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	<title>Hanna Czajkowska Archives - arttextstyle</title>
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		<title>Sneak Peek: Catalog No. 37, Advocates for Art: Polish and Czech Fiber Artists from the Anne and Jacques Baruch Collection Catalog, Essay by Christa C. Mayer Thurman</title>
		<link>https://arttextstyle.com/2010/10/31/sneak-peek-catalog-no-37-advocates-for-art-polish-and-czech-fiber-artists-from-the-anne-and-jacques-baruch-collection-catalog-essay-by-christa-c-mayer-thurman/</link>
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		<pubDate>Sun, 31 Oct 2010 14:13:48 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Textiles]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[SOFA]]></category>
		<category><![CDATA[Agnieszka Ruszczynska-Szafranska]]></category>
		<category><![CDATA[Anna Sledziewska]]></category>
		<category><![CDATA[Anna Urbanowicz-Krowacka]]></category>
		<category><![CDATA[Anne and Jacques Baruch]]></category>
		<category><![CDATA[Central Museum of Textiles]]></category>
		<category><![CDATA[Christa C. Mayer Thurman]]></category>
		<category><![CDATA[Czech tapestry]]></category>
		<category><![CDATA[Hanna Czajkowska]]></category>
		<category><![CDATA[Jan Hladik]]></category>
		<category><![CDATA[Jolanta Owidzka]]></category>
		<category><![CDATA[Krystyna Wojtyna-Drouet]]></category>
		<category><![CDATA[Lilla Kulka]]></category>
		<category><![CDATA[Luba Krejci]]></category>
		<category><![CDATA[Magdalena Abakanowicz]]></category>
		<category><![CDATA[Maria Laszkiewicz]]></category>
		<category><![CDATA[polish tapestry]]></category>
		<category><![CDATA[Tapestry]]></category>
		<category><![CDATA[Textile News]]></category>
		<category><![CDATA[The Art Institute of Chicago]]></category>
		<category><![CDATA[Weaving]]></category>
		<category><![CDATA[Wojciech Sadley]]></category>
		<category><![CDATA[Zofia Butrymowicz]]></category>
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					<description><![CDATA[<p>The 37th catalog produced by browngrotta arts, Advocates for Art: Polish and Czech Fiber Artists from the Anne and Jacques Baruch Collection, will be available beginning November 10, 2010. Prominent art dealers Anne and Jacques Baruch first opened the Jacques Baruch Gallery in Chicago in 1967. The Baruch&#8217;s gallery focused on contemporary art and artists from Central and Eastern Europe, which Jacques... </p>
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										<content:encoded><![CDATA[<div id="attachment_1112" style="width: 300px" class="wp-caption aligncenter"><a href="http://arttextstyle.files.wordpress.com/2010/10/catalog37.jpg"><img fetchpriority="high" decoding="async" aria-describedby="caption-attachment-1112" class="size-medium wp-image-1112" title="Catalog37" src="http://arttextstyle.files.wordpress.com/2010/10/catalog37.jpg?w=290" alt="catalog cover" width="290" height="300" /></a><p id="caption-attachment-1112" class="wp-caption-text">Advocates for Art: Polish and Czech Fiber Artists from the Anne and Jacques Baruch Collection</p></div>
<p>The 37th catalog produced by browngrotta arts, <em><a href="http://browngrotta.com/Pages/c35.php">Advocates for Art: Polish and Czech Fiber Artists from the Anne and Jacques Baruch Collection</a></em>, will be available beginning November 10, 2010.</p>
<p style="text-align: center;">
<div id="attachment_1116" style="width: 310px" class="wp-caption aligncenter"><a href="http://browngrotta.com/Pages/urbanowicz-krowacka.php"><img decoding="async" aria-describedby="caption-attachment-1116" class="size-medium wp-image-1116 " title="AnnaUrbanowiczKrowackaPALISADES" src="http://arttextstyle.files.wordpress.com/2010/10/annaurbanowiczkrowackapalisades.jpg?w=300" alt="" width="300" height="84" /></a><p id="caption-attachment-1116" class="wp-caption-text">PALISADES (Detail), Anna Urbanowicz-Krowacka, wool and sisal, 55&#8243; x 70&#8243;, 1992</p></div>
<p>Prominent art dealers Anne and Jacques Baruch first opened the Jacques Baruch Gallery in Chicago in 1967. The Baruch&#8217;s gallery focused on contemporary art and artists from Central and Eastern Europe, which Jacques once described as “the finest work of tomorrow…not what is known…the new blood.” Many of the works presented at the gallery were by artists who began their careers under Communist occupation. The gallery’s early years coincided with worsening political conditions behind the Iron Curtain. On August 20, 1968, the Baruchs left Prague just five hours before Soviet tanks rolled into the city and brutally ended a brief period of democratic reforms.</p>
