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		<title>Art Out and About: US</title>
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		<pubDate>Wed, 12 Feb 2020 06:00:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Installations]]></category>
		<category><![CDATA[Museums]]></category>
		<category><![CDATA[Art Institute of Chicago]]></category>
		<category><![CDATA[Ed Rossbach]]></category>
		<category><![CDATA[John McQueen]]></category>
		<category><![CDATA[Kay Sekimachi]]></category>
		<category><![CDATA[Lenore Tawney]]></category>
		<category><![CDATA[Lia Cook]]></category>
		<category><![CDATA[MoMA]]></category>
		<category><![CDATA[Museum of Contemporary Art]]></category>
		<category><![CDATA[Museum of Fine Arts Boston]]></category>
		<category><![CDATA[Olga Amaral]]></category>
		<category><![CDATA[Philadelphia Museum of Art]]></category>
		<category><![CDATA[Renwick Gallery]]></category>
		<category><![CDATA[Sheila Hicks]]></category>
		<category><![CDATA[Toshiko Takaezu]]></category>
		<category><![CDATA[Whitney Museum of American Art]]></category>
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					<description><![CDATA[<p>by Ryan Urcia and Kristina Ratliffe Our 2020 “Art in the Barn” exhibition series is not until next Spring but there are plenty of exciting exhibitions featuring some of our favorite browngrotta arts&#8217; artists to check out this Winter season. Below is a round up of 10 must-see shows in the US: John McQueen, Untitled #192,... </p>
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<p><strong>by Ryan Urcia and Kristina Ratliffe</strong> <br><br>Our 2020 “<a href="http://www.browngrotta.com/Pages/calendar.php">Art in the Barn</a>” exhibition series is not until next Spring but there are plenty of exciting exhibitions featuring some of our favorite browngrotta arts&#8217; artists to check out this Winter season. Below is a round up of 10 must-see shows in the US:<br></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="802" src="http://arttextstyle.com/wp-content/uploads/2020/02/Renwick-Exhibit-1024x802.jpg" alt="John McQueen, Untitled #192, 1989, burdock burrs and applewood
Ed Rossbach, Croissants, ca. 1987, cartons, block print, and staples
CREDIT
The Henry Luce Foundation and the Windgate Charitable Foundation generously support the reinstallation of the Renwick’s permanent collection." class="wp-image-9608" srcset="https://arttextstyle.com/wp-content/uploads/2020/02/Renwick-Exhibit-1024x802.jpg 1024w, https://arttextstyle.com/wp-content/uploads/2020/02/Renwick-Exhibit-300x235.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/02/Renwick-Exhibit-768x602.jpg 768w, https://arttextstyle.com/wp-content/uploads/2020/02/Renwick-Exhibit.jpg 1500w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>John McQueen, Untitled #192, 1989, burdock burrs and applewood<br> Ed Rossbach, Croissants, ca. 1987, cartons, block print, and staples<br> CREDIT<br> The Henry Luce Foundation and the Windgate Charitable Foundation generously support the reinstallation of the Renwick’s permanent collection.</figcaption></figure>



<p><strong>Washington, D.C.</strong><br><em>Connections: Contemporary Craft </em><br><em>at the Renwick Gallery</em><br>On view &#8211; indefinitely<br><em>Connections</em> is the Renwick Gallery’s dynamic ongoing permanent collection presentation, featuring more than <strong>8</strong>0<strong> </strong>objects celebrating craft as a discipline and an approach to living differently in the modern world. The exhibition explores the underlying current of craft as a balancing, humanistic force in the face of an evermore efficiency-driven, virtual world. The installation highlights the evolution of the craft field as it transitions into a new phase at the hands of contemporary artists, showcasing the activist values, optimism, and uninhibited approach of today’s young artists, which in some way echoes the communal spirit and ideology of the pioneers of the American Studio Craft Movement in their heyday. Includes artist <a href="http://www.browngrotta.com/Pages/cook.php">Lia Cook</a>, <a href="https://www.artsy.net/artwork/toshiko-takaezu-undulating-moon-pot">Toshiko Takaezu</a>, <a href="http://www.browngrotta.com/Pages/rossbach.php">Ed Rossbach</a>, <a href="http://www.browngrotta.com/Pages/mcqueen.php">John McQueen</a>, Peter Voulkos.<br>Renwick Gallery of the Smithsonian American Art Museum&nbsp;</p>



<p>Pennsylvania Avenue at 17th Street NW, Washington, DC. (212)(202) 633-7970 <a rel="noreferrer noopener" href="https://americanart.si.edu/" target="_blank">https://americanart.si.edu</a></p>



