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	<title>paper Archives - arttextstyle</title>
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	<description>contemporary art textiles and fiber sculpture</description>
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		<title>Art Update: What’s On in America and Abroad</title>
		<link>https://arttextstyle.com/2014/05/08/art-update-whats-america-abroad/</link>
					<comments>https://arttextstyle.com/2014/05/08/art-update-whats-america-abroad/#respond</comments>
		
		<dc:creator><![CDATA[arttextstyle]]></dc:creator>
		<pubDate>Thu, 08 May 2014 15:01:07 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Textiles]]></category>
		<category><![CDATA[Basketry]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Fiber Sculpture]]></category>
		<category><![CDATA[Galleries]]></category>
		<category><![CDATA[Installations]]></category>
		<category><![CDATA[Japanese Art]]></category>
		<category><![CDATA[Museums]]></category>
		<category><![CDATA[Paper]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Tapestry]]></category>
		<category><![CDATA[Alexander Calder; Pierre Daquin]]></category>
		<category><![CDATA[Ane Hendricksen; Grethe Sorensen]]></category>
		<category><![CDATA[Artapestry3]]></category>
		<category><![CDATA[c art c.]]></category>
		<category><![CDATA[Drapers Gallery; Lia Cook]]></category>
		<category><![CDATA[Fiber Futures: Pioneers of Japanese Textile Art]]></category>
		<category><![CDATA[Fold]]></category>
		<category><![CDATA[Ivete Vecenáne’s]]></category>
		<category><![CDATA[Jacquard]]></category>
		<category><![CDATA[Jean-Lurçat Museum of Contemporary Tapestry]]></category>
		<category><![CDATA[Naoko Serino; Hideho Tanaka; Kiyomi Iwata; Naomi Kobayashi; Hisako Sekijima; Kyoko Kumai]]></category>
		<category><![CDATA[Norie Hatekayama; Jennifer Falck Linssen]]></category>
		<category><![CDATA[paper]]></category>
		<category><![CDATA[Scissors]]></category>
		<category><![CDATA[the Computense Art Center]]></category>
		<category><![CDATA[The Mesa Contemporary Arts Museum]]></category>
		<guid isPermaLink="false">http://arttextstyle.com/?p=5713</guid>

					<description><![CDATA[<p>&#160; Several artists represented by browngrotta arts are included in exhibitions in Europe and the US this Spring. Among the largest is Artapestry3 at the Jean-Lurçat Museum of Contemporary Tapestry in Angers, France. This is the third is edition of Artapestry3, an initiative launched by the European Tapestry Forum (ETF). The event contemporary  offers visitors an unusual perspective by aligning the works of 25... </p>
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										<content:encoded><![CDATA[<p>&nbsp;</p>
<div id="attachment_5714" style="width: 440px" class="wp-caption alignleft"><a href="http://browngrotta.com/Pages/henriksen.php"><img fetchpriority="high" decoding="async" aria-describedby="caption-attachment-5714" class="wp-image-5714" src="http://arttextstyle.com/wp-content/uploads/2014/05/AneHenriksen.Recall.forsendelse.jpg" alt="Recall, Ane Henricksen, 2010. photo by Ane Henricksen" width="430" height="436" srcset="https://arttextstyle.com/wp-content/uploads/2014/05/AneHenriksen.Recall.forsendelse.jpg 550w, https://arttextstyle.com/wp-content/uploads/2014/05/AneHenriksen.Recall.forsendelse-295x300.jpg 295w" sizes="(max-width: 430px) 100vw, 430px" /></a><p id="caption-attachment-5714" class="wp-caption-text">Recall, Ane Henricksen, 2010. photo by Ane Henricksen</p></div>
