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	<title>Lee ShinJa Archives - arttextstyle</title>
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	<description>contemporary art textiles and fiber sculpture</description>
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		<title>Art Out and About</title>
		<link>https://arttextstyle.com/2025/07/16/art-out-and-about-2/</link>
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		<pubDate>Wed, 16 Jul 2025 16:16:51 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Ann Hamilton]]></category>
		<category><![CDATA[BAMPFA]]></category>
		<category><![CDATA[Banners of History]]></category>
		<category><![CDATA[Canterbury Cathedral]]></category>
		<category><![CDATA[Christine Joy]]></category>
		<category><![CDATA[Institute of Contemporary Art]]></category>
		<category><![CDATA[Jane Balsgaard]]></category>
		<category><![CDATA[Lee ShinJa]]></category>
		<category><![CDATA[Lia Cook]]></category>
		<category><![CDATA[Liz Collins]]></category>
		<category><![CDATA[Magdalena Abakanowicz]]></category>
		<category><![CDATA[Museum for Contemporary Art in North-Jylland]]></category>
		<category><![CDATA[Olga de Amaral]]></category>
		<category><![CDATA[Polly Adams Sutton]]></category>
		<category><![CDATA[Renwick Gallery]]></category>
		<category><![CDATA[RISD Museum]]></category>
		<category><![CDATA[SFMOMA]]></category>
		<category><![CDATA[Smithsonian American Art Museum]]></category>
		<category><![CDATA[We Will]]></category>
		<guid isPermaLink="false">https://arttextstyle.com/?p=14065</guid>

					<description><![CDATA[<p>This year continues to deliver when it comes to exciting and immersive exhibitions of fiber art. Artists that work with browngrotta arts are included in exhibitions in Montana, Boston, Trondberg, Norway, and San Diego, California. Elsewhere are monumental tapestries and imaginative presentations from Berkeley, California to Tilburg, the Netherlands, to Miami, Florida to North Jyland,... </p>
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<p>This year continues to deliver when it comes to exciting and immersive exhibitions of fiber art. Artists that work with browngrotta arts are included in exhibitions in Montana, Boston, Trondberg, Norway, and San Diego, California. Elsewhere are monumental tapestries and imaginative presentations from Berkeley, California to Tilburg, the Netherlands, to Miami, Florida to North Jyland, Denmark and parts in between.</p>



<figure class="wp-block-image size-full"><a href="https://www.canterbury-cathedral.org/whats-on/events/moon-landing"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/jb-114.jpg" alt="moon landing at Canterbury Cathedral" class="wp-image-14067" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/jb-114.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/jb-114-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/jb-114-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><em>Moon Landing</em>&nbsp;at Canterbury Cathedral © Chapter of Canterbury Cathedral | Photographer: Jon Barlow</figcaption></figure>



<p><strong><em>Moon Landing: an&nbsp;immersive textile and musical collaboration</em><br></strong>Through August 31, 2025<br>Canterbury Cathedral<br>Cathedral House&nbsp;<br>11 The Precincts<br>Canterbury, CT1 2EH<br>United Kingdom<br><a href="https://www.canterbury-cathedral.org/whats-on/events/moon-landing">https://www.canterbury-cathedral.org/whats-on/events/moon-landing</a></p>



<p>This summer, the medieval splendour of Canterbury Cathedral will complement a stunning free-to-view modern art installation inspired by the little-known story of the women who wove the integrated computer circuits and memory cores which enabled the 1969 moon landing. The breathtaking installation&nbsp;moon landing&nbsp;&#8211; a duo work created by British textile artist and designer of woven textiles,&nbsp;Margo Selby, and award-winning composer,&nbsp;Helen Caddick&nbsp;– comprises a vibrant 16-meter hand-woven textile suspended from the ceiling near the Cathedral’s Trinity Chapel, created in response to the&nbsp;moon landing&nbsp;score, an original musical piece scored for strings. It is a celebration of the mathematical and technical possibilities of weaving and the crossovers of pattern, tone and rhythm found in both music and woven textiles.</p>



<figure class="wp-block-image size-full"><a href="https://browngrotta.com/artworks/38lc-Maze-Gaze"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/38lc-Maze-Gaze_detail.jpg" alt="Lia Cook Digital Weaving" class="wp-image-14068" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/38lc-Maze-Gaze_detail.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/38lc-Maze-Gaze_detail-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/38lc-Maze-Gaze_detail-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Detail: <em>Maze Gaze</em>, Lia Cook, cotton, rayon, 72&#8243; x 52&#8243;, 2007</figcaption></figure>



