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	<title>The World of Textiles and Basketry Archives - arttextstyle</title>
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	<description>contemporary art textiles and fiber sculpture</description>
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		<title>Art Out and About: An Abundance of Events in the US and Abroad, Part I</title>
		<link>https://arttextstyle.com/2022/11/16/art-out-and-about-an-abundance-of-events-in-the-us-and-abroad-part-i/</link>
					<comments>https://arttextstyle.com/2022/11/16/art-out-and-about-an-abundance-of-events-in-the-us-and-abroad-part-i/#respond</comments>
		
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		<pubDate>Wed, 16 Nov 2022 02:18:00 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Disolve]]></category>
		<category><![CDATA[Gallerie Aube]]></category>
		<category><![CDATA[IMCA]]></category>
		<category><![CDATA[Jennifer Falck Linssen]]></category>
		<category><![CDATA[Keiji Nio]]></category>
		<category><![CDATA[Lia Cook]]></category>
		<category><![CDATA[Magdalena Abakanowicz]]></category>
		<category><![CDATA[Noriko Takamiya]]></category>
		<category><![CDATA[The Gravity of Movement]]></category>
		<category><![CDATA[The World of Textiles and Basketry]]></category>
		<category><![CDATA[Yeonsoon]]></category>
		<category><![CDATA[Yeonsoon Chang]]></category>
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					<description><![CDATA[<p>Our artists have been busy this fall. They are involved in a number of exhibitions and commissions, some of which we’ve listed below; some of which we will cover in next week’s arttextstyle. We&#8217;ve also noted a few other exhibitions worth adding to your radar. Exhibitions Kyoto, JapanThe World of Textiles and BasketryEnded OctoberGallerie AubeKyoto... </p>
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<p>Our artists have been busy this fall. They are involved in a number of exhibitions and commissions, some of which we’ve listed below; some of which we will cover in next week’s arttextstyle. We&#8217;ve also noted a few other exhibitions worth adding to your radar.</p>



<p><strong>Exhibitions</strong></p>



<p>Kyoto, Japan<br><strong>The World of Textiles and Basketry</strong><br>Ended October<br>Gallerie Aube<br>Kyoto University of the Arts<br>Kyoto, Japan<br><a href="https://uryu-tsushin.kyoto-art.ac.jp/detail/1041">https://uryu-tsushin.kyoto-art.ac.jp/detail/1041</a></p>



<figure class="wp-block-image size-full"><a href="https://uryu-tsushin.kyoto-art.ac.jp/detail/1041"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2022/11/DSC_1770.jpg" alt="The World of Textiles and Basketry exhibition installation" class="wp-image-11668" srcset="https://arttextstyle.com/wp-content/uploads/2022/11/DSC_1770.jpg 810w, https://arttextstyle.com/wp-content/uploads/2022/11/DSC_1770-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2022/11/DSC_1770-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption>photo from <a href="https://uryu-tsushin.kyoto-art.ac.jp/detail/1041">https://uryu-tsushin.kyoto-art.ac.jp/detail/1041</a></figcaption></figure>



<p>In September and October, 2022, as a milestone of 40 years at Kyoto University of the Arts, <a href="http://www.browngrotta.com/Pages/nio.php">Keiji Nio</a>, Professor, Department of Arts and Crafts, prepared an exhibition that combined his own history, woven kimono, tapestry, fiber art and basketry, which are rarely seen in the same venue. Aiming to create an exhibition space that transcended the scope of the group of works, he planned <em>The World of Textiles and Basketry</em>, held at the Galerie Aube attached to Kyoto University of the Arts. Included was work by Erika Otsuka, a traditional crafts exhibition exhibitor, Misako Nakahira, a tapestry artist who makes full use of tsuzureori, photographs and kasuri weaving, works of Megumi Takeda, a tapestry artist who combines the above, and the works of 30 artists, including <a href="http://www.browngrotta.com/Pages/takamiya.php">Noriko Takamiya</a>, who have been participating in and annual basketry exhibition for many years, all in the same venue, it was a fresh group of works that are not bound by materials or techniques.  In addition to classical textiles, there were many structures and works that can be called sculptures though &#8220;woven&#8221; at first glance. There are additional images in the University newsletter: <a href="https://uryu-tsushin.kyoto-art.ac.jp/detail/1041">https://uryu-tsushin.kyoto-art.ac.jp/detail/1041</a>.</p>



<p>Irvine, California<br><em><strong>Dissolve</strong></em><br>University Art Museum<br>UC Irvine Institute and Museum of California Art (IMCA)<br>Through December 10, 2022&nbsp;<br>Interim Location:&nbsp;<br>18881 Von Karman Avenue<br>Suite 100<br>Irvine, CA 92612<br><a href="https://imca.uci.edu/exhibition/dissolve/">https://imca.uci.edu/exhibition/dissolve/</a></p>