<figure class="wp-block-image size-large"><a href="https://www.mfa.org"><img loading="lazy" decoding="async" width="1006" height="1024" src="http://arttextstyle.com/wp-content/uploads/2020/02/20_Bamian-2-1006x1024.jpg" alt="Bamian by Sheila Hicks" class="wp-image-9611" srcset="https://arttextstyle.com/wp-content/uploads/2020/02/20_Bamian-2-1006x1024.jpg 1006w, https://arttextstyle.com/wp-content/uploads/2020/02/20_Bamian-2-295x300.jpg 295w, https://arttextstyle.com/wp-content/uploads/2020/02/20_Bamian-2-768x782.jpg 768w, https://arttextstyle.com/wp-content/uploads/2020/02/20_Bamian-2.jpg 1473w" sizes="auto, (max-width: 1006px) 100vw, 1006px" /></a><figcaption>Bamian Sheila Hicks (American (lives and works in Paris), born in 1934) 1968 Wool and acrylic yarns, wrapped * Charles Potter Kling Fund and partial gift of Sheila Hicks © Sheila Hicks * Photograph © Museum of Fine Arts, Boston</figcaption></figure>



<p><strong>Boston, Massachusetts</strong><br><em>Women Take the Floor&nbsp;</em><br><em>O</em>n view through May 3, 2020<br>An exhibition of more than 200 works that challenge the dominant history of 20th-century American art by focusing on the overlooked and underrepresented work and stories of women artists &#8211; advocating for diversity, inclusion, and gender equity in museums, the art world, and beyond. Includes <a href="http://www.browngrotta.com/Pages/tawney.php">Lenore Tawney</a>, <a href="http://www.browngrotta.com/Pages/hicksphp">Sheila Hicks</a>, Olga Amaral, <a href="http://www.browngrotta.com/Pages/sekimachi.php">Kay Sekimachi</a>, <a href="https://www.artsy.net/artwork/toshiko-takaezu-undulating-moon-pot">Toshiko Takaezu</a>.&nbsp;<br>Museum of Fine Arts, Boston<br>Avenue of the Arts<br>465 Huntington Avenue, Boston, Massachusetts 02115<br>Phone: (617) 267-9300 mfa.org<br></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="613" src="http://arttextstyle.com/wp-content/uploads/2020/02/image9-katherinewestphalafantasymeetingofsantaclaus-918412-1-1024x613.jpg" alt="Katherine Westphal A Fantasy Meeting of Santa Claus with Big Julie and Tyrone at McDonalds" class="wp-image-9613" srcset="https://arttextstyle.com/wp-content/uploads/2020/02/image9-katherinewestphalafantasymeetingofsantaclaus-918412-1-1024x613.jpg 1024w, https://arttextstyle.com/wp-content/uploads/2020/02/image9-katherinewestphalafantasymeetingofsantaclaus-918412-1-300x180.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/02/image9-katherinewestphalafantasymeetingofsantaclaus-918412-1-768x460.jpg 768w, https://arttextstyle.com/wp-content/uploads/2020/02/image9-katherinewestphalafantasymeetingofsantaclaus-918412-1-280x168.jpg 280w, https://arttextstyle.com/wp-content/uploads/2020/02/image9-katherinewestphalafantasymeetingofsantaclaus-918412-1.jpg 1500w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption>From <em>Off the Wall: </em>Katherine Westphal A Fantasy Meeting of Santa Claus with Big Julie and Tyrone at McDonalds, 1978. Resist-dyed cotton. San Jose Museum of Quilts &amp; Textiles, San Jose, CA.</figcaption></figure>



<p><br><strong>Philadelphia, Pennsylvania</strong><br><em>Off the Wall: American Art to Wear</em><br>On view through May 17, 2020&nbsp;&nbsp;Delight in the astonishing inventiveness and techniques of a generation of mixed-media artists who pioneered a new art form designed around the body. Coming of age during the dramatic cultural shifts of the 1960s and 70s, the artists in this distinctively American movement explored non-traditional materials and methods to create adventurous, deeply imaginative works. Includes <a href="http://www.browngrotta.com/Pages/minkowitz.php">Norma Minkowitz</a> and <a href="http://www.browngrotta.com/Pages/westphal.php">Katherine Westphal</a>&nbsp;<br>Philadelphia Museum of Art&nbsp;<br>2600 Benjamin Franklin Parkway, Philadelphia, PA 19130<br>Phone: (215) 763-8100<br><a rel="noreferrer noopener" href="https://philamuseum.org/" target="_blank">https://philamuseum.org</a><br></p>



