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	<title>Tracey Emin Archives - arttextstyle</title>
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		<title>Make a Day of It – Field Notes and Nearby Exhibitions</title>
		<link>https://arttextstyle.com/2025/04/23/make-a-day-of-it-field-notes-and-nearby-exhibitions/</link>
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		<pubDate>Wed, 23 Apr 2025 15:54:41 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[A Garden of Promise and Dissent]]></category>
		<category><![CDATA[browngrotta arts]]></category>
		<category><![CDATA[Field Notes: an art survey]]></category>
		<category><![CDATA[Isamu Noguchi]]></category>
		<category><![CDATA[Make a Day of It]]></category>
		<category><![CDATA[Masters of the Medium: CT]]></category>
		<category><![CDATA[Mastery and Materiality: International]]></category>
		<category><![CDATA[The Aldrich]]></category>
		<category><![CDATA[The Glass House]]></category>
		<category><![CDATA[Tracey Emin]]></category>
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					<description><![CDATA[<p>There is an abundance of art to see on your trip to or from&#160;Field Notes: an art survey&#160;at browngrotta arts in Wilton, Connecticut next month (May 3 &#8211; 11).&#160; A Moment Without You &#8211; Tracey Emin Coming from the east? The first major presentation of Tracey Emin’s work in a North American museum is currently... </p>
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<p>There is an abundance of art to see on your trip to or from&nbsp;<em>Field Notes: an art survey</em>&nbsp;at browngrotta arts in Wilton, Connecticut next month (May 3 &#8211; 11).&nbsp;</p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2025/04/A_Moment_Without_You_-_Tracey_Emin.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/04/A_Moment_Without_You_-_Tracey_Emin.jpg" alt="Tracey Emin" class="wp-image-13851" srcset="https://arttextstyle.com/wp-content/uploads/2025/04/A_Moment_Without_You_-_Tracey_Emin.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/04/A_Moment_Without_You_-_Tracey_Emin-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/04/A_Moment_Without_You_-_Tracey_Emin-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">A Moment Without You &#8211; Tracey Emin</figcaption></figure>



<p>Coming from the east? The first major presentation of Tracey Emin’s work in a North American museum is currently at the Yale Center for British Art in New Haven, Connecticut. The exhibition, <em>Tracey Emin: I Loved you Until Morning,</em>&nbsp;features paintings from 2007 to the present. Together, the works demonstrate the artist’s unflinching commitment to challenging conceptions of female experience. </p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-0001.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-0001.jpg" alt="Maren Hassinger" class="wp-image-13852" srcset="https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-0001.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-0001-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-0001-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Maren Hassinger,&nbsp;<em>Monument (Pyramid)</em>, 2022. Wood and metal. Yale University Art Gallery, Janet and Simeon Braguin Fund. © Maren&nbsp;Hassinger</figcaption></figure>



<p>While you are in New Haven, you can also see a 10-foot-tall pyramid made of hundreds of thin tree branches that has been installed in the Yale Art Gallery’s Margaret and Angus Wurtele Sculpture Garden, <em>Monument (Pyramid)</em>, a 2022 work by the prominent contemporary sculptor Maren Hassinger.</p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2025/04/The-Israel-Museum-Jerusalem-Collection-Photo-copyright-by-yair-talmor.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/04/The-Israel-Museum-Jerusalem-Collection-Photo-copyright-by-yair-talmor.jpg" alt="Isamu Noguchi" class="wp-image-13854" srcset="https://arttextstyle.com/wp-content/uploads/2025/04/The-Israel-Museum-Jerusalem-Collection-Photo-copyright-by-yair-talmor.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/04/The-Israel-Museum-Jerusalem-Collection-Photo-copyright-by-yair-talmor-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/04/The-Israel-Museum-Jerusalem-Collection-Photo-copyright-by-yair-talmor-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Isamu Noguchi sculpture, The Israel Museum, Jerusalem Collection; Photo copyright by yair taller.</figcaption></figure>



<p>Coming from New York or other parts west? The Bruce Museum in Greenwich, Connecticut is hosting a very interesting exhibition of sculptures by Isamu Noguchi.&nbsp;<em>Isamu Noguchi: Metal the Mirror</em>, features a selection of nine galvanized steel sculptures, the exhibition is organized into thematic groupings that showcase the artist’s mastery of material, form, and texture. In the first, Noguchi imparts inanimate forms with human qualities, complicating the relationship between flesh and steel, body and mirror. Man-made material is transformed into representations of mountains, fruit, and sky in the second grouping, reflecting Noguchi’s belief that, in modernity, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction, bringing theoretical and spiritual ideas, weight and weightlessness, and past and present into visual conversation. </p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2025/04/silvermine-810.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/04/silvermine-810.jpg" alt="Silvermine Gallery" class="wp-image-13751" srcset="https://arttextstyle.com/wp-content/uploads/2025/04/silvermine-810.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/04/silvermine-810-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/04/silvermine-810-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Roger Mudre, Executive Director, Silvermine Galleries, and Rhonda Brown of browngrotta arts at the Galleries in February. On exhibit then:&nbsp;<em>New Members 2025.</em>&nbsp;On exhibit in May:&nbsp;<em>Fiber 2025, Masters of the Medium: CT&nbsp;</em>and&nbsp;<em>Mastery and Materiality: International.&nbsp;</em>Photo by Tom Grotta.&nbsp;</figcaption></figure>