<p><em><strong>Digital Weaving Norway</strong></em><br>From August 12 &#8211; 15, 2025<br>Solgaard Skog 132,&nbsp;1599&nbsp;<br>Moss, Norway<br><a href="https://digitalweaving.no">https://digitalweaving.no</a></p>



<p><a href="https://browngrotta.com/artists/lia-cook">Lia Cook</a>’s work will be featured in the exhibition of&nbsp;<em>Digital Weaving&nbsp;&#8211;&nbsp;Innovation Through Pixels&nbsp;in </em>Norway — a conference and exhibition&nbsp;celebrating the 30th Anniversary of the TC-Looms with Digital Weaving Norway (August 12–15).&nbsp;</p>



<figure class="wp-block-image size-full"><a href="https://www.amrevmuseum.org/exhibits/banners-of-liberty-an-exhibition-of-original-revolutionary-war-flags"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/United-States.jpg" alt="American Flag" class="wp-image-14069" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/United-States.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/United-States-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/United-States-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Photo supplied by Museum of the American Revolution</figcaption></figure>



<p><em><strong>Banners of History: An Exhibition of Original Revolutionary War Flags</strong></em><br>Through August 10, 2025<br>Museum of American Revolution<br>101 South Third Street<br>Philadelphia, PA <br><a href="https://www.amrevmuseum.org/exhibits/banners-of-liberty-an-exhibition-of-original-revolutionary-war-flags">https://www.amrevmuseum.org/exhibits/banners-of-liberty-an-exhibition-of-original-revolutionary-war-flag</a></p>



<p>A significant use of fiber throughout the world is in the creation of flags. In preparation for the 250th Anniversary of the birth of the United States, the Museum of the American Revolutionary in Philadelphia, Pennsylvania, has mounted an expansive exhibition of flags from the early part of the Nation’s history. The exhibition, dispalyed in the Museum’s first-floor Patriots Gallery, features the largest gathering of rare and significant Revolutionary War flags in more than two centuries.&nbsp;This one you see online!</p>



<figure class="wp-block-image size-full is-resized"><a href="https://arttextstyle.com/wp-content/uploads/2025/07/ChristineJoy_portrait.4.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/ChristineJoy_portrait.4.jpg" alt="Christine Joy" class="wp-image-14070" style="width:840px;height:auto" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/ChristineJoy_portrait.4.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/ChristineJoy_portrait.4-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/ChristineJoy_portrait.4-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Christine Joy. Photo by Tom Grotta</figcaption></figure>



<p><em><strong>Willow Woven</strong></em><br>Through August 6, 2025<br>Studio Gallery<br>Hennebery Eddy Architects&#8217;<br>109 N Rouse&nbsp;<br>Bozeman, MT <br><a href="https://downtownbozeman.org/summer-art-walks">https://downtownbozeman.org/summer-art-walks</a></p>



<p><em>Willow Woven</em>, by&nbsp;<a href="https://browngrotta.com/artists/christine-joy">Christine Joy</a>, part of Bozeman, Montana’s <em>Art Walk</em> is on view in the window of Hennebery Eddy Architects’ Studio Gallery until August 6th, 2025.</p>



<p>On public display in the studio’s storefront window, the gallery is about making connections — with neighbors, friends, clients, and colleagues. The alternating exhibits&nbsp;at the Studio Gallery feature curated staff and visiting artist displays that spark new ideas and promote a shared sense of place.</p>



<figure class="wp-block-image size-full"><a href="https://bampfa.org/program/lee-shinja-drawing-thread"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/03_Image-of-City-1961.jpg" alt="Lee ShinJa: Image of City" class="wp-image-14071" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/03_Image-of-City-1961.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/03_Image-of-City-1961-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/03_Image-of-City-1961-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Lee ShinJa:&nbsp;<em>Image of City</em>, 1961. Cotton, linen, and wool thread on cotton cloth; coiling, free technique. Courtesy of the artist and Tina Kim Gallery.</figcaption></figure>



<p><em><strong>Lee ShinJa: Drawing with Thread</strong></em><br>Through February 1, 2026<br>Berkeley Art Museum and Pacific Film Archives (BAMPFA)<br>215 Center Street&nbsp;<br>Berkeley, CA <br><a href="https://bampfa.org/program/lee-shinja-drawing-thread">https://bampfa.org/program/lee-shinja-drawing-thread</a></p>



