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	<title>Sebastopol Center for the Arts; Archives - arttextstyle</title>
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	<description>contemporary art textiles and fiber sculpture</description>
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		<title>Art Out and About &#8211; Exhibitions in the US and Abroad</title>
		<link>https://arttextstyle.com/2021/08/11/art-out-and-about-exhibitions-in-the-us-and-abroad/</link>
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		<pubDate>Wed, 11 Aug 2021 02:00:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Textiles]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Fiber Sculpture]]></category>
		<category><![CDATA[Installations]]></category>
		<category><![CDATA[Japanese Art]]></category>
		<category><![CDATA[Berkeley Art Museum and the Pacific Film Archive]]></category>
		<category><![CDATA[Carole Frève;Jane Balsgaard; Britt Smelvaer;]]></category>
		<category><![CDATA[Kay Sekimachi]]></category>
		<category><![CDATA[Museum of Fine Arts]]></category>
		<category><![CDATA[Naoko Serino; Hideho Tanaka; Kiyomi Iwata; Naomi Kobayashi; Hisako Sekijima; Kyoko Kumai]]></category>
		<category><![CDATA[Olga de Amaral]]></category>
		<category><![CDATA[Sebastopol Center for the Arts;]]></category>
		<guid isPermaLink="false">http://arttextstyle.com/?p=10636</guid>

					<description><![CDATA[<p>With mask requirements and other safety protocols in place, museums worldwide are reopening with new exhibitions. From West to&#160;East — and a couple abroad&#160;—&#160;here are several worth traveling to see. Stay safe when you go! International Fiber Arts X&#160;through September 21, 2021Sebastopol Center for the Arts&#160;282 South High StreetSebastopol, CA 95472&#160;info@sebarts.orghttps://www.sebarts.org Neha Puri Dhir&#8217;s Dolphin... </p>
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<p>With mask requirements and other safety protocols in place, museums worldwide are reopening with new exhibitions. From West to&nbsp;East — and a couple abroad&nbsp;—&nbsp;here are several worth traveling to see. Stay safe when you go!</p>



<p><em><strong>International Fiber Arts X&nbsp;</strong></em><br>through September 21, 2021<br>Sebastopol Center for the Arts&nbsp;<br>282 South High Street<br>Sebastopol, CA 95472&nbsp;<br><a>info@sebarts.org</a><br><a href="https://www.sebarts.org">https://www.sebarts.org</a></p>



<figure class="wp-block-image size-full"><a href="http://www.browngrotta.com/Pages/dhir.php"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2021/08/Dolphin-of-the-Ganges.jpg" alt="Dolphin of the Ganges" class="wp-image-10637" srcset="https://arttextstyle.com/wp-content/uploads/2021/08/Dolphin-of-the-Ganges.jpg 810w, https://arttextstyle.com/wp-content/uploads/2021/08/Dolphin-of-the-Ganges-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2021/08/Dolphin-of-the-Ganges-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption>Neha Puri Dhir&#8217;s <em>Dolphin of the Ganges</em>. Photo by Neha Puri Dhir</figcaption></figure>



<p>Our own <a href="http://www.browngrotta.com/Pages/dhir.php">Neha Puri Dhir</a> took 2nd place in the <em>International Fiber Arts X</em> exhibition at the Sebastopol Center for the Arts in California. The winning work, <em>Dolphin of the Ganges</em>, was created in tribute to a sea creature that has become endangered. &#8220;I grew up on the banks of the River Ganges, in the picturesque town of Haridwar amongst lush forest and rich riverine life,&#8221; writes Dhir. &#8220;The Ganges Dolphin that once thrived in these waters has now disappeared &#8211; a victim of the pollution from indiscriminate development in this hilly region. This work is a memorial to a majestic creature and a warning against the irreversible damage caused by human activity.” <a href="http://www.browngrotta.com/Pages/kumai.php">Kyoko Kumai&#8217;s</a> work, <em>Moonlight Wind-L</em> was also selected for the exhibition.</p>



<p><em><strong>Kay Sekimachi: Geometries</strong></em><br>through&nbsp;October 24, 2021<br>Berkeley Art Museum and the Pacific Film Archive<br>2155 Center Street Berkeley, CA<br>(510) 642-0808<br><a>bampfa@berkeley.edu</a>&nbsp;<br><a href="https://bampfa.org/program/virtual/kay-sekimachi-geometries">https://bampfa.org/program/virtual/kay-sekimachi-geometries</a></p>



