art Biennial, From Lausanne to Beijing and the Grand Prix,12th International Triennial of Tapestry. Cygan is reknown for his textile innovations. “When trying to determine why the means of artistic expression in tapestry was becoming archaic,” he has written, “I realised that one of the reasons might have to do with the custom of treating the threads of the weft as the chief medium of the visual message. . . . These observations led me to wonder how the artistic language of textiles might benefit from a warp whose strands would not be parallel and flat but convergent, curved or three dimensional. . . .” The result, in some of Cygan’s works, the warp changes direction, the strands enable the weaving of circles or arcs. For more than 10 years, Cygan has been teaching at Gdańsk Academy and Architecture of Textiles’ Institute at Łódź Technical University. Miracle, the work that the artist selected for Artboom, Miracle, which won the Bronze medal at the 6th From Lausanne to Beijing, features a hypnotic curve, that draws the viewer into the heart of the work. Artboom is open at browngrotta arts, 276 Ridgefield Road, Wilton, Connecticut, for 10 days only. April 30th from 12-6 p.m.; May 1st to May 8th from 10 a.m. to 5 p.m.. For more information, call: 203-834-0623. The 88-page, full color catalog, can be ordered at: http://www.browngrotta.com/Pages/c41.php.

Artboom: Celebrating Artists Mid-Century, Mid-Career Catalog cover

Artboom: Celebrating Artists Mid-Century, Mid-Career Catalog cover

Tags: , ,

Make a Day of It: Artboom and Events Nearby

Posted in Art, Art Textiles, Basketmakers, Exhibitions, Fiber Sculpture, Galleries, Installations, Museums, Sculpture, Tapestry on April 24th, 2016 by arttextstyle
pictured works by: Christine Joy, Debra Sachs and Lilla Kulka; Photo by Tom Grotta; browngrotta arts

pictured works by: Christine Joy, Debra Sachs and Lilla Kulka; Photo by Tom Grotta; browngrotta arts

Artboom: Celebrating Artists, Mid-Century, Mid-Career opens at browngrotta arts in Wilton, Connecticut next Saturday April 30th, 12 -6 p.m. The exhibition is open through May 8th; hours from May 1st to May 8th are 10 a.m. to 5 p.m., earlier or later by appointment. When you are in our neighborhood, there are other art events that are well worth visiting:

Wilton Historical Society Basket Exhibition

Wilton Historical Society Basket Exhibition

The Wilton Historical Society, just down the road from bga in Wilton at 224 Danbury Road/Rt. 7, has
Hickory, Ash and Reed: Traditional Baskets, Contemporary Makers, http://www.wiltonhistorical.org/exhibitions.html on exhibit, which showcases several baskets by the late Marian Hildebrandt, whose work is represented by browngrotta arts, along with work by Jonathan Kline, Stephen Zeh, Lois Russell and Kari Lonning. Curated by Shawna Barrett, the works by contemporary basketmakers who use natural materials like brown ash, black ash, hickory, willow and reed are thoughtfully displayed aside unique historic baskets from the Society’s permanent collection. The Historical Society is closed Mondays.

Davis Brooks: Continuous Service Altered Daily, exhibit at the Aldrich Museum, Ridgefield, Connecticut. Photo by Tom Grotta

Davis Brooks: Continuous Service Altered Daily, exhibit at the Aldrich Museum, Ridgefield, Connecticut. Photo by Tom Grotta

From May 1st, Davis Brooks: Continuous Service Altered Daily, will be on exhibit at the Aldrich Museum, Ridgefield, Connecticut: http://aldrichart.org/article/continuous-service-altered-daily just north of us at 258 Main Street/Ridgefield Road, Ridgefield, Connecticut. “The stunning array of dismantled John Deere combine parts, exhibited in a diverse system of presentation, are designated according to the ecosystem service they represent, making it impossible to conceive of the combine in its entirety or to determine the machine’s complete functionality; similarly, an ecosystem integrates innumerable processes, many of them intangible or undetectable, into one whole, making it impossible for us to conceive of a life unfolding within it.” The Aldrich is closed on Tuesdays.