<p><em>Lee ShinJa: Drawing with Thread</em> at BAMPFA in Berkeley, California is the first North American survey of the captivating work of the under-recognized Korean artist Lee ShinJa (b. 1930, Uljin, South Korea; lives and works in Seoul). Lee ShinJa worked throughout the five decades of contemporary fiber arts&#8217; history, from the 1950s to the early 2000s, the exhibition showcases the artist’s bold innovations in fiber through 40 monumental textile works, woven maquettes, and preparatory sketches. Like artists from Eastern Europe working in that time period, Lee&#8217;s artworks from the 1950s incorporate everyday objects and found materials, such as grain sacks, mosquito nets, and domestic wallpaper; notably, she used yarn salvaged from secondhand sweaters and bedding to make her earliest tapestries</p>



<figure class="wp-block-image size-full"><a href="https://browngrotta.com/artists/jane-balsgaard"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/IMG_3703.jpg" alt="Jane Balsgaard Relief" class="wp-image-14072" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/IMG_3703.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/IMG_3703-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/IMG_3703-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Jane Balsgaard, <em>Relief</em> 320 x 180 cm, for the exhibition in Vrå (Nordth Jylland). Photo courtesy of Jane Balsgaard</figcaption></figure>



<p><em><strong>Kunstbygningen/Vrå&nbsp;Udstillingen</strong></em><br>Museum for Contemporary Art in North-Jylland<br>Højskolevej 3A <br>9760 Vrå, Denmark<br>Through July 27 &#8211; August 31, 2026<br>http<a href="s://www.kunstbygningenvraa.dk/vraa-udstillingen">s://www.kunstbygningenvraa.dk/vraa-udstillingen</a>]



<p><a href="https://browngrotta.com/artists/jane-balsgaard">Jane Balsgaard</a>&nbsp;will hang a several-part relief in an exhibition at the Vrå-Udstilligen in North Jylland, Denmark through August 31st. The opening party is July 26 at 2:00 pm. The exhibition is supported by the Danish State Art Foundation.</p>



<figure class="wp-block-image size-full"><a href="https://risdmuseum.org/exhibitions-events/exhibitions/liz-collins"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/EXL35.20244.4.jpg" alt="Liz Collins, Power Portal" class="wp-image-14073" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/EXL35.20244.4.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/EXL35.20244.4-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/EXL35.20244.4-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Liz Collins, <em>Power Portal</em>, 2023–2024. Courtesy of the Artist and Candice Madey, New York. RISD Museum, Providence, RI.&nbsp;</figcaption></figure>



<p><em><strong>Liz Collins: Motherlode</strong></em><br>Through January 11, 2026<br>RISD Museum<br>20 North Main Street<br>Providence, RI <br><a href="https://risdmuseum.org/exhibitions-events/exhibitions/liz-collins">https://risdmuseum.org/exhibitions-events/exhibitions/liz-collins</a></p>



<p>On July 19, the RISD Museum will open the first U.S. survey of artist Liz Collins’ genre-defying work. As the Museum explains, &#8220;For more than three decades, Collins has moved fluidly among the realms of fine art, fashion, and design, pushing material and technical boundaries to create works that evoke a depth of emotion, energy, and individual expression. The exhibition, titled&nbsp;<em>Liz Collins:</em> <em>Motherlode</em>, will feature more than 80 objects, capturing for the first time the full arc of Collins’ career from the 1980s to the present day.&nbsp;<em>Motherlode</em>&nbsp;includes important examples of her immersive textile installations and wallworks, intricate and monumental woven hangings, fashion, needlework, drawings, performance documentation, and ephemera. In keeping with the RISD Museum’s commitment to centering makers and broadening perspectives, the exhibition vividly showcases the trailblazing nature of Collins’ work as well as the artist’s deep commitment to&nbsp;illuminating Queer feminist creative practice and environmental activism.&#8221; <em>Liz Collins: Motherlode</em>&nbsp;will remain on view at RISD Museum through January 11, 2026.&nbsp;The exhibition is curated by Kate Irvin, RISD Museum’s department head and curator of costume and textiles.</p>



<figure class="wp-block-image size-full"><a href="https://browngrotta.com/artists/polly-sutton"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2021/12/1ps-Facing-the-Unexpected.jpg" alt="Polly Sutton Facing the Unexpected" class="wp-image-10922" srcset="https://arttextstyle.com/wp-content/uploads/2021/12/1ps-Facing-the-Unexpected.jpg 810w, https://arttextstyle.com/wp-content/uploads/2021/12/1ps-Facing-the-Unexpected-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2021/12/1ps-Facing-the-Unexpected-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">1ps <em>Facing the Unexpected</em>, Polly Adams Sutton, western red cedar bark, ash, spruce root, coated copper wire, 11.5” x 18” x 32”, 2013. Photo by Tom Grotta</figcaption></figure>



