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	<title>The Berkeley Years Archives - arttextstyle</title>
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	<description>contemporary art textiles and fiber sculpture</description>
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		<title>The Year in Books: Art, Life and Learning &#8212; Part 2</title>
		<link>https://arttextstyle.com/2014/01/05/part-2/</link>
					<comments>https://arttextstyle.com/2014/01/05/part-2/#respond</comments>
		
		<dc:creator><![CDATA[arttextstyle]]></dc:creator>
		<pubDate>Sun, 05 Jan 2014 23:00:58 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Textiles]]></category>
		<category><![CDATA[Basketry]]></category>
		<category><![CDATA[Book Recommendations]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[1953- 1966]]></category>
		<category><![CDATA[55th International Art Exhibition: La Biennale di Venezia]]></category>
		<category><![CDATA[Adela Akers]]></category>
		<category><![CDATA[Deborah Valoma]]></category>
		<category><![CDATA[Dorsoduro]]></category>
		<category><![CDATA[Gyöngy Laky]]></category>
		<category><![CDATA[Heidrun Schimmel]]></category>
		<category><![CDATA[Kay Sekimachi]]></category>
		<category><![CDATA[Naomi Kobayashi]]></category>
		<category><![CDATA[Pinault Collection]]></category>
		<category><![CDATA[Prima Materia]]></category>
		<category><![CDATA[Punta della Dogana]]></category>
		<category><![CDATA[Randy Walker]]></category>
		<category><![CDATA[Richard Diebenkorn]]></category>
		<category><![CDATA[Scrape the Willow Until It Sings]]></category>
		<category><![CDATA[Sheila hicks]]></category>
		<category><![CDATA[The Berkeley Years]]></category>
		<category><![CDATA[The Encyclopedic Palace]]></category>
		<category><![CDATA[The Hare with Amber Eyes]]></category>
		<category><![CDATA[The Words and Work of Julia Parker]]></category>
		<category><![CDATA[The Works of Kyoko Kumai]]></category>
		<category><![CDATA[Venezia]]></category>
		<category><![CDATA[Visual Complexity: Mapping Patterns of Information]]></category>
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					<description><![CDATA[<p>As always, art books are well represented among this year’s recommendations from browngrotta arts-affiliated artists, and at least one of the volumes offers life lessons, too.  Adela Akers writes that “the best books so far this year are the Diebenkorn catalogs for the exhibition at the de Young Museum,” which includes, Richard Diebenkorn, The Berkeley Years, 1953- 1966. Adela also... </p>
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										<content:encoded><![CDATA[<p><a href="http://www.amazon.com/gp/product/0300190786/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0300190786&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;Richard Diebenkorn: The Berkeley Years, 1953-1966 (Fine Arts Museums of San Francisco)&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=0300190786"><img loading="lazy" decoding="async" class=" wp-image-5509 alignleft" src="http://arttextstyle.com/wp-content/uploads/2013/12/RichardDiebenkorn.jpg" alt="RichardDiebenkorn" width="129" height="162" /></a>As always, art books are well represented among this year’s recommendations from browngrotta arts-affiliated artists, and at least one of the volumes offers life lessons, too.  <a href="http://browngrotta.com/Pages/akers.php"><strong>Adela Akers</strong></a> writes that “the best books so far this year are the Diebenkorn catalogs for the exhibition at the de Young Museum,” which includes, <a href="http://www.amazon.com/gp/product/0300190786/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0300190786&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;Richard Diebenkorn: The Berkeley Years, 1953-1966 (Fine Arts Museums of San Francisco)&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=0300190786"><em>Richard Diebenkorn, The Berkeley Years, 1953- 1966</em></a>. Adela also recommends <em>The Intimate Diebenkorn: Works on Paper 1949-1992, </em>both as “good reads that include wonderful reproductions.