Paul Villinski, Self-Portrait (Detail), 2014, Steel, birds nest, 68 x 20 x 8 inches Courtesy of the artist and Morgan Lehman Gallery, New York

Paul Villinski, Self-Portrait (Detail), 2014, Steel, birds nest, 68 x 20 x 8 inches
Courtesy of the artist and Morgan Lehman Gallery, New York

The Nest, an exhibition of art in nature, at the Katonah Museum of Art, 134 Jay Street/Route 22, Katonah, New York, provides an unexpected lens through which to observe the fascinating parallels between human and animal behavior, raising timely questions about the survival of the birds and their habitats in our increasingly fragile ecological world http://www.katonahmuseum.org/exhibitions/TheNest/ The Katonah Museum is closed on Mondays.

Tags: , , ,

Art Update: April Openings and Closings Here and Abroad

Posted in Art, Art Textiles, Basketmakers, Basketry, Exhibitions, Fiber Sculpture, Installations, Sculpture, Tapestry on April 20th, 2016 by arttextstyle
Beyond the Trees: Dona Look and Dorothy Gill Barnes. Photo courtesy of the Wood Turning Center

Beyond the Trees: Dona Look and Dorothy Gill Barnes. Photo courtesy of the Wood Turning Center

It’s a Spring chock full of interesting exhibitions in the US and abroad. You’ve have just a few days remaining to see Beyond the Trees: Dona Look and Dorothy Gill Barnes http://centerfor
artinwood.org/
exhibition/dorothy-
gill-barnes-dona-
look-beyond-the-
trees/ at the Center for Wood Art in Philadelphia, Pennsylvania. Two browngrotta artist are featured in this exhibition, which closes April 23rd.

photo by Tom Grotta, Green From the Get Go, Morris Museum

Photo by Tom Grotta, Green From the Get Go, Morris Museum

Their work can also be seen through June 26th at the Morris Museum in Morristown, New Jersey in Green From the Get Go: Contemporary International Basketmakers, curated by browngrotta arts. In New York, New York, the Experiments in Art & Digital Technologies includes innovative bga artist Lia Cook, http://www.liacook.com/wp-content/uploads/2016/04/EADT-Press.pdf who will lecture in New York on May 5th https://creativetechweek2016.sched.org/event/6DN5/weaving-and-digital-innovation.

12 of 32 Lia Cook Su Series Tapestries

12 of 32 Lia Cook Su Series Tapestries

Work by Lia Cook is also front and center in a San Francisco, California exhibition, Lines that Tie: Carol Beadle and Lia Cook http://sfmcd.org/press-release-lines-that-tie/ the exhibition is curated by bga artist, Deborah Valoma. Cook will lecture there tomorrow, April 21st. Identify Yourself, in Honolulu, Hawaii http://honolulumuseum
.org/art/exhibitions/
15320-identify_yourself/
, which closes this week, on April 24th, also features work by Lia Cook. Two events in Wilton, Connecticut to attend. Hickory, Ash and Reed: Traditional Baskets, Contemporary Makersat the Wilton Historical Society, http://www.wiltonhistorical.
org/exhibitions.html
, Includes several baskets by the late Marian Hildebrandt, whose work is represented by browngrotta arts and whose work is also currently on exhibit in Green from the Get: International Contemporary Basketmakers at the Morris Museum.

Detail of Nordic Gold by Birgit Birkkjaer. Photo by Tom Grotta

Detail of Nordic Gold by Birgit Birkkjaer. Photo by Tom Grotta

Artboom: Celebrating Artists Mide-Century, Mid-Career is open at browngrotta arts for just 10 days, from April 30th-May 8th http://arttextstyle.com/
2016/04/19/art-barn-
2016-artboom-
celebrating-artists-
mid-century-mid-
career-wilton-ct-
april-30th-may-8th/
.