<p><em><strong>State Fair: Growing American Craft</strong></em><br>August 22 &#8211; September 7, 2026<br>Renwick Gallery, Smithsonian American Art Museum<br>Pennsylvania Avenue at 17th Street, NW<br>Washington, DC<br><a href="https://americanart.si.edu/exhibitions/state-fairs">https://americanart.si.edu/exhibitions/state-fairs</a></p>



<p><a href="https://browngrotta.com/artists/polly-sutton">Polly Adams Sutton</a>&#8216;s work is in the permanent collection of the Smithsonian American Art Museum and will be featured in the Smithsonian&#8217;s upcoming exhibition,<em>&nbsp;State Fair: Growing American Craft,&nbsp;</em>which includes exceptional examples of American craft, highlighting personal stories and regional and cultural traditions.</p>



<figure class="wp-block-image size-full is-resized"><a href="https://bradford2025.co.uk/event/we-will-sing"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/11375_We-Will-Sing-Installation_ann-hamilton.jpg" alt="Salts Mill roof We Will Sing" class="wp-image-14075" style="width:840px;height:auto" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/11375_We-Will-Sing-Installation_ann-hamilton.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/11375_We-Will-Sing-Installation_ann-hamilton-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/11375_We-Will-Sing-Installation_ann-hamilton-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Installation in Salts Mill, Bradford, UK from <em>We Will Sing</em>. Photo by Ann Hamilton</figcaption></figure>



<p><em><strong>We Will Sing</strong></em><br>Through November 2, 2025<br>1A Aldermanbury<br>Bradford, UK<br><a href="https://bradford2025.co.uk/event/we-will-sing">https://bradford2025.co.uk/event/we-will-sing</a></p>



<p><em>We Will Sing</em>&nbsp;is a work of memory and imagining. Drawing on the origins of the textile processes that once filled the huge Salts Mill textile works built in 1853, a site-responsive installation by Ann Hamilton weaves together voice, song and printed word in a material surround made from raw and woven wool sourced from local textile companies H Dawson, based at Salts Mill, and William Halstead, which celebrates its 150th anniversary in 2025.&nbsp;<em>We Will Sing</em>&nbsp;is the first major work created by Hamilton in the UK for more than 30 years, and the first time all three spaces on the vast top floor of Salts Mill have been combined to present a single artwork. (We’ve been big fans of Hamilton’s immersive installations since she transformed our neighborhood museum, the Aldrich, in the 1990s.)</p>



<figure class="wp-block-image size-full is-resized"><a href="https://browngrotta.com/artists/laura-foster-nicholson"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/VMOTA3LFN.jpg" alt="Laura Foster Nicholson" class="wp-image-14083" style="width:840px;height:auto" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/VMOTA3LFN.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/VMOTA3LFN-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/VMOTA3LFN-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a></figure>



<p><em><strong>Human Affects</strong></em><br>Through October 4, 2025<br>Visions Museum of Textile Art<br>2825 Dewey Road<br>Suite 100<br>San Diego, CA<br><a href="https://vmota.org/human-affects">https://vmota.org/human-affects</a><br><br><em>Human Affects&nbsp;</em>is a one-person exhibition at the Visions Museum of Textile Art featuring work by&nbsp;<br><a href="https://browngrotta.com/artists/laura-foster-nicholson">Laura Foster Nicholson</a>.&nbsp;From 2020-2023, Nicholson made three related bodies of work about climate change: flooding in Venice, container ships, and the landscape and architecture of industrial agriculture and energy. A selected grouping of these themes comprises the exhibition at VMOTA, plus a few that focus more on the hope of renewable energy, careful farming, and a less destructive way of life.</p>



<p><strong>And continuing:</strong></p>



<figure class="wp-block-image size-full"><a href="https://icamiami.org/exhibition/olga-de-amaral"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/03/IMG_4555-810.jpg" alt="Olga de Amaral" class="wp-image-13694" srcset="https://arttextstyle.com/wp-content/uploads/2025/03/IMG_4555-810.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/03/IMG_4555-810-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/03/IMG_4555-810-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><em>Olga de Amaral</em> exhibition has moved from Paris (above) to Miami. Photo by Tom Grotta</figcaption></figure>