<p>Coming to Wilton on May 10th? You can visit&nbsp;<em>Field Notes&nbsp;</em>and three other textile art exhibitions at the Silvermine Art Gallery in New Canaan, CT. &nbsp;<em>Fiber 2025</em>&nbsp;has been&nbsp;juried by Tom Grotta and Rhonda Brown of browngrotta arts.&nbsp;An international exhibition, it seeks to showcase the best of contemporary fiber art, reflecting the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways.&nbsp;In conjunction with&nbsp;<em>Fiber 2025</em>, are two exhibitions curated by browngrotta arts in the Silvermine Galleries:&nbsp;<em>Masters of the Medium, CT,&nbsp;</em>highlighting the work of acclaimed Connecticut artists Helena Hernmarck and Norma Minkowitz, and&nbsp;<em>Mastery and Materiality: International,&nbsp;</em>featuring work by 17 artists from nine countries, including renowned Jacquard weavers, accomplished embroiderers, and fiber sculptors&nbsp;who work in seaweed, bark, wire, paper straws, lead, and fish scales.</p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2025/04/image0.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/04/image0.jpg" alt="" class="wp-image-13900" srcset="https://arttextstyle.com/wp-content/uploads/2025/04/image0.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/04/image0-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/04/image0-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">The Glass House, <em>Barbara Kastner: Structure, Light, Land</em>, photo Michael Biondo</figcaption></figure>



<p>Coming to&nbsp;<em>Field Notes&nbsp;</em>another day during its 10-day run? You can see art in the neighborhood in New Canaan or Ridgefield.&nbsp;<em>Barbara Kasten: Structure, Light, Land&nbsp;</em>is&nbsp;at The Glass House in New Canaan — 8.4 miles away. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form.&nbsp;<em>Structure, Light, Land</em>&nbsp;features Kasten’s work from multiple series, including&nbsp;<em>Architectural Sites</em>,&nbsp;<em>Collisions</em>, and&nbsp;<em>Progressions</em>, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.&nbsp;</p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-Bushes-8728_crop.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-Bushes-8728_crop.jpg" alt="A Garden of Promise and Dissent" class="wp-image-13853" srcset="https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-Bushes-8728_crop.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-Bushes-8728_crop-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/04/Hassinger-Bushes-8728_crop-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">A Garden of Promise and Dissent (installation view), The Aldrich Contemporary Art Museum, November 17, 2024 to April 12, 2026. Photo: Jeffrey Jenkins Projects</figcaption></figure>



<p>Or, visit&nbsp;<em>A Garden of Promise and Dissent</em>&nbsp;at the Aldrich Museum in Ridgefield, Connecticut, just 6.2 miles from browngrotta arts. The exhibition&nbsp;spans the grounds, featuring works by eight multigenerational artists who explore future gardens as embodiments of imagination and rebellion.&nbsp;&nbsp;<br>Looking forward to seeing you in May!&nbsp;<br><br><strong>Exhibition Details:</strong></p>



<p><em><strong>Field Notes: an art survey</strong></em><br>browngrotta arts<br>276 Ridgefield Rd<br>Wilton, CT 06897<br>May 3 &#8211; 11, 2025<br>Saturday, May 3rd: 11am to 6pm&nbsp;<br>Sunday, May 4th: 11am to 6pm&nbsp;<br>Monday, May 5th through Saturday, May 10th: 10am to 5pm&nbsp;<br>Sunday, May 11th: 11am to 6pmSafety protocols:<br>Reservations strongly encouraged.<br>No narrow heels please (barn floors)<br><a href="https://browngrotta.com/exhibitions/field-notes">https://browngrotta.com/exhibitions/field-notes</a></p>



<p><em><strong>Fiber 2025</strong></em><br><em>(juried by browngrotta arts)</em><br><em><strong>Masters of the Medium: CT<br>Mastery and Materiality: International</strong><br>(curated by browngrotta arts)</em><br>May 10 – June 19, 2025<br>Silvermine Galleries<br>1037 Silvermine Road<br>New Canaan, CT<br>Closed Sunday + Monday<br><a href="https://browngrotta.us18.list-manage.com/track/click?u=c75741560ebda45ca74e6fa96&amp;id=00e84249d4&amp;e=fd3737b9a3">https://browngrotta.com/events/events</a></p>



<p><em><strong>Tracey Emin: I Loved You Until Morning</strong></em><br>Through August 10, 2025<br>The Yale Center for British Art<br>1080 Chapel Street<br>New Haven, Connecticut 06510<br>Closed Monday<br><a href="https://britishart.yale.edu/exhibitions-programs/tracey-emin-i-loved-you-until-morning">https://britishart.yale.edu/exhibitions-programs/tracey-emin-i-loved-you-until-morning</a></p>



<p><em><strong>Isamu Noguchi: Metal the Mirror</strong></em><br>Through November 16, 2025<br>The Bruce Museum<br>1 Museum Drive<br>Greenwich, CT 06830-7157<br>Closed Monday<br><a href="https://brucemuseum.org/whats-on/isamu-noguchi-metal-the-mirror">https://brucemuseum.org/whats-on/isamu-noguchi-metal-the-mirror</a></p>



<p><em><strong>Barbara Kasten: Structure, Light, Land</strong></em><br>Through December 15, 2025<br>The Glass House Visitor Center + Design Store&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>199 Elm Street, New Canaan, CT 06840&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>Closed Tuesday + Wednesday<br><a href="https://theglasshouse.org/pressrelease/barbara-kasten-structure-light-land-april-17-december-15-2025/">https://theglasshouse.org/pressrelease/barbara-kasten-structure-light-land-april-17-december-15-2025/</a><br><br><em><strong>A Garden of Promise and Dissent</strong></em><br>Through December 17, 2025<br>The Aldrich<br>258 Main Street<br>Ridgefield, CT 06877<br>Closed Tuesday&nbsp;<br><a href="https://thealdrich.org/exhibitions/a-garden-of-promise-and-dissent-outdoor-installation">https://thealdrich.org/exhibitions/a-garden-of-promise-and-dissent-outdoor-installation</a></p>
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