<p>Several artists represented by browngrotta arts are included in exhibitions in Europe and the US this Spring. Among the largest is <em>Artapestry3</em> at the Jean-Lurçat Museum of Contemporary Tapestry in <strong>Angers, France</strong>. This is the third is edition of <i>Artapestry3</i>, an initiative launched by the European Tapestry Forum (ETF). The event contemporary  offers visitors an unusual perspective by aligning the works of 25 international textile artists, including <a href="http://browngrotta.com/Pages/henriksen.php">Ane Hendricksen</a> and <a href="http://browngrotta.com/Pages/sorensen.php"><span style="color: #003366;">Grethe Sørensen</span></a>, with the Museum’s collection, which includes work by such artists as Paul Klee, Alexander Calder, Thomas Gleb, Magdalena Abakanowicz and Jean Lurçat. Also included in the exhibition are examples of traditional tapestry works whose iconographic repertory has inspired contemporary creation. The exhibition is structured around nine major themes that enable comparisons between the contemporary pieces that form part of <em>Artapestry3</em> and the more traditional works from the Angers’ collections. Among these themes, in the <i>Vitality</i> section, a visitor may discover the <i>Red Sun</i> tapestry by Alexander Calder (1919-1976) alongside the lively motifs of Ariadna Donner’s <i>The wolf crossed the road</i>. In the <i>Object</i> section, visitors can admire <i>Temps passé</i> by Pierre Daquin (1936) next to Ivete Vecenáne’s <i>The Bowl</i>. The exhibition runs through May 18th. For more information visit the event website: <a href="http://web.archive.org/web/20140413195413/http://musees.angers.fr/expositions/en-ce-moment/artapestry3-angers-allers-retours/artapestry3-angers-allers-retours/index.html">musees.angers.fr/expositions/en-ce-moment/artapestry3-angers-allers-retours/artapestry3-angers-allers-retours/index.html</a>.</p>
<div id="attachment_5715" style="width: 440px" class="wp-caption alignleft"><a href="http://browngrotta.com/Pages/serino.php"><img decoding="async" aria-describedby="caption-attachment-5715" class="wp-image-5715" src="http://arttextstyle.com/wp-content/uploads/2014/05/serino.spain_.jpg" alt="Naoko Serino installing her works as &quot;Fiber Futures&quot; travels to Spain." width="430" height="415" srcset="https://arttextstyle.com/wp-content/uploads/2014/05/serino.spain_.jpg 550w, https://arttextstyle.com/wp-content/uploads/2014/05/serino.spain_-300x289.jpg 300w" sizes="(max-width: 430px) 100vw, 430px" /></a><p id="caption-attachment-5715" class="wp-caption-text">Naoko Serino installing her works as &#8220;Fiber Futures&#8221; travels to Spain.</p></div>
<p><i>Fiber Futures: Pioneers of Japanese Textile Art</i>, continues its travels. It is open at c art c., the Computense Art Center in <b>Madrid, Spain</b>through May 18, 2014. The exhibition features Japan&#8217;s most important contemporary textile artists, including, <a href="http://browngrotta.com/Pages/serino.php">Naoko Serino</a>, <a href="http://browngrotta.com/Pages/tanaka.h.php">Hideho Tanaka</a>, <a href="http://browngrotta.com/Pages/iwata.php">Kiyomi Iwata</a>, <a href="http://browngrotta.com/Pages/kobayashi.n.php">Naomi Kobayashi</a>, <a href="http://browngrotta.com/Pages/sekijima.php">Hisako Sekijima</a> and <a href="http://browngrotta.com/Pages/kumai.php">Kyoko Kumai</a>. For more information visit: <a href="https://www.ucm.es/">www.ucm.es/</a>.</p>
<div id="attachment_5716" style="width: 440px" class="wp-caption alignleft"><a href="http://browngrotta.com"><img decoding="async" aria-describedby="caption-attachment-5716" class="wp-image-5716" src="http://arttextstyle.com/wp-content/uploads/2014/05/Linssen.-Takamiya.jpg" alt="works by Jennifer Falck Linssen and Norikko Takamiya" width="430" height="382" srcset="https://arttextstyle.com/wp-content/uploads/2014/05/Linssen.-Takamiya.jpg 550w, https://arttextstyle.com/wp-content/uploads/2014/05/Linssen.-Takamiya-300x266.jpg 300w" sizes="(max-width: 430px) 100vw, 430px" /></a><p id="caption-attachment-5716" class="wp-caption-text">works by Jennifer Falck Linssen and Norikko Takamiya</p></div>