<figure class="wp-block-image size-large"><a href="http://www.browngrotta.com/Pages/stein.php"><img loading="lazy" decoding="async" width="1010" height="603" src="http://arttextstyle.com/wp-content/uploads/2020/02/Ethel-Stein.pinwheel-detail.jpg" alt="White Pinwheel by Ethel Stein" class="wp-image-9614" srcset="https://arttextstyle.com/wp-content/uploads/2020/02/Ethel-Stein.pinwheel-detail.jpg 1010w, https://arttextstyle.com/wp-content/uploads/2020/02/Ethel-Stein.pinwheel-detail-300x179.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/02/Ethel-Stein.pinwheel-detail-768x459.jpg 768w, https://arttextstyle.com/wp-content/uploads/2020/02/Ethel-Stein.pinwheel-detail-280x168.jpg 280w" sizes="auto, (max-width: 1010px) 100vw, 1010px" /></a><figcaption>Ethel Stein,White Pinwheel, 1990
cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist
87.6 x 83.8 x 2.2 cm (34 1/2 x 33 x 7/8 in.)</figcaption></figure>



<p><em><strong>Chicago, Illinois</strong></em><br><em>Weaving beyond the Bauhaus</em><br>On view through Feb 17, 2020<br>Presented on the centenary of this foundational organization, <em>Weaving beyond the Bauhaus </em>traces the diffusion of Bauhaus artists, or Bauhäusler, such as Anni Albers and Marli Ehrman, and their reciprocal relationships with fellow artists and students across America. Through their ties to arts education institutions, including Black Mountain College, the Institute of Design, the Illinois Institute of Technology, and Yale University, these artists shared their knowledge and experiences with contemporary and successive generations of artists, including <a href="http://www.browngrotta.com/Pages/hicks.php">Sheila Hicks</a>, Else Regensteiner, <a href="http://www.browngrotta.com/Pages/stein.php">Ethel Stein</a>, <a href="http://www.browngrotta.com/Pages/tawney.php">Lenore Tawney</a>, and Claire Zeisler, shaping the landscape of American art in the process.<br>Art Institute Chicago <br>111 South Michigan Avenue<br>Chicago, Illinois 60603-6404<br>(312) 443-3600<br><a rel="noreferrer noopener" href="https://www.artic.edu/" target="_blank">https://www.artic.edu</a></p>



<figure class="wp-block-image size-large"><a href="https://www.jmkac.org/exhibition/2019/mirror-of-universe/poetry-silence#&amp;gid=1&amp;pid=4"><img loading="lazy" decoding="async" width="1024" height="683" src="http://arttextstyle.com/wp-content/uploads/2020/02/TawneyPoetryInstall2-1024x683.jpg" alt="In Poetry and Silence Lenore Tawney installation" class="wp-image-9615" srcset="https://arttextstyle.com/wp-content/uploads/2020/02/TawneyPoetryInstall2-1024x683.jpg 1024w, https://arttextstyle.com/wp-content/uploads/2020/02/TawneyPoetryInstall2-300x200.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/02/TawneyPoetryInstall2-768x512.jpg 768w, https://arttextstyle.com/wp-content/uploads/2020/02/TawneyPoetryInstall2.jpg 1036w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></a><figcaption>In Poetry and Silence: The Work and Studio of Lenore Tawney Installation view at the John Michael Kohler Arts Center, 2019<br>Courtesy of John Michael Kohler Arts Center</figcaption></figure>



<p><br><strong>Sheboygan, Wisconsin</strong><br><em>Lenore Tawney: Mirror of the Universe</em><br>On view through March 7, 2020<br>This series of four exhibitions explores <a href="http://www.browngrotta.com/Pages/tawney.php">Lenore Tawney&#8217;s</a> (1907–2007) life and impact, offering a personal and historical view into her entire body of work. Read more about the Tawney exhibits in our earlier blog here: <a rel="noreferrer noopener" href="http://arttextstyle.com/2019/12/18/lenore-tawney-gets-her-due/" target="_blank">http://arttextstyle.com/2019/12/18/lenore-tawney-gets-her-due/</a> &nbsp;<br>John Michael Kohler Arts Center (JMKAC)<br>608 New York Avenue, Sheboygan, WI 53081<br>Phone: 920.458.6144<br>jmkac.org<br><br></p>