&#8221; <a href="http://browngrotta.com/Pages/b39.php"><img loading="lazy" decoding="async" class="alignright wp-image-5511" src="http://arttextstyle.com/wp-content/uploads/2013/12/39b.SHEILA.HICKS_.jpg" alt="39b.SHEILA.HICKS" width="136" height="162" /></a>The comprehensive volume,  <a href="http://arttextstyle.com/wp-content/uploads/2013/12/Kyoko_Kumai_book.jpg"><img loading="lazy" decoding="async" class="size-full wp-image-5535 alignright" src="http://arttextstyle.com/wp-content/uploads/2013/12/Kyoko_Kumai_book.jpg" alt="Kyoko_Kumai_book" width="106" height="150" /></a><a href="http://browngrotta.com/Pages/b51.php"><i>Works of Kyoko Kumai</i> <em>Metallic Textile Art</em></a>, published earlier this year tops Kyoko Kumai’s list. The book&#8217;s text appears in English and Japanese and it includes a digital version of the book on cd. <a href="http://browngrotta.com/Pages/kobayashi.n.php"><strong>Naomi Kobayashi</strong></a> recommends  <em>Sheila Hicks </em>for its content and beautiful binding.  <a href="http://www.amazon.com/gp/product/0312569378/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0312569378&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;The Hare with Amber Eyes: A Hidden Inheritance&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=0312569378"><img loading="lazy" decoding="async" class="wp-image-5512 alignleft" src="http://arttextstyle.com/wp-content/uploads/2013/12/The.Hare_.with_.Amber_.Eyes_.jpg" alt="The.Hare.with.Amber.Eyes" width="109" height="162" /></a><a href="http://browngrotta.com/Pages/sekimachi.php"><strong>Kay Sekimachi</strong></a> listed <a href="http://www.amazon.com/gp/product/0312569378/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0312569378&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;The Hare with Amber Eyes: A Hidden Inheritance&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=0312569378"><em>The Hare with Amber Eyes</em></a>. In it, Edmund de Waal,  a potter and curator of ceramics at the Victoria &amp; Albert Museum, describes the experiences of his family, the Ephrussis, and explores the family&#8217;s large collection of Japanese netsuke, tiny hand-carved figures including a hare with amber eyes. <a href="http://www.amazon.com/gp/product/8831714856/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=8831714856&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;The Encyclopedic Palace. 55th International Art Exhibition: La Biennale di Venezia&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=8831714856"><img loading="lazy" decoding="async" class="wp-image-5514 alignright" src="http://arttextstyle.com/wp-content/uploads/2013/12/La_Biennale_di_Venezia.jpg" alt="La_Biennale_di_Venezia" width="134" height="180" /></a>In <a href="http://browngrotta.com/Pages/schimmel.php"><strong>Heidrun Schimmel’s</strong></a> view, the <em>55. Esposizione Internazionale d´Arte </em> was one of the best Biennials in Venice ever, and she enthused about the accompanying catalog, <a href="http://www.amazon.com/gp/product/8831714856/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=8831714856&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;The Encyclopedic Palace. 55th International Art Exhibition: La Biennale di Venezia&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=8831714856"><em>The Encyclopedic Palace, 55th International Art Exhibition: La Biennale di Venezia</em></a>. Its title was chosen by the director for the 55th Biennale as a reference to the 1955 design registered with the US Patent office by the self-taught artist Marino Auriti, depicting an imaginary museum that was meant to house all worldly knowledge and human discoveries, from the wheel to the satellite.  On the opposite side of Canale Grande writes Heidrun, &#8220;there is an important exhibition, <a href="http://www.palazzograssi.it/en/exhibitions/prima-materia">Prima Materia, Punta della Dogana, Venezia, Dorsoduro, Pinault Collection</a>, especially for artists who are working with material as matter. This exhibition continues through 2014, and is accompanied by a very good catalog, <a href="http://www.amazon.com/gp/product/883709616X/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=883709616X&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;Prima Materia&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=883709616X"><img loading="lazy" decoding="async" class="alignright wp-image-5516" src="http://arttextstyle.com/wp-content/uploads/2013/12/Caroline_Bourgeois_and_Michael_Govan.jpg" alt="Caroline Bourgeois and Michael Govan" width="146" height="180" /></a><a href="http://www.amazon.com/gp/product/883709616X/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=883709616X&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;Prima Materia&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=883709616X"><em>Prima Materia</em></a>,  edited by curators Caroline Bourgeois and Michael Govan.”  <a href="http://www.amazon.com/gp/product/1616892196/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=1616892196&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;Visual Complexity: Mapping Patterns of Information&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=1616892196"><img loading="lazy" decoding="async" class=" wp-image-5518 alignleft" src="http://arttextstyle.com/wp-content/uploads/2013/12/Visual-Complexity_Mapping_Patterns_of_Information.jpg" alt="Visual Complexity: Mapping Patterns of Information by Manuel Lim" width="146" height="180" /><strong>Randy Walker</strong></a>  read <a href="http://www.amazon.com/gp/product/1616892196/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=1616892196&amp;linkCode=as2&amp;tag=arttextstyle-20&quot;&gt;Visual Complexity: Mapping Patterns of Information&lt;/a&gt;&lt;img src=&quot;http://ir-na.amazon-adsystem.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=1616892196"><em>Visual Complexity: Mapping Patterns of Information</em></a> by Manuel Lima this year.  “To me, network diagrams and their many variations are highly suggestive of fibrous connections. I am experimenting with the idea of my lines as connectors of different types of information.  The information can generate the connections. The book played an inspirational role in a new public art project I working on with Roosevelt High School here in Minneapolis to explore the network diagram in three dimensions. Here&#8217;s a link to the Kickstarter campaign to raise money for the project: Connections Gallery.&#8221;</p>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-5520" src="http://arttextstyle.com/wp-content/uploads/2013/12/Scrape_Willow_Until_It_Sings_Words_Work_Julia_Parker.jpg" alt="Scrape_Willow_Until_It_Sings_Words_Work_Julia_Parker" width="180" height="180" srcset="https://arttextstyle.com/wp-content/uploads/2013/12/Scrape_Willow_Until_It_Sings_Words_Work_Julia_Parker.jpg 200w, https://arttextstyle.com/wp-content/uploads/2013/12/Scrape_Willow_Until_It_Sings_Words_Work_Julia_Parker-150x150.jpg 150w" sizes="auto, (max-width: 180px) 100vw, 180px" />And From <a href="http://browngrotta.com/Pages/laky.php"><strong>Gyöngy Laky</strong></a>, a recommendation for a book and a for approaching life.  &#8220;Two artists I admire enormously, Julia Parker and <a href="http://browngrotta.com/Pages/valoma.php">Deborah Valoma</a>, created, <em><a href="http://browngrotta.com/Pages/b50.php">Scrape the Willow Until It Sings, The Words and Work of Julia Parker</a>,</em> one of the best books on basketry, life and art I have ever read. It was published this year by an exceptional book publisher, Heyday, Berkeley, California. Native American basketry, especially the work of indigenous people in California, has been, and continues to be, a major inspiration to me and my creative life. <a href="http://browngrotta.com/Pages/valoma.php"><img loading="lazy" decoding="async" class=" wp-image-5522 alignright" src="http://arttextstyle.com/wp-content/uploads/2013/12/Julia-Parker-and-the-author-Deborah-Valoma.jpg" alt="Julia Parker and the author Deborah Valoma" width="180" height="238" /></a>Valoma writes in the introduction, <em>Julia Parker and other traditional practitioners have much to teach those of us in the academy.</em> I would add, and to those not in the academy, as well. The vast personal experiences, broad and deep scope of historical evidence and creative wisdom that these two thoughtful women have brought together in this book is a gift to us all. Near the end I found a something that Parker said that feels like a guide: <em>In our story &#8211; in our Indian way &#8211; we stop, look, and listen.  Stop. Think about yourself.  Rest yourself.  Rest your eyes, your hands.  Rest your body.  Look.  Look about you. Look at the smallest insect.  Look at the tallest trees, which have given us shelter and food.  And we listen.  Listen to the sound of the water flowing.  Listen to your elders, your teachers.  Listen to your grandmother, your grandfather, your parents.  And above all, listen to yourself.</em></p>
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