<p><em><strong>Olga de Amaral</strong></em><br>Through October 12, 2026<br>Institute of Contemporary Art<br>61 NE 41st Street<br>Miami, FL<br><a href="https://icamiami.org/exhibition/olga-de-amaral">https://icamiami.org/exhibition/olga-de-amaral</a></p>



<p>ICA Miami, in collaboration with the&nbsp;Fondation Cartier pour l’art contemporain, presents a major retrospective of the work of Colombian artist Olga de Amaral, bringing together more than 50 works from six decades, and featuring recent and historical examples, some of which have never been presented outside of her home country.</p>



<figure class="wp-block-image size-full"><a href="https://www.sfmoma.org/exhibition/ruth-asawa-retrospective"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/21_Artist-Ruth-Asawa-making-wire-sculptures.jpg" alt="Ruth Asawa" class="wp-image-14076" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/21_Artist-Ruth-Asawa-making-wire-sculptures.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/21_Artist-Ruth-Asawa-making-wire-sculptures-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/21_Artist-Ruth-Asawa-making-wire-sculptures-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Artist Ruth Asawa making wire sculptures, California, United States, November 1954;&nbsp; image: Nat Farbman/The LIFE Picture Collection/Shutterstock; artwork: © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner</figcaption></figure>



<p><em><strong>Ruth Asawa: Retrospective</strong></em><br>Through September 2, 2025<br>San Francisco Museum of Modern Art (SFMOMA)<br>San Francisco, CA&nbsp;<br><a href="https://www.sfmoma.org/exhibition/ruth-asawa-retrospective/">https://www.sfmoma.org/exhibition/ruth-asawa-retrospective</a></p>



<p>This first posthumous retrospective presents the full range of Ruth Asawa’s work and its inspirations over six decades of her career. As an artist, Asawa forged a groundbreaking practice through her ceaseless exploration of materials and forms.</p>



<p><strong><em>Woven Histories:</em> <em>Textiles and Modern Abstraction</em></strong><br>September 13, 2025<br>The Museum of Modern Art<br>11 West 53rd Street<br>New York, NY<br><a href="https://press.moma.org/exhibition/woven-histories">https://press.moma.org/exhibition/woven-histories</a></p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2024/07/Woven-Histories-IMG_2982-1.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2024/07/Woven-Histories-IMG_2982-1.jpg" alt="" class="wp-image-13105" srcset="https://arttextstyle.com/wp-content/uploads/2024/07/Woven-Histories-IMG_2982-1.jpg 810w, https://arttextstyle.com/wp-content/uploads/2024/07/Woven-Histories-IMG_2982-1-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2024/07/Woven-Histories-IMG_2982-1-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Shan Goshen Baskets from the <em>Woven Histories</em> exhibition at the National Gallery, DC. Photo by Tom Grotta</figcaption></figure>



<p>An in-depth exhibition featuring 150 works that delves into the dynamic intersections between weaving and abstraction.</p>



<p><em><strong>Magdalena Abakanowicz &#8211; Everything is made of fiber</strong></em><br>Through August 23, 2025<br>TextielMuseum<br>Goirkestraat 96<br>5046 GN Tilburg, the Netherlands<br><a href="https://textielmuseum.nl/en/exhibitions/Abakanowicz">https://textielmuseum.nl/en/exhibitions/Abakanowicz</a></p>



<figure class="wp-block-image size-full"><a href="https://browngrotta.com/artists/magdalena-abakanowicz"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2025/07/5m-Montana-del-Fuego-detail.jpg" alt="Magdalena Abakanowicz" class="wp-image-14077" srcset="https://arttextstyle.com/wp-content/uploads/2025/07/5m-Montana-del-Fuego-detail.jpg 810w, https://arttextstyle.com/wp-content/uploads/2025/07/5m-Montana-del-Fuego-detail-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2025/07/5m-Montana-del-Fuego-detail-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption">Detail: <em>Montana del Fuego</em>, Magdalena Abakanowicz, 1986. Photo by Tom Grotta</figcaption></figure>



<p>The complete story of Abakanowicz&#8217;s work, life and legacy will be told at three locations in Brabant this spring.&nbsp;Abakanowicz was fascinated by the texture of textiles and the structure of natural fibres. She used this fascination as a basis for her weavings, but also to depict the human body.</p>



<p>Almost too many to choose from &#8212; fiber art continues its time in the spotlight!</p>
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