Tara Donovan: Aggregations
Through March 9, 2025
The Bruce Museum
1 Museum Drive
Greenwich, CT 06830

“Known for her experimentation with materials and her rigorous, labor-intensive process, Tara Donovan is something of an alchemist. She transforms the mundane and familiar into the strange and otherworldly, even as her works approximate things found in the natural world. At the the Bruce, the artist explores the additive effects of “accumulating identical objects,” or aggregations, in which she layers and combines materials together to complicate visual distinctions between part and whole. The final monumental work inhabits the gallery with an almost animate presence, calling to mind a mineral or petrified plant.

The Elusive Art of Kumi Yamashita
Through November 6, 2024
Flinn Gallery
Greenwich Library
101 West Putnam Avenue, Second Floor
Greenwich, CT 06830

Kumi Yamashita uses a series of techniques and simple materials to creating intriguing works of art. Discussing her shadow art series, Yamashita explains, “I sculpt using both light and shadow. I construct single or multiple objects and place them in relation to a single light source. The complete artwork is therefore comprised of both the material (the solid objects) and the immaterial (the light or shadow).” The exhibition also features provocative portraits crafted by meticulously winding a single, unbroken sewing thread around thousands of small galvanized nails and portraits on sheets created by stamping with vibram shoe soles.

Sheila Hicks
Through February 23, 2025
Kunsthalle Düsseldorf  (Opening Friday, October 11 at 6pm)
Josef Albers Museum Quadrat Bottrop (Opening Saturday, October 12 at 2pm)
Dusseldorf and Bottrop, Germany

Opening this Fall, the Josef Albers Museum Quadrat Bottrop and the  Kunsthalle Düsseldorf will present the first major solo exhibition of Sheila Hicks (b. 1934) across two cities. Comprising a total of 140 works from all creative periods, the collaborative presentation provides a comprehensive overview of the the artist’s multifaceted oeuvre for the first time in Germany.Sheila Hicks’ unique practice unfolds in the interplay between material, color, and space: in large and small-format wall works, tapestries, reliefs, sculptures, and installations, the seemingly infinite possibilities of these three dimensions unfurl. “What can you do with thread?” is the question that the artist has tirelessly explored since studying with Josef Albers at the Yale School of Art in the 1950s. 

Sublime Light: Tapestry Art of DY Begay
Through July 13, 2025 
National Museum of the American Indian
National Mall
Fourth Street & Independence Avenue
Washington, DC 20560

Sublime Light: Tapestry Art of DY Begay celebrates more than three decades of innovation by fiber artist DY Begay (Diné [Navajo], b. 1953). As the materials from National Museum of the American Indian explain, “Begay’s tapestry art is at once fundamentally modern and essentially Diné, each work an exploration of the artist’s passion for experiencing and interpreting her world. The primary world that Begay explores is Tsélaní, her birthplace and homeland on the Navajo Nation reservation. From this firm foundation, her innate and lifelong curiosity has motivated her to investigate the expressive power of color and design in developing her distinctive aesthetic. Begay creates unique artworks that bridge her traditional Diné upbringing and experimental fiber art practice. Through her embrace of color, passion for design, and innovative handling of fiber, Begay creates art that expresses a non-Western way of being to a contemporary audience.” Sublime Light is the first retrospective of Begay’s career, showcasing 48 of her most remarkable tapestries.

ACROSS
Through November 10, 2025
Kalundborg Art Association
BispegaardenKalundborg, Denmark

Anne Bjørn, Gudrun Pagter, Gurli Elbaegaard and Lisbeth Voight Durand are featured in a group exhibition at the Kalundborg Art Association, entitled ACROSS.

Spiraling, Twisting, Unraveling: Explorations in Pattern and Form
Through June 29, 2025
ASU Art Museum
51 East 10th Street
Tempe, AZ  85281

Culled entirely from the Arizona State University’s Art Museum’s collection, Spiraling, Twisting, Unraveling: Explorations in Pattern and Form explores the dynamic landscape and languages found through contemporary craft today. The exhibition features twenty-five artists, including Christine Joy, Kay Sekimachi, Mary Giles, John Garrett, Polly Adams Sutton, and Jiro Yonezawa who examine dimensions of decoration, pattern and form through their varied practices to engage with some of the most pressing issues of our time.

Patterns in Abstraction: Black Quilts from the High’s Collection
Through January 5, 2025
High Museum of Art
1280 Peachtree St, NE
Atlanta, GA 30309

According to the High Musuem, for more than a century, the potential kinship between quilts and abstract painting has sparked lively debate. “Although the color-rich geometric patchwork of quilts is visually resonant with examples of abstract painting often credited as pinnacles of artistic innovation, many have argued that such comparisons fail to honor the integrity of quilts within their distinct conditions of production. Quilts made by Black women have too often been left out of the conversation altogether.” The High has collected Black quilts since the 1980s and recently has quintupled its holdings to ensure that Black quilts have a continually rotating presence in the museum’s collection galleries. Patterns in Abstraction: Black Quilts from the High’s Collection aims to answer a larger question: “How can quilts made by Black women change the way we tell the history of abstract art?”

Beyond: Tapestry Expanded
Through Dec 8, 2024
American Tapestry Alliance
Richard E. Peeler Art Center
DePauw University 
10 West Hanna Street
Greencastle, IN 46135

Beyond: Tapestry Expanded is a curated and juried exhibition that features work from artists, including Lia Cook, exploring the expansive properties of tapestry. Using the definition of tapestry as a nonfunctional, handwoven pictorial structure, artists combine both hand and digital processes, using non-traditional materials, creating three-dimensional forms, or incorporating multi-media components, including sound and video. 

Enjoy!

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