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	<title>Crystal Bridges Archives - arttextstyle</title>
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	<description>contemporary art textiles and fiber sculpture</description>
	<lastBuildDate>Wed, 25 Oct 2023 13:39:14 +0000</lastBuildDate>
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		<title>Art Out and About: Exhibitions Here and Abroad</title>
		<link>https://arttextstyle.com/2023/10/25/art-out-and-about-exhibitions-here-and-abroad-2/</link>
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		<pubDate>Wed, 25 Oct 2023 13:39:11 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Black Mountain College]]></category>
		<category><![CDATA[Carolina Yrarrázaval]]></category>
		<category><![CDATA[Crystal Bridges]]></category>
		<category><![CDATA[Dorothy Gill Barnes]]></category>
		<category><![CDATA[Ed Rossbach]]></category>
		<category><![CDATA[Katherine Westphal]]></category>
		<category><![CDATA[Kay Sekimachi]]></category>
		<category><![CDATA[Lenore Tawney]]></category>
		<category><![CDATA[Pollock Gallery]]></category>
		<category><![CDATA[Sheila hicks]]></category>
		<category><![CDATA[Tamiko Kawata]]></category>
		<category><![CDATA[Tartan]]></category>
		<category><![CDATA[Toshiko Takaezu]]></category>
		<category><![CDATA[Victoria & Albert Museum]]></category>
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					<description><![CDATA[<p>It&#8217;s a fall full of cultural attractions — across the US and abroad. Hope you can take in one or two! Tamiko Kawata&#8217;s Self Portrait, 1996 and Vertical Wave, 1986 Tamiko Kawata: Beyond Edge, Beyond SurfaceNovember 1- 28, 2023Opening Reception November 1 6-8 p.m.Pollock GalleryMeadows School of the ArtsSouthern Methodist UniversityDallas, Texas https://calendar.smu.edu/site/meadows/event/tamiko-kawata-beyond-edge-beyond-surface&#8211;opening-reception/ The artist will... </p>
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<p class="wp-block-paragraph">It&#8217;s a fall full of cultural attractions — across the US and abroad. Hope you can take in one or two!</p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2023/10/Tamiko-Kawata-Self-Portrait-and-Vertical-Wave.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2023/10/Tamiko-Kawata-Self-Portrait-and-Vertical-Wave.jpg" alt="" class="wp-image-12409" srcset="https://arttextstyle.com/wp-content/uploads/2023/10/Tamiko-Kawata-Self-Portrait-and-Vertical-Wave.jpg 810w, https://arttextstyle.com/wp-content/uploads/2023/10/Tamiko-Kawata-Self-Portrait-and-Vertical-Wave-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2023/10/Tamiko-Kawata-Self-Portrait-and-Vertical-Wave-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><sub>Tamiko Kawata&#8217;s <em>Self Portrait</em>, 1996 and <em>Vertical Wave</em>, 1986</sub></figcaption></figure>



<p class="wp-block-paragraph"><em><strong>Tamiko Kawata: Beyond Edge, Beyond Surface</strong></em><br>November 1- 28, 2023<br>Opening Reception November 1 6-8 p.m.<br>Pollock Gallery<br>Meadows School of the Arts<br>Southern Methodist University<br>Dallas, Texas <br><a href="https://calendar.smu.edu/site/meadows/event/tamiko-kawata-beyond-edge-beyond-surface--opening-reception/">https://calendar.smu.edu/site/meadows/event/tamiko-kawata-beyond-edge-beyond-surface&#8211;opening-reception/</a></p>



<p class="wp-block-paragraph">The artist will create an onsite installation on October 29 &#8211; 30th</p>



<p class="wp-block-paragraph"><em><strong>Weaving at Black Mountain College: </strong></em><br><em><strong>Anni Albers,Trude Guermonprez, and Their Students</strong></em><br>through January 6, 2023<br>Black Mountain College Museum + Arts Center<br>Asheville, NC<br><a href="https://www.blackmountaincollege.org/weaving/">https://www.blackmountaincollege.org/weaving/</a></p>



<figure class="wp-block-image size-full is-resized"><a href="https://arttextstyle.com/wp-content/uploads/2023/10/Weaving-at-BMC-Exhibition-Photo-by-BMCMAC-Staff.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2023/10/Weaving-at-BMC-Exhibition-Photo-by-BMCMAC-Staff.jpg" alt="" class="wp-image-12408" style="aspect-ratio:1.62;width:718px;height:auto" srcset="https://arttextstyle.com/wp-content/uploads/2023/10/Weaving-at-BMC-Exhibition-Photo-by-BMCMAC-Staff.jpg 810w, https://arttextstyle.com/wp-content/uploads/2023/10/Weaving-at-BMC-Exhibition-Photo-by-BMCMAC-Staff-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2023/10/Weaving-at-BMC-Exhibition-Photo-by-BMCMAC-Staff-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><sub><em>Weaving at Black Mountain College</em> Installation. photo by BMCM+AC staff featuring <em>The Weaver, </em>painted on the weaving studio door by Faith Murray Britton in 1942.</sub></figcaption></figure>