<p>In the US, in <strong>Mesa, Arizona</strong>, <a href="http://browngrotta.com/Pages/takamiya.php">Norikko Takamiya</a> and <a href="http://browngrotta.com/Pages/linssen.php">Jennifer Falck Linssen</a> join an inventive group of artists working with paper.<em>Fold, Paper, Scissors</em> runs through August 10, 2014 at the Mesa Contemporary Art Museum. The Opening Reception is Friday, May 9th from 7 to 10 p.m. (We’ll be there!) The Mesa Contemporary Arts Museum at Mesa Arts Center is at One East Main Street, Downtown Mesa, Arizona, for more information, call: 480-644-6560 or visit:  <a href="http://www.MesaArtsCenter.com"><span style="color: #000000;">www.MesaArtsCenter.com</span></a>.</p>
<div id="attachment_5717" style="width: 440px" class="wp-caption alignleft"><a href="http://browngrotta.com/Pages/cook.php"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-5717" class="wp-image-5717" src="http://arttextstyle.com/wp-content/uploads/2014/05/Big_Tera472f76.jpg" alt="Big Tera, 2007 - Tissage de coton 259 x 127 cm" width="430" height="230" srcset="https://arttextstyle.com/wp-content/uploads/2014/05/Big_Tera472f76.jpg 550w, https://arttextstyle.com/wp-content/uploads/2014/05/Big_Tera472f76-300x160.jpg 300w" sizes="auto, (max-width: 430px) 100vw, 430px" /></a><p id="caption-attachment-5717" class="wp-caption-text">Big Tera, 2007 &#8211; Tissage de coton 259 x 127 cm</p></div>
<p><a href="http://browngrotta.com/Pages/cook.php">Lia Cook’s</a> work is the subject of a one-person exhibition at the Drapers Gallery in <strong>Liege, </strong><strong>Belgium</strong>. <em>Lia Cook: Icons Jacquard</em> highlights faces woven in large scale on a Jacquard loom. For more information visit the Gallery’s site: <a href="https://web.archive.org/web/20180904031333/http://www.lesdrapiers.be/events/lia-cook/">www.lesdrapiers.be/events/lia-cook</a>.</p>
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		<title>Exhibit News: Opportunities to see the work of artists represented by browngrotta arts abound this summer from New York to New Jersey to the Netherlands</title>
		<link>https://arttextstyle.com/2010/06/13/exhibit-newsopportunities-to-see-the-work-of-artists-represented-by-browngrotta-arts-abound-this-summer-from-new-york-to-new-jersey-to-the-netherlands-2/</link>
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		<pubDate>Sun, 13 Jun 2010 02:12:09 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Museums]]></category>
		<category><![CDATA[Anda Klancic]]></category>
		<category><![CDATA[Belskie Museum]]></category>
		<category><![CDATA[Ceca Georgieva]]></category>
		<category><![CDATA[Central Museum of Textiles]]></category>
		<category><![CDATA[Green Spaces NY]]></category>
		<category><![CDATA[Katherine Westphal]]></category>
		<category><![CDATA[Kiyomi Iwata]]></category>
		<category><![CDATA[Kyoko KumaI]]></category>
		<category><![CDATA[Museum Rijswijk]]></category>
		<category><![CDATA[Muweum of Art and Design]]></category>
		<category><![CDATA[paper]]></category>
		<category><![CDATA[The Bascom]]></category>
		<guid isPermaLink="false">https://arttextstyle.wordpress.com/?p=867</guid>

					<description><![CDATA[<p>Information Revisited: the Encyclopedia Britannica Project Belskie Museum of Art &#38; Science 280 High St Closter, New Jersey 07624201.768.0286 Museum hours &#8211; Sat and Sun 1-5; other times by appointment &#160; extended through August 1st, 2010 Thirty-one international artists, including Wendy Wahl (US), transform books of words into works of art. Holland Paper Biennial 2010 Museum Rijswijk Herenstraat 67... </p>
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										<content:encoded><![CDATA[<p><span style="font-family: Arial;"><strong><span style="font-size: 14px;">Information Revisited: the Encyclopedia Britannica Project<br />
</span></strong></span><span style="font-family: Arial;"><strong>Belskie Museum of Art &amp; Science<br />
</strong></span><span style="font-family: Arial;">280 High St<br />
</span><span style="font-family: Arial;">Closter, New Jersey 07624</span><span style="font-family: Arial;">201.768.0286<br />
</span><span style="font-family: Arial;">Museum hours &#8211; Sat and Sun 1-5; other times by appointment</span></p>