MER LUMINEUSE and J'AI MA LA MER S'ILLUMINER by Mariette Rousseau-Vermette. Photo by Tom Grotta

Mer Lumineuse and J’ai Ma La Mer S’illuminer
by Mariette Rousseau-Vermette. Photo by Tom Grotta

In the halls of the Musée cantonal des Beaux-Arts in Lausanne, Switzerland, Nomadic tapestries, an exhibition of some of the extensive contemporary collection of the Toms Pauli Foundation, traces in the evolution of textile art from the 1960s to 2000s,
http://www.musees
.vd.ch/en/museem-
beaux-arts/
exhibition/past-
exhibitions
/tapisseries-
nomades-fondation
-toms-pauli-collection-xxe-siecle/
. browngrotta arts has work available by twelve of the artists included in this very significant international survey of art textiles — Magadalena Abakanowicz, Lia Cook, Sheila Hicks, Jan HladikRitzi Jacobi, Naomi Kobayashi, Maria Laszkiewicz, Jolanta Owidzka, Mariette Rousseau-Vermette, Wojciech Sadley, Sherri Smith and Hideho Tanaka. The exhibition will be on view through May 29th. In Tilburg, the Netherlands the Textile Museum is hosting a major retrospective of American artist and textile pioneer Sheila Hicks, born 1934 http://www.textielmuseum.nl/nl/tentoonstelling/sheila-hicks. Internationally renowned, thanks to her participation in numerous large solo and group exhibitions, this is her first appearance in the Netherlands for many years. The exhibition extends through June 5, 2016.

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

Art in the Barn 2016: Artboom: Celebrating Artists Mid-Century, Mid-Career, Wilton, CT, April 30th – May 8th

Posted in Art, Art Textiles, Basketmakers, Danish Tapestry, Eco-Art, Exhibitions, Fiber Sculpture, Galleries, Installations, Japanese Art, Paper, Sculpture, Tapestry on April 19th, 2016 by arttextstyle
photo includes work by Merja Winqvist, Jiro Yonezawa and Włodzimierz Cygan

photo includes work by Merja Winqvist, Jiro Yonezawa and Włodzimierz Cygan

In less than two weeks, browngrotta will open its 2016 Art in the Barn exhibition, Artboom: Celebrating Artists Mid-Century, Mid Career. This year’s exhibition brings together “baby boomers,” 33 artists born between 1946 and 1964, who are mid-way into their lives of making art. We’ve asked them to provide us work that is reflective; work that tells us where they’ve come from or where they hope to go; work that illustrates influences, roads not taken, and the like. Or, work that reflects on being a boomer, perhaps— part of the wealthiest, most active, and most physically fit generation up to that time and the first to grow up genuinely expecting the world to improve. It was a generation that created music and literature in the 60s and art — including fiber art — to describe the change this generation was determined to bring about.

14cg The Iron Curtain, Ceca Georgieva, Burrdoch burrs,19" x 16" x 5", 2016

14cg The Iron Curtain, Ceca Georgieva, Burrdoch burrs,19″ x 16″ x 5″, 2016

The results are contemplative and thought provoking. Ceca Georgieva’s sculpture, The Iron Curtain, reflects her life in a Communist and post-Communist state. Karyl Sisson’s In Stitches, harkens back to her family’s past in New York’s Fashion industry — her grandmother made hats and beaded bags in New York’s lower East side; her mother spent 25 years as a buyer for the specialty store Bonwit Teller. For Lewis Knauss, this stage of his career means seeing unrealized ideas (sketches, notes, photos) and failed work in a new light. “I am happier with chaos,” he says, “the way I need to give up a bit more control of the outcome, flaws and in nature, the beauty of disaster. I guess it is acknowledging the approaching wall. I enjoy working at my pace rather than a deadline enforced one, allowing things to just happen, evaluating the outcomes as I finish each work. Keeping and discarding.” The Artist’s Opening for Artboom: Celebrating Artists Mid-Century, Mid-Career is Saturday, April 30th from 1 p.m. to 6 p.m. The hours of the exhibition from May 1st through May 8th are 10 a.m. to 5 p.m. — just call if you’d like to come by earlier or later: 203.834.0623. browngrotta arts’ contemporized 1895 barn is at 276 Ridgefield Road, Wilton, CT 06897. For more information and a complete list of artists visit browngrotta.com: http://www.browngrotta.com/Pages/calendar.php. A catalog, Artboom: Celebrating Artists Mid-Century, Mid-Career will be available from browngrotta.com after May 1st.

pictured works by: Birgit Birkkjaer; Grethe Sorensen; Grethe Wittrock; Gudrun Pagter; Mary Merkel-Hess; Tom grotta; browngrotta arts

pictured works by: Birgit Birkkjaer; Grethe Sorensen; Grethe Wittrock; Gudrun Pagter; Mary Merkel-Hess; Tom grotta; browngrotta arts

Tags: , , , , , , ,

Press News: Green from the Get Go – browngrotta arts’ 44th catalog is now available.