<p class="wp-block-paragraph"><em>Weaving at Black Mountain College: Anni Albers,Trude Guermonprez, and Their Students</em>&nbsp;will be the first exhibition devoted to textile practices at Black Mountain College (BMC). Celebrating 90 years since the college’s founding, the exhibition will reveal how weaving was a more significant part of BMC’s legendary art and design curriculum than previously assumed.</p>



<p class="wp-block-paragraph">BMC’s weaving program was started in 1934 by Anni Albers and lasted until the College closed in 1956. About 10% of all Black Mountain College students took at least one class in weaving. Despite Albers’s elevated reputation, the persistent treatment of textile practices as women’s work or handicraft has often led to the discipline being ignored or underrepresented in previous scholarship and exhibitions about the College; this exhibition brings that work into the spotlight at last. The exhibition will also feature work by selected contemporary artists whose work connects to the legacies of the BMC weavers: <a href="https://browngrotta.com/artists/kay-sekimachi">Kay Sekimachi</a>, Jen Bervin, Porfirio Gutiérrez, Susie Taylor, and Bana Haffar. They&#8217;ve produced a <a href="https://mitpressbookstore.mit.edu/book/9780300273564">catalog </a>for the exhibition, too, that will be available October 31st. </p>



<p class="wp-block-paragraph"><em><strong>Folding Silences</strong></em><br>through November 9, 2023<br>D21 Art Projects<br>Paeo Las Palmas<br>Providencia, Chile<br><a href="https://www.d21virtual.cl/2023/09/20/comunicado-plegando-silencios-de-carolina-yrarrazaval/">https://www.d21virtual.cl/2023/09/20/comunicado-plegando-silencios-de-carolina-yrarrazaval/</a></p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2023/10/DSC5610.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2023/10/DSC5610.jpg" alt="" class="wp-image-12410" srcset="https://arttextstyle.com/wp-content/uploads/2023/10/DSC5610.jpg 810w, https://arttextstyle.com/wp-content/uploads/2023/10/DSC5610-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2023/10/DSC5610-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><sub> Installation shot, Folding Silences exhibition. Photo by Jorge Brantmayer.</sub></figcaption></figure>



<p class="wp-block-paragraph">Through November 9th, the exhibition <em>Plegando Silencios</em> by international artist <a href="https://browngrotta.com/artists/carolina-yrarrazaval">Carolina Yrarrázaval</a> can be visited at gallery D21. The exhibition consists of a series of 12 tapestries that the artist has worked on in recent years experimenting with materials of plant origin, mainly with coconut fiber, which is intervened to obtain suggestive reliefs, textures, and transparencies that demand a new look at the artist&#8217;s work. The creative act of dyeing, folding, and incorporating raw material is transformed into the initial structure of a textile work that s, the gallery says, &#8220;seduces and incites the search for new sensations.&#8221;</p>



<p class="wp-block-paragraph"><em><strong>Woven Histories: textiles and modern abstraction</strong></em><br>through January 21, 2024<br>Los Angeles County Museum of Art<br>Los Angeles, CA<br><a href="https://www.lacma.org/art/exhibition/woven-histories-textiles-and-modern-abstraction">https://www.lacma.org/art/exhibition/woven-histories-textiles-and-modern-abstraction</a></p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2023/10/LACMA-Rossbachs.jpg"><img loading="lazy" decoding="async" width="800" height="500" src="https://arttextstyle.com/wp-content/uploads/2023/10/LACMA-Rossbachs.jpg" alt="" class="wp-image-12407" srcset="https://arttextstyle.com/wp-content/uploads/2023/10/LACMA-Rossbachs.jpg 800w, https://arttextstyle.com/wp-content/uploads/2023/10/LACMA-Rossbachs-300x188.jpg 300w, https://arttextstyle.com/wp-content/uploads/2023/10/LACMA-Rossbachs-768x480.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></a><figcaption class="wp-element-caption"><sub>Ed Rossbach, Damask Waterfall, 1977, LongHouse Reserve, © Ed Rossbach, photo © Charles Benton, courtesy The Artist&#8217;s Institute. Ed Rossbach, Lettuce Basket, 1982, Los Angeles County Museum of Art, Gift of Dr. Milton and Martha Dalitzky (M.2021.163.1), © Ed Rossbach, photo © Museum Associates/LACMA.</sub></figcaption></figure>