<figure class="wp-block-image size-full"><a href="http://www.browngrotta.com/Pages/sekimachi.php"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2021/08/Sekimachi_Berkley-Exhibit.jpg" alt="Kay Sekimachi: Geometries" class="wp-image-10638" srcset="https://arttextstyle.com/wp-content/uploads/2021/08/Sekimachi_Berkley-Exhibit.jpg 810w, https://arttextstyle.com/wp-content/uploads/2021/08/Sekimachi_Berkley-Exhibit-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2021/08/Sekimachi_Berkley-Exhibit-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption>Kay Sekimachi: Geometries. Photo by Johnna Arnold</figcaption></figure>



<p>In nearby Berkeley, <em><a href="http://www.browngrotta.com/Pages/sekimachi.php">Kay Sekimachi:</a> Geometries</em> is on view. Curated by Janelle Porter, <em>Geometries</em> includes more than 50 objects that highlight the Sekimchi’s material and formal innovations across her career. First recognized for her woven monofilament sculptures, made between 1964 and 1974, Sekimachi has since used linear, pliable elements—monofilament, thread, and paper, among other materials—to create experimental objects that fold together art and craft, found and made, and Japanese and American artistic traditions. </p>



<p><em><strong>Olga de Amaral: To Weave a Rock</strong></em><br>Museum of Fine Arts, Houston<br>Through September 19, 2021<br><strong><a href="https://www.mfah.org/visit/beck-building">Audrey Jones Beck Building</a></strong><br>5601 Main Street<br>713.639.7300<br><a href="https://www.mfah.org/exhibitions/olga-de-amaral-to-weave-a-rock">https://www.mfah.org/exhibitions/olga-de-amaral-to-weave-a-rock</a></p>



<figure class="wp-block-image size-full"><a href="http://arttextstyle.com/wp-content/uploads/2021/08/olga-de-amaral-brumas-mists.8484212136867652384.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2021/08/olga-de-amaral-brumas-mists.8484212136867652384.jpg" alt="" class="wp-image-10645" srcset="https://arttextstyle.com/wp-content/uploads/2021/08/olga-de-amaral-brumas-mists.8484212136867652384.jpg 810w, https://arttextstyle.com/wp-content/uploads/2021/08/olga-de-amaral-brumas-mists.8484212136867652384-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2021/08/olga-de-amaral-brumas-mists.8484212136867652384-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption>Olga de Amaral,&nbsp;<em>Brumas (Mists),&nbsp;</em>2013, acrylic, gesso, and cotton on wood, courtesy of the artist. © Olga de Amaral / Photograph © Diego Amaral</figcaption></figure>



<p>Heading to Texas, in Houston is the first stop of a touring exhibition featuring the exquisite work of Olga de Amaral who&nbsp;has &#8220;pioneered her own visual language within the fiber arts movement. Her radical experimentation with color, form, material, composition, and space transforms weaving from a flat design element into an architectural component that defies the confines of any genre or medium.” It travels next to Cranbrook Art Museum in Bloomfiels Hills, Michigan. There is a catalog that accompanies the exhibition (<a href="https://www.amazon.com/Olga-Amaral-Houston-Museum-Fine/dp/3897905965/ref=sr_1_1?dchild=1&amp;keywords=to+weave+a+rock&amp;qid=1628505072&amp;sr=8-1">https://www.amazon.com/Olga-Amaral-Houston-Museum-Fine/dp/3897905965/ref=sr_1_1?dchild=1&amp;keywords=to+weave+a+rock&amp;qid=1628505072&amp;sr=8-1</a>).</p>



<p><em><strong>Art Japan: 2021 &#8211; 1921</strong></em><br>Through September 24, 2021<br>1635 W St. Paul Avenue<br>Milwaukee, WI 53233<br>(414) 252-0677 ext. 110<br><a>info@thewarehousemke.org</a><br><a href="https://www.thewarehousemke.org/current">https://www.thewarehousemke.org/current</a></p>