Posted in Art, Basketmakers, Basketry, Eco-Art, Exhibitions, In the News, Installations, Sculpture on April 13th, 2016 by arttextstyle

GreenCover-1We are excited to announce that our 44th catalog, Green from the Get Go: International Contemporary Basketmakers, is now available at browngrotta.com. The catalog, photographed by Tom Grotta, contains 132 full-color photos of artwork from browngrotta arts’ current installation, Green from the Get Go: International Contemporary Basketmakers, on exhibit at the Morris Museum, in Morristown, New Jersey through June 26th. Green from the Get Go showcases more than 75 works by 33 artists from Canada, Europe, Japan, Scandinavia and the US — innovators in the genre of 20th-century art basketry as well as emerging talents. These artists take their inspiration from nature and the history of basketry but their inventive works challenge our conceptions of what a “basket” can be. In Naoko Serino’s Generating 12.2, for example, cylinders of spun jute, of varying degrees of transparency, stand in rhythmic, ethereal balance. The artist hopes that “an expression and dialogue will be produced, that the space would be created/generated in which there is a comfortable energy, expressions that will continue to exist in balance with the surroundings.” In Stéphanie Jacques’s Wall / Mur, we get not one basket, but a honeycomb — nearly a dozen basket spheres made of willow. Jane Balsgard’s Barkbaden boat shape is more literal — a willow frame covered in handmade paper — but the result is unexpected.

Naoko Serino Generating 12

The artists in Green from the Get Go, “have a strong connection to the land, whether cultivated fields or wild prairies, marches, or forests,” writes Jane Milosch in her essay, The Entanglement of Nature and Man. “Several cultivate, harvest, and prepare the materials from which they construct their work. They have a respectful awareness of the origin of things, and of the interconnected aspects of nature and ecosystems, which are both fragile and resilient.” In 2011, Milosch, Director, Provenance Research Initiative, Smithsonian Institution and former curator, Renwick Gallery, Smithsonian Museum of American Art, approached browngrotta arts about mounting an exhibition featuring artists working in basket forms. Discussions quickly coalesced around designing an exhibition that would highlight these artists’ processes and techniques and shed light on their intimate connection to nature. Green from the Get Go: International Contemporary Basketmakers, the exhibition and catalog, featuring dozens of baskets, vessels and related objects of natural materials — bark, twigs, willow, cedar and bamboo, was the result.

Dona Look Basket #976

The work in Green from the Get Go reveals a heightened sensitivity to the physicality of materials, one that honors the stewardship of nature by the artists’ choice and use of materials. That practice is under challenge, however. For Dona Look, collecting and preparation of the birch bark for her work is weather dependent and labor intensive. That process has grown more difficult as white birch trees, once prevalent in northern Wisconsin, have become harder to find due to climate change. Christine Joy has begun collecting a great amount of red mountain maple, as her neighbors in Montana remove it to protect their homes from forest fires. Mountain maple in it’s first year of growth is a beautiful burgundy and not too branchy, she says, but she did not use it until it was seen as a fire hazard. “The environmental factor of fire affected my material choices,” says the artist.

ChristineJoy.Greenfromthegetgo“These baskets feel complete, and at the same moment they invite human interaction and interpretation,” writes Milosch. Explore them in the catalog (www.browngrotta.com/Pages/c40.php.) and at the Morris Museum in Morristown, New Jersey from now until June 26th; www.morrismuseum.org/current-exhibitions/.