<div style="width: 456px" class="wp-caption alignnone"><a href="http://browngrotta.com/Pages/wahl.html"><img loading="lazy" decoding="async" class=" " style="border: 0px initial initial;" src="http://arttextstyle.files.wordpress.com/2010/06/yewspheres-by-chris-drury20ww-detail.jpg" alt="20ww.detail.jpg" width="446" height="157" border="0" /></a><p class="wp-caption-text">Wendy Wahl Detail</p></div>
<p>&nbsp;</p>
<p>extended through August 1st, 2010</p>
<p><span style="font-family: Arial;">Thirty-one international artists, including <a href="http://browngrotta.com/Pages/wahl.html">Wendy Wahl</a> (US), transform books of words into works of art.<br />
</span></p>
<p><span style="font-family: Arial; font-size: 14px;"><strong>Holland Paper Biennial 2010<br />
</strong></span><span style="font-family: Arial;"><strong>Museum Rijswijk<br />
</strong></span><span style="font-family: Arial;">Herenstraat 67<br />
</span><span style="font-family: Arial;">2282 BR Rijswijk<br />
</span><span style="font-family: Arial;">070.390.36.17<br />
</span><span style="font-family: Arial;">CODA Apeldoorn<br />
</span><span style="font-family: Arial;">Vosselmanstraat 299</span><span style="font-family: Arial;">7311 CL Apeldoorn</span><span style="font-family: Arial;">055.526.84.00<br />
</span><span style="font-family: Arial;">http://www.museumryswyk.nl/hpb2010/hpb2010en.html</span></p>
<div style="width: 456px" class="wp-caption alignnone"><a href="http://browngrotta.com/Pages/takamiya.html"><img loading="lazy" decoding="async" class=" " style="border: 0px initial initial;" src="http://arttextstyle.files.wordpress.com/2010/06/yewspheres-by-chris-drury20nt-detail.jpg" alt="20nt.detail.jpg" width="446" height="119" border="0" /></a><p class="wp-caption-text">Noriko Takamiya Detail</p></div>
<p>&nbsp;</p>
<p>from June 8th through September 12, 2010</p>
<p><span style="font-family: Arial;">The 2010 Holland Paper Biennial is an exhibition of work by international paper artists taking place in two museums. A special selection of papers and books will be added to the usual range of products in the museum shop for the duration of the exhibition in Museum Rijswijk. The traditional paper fair will be held in the courtyard at the front of Museum Rijswijk and in the Oude Kerk (Old Church) opposite on Sunday September 12th. Jewellry and collage made of paper get special attention at this biennial. Closely related to these jewellery pieces, is the work of <a href="http://browngrotta.com/Pages/takamiya.html">Noriko Takamiya</a> (Japan). Using the traditional Japanese craft of basketry as her starting point, she develops new forms and techniques. She winds layers of thin strips of paper around each other, interweaving them into Escher-like objects. Three artists, Desiree de Baar (the Netherlands), Christophe Piallat (US) and Birgit Knoechl (Germany), have been asked to create installations using the dramatic architecture of the CODA building. </span></p>
<p><span style="font-family: Arial; font-size: 14px;"><strong><br />
The New Materiality: Digital Dialogues at the Boundaries of Contemporary Craft<br />
</strong></span><span style="font-family: Arial;"><strong>Fuller Craft Museum<br />
</strong></span><span style="font-family: Arial;">455 Oak Street<br />
</span><span style="font-family: Arial;">Brockton, MA 02301<br />
</span><span style="font-family: Arial;">508.588.6000</span></p>
<div style="width: 456px" class="wp-caption alignnone"><a href="http://browngrotta.com/Pages/labianca.html"><img loading="lazy" decoding="async" class=" " style="border: 0px initial initial;" src="http://arttextstyle.files.wordpress.com/2010/06/yewspheres-by-chris-drury2ll-detail.jpg" alt="2ll.detail.jpg" width="446" height="154" border="0" /></a><p class="wp-caption-text">Lawrence LaBianca Detail</p></div>
<p>&nbsp;</p>
<p>through February 6, 2011</p>