<figure class="wp-block-image size-full"><a href="http://www.browngrotta.com/Pages/cook.php"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2022/11/Gridlock-ABC_.jpg" alt="Gridlock weaving by Lia Cook" class="wp-image-11665" srcset="https://arttextstyle.com/wp-content/uploads/2022/11/Gridlock-ABC_.jpg 810w, https://arttextstyle.com/wp-content/uploads/2022/11/Gridlock-ABC_-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2022/11/Gridlock-ABC_-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption>Gridlock C, A&amp;B, by Lia Cook. Photo courtesy of the artist.</figcaption></figure>



<p><em>Dissolve</em> explores how certain artists, including <a href="http://www.browngrotta.com/Pages/cook.php">Lia Cook</a>, perceive what it means to change from one form to another. Through painting, photography, sculpture, installation and video, selected artworks demonstrate how gradual and immediate changes impact viewers’ perceptions of self, one another, and the shared environment. Adopting an inclusive view of the process of dissolving, the featured artists visualize the physical dissolution of light, water, distance, and geographic borders. They also address the dissolution of personal relationships, identity, and social and political networks. </p>



<p>Cheongju, Korea<br><strong>The Gravity of Movement</strong><br>Through December 11, 2022<br>Cheongju Korean Craft Center<br><a href="https://cjkcm.org/craft1_eng/">https://cjkcm.org/craft1_eng/</a></p>



<figure class="wp-block-image size-full"><a href="http://www.browngrotta.com/Pages/yeonsoon.php"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2022/11/yeonsoon-exhibit.jpg" alt="The Gravity of Movement exhibition installation" class="wp-image-11661" srcset="https://arttextstyle.com/wp-content/uploads/2022/11/yeonsoon-exhibit.jpg 810w, https://arttextstyle.com/wp-content/uploads/2022/11/yeonsoon-exhibit-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2022/11/yeonsoon-exhibit-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption><em>The Gravity of Movement</em> exhibition photos by Park Myung-rae</figcaption></figure>



<p><em>The Gravity of Movement</em> features works by <a href="http://www.browngrotta.com/Pages/yeonsoon.php">Chang Yeonsoon</a>, including works from the matrix series, the road to the center, and a site-specific installation are included.</p>



<p><strong>Commissions</strong></p>



<figure class="wp-block-image size-full"><a href="http://www.browngrotta.com/Pages/linssen.php"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2022/11/JFLinssen.Aeolian.detail.jpg" alt="Jennifer Falck Linssen commission" class="wp-image-11667" srcset="https://arttextstyle.com/wp-content/uploads/2022/11/JFLinssen.Aeolian.detail.jpg 810w, https://arttextstyle.com/wp-content/uploads/2022/11/JFLinssen.Aeolian.detail-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2022/11/JFLinssen.Aeolian.detail-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption>Components from Jennifer Falck Linssen&#8217;s <em>Aeolian.</em>, Katagami-style handcarved paper and metal wall sculpture.  Materials include archival cotton paper, aluminum, linen, pigment, mica, acrylic, and varnish. Photo Jennifer Falck Linssen</figcaption></figure>



<p><a href="http://www.browngrotta.com/Pages/linssen.php">Jennifer Falck Linssen</a> has completed a commissioned wall sculpture, <em>Aeolian</em> for a client in the US.  It&#8217;s 168 inches long of Katagami-style handcarved paper and metal.  Materials include archival cotton paper, aluminum, linen, pigment, mica, acrylic, and varnish. The work will be installed in December.</p>



<p><strong>Also of Note</strong></p>



<p>London, UK<br><strong>Magdalena Abakanowicz: Every Tangle of Thread and Rope</strong><br>Through May 21, 2023<br>Tate Modern<br>Bankside<br>London, UK SE1 9TG<br><a href="https://www.tate.org.uk/whats-on/tate-modern/magdalena-abakanowicz">https://www.tate.org.uk/whats-on/tate-modern/magdalena-abakanowicz</a></p>



<p>In the 1960s and 70s, the Polish artist <a href="http://www.browngrotta.com/Pages/abakanowicz.php">Magdalena Abakanowicz</a> created radical <a href="https://www.tate.org.uk/art/art-terms/s/sculpture">sculptures</a> from woven fibre. They were soft not hard; ambiguous and organic; towering works that hung from the ceiling and pioneered a new form of <a href="https://www.tate.org.uk/art/art-terms/i/installation-art">installation</a>. They became known as the Abakans. This exhibition presents a rare opportunity to explore this extraordinary body of work. Many of the most significant Abakans will be brought together in a forest-like display in the 64-metre long gallery space of the Blavatnik Building at Tate Modern. The exhibition is organized by Tate Modern in collaboration with the Fondation Toms Pauli at the Musée cantonal des Beaux-Arts de Lausanne/Plateforme 10 and Henie Onstad Art Centre, Høvikodden.</p>



<p>Check them out.</p>
<p><a href="https://arttextstyle.com">arttextstyle</a></p>
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