<figure class="wp-block-image size-full"><a href="http://arttextstyle.com/wp-content/uploads/2021/08/Serino-Iwata-Warehouse.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2021/08/Serino-Iwata-Warehouse.jpg" alt="" class="wp-image-10639" srcset="https://arttextstyle.com/wp-content/uploads/2021/08/Serino-Iwata-Warehouse.jpg 810w, https://arttextstyle.com/wp-content/uploads/2021/08/Serino-Iwata-Warehouse-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2021/08/Serino-Iwata-Warehouse-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption><em>Existing -2-D</em>, Naoko Serino, 2006 and <em>Red Aperture</em>, Kiyomi Iwata, 2009. Photos by Tom Grotta</figcaption></figure>



<p>In the Midwest, The Warehouse MKE in Milwaukee, Wisconsin, is exhibiting the second of its three-part look at art in Asia, <em>Art Japan: 2021- 1921</em>, curated by Annemarie Sawkins. The exhibition features over 120 woodblock prints, etchings, lithographs, calligraphy, drawings, photography, ceramics, basketry, and textiles, all from the extensive permanent collection of The Warehouse and includes work by <a href="http://www.browngrotta.com/Pages/serino.php">Naoko Serino</a>, <a href="http://www.browngrotta.com/Pages/yonezawa.php">Jiro Yonezawa</a>, <a href="http://www.browngrotta.com/Pages/iwata.php">Kiyomi Iwata</a> and <a href="http://www.browngrotta.com/Pages/shindo.php">Hiroyuki Shindo</a>. The first exhibition in the trilogy was <em>India: Photographs</em> (2019). The third, <em>Then and Now: China</em>, opens October 8th, 2021.  </p>



<p><em><strong>Women Take the Floor</strong></em><br>September 13 &#8211; November 28, 2021<br>Boston Museum of Fine Arts<br><a href="https://www.google.com/maps/place/Museum+of+Fine+Arts,+Boston/@42.3391059,-71.0938552,16z/data=!4m2!3m1!1s0x89e37a0de7e77a4b:0x2f033fd6c495d564">Avenue of the Arts</a><br><a href="https://www.google.com/maps/place/Museum+of+Fine+Arts,+Boston/@42.3391059,-71.0938552,16z/data=!4m2!3m1!1s0x89e37a0de7e77a4b:0x2f033fd6c495d564">465 Huntington Avenue</a><br><a href="https://www.google.com/maps/place/Museum+of+Fine+Arts,+Boston/@42.3391059,-71.0938552,16z/data=!4m2!3m1!1s0x89e37a0de7e77a4b:0x2f033fd6c495d564">Boston, Massachusetts 02115&nbsp;</a><br>617-267-9300<br><a href="https://www.mfa.org/exhibition/women-take-the-floor">https://www.mfa.org/exhibition/women-take-the-floor</a></p>



<p><em>Women Take the Floor&nbsp;</em>challenges the dominant history of 20th-century American art by focusing on the overlooked and underrepresented work and stories of women artists. The&nbsp;exhibition, began in 2019. The current&nbsp;reinstallation—or “takeover”—of Level 3 of the Art of the Americas Wing advocates for diversity, inclusion, and gender equity in museums, the art world, and beyond. It features women painters, photographers and fiber artists among others.</p>



<p><em><strong>The Social Fabric: Black Artistry in Fiber Arts, An Exhibition in Homage to Viki Craig</strong></em><br>Through October 24, 2021<br>Morris Museum<br>6 Normandy Heights Road<br>Morristown, NJ 07960<br>(973) 971-3700<br><a>info@morrismuseum.org</a></p>



<p>Deeply rooted in quilt-making tradition, today’s Black fiber arts incorporate conventional textile skills with contemporary art and design practices. The exhibition features 50 works by over 27 artists, including Aminah Robinson, Beverly McCutcheon, Bisa Washington, Carole Robinson, Clara Nartey, Denise Toney, Ellaree Pray and Faith Ringgold.</p>



<h2 class="wp-block-heading"><strong>Abroad:</strong></h2>



<p><strong>Echigo-Tsumari Mail Art Exhibition</strong><br>Through October 31, 2021<br>Echigo-Tsumari Art Field<strong><br></strong>Gallery YUYAMA<br>446 Yuyama matsunoyama<br>Toka-machi Niigata-ken<br>025-532-2218 </p>