<p><span style="font-family: Arial;">Curated by Fo Wilson, this exhibition steps beyond the boundaries that currently exist among technology, art, and craft. The New Materiality looks at a growing development in the United States toward the use of digital technologies as a new material and means of expression in craft. Contributing artists include: Wendy Maruyama (San Diego, CA), Nathalie Mieback (Brookline, MA), Brian Boldon (Minneapolis,MA), Shaun Bullens and Cat Mazza (Providence, RI), Sonya Clark (Richmond, VA), Lia Cook (Berkeley, CA), Susan Working (Snowmass Village,CO), Mike and Maaike, E.G. Crichton, Donald Fortescue and <a href="http://browngrotta.com/Pages/labianca.html">Lawrence LaBianca</a> (San Francisco, CA), Christy Matson (Chicago, IL), Tim Tate (Mt. Rainier, WA), and Mark Zirpel (Seattle, WA).</span></p>
<p><span style="font-family: Arial; font-size: 14px;"><strong><br />
(Re) Fashioning Fiber<br />
</strong></span><span style="font-family: Arial;"><strong>Green Spaces NY<br />
</strong></span><span style="font-family: Arial;">394 Broadway, 5th Flr<br />
</span><span style="font-family: Arial;">New York, NY 10013<br />
</span><span style="font-family: Arial;">646.783.8616</span></p>
<div style="width: 456px" class="wp-caption alignnone"><a href="http://browngrotta.com/Pages/georgieva.html"><img loading="lazy" decoding="async" class=" " style="border: 0px initial initial;" src="http://arttextstyle.files.wordpress.com/2010/06/yewspheres-by-chris-drury5cg-detail.jpg" alt="5cg.detail.jpg" width="446" height="137" border="0" /></a><p class="wp-caption-text">Ceca Georgieva Detail</p></div>
<p>&nbsp;</p>
<p>through August 13, 2010</p>
<p><span style="font-family: Arial;">Curated by environmental artist Abigail Doan, the works in this exhibit offer up new ways of thinking about “fiber” as a basis for how we might (re)fashion our lives, our patterns of consumption, and our personal style. Among the Invited artists and designers include: Abigail Doan, Atefeh Khas, Brece Honeycutt, Abigail McEnroe, Kaori Yamazaki, Mackenzie Frere, Melissa Kirgan, Meiling Chen, Michelle Vitale Loughlin, Renata Mann, Sibyll Kalff, Tara St. James, Tara Goodarzy, Xing-Zhen Chung-Hilyard and <a href="http://browngrotta.com/Pages/georgieva.html">Ceca Georgieva</a> (Bulgaria), who has creted jewelry of vegatation.</span></p>
<p><span style="font-family: Arial; font-size: 14px;"><strong><br />
On View: Artists In Residence and Toe River Potters<br />
</strong></span><span style="font-family: Arial;"><strong>The Bascom<br />
</strong></span><span style="font-family: Arial;">Atrium and Education Gallery<br />
</span><span style="font-family: Arial;">323 Franklin Road<br />
</span><span style="font-family: Arial;">Highlands, NC 28741<br />
</span><span style="font-family: Arial;">828.526.4949<br />
</span><span style="font-family: Arial;"><a href="http://www.thebascom.org">http://www.thebascom.org/future-exhibitions/5-exhibitions/22-future-exhibitions</a></span></p>
<div style="width: 456px" class="wp-caption alignnone"><a href="http://browngrotta.com/Pages/knauss.html"><img loading="lazy" decoding="async" class=" " style="border: 0px initial initial;" src="http://arttextstyle.files.wordpress.com/2010/06/yewspheres-by-chris-drury16lk-detail.jpg" alt="16lk.detail.jpg" width="446" height="128" border="0" /></a><p class="wp-caption-text">Lewis Knauss Detail</p></div>
<p><span style="font-family: Arial;"><br />
from July 24th through August 22, 2010</span></p>
<p><span style="font-family: Arial;">Artists in Residence: Matt Liddle, printmaker and bookarts; Holly Hanessian, ceramics; <a href="http://browngrotta.com/Pages/knauss.html">Lewis Knauss</a>, fiber; Mira Lehr, mixed media; Tom Turner, ceramist; Phillip Garrett, painter. Toe River Potters: Norm Schulmann, Claudia Dunaway, Ken Sedberry, Mark Peters and Courtney Martin. Also at the Bascom: Stick Works: Patrick Dougherty&#8217;s Environmental Sculpture.</span></p>
<p><span style="font-family: Arial;"><strong><span style="font-size: 14px;"><br />