Tags: , , ,

Organic Portraits: John F. Cooper at the Morris Museum with Green from the Get Go

Posted in Art, Eco-Art, Exhibitions, Installations, Museums, Photography on March 25th, 2016 by arttextstyle
John Cooper: Organic Portraits exhibition. Photo by John Cooper

John Cooper: Organic Portraits exhibition. Photo by John Cooper

From March 19th to June 26th, the Morris Museum in Morristown, New Jersey will exhibit Organic Portraits: John F. Cooper in conjunction with Green from the Get Go: International Contemporary BasketmakersPhotographer John F. Cooper’s Organic Portraits series and his book of the same name are the result of a creative project that has has been part of his life for well over a decade. “From the beginning,” Cooper explains, “the intent of the Organic Portraits project was to create a series of timeless and fundamentally beautiful images that would create awareness for—and help preserve—the world’s rainforests. In the 1950s, around the time I was born, about 15 percent of Earth’s landmass was covered with oxygen-generating and carbon-dioxide storing rainforests. As of the time of this book’s publication, fewer than 70 percent of those forests remain; more of these crucial ecosystems could disappear by the close of this decade. It is my belief they benefit the world more by being present rather than existing only in photographs, videos and the annals of history. The aim of this project is to drive home the understanding that our rainforests— the lungs of our Earth— are both vital and in dire need of protection.” Cooper published Organic Portraits through a Kickstarter campaign; Cooper is donating all profits from the book, which is available in the Museum’s bookstore, to the Rainforest Action Network Fund.KS

The photographs in Organic Portraits feature models posed against classic and simple backdrops and incorporating natural elements into each model’s hair to create a unique hair sculpture. Most of the photographs produced for Organic Portraits utilized large-format Polaroid film. Polaroid is now extinct; it’s eerily prophetic that the very medium used to create a series of images intended to preserve the world’s rainforests is now, itself, no longer. The cameras used in the series –each a work of art in their own right –were a 1950 8×10 Deardorff View Camera, and a 1980 4×5 Deardorff View Camera. Handcrafted from mahogany and brass, they are beautiful pieces of functional sculpture that were designed to last. The cameras are no longer manufactured and only a handful survive in the world today.

A set of 13 John F. Cooper Postcards printed on paper made of 100% post-consumer content and is available at the Museum's bookstore

A set of 13 John F. Cooper Postcards printed on paper made of 100% post-consumer content and is available at the Museum’s store

In creating these works, Cooper received generous support from 100 models, fashion designers, backdrop painters and studios,  Peter D. Brown, who fabricated the organic hair sculptures and environmental advocates Summer Rayne Oakes and Nicolas Rachline. “The images we have created are as beautiful as they were when they were first born in our imaginations,” says Cooper. “The cause that they support—saving our rainforests and the indigenous people who call them home—is as vital, no, more so, than when the project first began.”

The Opening Reception for Organic Portraits and Green from the Get Go: International Contemporary Basketmakers will take place on March 31st from 6:30 to 8:30 pm. John F. Cooper will speak  about his photographs at Tea and Treasures  on Wednesday, May 18, 2016. The Morris Museum is located at: 6 Normandy Heights Road, Morristown, NJ 07960, accessible from New York City via www.njtransit.com. For more information: (973) 971-3700; info@morrismuseum.org or http://www.johnfcooper.com.

Tags: , , , , , ,

Nature Reimagined: Green from the Get Go at the Morris Museum

Posted in Art, Basketmakers, Basketry, Eco-Art, Exhibitions, Fiber Sculpture, Installations, Museums, Sculpture on March 20th, 2016 by arttextstyle
Green From the Get Go: International Contemporary Basketmakers

Green From the Get Go: International Contemporary Basketmakers at the Morris Museum. Photo by Tom Grotta

For the next three months March 19th- June 26th 2016, the Morris Museum, in Morristown, New Jersey, will host Green from the Get Go: Contemporary International Basketmakers, an extensive survey exhibition of works made with natural materials — from apple, bamboo, pine, sea grass and willow to crow feathers, birch bark, bayberry thorns, kibiso and zelikova. Curated by Jane Milosh, Office of the Under Secretary for History, Art and Culture, the Smithsonian and Tom Grotta and Rhonda Brown, co-curators at browngrotta arts in Wilton, Connecticut, the exhibition debuted at the Wayne Art Center in Pennsylvania in December 2011 and was featured at the Eleanor and Edsel Ford House, in Grosse Pointe, Michigan in 2013. The exhibition has grown larger for its Morris Museum launch; 33 artists from eight countries, and 78 varied works are included. Some of these are closely linked to traditional basket forms, while other are monumental or hang on the wall, their forms

