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	<title>Rina Banerjee: Archives - arttextstyle</title>
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		<title>Making a day of it: Visit Transformations in May, See More Art on the Way</title>
		<link>https://arttextstyle.com/2026/04/22/making-a-day-of-it-visit-transformations-in-may-see-more-art-on-the-way/</link>
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		<pubDate>Wed, 22 Apr 2026 18:43:16 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Daphne:art]]></category>
		<category><![CDATA[extraORDINARY things]]></category>
		<category><![CDATA[Flinn Gallery]]></category>
		<category><![CDATA[Jazz + The Blues]]></category>
		<category><![CDATA[Make a Day of It]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Nancy Koenigsberg]]></category>
		<category><![CDATA[Rina Banerjee:]]></category>
		<category><![CDATA[Yale Art Gallery]]></category>
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					<description><![CDATA[<p>Our Spring exhibition, Transformations: dialogues in art and materials (May 9 &#8211; 17) opens at browngrotta arts, Wilton, Connecticut, in less than a month. For those of you coming by car, there are interesting art stops you might want to make on your way. Below are exhibition suggestions in Westport, Bantam, Greenwich, and New Haven,... </p>
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<p class="wp-block-paragraph">Our Spring exhibition,<em> </em><a href="https://browngrotta.com/exhibitions/transformations-dialogues-in-art-and-material"><em>Transformations</em>:<em> dialogues in art and materials</em></a> (May 9 &#8211; 17) opens at browngrotta arts, Wilton, Connecticut, in less than a month. For those of you coming by car, there are interesting art stops you might want to make on your way. Below are exhibition suggestions in Westport, Bantam, Greenwich, and New Haven, Connecticut.  See you next month!</p>



<p class="wp-block-paragraph"><strong><em>Rina Banerjee: Take me, take me, take me … to the Palace of love</em></strong><br>Through September 13th<br>Yale Center for British Art<br>1080 Chapel Street<br>New Haven, CT<br><a href="https://britishart.yale.edu/exhibitions-programs/rina-banerjee-take-me-take-me-take-me-palace-love">https://britishart.yale.edu/exhibitions-programs/rina-banerjee-take-me-take-me-take-me-palace-love</a></p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2026/04/04_rina_banerjee_photo_by_richard_caspole.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2026/04/04_rina_banerjee_photo_by_richard_caspole.jpg" alt="Rina Banerjee installation" class="wp-image-14702" srcset="https://arttextstyle.com/wp-content/uploads/2026/04/04_rina_banerjee_photo_by_richard_caspole.jpg 810w, https://arttextstyle.com/wp-content/uploads/2026/04/04_rina_banerjee_photo_by_richard_caspole-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2026/04/04_rina_banerjee_photo_by_richard_caspole-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><sup>Rina Banerjee, born in Kolkata, India, 1963; lived in England; lives and works in New York (Yale M.F.A. 1995). © The Artist. Image © Yale Center for British Art. Photo: Richard Caspole</sup></figcaption></figure>



<p class="wp-block-paragraph">In an art journey that include Transformations&#8217; exploration of materials at browngrotta arts, in Wilton, CT, Rina Banerjee’s<em> Take me, take me, take me … to the Palace of love </em>at the Yale Center for British Art in New Haven, CT would be an appropriate add on. It&#8217;s an amalgam of materials. Banerjee’s structure reimagines the Taj Mahal, a grand 17th century Mughal mausoleum, in ephemeral industrial materials: a frame of copper and steel is encased in vibrant pink plastic, creating a translucent ghost of the opulent marble façade of the original. The interior of the sculpture reveals an antique Anglo-Indian Bombay chair hovering above a globe, and a chandelier composed of expendable goods—pink foam balls, plastic beads, and artificial birds. As the gallery notes: &#8220;These objects challenge our ideas of value, pointing to a global system that produces things to be alternately fetishized or quickly thrown away.” The piece tells two stories, like the Taj does, as a somber tomb and a monument to love. </p>



<p class="wp-block-paragraph"><em><strong>WRIT and WEFTED: </strong></em><br><em><strong>Sally Van Doren, paintings and drawings; Nancy Koenigsberg, woven wire sculptures </strong></em><br>Through June 21st. <br>Daphne:art Gallery and Advisory<br>55 West Morris Road<br>Bantam, Connecticut </p>



<p class="wp-block-paragraph">By appointment: <a href="mailto:daphneadeeds@gmail.com">daphneadeeds@gmail.com</a></p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2026/04/IMG_4803.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2026/04/IMG_4803.jpg" alt="Writ and Wefted installation" class="wp-image-14703" srcset="https://arttextstyle.com/wp-content/uploads/2026/04/IMG_4803.jpg 810w, https://arttextstyle.com/wp-content/uploads/2026/04/IMG_4803-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2026/04/IMG_4803-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><sup><em>Writ and Wefted</em> installation. photo courtesy  Daphne:art Gallery and Advisory</sup></figcaption></figure>