Faces &amp; Mazes: Lia Cook<br />
</span></strong></span><span style="font-family: Arial;"><strong>Textile Museum of Canada<br />
</strong></span><span style="font-family: Arial;">55 Centre Avenue (Dundas St. W &amp; University Ave., St. Patrick subway)<br />
</span><span style="font-family: Arial;">Toronto, Ontario<br />
</span><span style="font-family: Arial;">M5G 2H5<br />
</span><span style="font-family: Arial;">Canada<br />
</span><span style="font-family: Arial;">416.599.5321<br />
</span><span style="font-family: Arial;"><a href="https://web.archive.org/web/20140827082406/http://www.textilemuseum.ca/apps/index.cfm?page=exhibition.detail&amp;exhId=311">http://www.textilemuseum.ca/apps/index.cfm?page=exhibition.detail&amp;exhId=311</a></span></p>
<div style="width: 456px" class="wp-caption alignnone"><a href="http://browngrotta.com/Pages/cook.html"><img loading="lazy" decoding="async" class=" " style="border: 0px initial initial;" src="http://arttextstyle.files.wordpress.com/2010/06/yewspheres-by-chris-drurycindy-lay.jpg" alt="Cindy-Lay.jpg" width="446" height="154" border="0" /></a><p class="wp-caption-text">Lia Cook Detail</p></div>
<p>&nbsp;</p>
<p>through October 17, 2010</p>
<p><span style="font-family: Arial;">Faces &amp; Mazes is part of Person Place Thing, which also features exhibits of the work of David R. Harper and Steven Schofield.  Cook, Harper and Schofield make work that is physically demanding and large in scale — wall-sized weavings of children’s and doll’s faces; sculptures of embroidered and taxidermied animals; and massive human figures made of textiles frozen in time. They draw the viewer into woven, embroidered and sewn narratives of nature, identity and history. As the faces in <a href="http://browngrotta.com/Pages/cook.html">Lia Cook&#8217;s</a> weavings fragment, a perceptual shift occurs, moving through a place of transition and ambiguity to reveal the physical, tactile nature of the constructed image.</span></p>
<p><span style="font-family: Arial;"><strong><span style="font-size: 14px;"><br />
13th International Triennial of Tapestry, Łódź 2010<br />
</span></strong></span><span style="font-family: Arial;"><strong>Central Museum of Textiles<br />
</strong></span><span style="font-family: Arial;">ul. Piotrkowska 282, 93 – 034<br />
</span><span style="font-family: Arial;">Łódź, Poland<br />
</span><span style="font-family: Arial;">042. 683.26.84</span></p>
<p><span style="font-family: Arial;">through October 31, 2010</span></p>
<p><span style="font-family: Arial;">Among the artists invited to participate are </span><span style="font-family: Arial;"><a href="http://browngrotta.com/Pages/koenigsberg.html">Nancy Koenigsberg</a></span><span style="font-family: Arial;"> (US); </span><span style="font-family: Arial;"><a href="http://browngrotta.com/Pages/stoyanov.html">Aleksandra Stoyanov</a></span><span style="font-family: Arial;"> (Israel) and </span><span style="font-family: Arial;"><a href="http://browngrotta.com/Pages/klancic.html">Anda Klancic</a></span><span style="font-family: Arial;"> (Slovania), whose work was &#8220;highly commended: by the interntional jury that includes artist </span><span style="font-family: Arial;"><a href="http://browngrotta.com/Pages/kumai.html">Kyoko Kumai</a></span><span style="font-family: Arial;"> (Japan). </span></p>
<p><span style="font-family: Arial;"><strong><span style="font-size: 14px;"><br />
Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection<br />
</span></strong></span><span style="font-family: Arial;"><strong>Museum of Arts and Design<br />
</strong></span><span style="font-family: Arial;">2 Columbus Circle<br />
</span><span style="font-family: Arial;">New York, NY  10019<br />
</span><span style="font-family: Arial;">212.299.7777<br />