Green from the Get Go: International Contemporary Basketmakers

Green from the Get Go: International Contemporary Basketmakers

breaking away from the traditional vessel or container form in tantalizing ways. “This is the largest exhibition of baskets and sculptural fiber that we have ever been involved with,” says Tom Grotta. Artists well known in the field are featured, including Ed Rossbach, John McQueen, Dorothy Gill Barnes and Gyöngy Laky as well as talented, but lesser-known creators like Laura Ellen Bacon of the UK and Stéphanie Jacques of Belgium. The wide range of shapes, the multitude of techniques and the unexpected materials employed lead viewers to speculate about Nature as an inspiration for art and much more. The baskets Green from the Get Go, writes Milosch in the exhibition catalog, “feel complete and at the same moment they invite human interaction and interpretation. In fact,

Green from the Get Go:ontemporary International Basketmakers at the Morris Museum. Photo by Tom grotta

Green from the Get Go:ontemporary International Basketmakers at the Morris Museum. Photo by Tom grotta

paradox is at the root of these compelling works, which are both earthy and spiritual; serene and energetic; systematic and random; simple and complex; supple and rigid; fragile and sturdy; see-through and opaque; textured and smooth; specific and universal; social and standalone; with intricate patterns and simple silhouettes.” The Opening Reception will take place on March 31st from 6:30 to 8:30 pm. Tom Grotta will speak about the works in the show at Tea and Treasures on June 15th. The Morris Museum is located at: 6 Normandy Heights Road, Morristown, NJ 07960, accessible from New York City via www.njtransit.com. For more information: (973) 971-3700; info@morrismuseum.org or browngrotta.com.

Tags: , , ,

art on paper preview: Chris Drury’s

Posted in Art, Eco-Art, Installations, Paper, Sculpture on March 2nd, 2016 by arttextstyle
Double Echo Chris Drury Inkjet print with UV coating 54.25" x 46.25" x 2.75", 2007 Edition 2/4 Echogram/ Echocardioagram (edition of 4)

Double Echo, Chris Drury, Inkjet print with UV coating, 54.25″ x 46.25″ x 2.75″, 2007, Echogram, Echocardiogram, (edition of 4). Photo by Tom Grotta

We are heading to New York City tomorrow to set up for art on paper at Pier 36. Among the works we’ll be exhibiting is Chris Drury’s Double Echo, an inkjet print that merges a human echocardiogram and and echogram of Antartica, accompanied by the actual echocardiogram and the echogram on wooden spools. In 2006 and 2007, Drury spent more than two months with the British Antarctic Survey in Antarctica as artist-in-residence. The scientists there were looking at what they stood upon but could not see – the structure of the ice and underlying land formation. In parts of Antarctica the ice is four kilometers deep 900,000 years old – as old as our earliest ancestors. One of the scientists, Hugh Corr, described the remarkable images that result as like a “heartbeat of the Earth.” The fragment of an echogram in Double Echo is from Flight W34 over East Antarctica – a long cross-section of the ice beneath the flight, made by radar pulses sent down though the ice and back up into a computer in the aircraft. The echocardiogram is of the pilot’s heartbeat, superimposed over the top. An echocardiogram is very similar in technology to an echogram although it uses ultrasound rather than radar.

DSC_6185

Double Echo, Chris Drury, Detail, Photo by Tom Grotta

For some time, Drury has been looking at systems in the body and on the planet, particularly systems of blood flow in the heart. He was invited by the heart surgeon, Mark Dancy, to make a blood flow courtyard (Echoes of the Heart) at Central Middlesex Hospital, adjoining the Cardiac ward. It was Dancy’s department that agreed to do an echocardiogram on the pilot who flew those echogram flights in Antarctica and so enabled Drury to make the work Double Echo. A print from that series hangs on the walls of that particular ward. The hours of the exhibition are Friday, March 4th and Saturday, March 5th, 11 – 7 p.m.; Sunday, March 6th, 12 – 6 p.m. There is a Preview, benefiting the Brooklyn Museum, Thursday, March 3rd, from 6 – 10 p.m. For ticket and other information visit: http://thepaperfair.com/ny/for-visitors/fair-dates-hours-location/.