<p class="wp-block-paragraph">In reviewer Julie Durkin’s words, the exhibition pairs, &#8220;two artists who both work at the boundary between language and material.” Sally Van Doren is a poet who works with illegible handwriting. <a href="https://browngrotta.com/artists/nancy-koenigsberg">Nancy Koenigsberg</a> “draws” with wire — nets and mats, cubes and chains — that suggest fascinating interior and shadow lives.</p>



<p class="wp-block-paragraph"><strong>extraORDINARY things</strong><br>through June 17th<br>Flinn Gallery <br>Greenwich Library<br>101 West Putnam Avenue<br>Second Floor<br>Greenwich, CT <a href="https://flinngallery.org/events/extraordinary-things/">https://flinngallery.org/events/extraordinary-things/</a></p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2026/04/4.-Kunstadt-PRESSING-ON-No.-157-antique-sad-iron-scorched-linen-thread-and-paper-1795-6.75-x-3.75-x-18in.-2026-.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2026/04/4.-Kunstadt-PRESSING-ON-No.-157-antique-sad-iron-scorched-linen-thread-and-paper-1795-6.75-x-3.75-x-18in.-2026-.jpg" alt="Carole Kunstadt" class="wp-image-14706" srcset="https://arttextstyle.com/wp-content/uploads/2026/04/4.-Kunstadt-PRESSING-ON-No.-157-antique-sad-iron-scorched-linen-thread-and-paper-1795-6.75-x-3.75-x-18in.-2026-.jpg 810w, https://arttextstyle.com/wp-content/uploads/2026/04/4.-Kunstadt-PRESSING-ON-No.-157-antique-sad-iron-scorched-linen-thread-and-paper-1795-6.75-x-3.75-x-18in.-2026--300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2026/04/4.-Kunstadt-PRESSING-ON-No.-157-antique-sad-iron-scorched-linen-thread-and-paper-1795-6.75-x-3.75-x-18in.-2026--768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><sup><em>PRESSING ON No. 157</em>, Carole Kunstadt, antique sad iron, scorched linen thread and paper: pages by Hannah More dated 1795, 6.75 x 3.75 x 18 in., 2026 . photo courtesy of the artist</sup></figcaption></figure>



<p class="wp-block-paragraph">Four artists —&nbsp;Qingjun Huang, Carole Kunstadt, Cheryl R. Riley, and Rob Strati&nbsp;&#8212;reimagine domestic items into vessels of memory, metaphor, and identity through photo essays, altered appliances, heirlooms, and keepsakes.</p>



<p class="wp-block-paragraph"><em><strong>Art, Jazz + The Blues</strong></em><br>through June 7th<br>Museum of Contemporary Art<br>19 Newtown Turnpike<br>Westport, CT</p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2026/04/Screenshot-2026-04-22-at-9.07.06-AM.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2026/04/Screenshot-2026-04-22-at-9.07.06-AM.jpg" alt="Delta Dawn" class="wp-image-14701" srcset="https://arttextstyle.com/wp-content/uploads/2026/04/Screenshot-2026-04-22-at-9.07.06-AM.jpg 810w, https://arttextstyle.com/wp-content/uploads/2026/04/Screenshot-2026-04-22-at-9.07.06-AM-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2026/04/Screenshot-2026-04-22-at-9.07.06-AM-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><sup><em>Delta Dawn</em> by Eric von Schmidt, oil on canvas, 2002</sup></figcaption></figure>



<p class="wp-block-paragraph"><em>Art, Jazz + The Blues, </em> at the Museum of Contemporary Art, Westport, CT explores the intersections between visual art, jazz, and the blues, musical forms deeply rooted in African American traditions,  drawing from the rich holdings of the Westport Public Art Collections (WestPAC). The exhibition centers on <em>Giants of the Blues</em>, a sweeping series of seven group portraits by Westport native Eric von Schmidt (1931–2007) honoring blues, jazz, and folk musicians from the 1920s to the 1960s. Complementing von Schmidt’s paintings are over fifty artworks from the WestPAC collection depicting musicians, inspired by musical themes, or exploring the resonances between musical and visual forms. A selection of important loans from ACA Galleries, The Brubeck Collection at Wilton Library, Eric Chiang, Michael Cummings, Fairfield University Art Museum, Housatonic Museum of Art, Tudor Maier, Mark &amp; Ellen Naftalin, Larry Silver, the Westport Library Collection, and private collections deepen the conversation. As the jazz great Charlie Parker once said, the show invites visitors to “hear with your eyes and see with your ears.”</p>



<p class="wp-block-paragraph">Last but certainly, not least<em>:</em> <em> Transformations: dialogues in art and materials </em>(May 9 &#8211; 17). Schedule your visit here: https://browngrotta.com/exhibitions/transformations-dialogues-in-art-and-material</p>
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