</span><span style="font-family: Arial;"><a href="http://collections.madmuseum.org">http://collections.madmuseum.org/code/emuseum.asp?style=browse&amp;currentrecord=1&amp;page=seealso&amp;profile=exhibitions&amp;searchdesc=Current Exhibitions&amp;searchstring=Current/,/greater than/,/0/,/false/,/true&amp;action=searchrequest&amp;s</a></span></p>
<p><span style="font-family: Arial;">through September 12, 2010</span></p>
<p><span style="font-family: Arial;">Intertwined provides an international look at contemporary basket making, offering insight into the evolution of the basket from a useful object to a work of art and challenging the notion of what defines a basket. The exhibition includes more than 70 traditional and non-traditional baskets.  Among the artists whose work is included are:  <a href="http://browngrotta.com/Pages/rossbach.html">Ed Rossbach</a>, <a href="http://browngrotta.com/Pages/westphal.html">Katherine Westphal</a>, Sally Black, <a href="http://browngrotta.com/Pages/iwata.html">Kiyomi Iwata</a>, <a href="http://browngrotta.com/Pages/barnes.html">Dorothy Gill Barnes</a>, Carol Eckert, <a href="http://browngrotta.com/Pages/mcqueen.html">John McQueen</a>, John Garrett, Ferne Jacobs and <a href="http://browngrotta.com/Pages/minkowitz.html">Norma Minkowitz</a>.<br />
</span></p>
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		<title>In Print: Jennifer Falck Linssen in Surface Design Journal</title>
		<link>https://arttextstyle.com/2009/11/21/in-print-jennifer-falck-linssen-in-surface-design-journal/</link>
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		<dc:creator><![CDATA[arttextstyle]]></dc:creator>
		<pubDate>Sat, 21 Nov 2009 17:38:33 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Japanese Textiles]]></category>
		<category><![CDATA[Jennifer Falck Linssen]]></category>
		<category><![CDATA[paper]]></category>
		<category><![CDATA[Surface Design Magazine]]></category>
		<guid isPermaLink="false">http://arttextstyle.wordpress.com/?p=328</guid>

					<description><![CDATA[<p>Jennifer Falck Linssen&#8217;s work is featured in the Fall 2009 Surface Design Journal in a six-page article, Katagami Inversions: Jennifer Falck Linssen&#8217;s Carved Paper Sculptures, by Ginger Knowlton. The article features five dramatic images of hand-carved cotton paper vessels from Linssen&#8217;s four-part sculpture series, Wave and Water, Fire and Emotion, Earth, and Wind. In Knowlton&#8217;s... </p>
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										<content:encoded><![CDATA[<div style="text-align: center;"><img loading="lazy" decoding="async" class="alignleft" style="border: 10px solid black;" src="http://arttextstyle.files.wordpress.com/2009/11/linssen_surfacedesign.jpg" alt="linssen_surfacedesign.jpg" width="450" height="272" border="0" /></div>
<p><a href="http://browngrotta.com/Pages/linssen.html">Jennifer Falck Linssen&#8217;s</a> work is featured in the Fall 2009 <em>Surface Design Journal</em> in a six-page article, <em>Katagami Inversions: Jennifer Falck Linssen&#8217;s Carved Paper Sculptures</em>, by Ginger Knowlton. The article features five dramatic images of hand-carved cotton paper vessels from Linssen&#8217;s four-part sculpture series, Wave and Water, Fire and Emotion, Earth, and Wind.</p>
<p>In Knowlton&#8217;s view, <em>&#8220;[the] process of transference, and of the imagined, is what seems to drive the artist: an exploration between real/physical/tangible and tenuous/ ethereal/potential. On the one level, there is the dynamic between negative and positive space constructed through paper carving, air and light passing through the small pieces of fiber cut away from a larger whole. But there is also the sweep and curve of a vessel filled with&#8230;nothing, but in this sense, everything &#8212; all of the potential of the absence of the missing elements. This is where Linssen&#8217;s sculpture becomes water, or fire, in that essential empty space at once created and surrounded by earth and air elements.</em>&#8220;</p>
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