<p style="text-align: center;">
<div id="attachment_1115" style="width: 310px" class="wp-caption aligncenter"><a href="http://browngrotta.com/Pages/abakanowicz.php"><img decoding="async" aria-describedby="caption-attachment-1115" class="size-medium wp-image-1115 " title="3.abakanaowiccz.detail" src="http://arttextstyle.files.wordpress.com/2010/10/3-abakanaowiccz-detail.jpg?w=300" alt="" width="300" height="84" /></a><p id="caption-attachment-1115" class="wp-caption-text">LUNE DE MIEL I (Detail), Magdalena Abakanowicz, sisal and linen, 55&#8243;x 78&#8243; x 8&#8243;, 1986</p></div>
<p style="text-align: left;">Making trips behind the Iron Curtain during these years was a complex and, at times, dangerous, way of making a living. Despite these difficulties, the couple managed to find a significant entourage of artists to exhibit, among them a group of innovative textile artists, who had gathered acclaim at the Lausanne Biennials of International Tapestry and other European exhibitions, but who were not well known in the US. &#8220;We were captivated by their energy, experiments and bold compositions,” Anne would write of the Polish fiber artists she and Jacques met in 1970. “Though there were&#8230;shortages of studios, materials and most necessities for daily life, all their problems did not hamper their work. Rather, it stimulated their creativity, and their use of sisal, rope, metal, horsehair and fleece as well as the traditional wool, flax and silk, revealed new artistic thought with results which were dynamic, highly personal and original.”</p>
<p style="text-align: left;">
<div id="attachment_1117" style="width: 310px" class="wp-caption aligncenter"><a href="http://browngrotta.com/Pages/owidzka.php"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1117" class="size-medium wp-image-1117" title="3.owidska.detail" src="http://arttextstyle.files.wordpress.com/2010/10/3-owidska-detail.jpg?w=300" alt="" width="300" height="84" /></a><p id="caption-attachment-1117" class="wp-caption-text">LEATHER SKETCH (Detail), Jolanta Owidzka, high warp linen, sisal, leather 27&#8243; x 45&#8243; x 4&#8243;; 70 x 110cm, 1977</p></div>
<p style="text-align: left;">These artists included <a href="http://browngrotta.com/Pages/abakanowicz.php">Magdalena Abakanowicz</a> of Poland (whose tapestry <em>Lune de Miel 2</em> is installed at Chicago’s McCormick Place and whose sculpture installation <em>Agora</em>,  a group of 106 iron cast figures, is in Chicago&#8217;s Grant Park), <a href="http://browngrotta.com/Pages/banaszkiewicz.php">Jolanta Banaszkiewicz</a> (Poland), <a href="http://browngrotta.com/Pages/butrymowicz.php">Zofia Butrymowicz</a> (Poland), <a href="http://browngrotta.com/Pages/czajkowska.php">Hanna Czajkowska</a> (Poland), <a href="http://browngrotta.com/Pages/hladik.php">Jan Hladik</a> (Czechoslovakia), <a href="http://browngrotta.com/Pages/krejci.php">Luba Krejci</a> (Czechoslovakia), <a href="http://browngrotta.com/Pages/kulka.php">Lilla Kulka</a> (Poland), <a href="http://browngrotta.com/Pages/laszkiewicz.php">Maria Laszkiewicz</a> (Poland), <a href="http://browngrotta.com/Pages/owidzka.php">Jolanta Owidzka</a> (Poland), <a href="http://browngrotta.com/Pages/ruszczynska-szafranska.php">Agnieszka Ruszczynska-Szafranska</a> (Poland), <a href="http://browngrotta.com/Pages/sadley.php">Wojciech Sadley</a> (Poland), <a href="http://browngrotta.com/Pages/sledziewska.php">Anna Sledziewska</a> (Poland), <a href="http://browngrotta.com/Pages/urbanowicz-krowacka.php">Anna Urbanowicz-Krowacka</a> (Poland) and <a href="http://browngrotta.com/Pages/wojtyna-drouet.php">Krystyna Wojtyna-Drouet</a> (Poland). It is work by this group of historically significant artists that is featured in this catalog.</p>
<div id="attachment_1118" style="width: 267px" class="wp-caption aligncenter"><a href="http://browngrotta.com/Pages/kulka.php"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1118" class="size-medium wp-image-1118" title="LillaKulkaTapestry" src="http://arttextstyle.files.wordpress.com/2010/10/lillakulkatapestry.jpg?w=257" alt="" width="257" height="300" /></a><p id="caption-attachment-1118" class="wp-caption-text">CO-BOG ZLACZYL (WHAT GOD HAS JOINED), Lilla Kulkaa wool, silk 55&#8243; X 48&#8243;, 1987</p></div>