<figure class="wp-block-image size-full"><a href="http://arttextstyle.com/wp-content/uploads/2021/08/Echigo-Tsumari-kumai.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2021/08/Echigo-Tsumari-kumai.jpg" alt="" class="wp-image-10649" srcset="https://arttextstyle.com/wp-content/uploads/2021/08/Echigo-Tsumari-kumai.jpg 810w, https://arttextstyle.com/wp-content/uploads/2021/08/Echigo-Tsumari-kumai-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2021/08/Echigo-Tsumari-kumai-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption>Echigo-Tsumari Mail Art Exhibition including Reborn by Kyoko Kumai</figcaption></figure>



<p><a href="http://www.browngrotta.com/Pages/kumai.php">Kyoko Kumai</a>&#8216;s 19.5&#8243; stainless-steel sphere, <em>Reborn</em>, is included in an exhibition at the Gallery YUYAMA in the Echigo-Tsumari Art Field through October 31st. Day trips are available to the Art Field which includes a number of out sculptures and structures. The site&#8217;s motto: &#8220;artworks waiting in the vast nature. Let&#8217;s go on a <em>satoyama</em> art walk!&#8221;<br></p>



<p><em><strong>Britt Smelvaer: Around his father’s boat</strong></em><br>Bømlo Kulturhus<br>Through August, 15 2021<br><a href="https://translate.google.com/website?sl=no&amp;tl=en&amp;ajax=1&amp;prev=search&amp;elem=1&amp;se=1&amp;u=https://www.google.no/maps/place/B%25C3%25B8mlo%2Bkulturhus/@59.7947377,5.1700433,17z/data%3D!3m1!4b1!4m5!3m4!1s0x463c83d74ee5f2eb:0xa02c2ff91973af5b!8m2!3d59.794735!4d5.172232?hl%3Dno">Kulturhusvegen 20</a><br><a href="https://translate.google.com/website?sl=no&amp;tl=en&amp;ajax=1&amp;prev=search&amp;elem=1&amp;se=1&amp;u=https://www.google.no/maps/place/B%25C3%25B8mlo%2Bkulturhus/@59.7947377,5.1700433,17z/data%3D!3m1!4b1!4m5!3m4!1s0x463c83d74ee5f2eb:0xa02c2ff91973af5b!8m2!3d59.794735!4d5.172232?hl%3Dno">5430 Bremnes</a>, Norway<br>53423500 <br><a href="https://www-bomlokulturhus-no.translate.goog/cdn-cgi/l/email-protection?_x_tr_sl=no&amp;_x_tr_tl=en&amp;_x_tr_hl=en&amp;_x_tr_pto=ajax,sc,elem#97b2a5a7e7f8e4e3d7f5f8fafbf8fce2fbe3e2e5ffe2e4b9f9f8">post@bomlokulturhus.no</a><br><a href="https://translate.google.com/translate?hl=en&amp;sl=no&amp;u=https://www.bomlokulturhus.no/program/sommarutstillinga-britt-smelvaer-omkring-baaten-hans-far/&amp;prev=search&amp;pto=aue">https://translate.google.com/translate?hl=en&amp;sl=no&amp;u=https://www.bomlokulturhus.no/program/sommarutstillinga-britt-smelvaer-omkring-baaten-hans-far/&amp;prev=search&amp;pto=aue</a></p>



<p>In Norway, graphic works by <a href="http://www.browngrotta.com/Pages/smelvaer.php">Britt Smelvaer</a> tell of memories, knowing the connection and having roots fixed in the environment by the seacoast, and not far from what was in childhood. Learn more about the project here: <a href="https://translate.google.com/translate?hl=en&amp;sl=da&amp;u=https://svfk.dk/project/omkring-baaten-hans-far&amp;prev=search&amp;pto=aue">https://translate.google.com/translate?hl=en&amp;sl=da&amp;u=https://svfk.dk/project/omkring-baaten-hans-far&amp;prev=search&amp;pto=aue</a></p>