<figure class="wp-block-image size-large"><a href="https://www.artsy.net/artwork/toshiko-takaezu-undulating-moon-pot"><img loading="lazy" decoding="async" width="550" height="185" src="http://arttextstyle.com/wp-content/uploads/2011/03/Toshiko.jpg" alt="Toshiko Takaezu portrait, 1998 by Tom Grotta" class="wp-image-1759" srcset="https://arttextstyle.com/wp-content/uploads/2011/03/Toshiko.jpg 550w, https://arttextstyle.com/wp-content/uploads/2011/03/Toshiko-300x100.jpg 300w" sizes="auto, (max-width: 550px) 100vw, 550px" /></a><figcaption>Toshiko Takaezu portrait, 1998 by Tom Grotta, courtesy of browngrotta arts</figcaption></figure>



<p><strong>Racine, Wisconsin</strong><br><em>It&#8217;s Like Poetry: Building a Toshiko Takaezu Archive at RAM&nbsp;</em><br>On view through July 26, 2020<br>RAM’s archive now numbers over 30 works, including Toshiko Takaezu’s&nbsp;(1922-2011) most expansive grouping, the installation comprised of 14 “human-sized” forms, the&nbsp;<em>Star Series</em>. Significantly, the museum’s holdings span the range of Takaezu’s working career—with a double-spouted pot from the 1950s being the earliest and the&nbsp;<em>Star Series</em>&nbsp;(1999-2000) being the latest.&nbsp;<br><em>Open Storage: RAM Showcases Ceramic, Fiber, and Regional Archives&nbsp;</em><br>On view through August 30, 2020<br>Arranged as a series of artist solo showcases,&nbsp;<em>Open Storage</em>&nbsp;also highlights the earliest kinds of work given to RAM—textiles and works on paper. While ceramic works and art jewelry currently number as the two largest types of contemporary craft represented, examples of textiles, prints, drawings, and works on paper were among the very first gifts of artwork to the museum in the 1940s. This exhibition features the work of 12 artists—Sandra Byers, Gibson Byrd, John N. Colt, Theodore Czebotar, Lillian Elliott, Joseph Friebert, <a href="http://www.browngrotta.com/Pages/rossbach.php">Ed Rossbach</a>, <a href="http://www.browngrotta.com/Pages/sekimachi.php">Kay Sekimachi</a>, Jean Stamsta, Merle Temkin, Murray Weiss, and Beatrice Wood—through multiple examples of their work.&nbsp;<br>Racine Art Museum<br>441 Main Street, Racine, WI 53403<br>Phone: (262) 638-8300<br><a rel="noreferrer noopener" href="https://www.ramart.org/" target="_blank">https://www.ramart.org</a><br></p>



<figure class="wp-block-image size-large"><a href="http://arttextstyle.com/dispatches-making-knowing-craft-in-art-1950-2019-at-the-whitney/"><img loading="lazy" decoding="async" width="1024" height="1024" src="http://arttextstyle.com/wp-content/uploads/2020/01/IMG_0084-1024x1024.jpg" alt="" class="wp-image-9586" srcset="https://arttextstyle.com/wp-content/uploads/2020/01/IMG_0084-1024x1024.jpg 1024w, https://arttextstyle.com/wp-content/uploads/2020/01/IMG_0084-300x300.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/01/IMG_0084-150x150.jpg 150w, https://arttextstyle.com/wp-content/uploads/2020/01/IMG_0084-768x768.jpg 768w, https://arttextstyle.com/wp-content/uploads/2020/01/IMG_0084.jpg 1417w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></a><figcaption>Installation view of&nbsp;<em>Making Knowing: Craft in Art, 1950–2019</em>&nbsp;(Whitney Museum of American Art, New York, November 22, 2019–January 2021). Alan Shields,&nbsp;<em>J + K</em>, 1972. Photograph by Ryan Urcia</figcaption></figure>