Tags: , , , ,

art on paper preview: Helena Hernmarck collages

Posted in Art, Collage, Exhibitions, Paper on February 25th, 2016 by arttextstyle
Helena Hernmarck Collages, from her stamp and Documents Series

Helena Hernmarck Collages, from her Stamp and Documents Series. photo by Tom Grotta

The art on paper fair opens next Wednesday at Pier 36 in New York City.  At browngrotta arts,  Booth 123, we’ll be featuring collages by Helena Hernmarck that meld ink watercolor wash, photocopy and rubber-stamp. Hernmarck creates the collages as studies for potential tapestries, for which she is known in the US and abroad, but like the tapestries, the delicately color-washed collages succeed on their own terms. Stamp

7hh Stamp Series 1, Helena Hernmarck, collage: photocopy; watercolor and rubber stamps on paper; white lacquered wood, 15.75" x 13.25”, 1984

7hh Stamp Series 1, Helena Hernmarck, collage: photocopy; watercolor and rubber stamps on paper; white lacquered wood, 15.75″ x 13.25”, 1984 Photo by Tom Grotta

Series 1, for example, was completed in 1985 as a tapestry  and is in the collection of the Connecticut Commission on the Arts. Certified Mail, was also woven in 1985. This work is in the permanent collection the Röhss Museum of Design and Decorative Arts, Gothenburg, Sweden. The hours of the exhibition are Friday, March 4th and  Saturday, March 5th, 11 – 7 p.m.; Sunday, March 6th, 12 – 6 p.m. There is a Preview, benefiting the Brooklyn Museum, Thursday, March 3rd, from 6 – 10 p.m. For ticket and other information visit: http://thepaperfair.com/ny/for-visitors/fair-dates-hours-location/.

13hh STAMP SERIES 3, Helena Hernmarck, collage: photocopy, watercolor and rubber stamps on paper, 15.75" x 13.25" x 1.5", white lacquered wood frame with den glass, 1984. Photo by Tom Grotta

13hh STAMP SERIES 3, Helena Hernmarck, collage: photocopy, watercolor and rubber stamps on paper, 15.75″ x 13.25″ x 1.5″, white lacquered wood frame with den glass, 1984. Photo by Tom Grotta

Tags: , , , , , ,

art on paper preview: Norma Minkowitz

Posted in Art, Art Textiles, Collage, Exhibitions, Paper on February 20th, 2016 by arttextstyle
60,61nm Patterns of Flight I, Norma Minkowitz, stitched, drawn, collage, pen and ink on paper, 20 x 14.75", each, 2015. Photo by Tom Grotta

60,61nm Patterns of Flight I, Norma Minkowitz, stitched, drawn, collage, pen and ink on paper, 20 x 14.75″, each, 2015. Photo by Tom Grotta

For the second year in a row, browngrotta arts will participate in the art on paper art fair at Pier 36 in New York City http://thepaperfair.com/ny will run from March 2nd through the 6th. Among the works we will have in our booth are Norma Minkowitz’s detailed, stitched drawings on paper,

Patterns of Flight 3, Norma Minkowitz, stich drawing, collage, 17”x 47”, 2016. Photo by Tom Grotta

Patterns of Flight 3, Norma Minkowitz, stitch drawing, collage, 17”x 47”, 2016. Photo by Tom Grotta

Patterns of Flight 1 and 2. Minkowitz was inspired by images of the velocimetry of bird flight from the University of Montana’s Flight Laboratory http://www.nytimes.com/2011/01/04/science/04birds.html — an area of scientific and artistic study since at least Leonardo DaVinci. Minkowitz has re-envisioned the air velocity marks a flurry of stitches, with striking results.

Patterns of Flight 1, Norma Minkowitz, stitch drawing, collage, 25” x 30”, 2016. Photo by Tom Grotta

Patterns of Flight 1, Norma Minkowitz, stitch drawing, collage, 25” x 30”, 2016. Photo by Tom Grotta

Tags: , , , ,