<p class="wp-block-paragraph"><em>Woven Histories</em> sheds light on a robust, if over-looked, strand in art history’s modernist narratives by tracing how, when, and why abstract art intersected with woven textiles (and such pre-loom technologies as basketry, knotting, and netting) over the past century. Included are 150 works by an international and transhistorical roster of artists that includes <a href="https://browngrotta.com/artists/ed-rossbach">Ed Rossbach</a>, <a href="https://browngrotta.com/artists/katherine-westphal">Katherine Westphal</a>, Anni Albers, <a href="https://browngrotta.com/artists/dorothy-gill-barnes">Dorothy Gill Barnes</a>, <a href="https://browngrotta.com/artists/kay-sekimachi">Kay Sekimachi</a>, <a href="https://browngrotta.com/artists/lenore-tawney">Lenore Tawney</a>, and <a href="https://browngrotta.com/artists/sheila-hicks">Sheila Hicks</a>. The exhibition reveals how shifting relations among abstract art, fashion, design, and craft shaped recurrent aesthetic, cultural, and socio-political forces, as they, in turn, were impacted by modernist art forms. It is accompanied by a book of essays and images, that can be purchased at<a href="https://store.browngrotta.com/woven-histories-textiles-and-modern-abstraction/"> browngrotta.com.</a></p>



<p class="wp-block-paragraph"><em><strong>Takaezu &amp; Tawney: An Artist is a Poet</strong></em><br>through March 25, 2024<br>Crystal Bridges Museum of American Art<br>Bentonville, AK<br><a href="https://crystalbridges.org/calendar/toshiko-takaezu-lenore-tawney/">https://crystalbridges.org/calendar/toshiko-takaezu-lenore-tawney/</a></p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2023/10/Lenore_Toshiko.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2023/10/Lenore_Toshiko.jpg" alt="" class="wp-image-12406" srcset="https://arttextstyle.com/wp-content/uploads/2023/10/Lenore_Toshiko.jpg 810w, https://arttextstyle.com/wp-content/uploads/2023/10/Lenore_Toshiko-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2023/10/Lenore_Toshiko-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><sub>Portrait of Lenore Tawney and Toshiko Takaezu at browngrotta arts&#8217; exhibition <em>Lenore Tawney: celebrating five decades of work</em>, 2000. Photo by Tom Grotta</sub></figcaption></figure>



<p class="wp-block-paragraph"><em>Takaezu &amp; Tawney: An Artist is a Poet</em> debuts 12 new acquisitions to the Crystal Bridges collection that tell the story of a remarkable friendship between Toshiko Takaezu and Lenore Tawney. Curated by Windgate Curator of Craft Jen Padgett, the exhibition highlights how these two women shaped craft history in the US by expanding and redefining the possibilities of their preferred mediums: Takaezu in ceramics, Tawney in weaving. Takaezu and Tawney had a close relationship for decades, from 1957 until Tawney’s death in 2007. From 1977 to 1981, Tawney lived at Takaezu’s Quakertown, New Jersey, home and the two shared studio space.</p>



<p class="wp-block-paragraph"><em><strong>Tartan</strong></em><br>through January 14, 2024<br>Victoria &amp; Albert Museum<br>London, UK<br><a href="https://www.vam.ac.uk/dundee/whatson/exhibitions/tartan">https://www.vam.ac.uk/dundee/whatson/exhibitions/tartan</a></p>



<figure class="wp-block-image size-full"><a href="https://arttextstyle.com/wp-content/uploads/2023/10/Tartan_VA_Dundee_Tartan_And_The_Grid_003.jpg"><img loading="lazy" decoding="async" width="810" height="500" src="https://arttextstyle.com/wp-content/uploads/2023/10/Tartan_VA_Dundee_Tartan_And_The_Grid_003.jpg" alt="" class="wp-image-12415" srcset="https://arttextstyle.com/wp-content/uploads/2023/10/Tartan_VA_Dundee_Tartan_And_The_Grid_003.jpg 810w, https://arttextstyle.com/wp-content/uploads/2023/10/Tartan_VA_Dundee_Tartan_And_The_Grid_003-300x185.jpg 300w, https://arttextstyle.com/wp-content/uploads/2023/10/Tartan_VA_Dundee_Tartan_And_The_Grid_003-768x474.jpg 768w" sizes="auto, (max-width: 810px) 100vw, 810px" /></a><figcaption class="wp-element-caption"><sub>Louise Gray 2011. For her iconic collection &#8216;Up Your Look&#8217;, photo by Michael McGurk </sub></figcaption></figure>



<p class="wp-block-paragraph">If you are a fan of tartan (as we are), the V&amp;A&#8217;s exhibition is for you. <em>Tartan </em>offers a thrilling view of over 300 mesmerizing objects showcasing tartan’s timeless appeal and rebellious spirit across fashion, architecture, art and design. See tartan worn by Bonnie Prince Charlie, a Scottish soldier’s unwashed kilt from the trenches of WWI, and the Bay City Rollers trousers handmade by a lifelong fan.</p>



<p class="wp-block-paragraph">And there is always our Artsy Viewing Room that you can visit without leaving home: <em><a href="https://www.artsy.net/viewing-room/browngrotta-arts-glen-kaufman-retrospective-1960-2010">Glen Kaufman: Retrospective 1980 – 2010</a></em>.</p>



<p class="wp-block-paragraph">Enjoy!</p>
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