<p><br><strong>New York, New York</strong><br><em>Making Knowing: Craft in Art, 1950–2019</em><br>On view through January 2021<br>The exhibition foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. This exhibition provides new perspectives on subjects that have been central to artists, including abstraction, popular culture, feminist and queer aesthetics, and recent explorations of identity and relationships to place. Together, the works demonstrate that craft-informed techniques of making carry their own kind of knowledge, one that is crucial to a more complete understanding of the history and potential of art. Drawn primarily from the Whitney’s collection, the exhibition will include over eighty works by more than sixty artists, including Ruth Asawa, Eva Hesse, Mike Kelley, Liza Lou, Ree Morton, Howardena Pindell, Robert Rauschenberg, Elaine Reichek, and <a href="http://www.browngrotta.com/Pages/tawney.php">Lenore Tawney</a>, as well as featuring new acquisitions by Shan Goshorn, Kahlil Robert Irving, Simone Leigh, Jordan Nassar, and Erin Jane Nelson. More on this exhibition in our previous post: <a rel="noreferrer noopener" href="http://arttextstyle.com/dispatches-making-knowing-craft-in-art-1950-2019-at-the-whitney/" target="_blank">http://arttextstyle.com/dispatches-making-knowing-craft-in-art-1950-2019-at-the-whitney/</a><br>Whitney Museum of American Art<br>99 Gansevoort Street New York, NY 10014<br>Phone: (212) 570-3600<br><a rel="noreferrer noopener" href="https://whitney.org/" target="_blank">https://whitney.org</a></p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="968" height="644" src="http://arttextstyle.com/wp-content/uploads/2020/01/Taking-a-Thread-for-a-Walk-Draft_Page_7_Image_0001.jpg" alt="" class="wp-image-9543" srcset="https://arttextstyle.com/wp-content/uploads/2020/01/Taking-a-Thread-for-a-Walk-Draft_Page_7_Image_0001.jpg 968w, https://arttextstyle.com/wp-content/uploads/2020/01/Taking-a-Thread-for-a-Walk-Draft_Page_7_Image_0001-300x200.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/01/Taking-a-Thread-for-a-Walk-Draft_Page_7_Image_0001-768x511.jpg 768w, https://arttextstyle.com/wp-content/uploads/2020/01/Taking-a-Thread-for-a-Walk-Draft_Page_7_Image_0001-500x333.jpg 500w" sizes="auto, (max-width: 968px) 100vw, 968px" /><figcaption>Installation view of&nbsp;<em>Taking a Thread for a Walk,</em>&nbsp;The Museum of Modern Art, New York&nbsp;<br>2019 The Museum of Modern Art. Photo: Denis Doorly</figcaption></figure>



<p><strong>New York, New York</strong><br><em>Taking a Thread for a Walk</em><br>On view through April 19, 2020<br>True to its title, this exhibition takes a thread for a walk among ancient textile traditions, early-20th-century design reform movements, and industrial materials and production methods. Featuring adventurous combinations of natural and synthetic fibers and spatially dynamic pieces that mark the emergence of more a sculptural approach to textile art beginning in the 1960s, this show highlights the fluid expressivity of the medium. More about this exhibition in our earlier blog: <em><a href="http://arttextstyle.com/2020/01/08/textiles-take-center-stage-at-the-new-moma-new-york-ny/">Dispatches: Textiles Take Center Stage at the New MoMA, New York, NY </a></em><br>Museum of Modern Art, New York&nbsp;<br>11 West 53 Street, New York, NY 10019<br>Phone: (212) 708-9400<br><a rel="noreferrer noopener" href="https://www.moma.org/" target="_blank">https://www.moma.org</a><br></p>



<figure class="wp-block-image size-large"><a href="https://www.moca.org "><img loading="lazy" decoding="async" width="800" height="657" src="http://arttextstyle.com/wp-content/uploads/2020/02/83ac842b-035b-49d1-8f3d-7a84468104ec.jpg" alt="Lia Cook in front of Through the Curtain and Up from the Sea (1985) at MOCA in LA" class="wp-image-9617" srcset="https://arttextstyle.com/wp-content/uploads/2020/02/83ac842b-035b-49d1-8f3d-7a84468104ec.jpg 800w, https://arttextstyle.com/wp-content/uploads/2020/02/83ac842b-035b-49d1-8f3d-7a84468104ec-300x246.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/02/83ac842b-035b-49d1-8f3d-7a84468104ec-768x631.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></a><figcaption>Through the Curtain and Up from the Sea (1985) at MOCA in LA</figcaption></figure>



<p><strong>Los Angeles, California</strong><br><em>With Pleasure: Pattern and Decoration in American Art 1972–1985</em><br>On view through May 3, 2020&nbsp;Featuring approximately fifty artists from across the United States, the exhibition examines the Pattern and Decoration movement’s defiant embrace of forms traditionally coded as feminine, domestic, ornamental, or craft-based and thought to be categorically inferior to fine art. This is the first full-scale scholarly survey of this groundbreaking American art movement, encompassing works in painting, sculpture, collage, ceramics, installation art, and performance documentation. Includes artist <a href="http://www.browngrotta.com/Pages/cook.php">Lia Cook</a>.&nbsp;<br>Museum of Contemporary Art<br>Grand Avenue<br>250 South Grand Avenue, Los Angeles, CA 90012<br>Phone: (213) 626-6222<br><a rel="noreferrer noopener" href="https://www.moca.org/" target="_blank">https://www.moca.org</a>&nbsp;<br><br>Please check with each art institution for directions and hours.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>



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