<figure class="wp-block-image size-full"><a href="http://arttextstyle.com/wp-content/uploads/2021/08/Britt-Smelvaer-exhibit.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2021/08/Britt-Smelvaer-exhibit.jpg" alt="" class="wp-image-10643" srcset="https://arttextstyle.com/wp-content/uploads/2021/08/Britt-Smelvaer-exhibit.jpg 810w, https://arttextstyle.com/wp-content/uploads/2021/08/Britt-Smelvaer-exhibit-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2021/08/Britt-Smelvaer-exhibit-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption>Britt Smelvaer work at the Hovedøya&nbsp;exhibition</figcaption></figure>



<p><em><strong>A Sky of Mirror</strong></em><br><strong>Though September 12, 2021</strong><br>Hovedøya Kunstal<br>Hovedøya, 0150 <br>Oslo, Norge<br>920 62 866<br><a href="https://translate.google.com/translate?hl=en&amp;sl=no&amp;u=https://kunstsalen.no/&amp;prev=search&amp;pto=aue">https://translate.google.com/translate?hl=en&amp;sl=no&amp;u=https://kunstsalen.no/&amp;prev=search&amp;pto=aue</a></p>



<p>The summer exhibition at Hovedøya features works by various artists including work by Britt Smelvaer created after a trip she made to Damascus, Syria.<br></p>



<p><em><strong>The Nook Exhibition</strong></em><br>Kunstbygningen in Vrå&nbsp;<br>Through September 1st<br>Højskolevej 3A&nbsp;<br>Vrå, Denmark-9760&nbsp;<br>+45 9898 0410&nbsp;<br><a>info@kunstbygningenvraa.dk</a><br><a href="https://translate.google.com/translate?hl=en&amp;sl=da&amp;u=https://www.kunstbygningenvraa.dk/vraa-udstillingen/&amp;prev=search&amp;pto=aue">https://translate.google.com/translate?hl=en&amp;sl=da&amp;u=https://www.kunstbygningenvraa.dk/vraa-udstillingen/&amp;prev=search&amp;pto=aue</a></p>



<figure class="wp-block-image size-full"><a href="http://www.browngrotta.com/Pages/balsgaard.php"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2021/08/Jane-Balsgaard.-Vra-21_W8A5163-.jpg" alt="Polynesian boat" class="wp-image-10640" srcset="https://arttextstyle.com/wp-content/uploads/2021/08/Jane-Balsgaard.-Vra-21_W8A5163-.jpg 810w, https://arttextstyle.com/wp-content/uploads/2021/08/Jane-Balsgaard.-Vra-21_W8A5163--300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2021/08/Jane-Balsgaard.-Vra-21_W8A5163--768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption>Polynesian boat transformed to artifact by Jane Balsgaard. Photo by <em>Nils Holm</em>&nbsp;Christensen</figcaption></figure>



<p>In Denmark, an exhibition of mixed media scuptures and acrylic paintings by <a href="http://www.browngrotta.com/Pages/balsgaard.php">Jane Balsgaard</a> appear in a group exhibition.</p>



<p><em><strong>Carole Frève, Glass Sculptor</strong></em><br>September 24, 2021 to January 23, 2022<br>Musée des métiers d&#8217;art du Québec (MUMAQ)&nbsp;<br>615, avenue Sainte-Croix&nbsp;<br>Montréal, QC, H4L 3X6,&nbsp;Canada<br>+1 514-747-7367</p>



<figure class="wp-block-image size-full"><a href="http://www.browngrotta.com/Pages/freve.php"><img loading="lazy" decoding="async" width="810" height="500" src="http://arttextstyle.com/wp-content/uploads/2021/08/2cf-Open-Up-to-You_silo.jpg" alt="Open Up to You, Carole Frève" class="wp-image-10644" srcset="https://arttextstyle.com/wp-content/uploads/2021/08/2cf-Open-Up-to-You_silo.jpg 810w, https://arttextstyle.com/wp-content/uploads/2021/08/2cf-Open-Up-to-You_silo-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2021/08/2cf-Open-Up-to-You_silo-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption><strong>Open Up to You</strong>, Carole Frève, 2015. Photo by Tom Grotta</figcaption></figure>



<p><a href="http://www.browngrotta.com/Pages/freve.php">Carole Frève</a> has always included two major components in her work: on the one hand, constant research on the combined techniques of glass and electro-formed copper and, on the other, the story the work tells the observer. This exhibition highlights work she ahs created over the span of a 20-year career.</p>



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