<p>Christa C. Mayer Thurman has written an introductory essay about Jacques and Anne Baruch for the catalog. Thurman, who was the Chair and Curator of the Department of Textiles at the <a href="http://www.artic.edu/aic/exhibitions">Art Institute of Chicago</a> from 1967 through 2009, has also written brief essays about several of the 14 artists whose works are featured in the catalog. Thurman is the author and co-author of numerous books about textiles, including, <em><a href="http://www.amazon.com/gp/product/B0006W7T38?ie=UTF8&amp;tag=arttextstyle-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B0006W7T38&quot;&gt;Raiment for the Lord's service: A thousand years of Western vestments&lt;/a&gt;&lt;img src=&quot;http://www.assoc-amazon.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=B0006W7T38&quot; width=&quot;1&quot; height=&quot;1&quot; border=&quot;0&quot; alt=&quot;&quot; style=&quot;border:none !important; margin:0px !important;&quot; /&gt;">Raiment for the Lord’s Service</a></em> (1975); <em><a href="http://www.amazon.com/gp/product/B000M01S9A?ie=UTF8&amp;tag=arttextstyle-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B000M01S9A&quot;&gt;Claire Zeisler: a Retrospective&lt;/a&gt;&lt;img src=&quot;http://www.assoc-amazon.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=B000M01S9A&quot; width=&quot;1&quot; height=&quot;1&quot; border=&quot;0&quot; alt=&quot;&quot; style=&quot;border:none !important; margin:0px !important;&quot; /&gt;">Claire Zeisler: a Retrospective</a></em> (1979); <em><a href="http://www.amazon.com/gp/product/0865590796?ie=UTF8&amp;tag=arttextstyle-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0865590796&quot;&gt;Lissy Funk: A Retrospective 1927-1988&lt;/a&gt;&lt;img src=&quot;http://www.assoc-amazon.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=0865590796&quot; width=&quot;1&quot; height=&quot;1&quot; border=&quot;0&quot; alt=&quot;&quot; style=&quot;border:none !important; margin:0px !important;&quot; /&gt;">Lissy Funk: A Retrospective</a></em> (1989); and <em><a href="http://www.amazon.com/gp/product/086559094X?ie=UTF8&amp;tag=arttextstyle-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=086559094X&quot;&gt;Textiles in the Art Institute of Chicago&lt;/a&gt;&lt;img src=&quot;http://www.assoc-amazon.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=086559094X&quot; width=&quot;1&quot; height=&quot;1&quot; border=&quot;0&quot; alt=&quot;&quot; style=&quot;border:none !important; margin:0px !important;&quot; /&gt;">Textiles: The Art Institute of Chicago</a></em> (1992). For <a href="http://www.amazon.com/gp/product/0300119607?ie=UTF8&amp;tag=arttextstyle-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0300119607&quot;&gt;European Tapestries in the Art Institute of Chicago&lt;/a&gt;&lt;img src=&quot;http://www.assoc-amazon.com/e/ir?t=arttextstyle-20&amp;l=as2&amp;o=1&amp;a=0300119607&quot; width=&quot;1&quot; height=&quot;1&quot; border=&quot;0&quot; alt=&quot;&quot; style=&quot;border:none !important; margin:0px !important;&quot; /&gt;">European Tapestries in the Art Institute of Chicago</a> (2008), Thurman was the general editor, contributed to the resulting volume as an author and oversaw the collection&#8217;s conservation. Thurman and her late husband, Lawrence S. Thurman were friends of the Baruchs for many years. During Thurman’s tenure at the Art Institute several textiles from behind the Iron Curtain entered the collection either as gifts, bequests or as purchases.</p>
<div id="attachment_1119" style="width: 310px" class="wp-caption aligncenter"><a href="http://browngrotta.com/Pages/ruszczynska-szafranska.php"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1119" class="size-medium wp-image-1119" title="1.ruszczynska-szafranska.detail" src="http://arttextstyle.files.wordpress.com/2010/10/1-ruszczynska-szafranska-detail.jpg?w=300" alt="" width="300" height="84" /></a><p id="caption-attachment-1119" class="wp-caption-text">PODROZ (Journey) from the Kolodia series Agnieszka Ruszczynska-Szafranska linen, sisal, wool 60&#8243; x 56&#8243;, 1986</p></div>
<p>The 76-page color catalog can be ordered from browngrotta arts beginning <a href="http://browngrotta.com/Pages/c35.php">http://browngrotta.com/Pages/c35.php</a> November 10, 2010.</p>
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