“What is it about thread that is so appealing? Within contemporary society there is a hunger for sensual experiences that can only be satisfied by handle and texture. We are surrounded by smooth surfaces, from screens to kitchen counters, floors and cars. Clothing is increasingly constructed from a narrow range of nylon and cotton fibre – while appealing to the eye, these leave the hand starved of stimulus.” Polly Leonard, Founder/Editor, selvedge Magazine selvedge, Issue 84, Surface, September – October 2018To learn more about Polly and the founding of selvedge, access Threaded Stories: A Talk with Polly Leonard:https://classiq.me/threaded-stories-a-talk-with-polly-leonard

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40cj Smoke Ring, Christine Joy
willow with black encaustic, 23″ x 22″ x 12″, 2014

Christine Joy sources, harvests and then transforms willow into dramatic sculpture. Smoke Ring represents a new direction for Joy, she says, “more looseness and movement on the edge, visually, of coming apart, more exploration of added color to give unity and emotional depth.”

11mw Water Lily, Merja Winqvist
recycled aluminum plate, 26” x 25.75” x 1.75”, 2016

Merja Winquist of Finland has created a stylized and shimmering Water Lily of recycled aluminum.

14cg The Iron Curtain, Ceca Georgieva
burrdock burrs, 19” x 16” x 5” 2016

In Iron Curtain, a sculpture of burdock burrs, by Ceca Georgieva of Bulgaria, a figure seeks escape from a web of red threads. The work is about Georgieva’s generation, who remained n Eastern Europe after World War II on the Red side―the Communist side―of the Iron Curtain. “As children,” she says, “we proudly wore the red scarf of a Young Pioneer, and we believed whatever we were told to believe. Our future was programmed and seemed to be clear and beautiful. When cracks began to appear in the Iron Curtain and news from the West slowly filtered into the country, we learned about beat poetry, rock ‘n’ roll, blue jeans and Coca-Cola. We started to feel the lack of freedom and the desire to go out and to live without fear of restriction and deprivation. Then the wall fell down. Now, 25 years later, we are still in front of the half-open curtain, making efforts to get rid of the red iron threads.”

66nm Are We The Same?, Norma Minkowitz, mixed media, 12” x 28” x 26.375”, 2016

Are We the Same? by Norma Minkowitz, also addresses societal change, in this case, assimilation. “My thought was about our society and how, as time goes on, we intermingle and intermarry, ” says the artist, “and at the end we are a combination of many different genes and DNA and perhaps are eventually blended in some way.” Enjoy our selections.

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photo includes work by Merja Winqvist, Jiro Yonezawa and Włodzimierz Cygan

In less than two weeks, browngrotta will open its 2016 Art in the Barn exhibition, Artboom: Celebrating Artists Mid-Century, Mid Career. This year’s exhibition brings together “baby boomers,” 33 artists born between 1946 and 1964, who are mid-way into their lives of making art. We’ve asked them to provide us work that is reflective; work that tells us where they’ve come from or where they hope to go; work that illustrates influences, roads not taken, and the like. Or, work that reflects on being a boomer, perhaps— part of the wealthiest, most active, and most physically fit generation up to that time and the first to grow up genuinely expecting the world to improve. It was a generation that created music and literature in the 60s and art — including fiber art — to describe the change this generation was determined to bring about.

14cg The Iron Curtain, Ceca Georgieva, Burrdoch burrs,19″ x 16″ x 5″, 2016

The results are contemplative and thought provoking. Ceca Georgieva’s sculpture, The Iron Curtain, reflects her life in a Communist and post-Communist state. Karyl Sisson’s In Stitches, harkens back to her family’s past in New York’s Fashion industry — her grandmother made hats and beaded bags in New York’s lower East side; her mother spent 25 years as a buyer for the specialty store Bonwit Teller. For Lewis Knauss, this stage of his career means seeing unrealized ideas (sketches, notes, photos) and failed work in a new light. “I am happier with chaos,” he says, “the way I need to give up a bit more control of the outcome, flaws and in nature, the beauty of disaster. I guess it is acknowledging the approaching wall. I enjoy working at my pace rather than a deadline enforced one, allowing things to just happen, evaluating the outcomes as I finish each work. Keeping and discarding.” The Artist’s Opening for Artboom: Celebrating Artists Mid-Century, Mid-Career is Saturday, April 30th from 1 p.m. to 6 p.m. The hours of the exhibition from May 1st through May 8th are 10 a.m. to 5 p.m. — just call if you’d like to come by earlier or later: 203.834.0623. browngrotta arts’ contemporized 1895 barn is at 276 Ridgefield Road, Wilton, CT 06897. For more information and a complete list of artists visit browngrotta.com: http://www.browngrotta.com/Pages/calendar.php. A catalog, Artboom: Celebrating Artists Mid-Century, Mid-Career will be available from browngrotta.com after May 1st.

pictured works by: Birgit Birkkjaer; Grethe Sorensen; Grethe Wittrock; Gudrun Pagter; Mary Merkel-Hess; Tom grotta; browngrotta arts

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Tamiko Kawata reports that she had the chance to read a few books while icing her injured shoulder after therapy, first three times a day, then two times. She enjoyed Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage. She is now reading — and enjoying — Herta Muller, Even Back Then, the Fox Was the Hunter.

Mary Merkel-Hess recommends Pilgrim on the Great Bird Continent: The Importance of Everything and Other Lessons from Darwin’s Lost Notebooks by Lyanda Lynn Haupt. “It is the gracefully written account of how, during his five years on the Beagle, Charles Darwin became an accomplished naturalist who could discern scientific truths from the creatures he studied. “ she writes. “Haupt documents this transformation by concentrating on Darwin’s lesser-known writings, particularly his notebooks. At points it reads like a travelogue and a manual for bird watchers. I found it fascinating.”

“I do not get to read books as much as I like,” writes Kiyomi Iwata, ” but the best book I read this year was The Grief of Others by Leah Hager Cohen. Even though she is very young — my daughter’s age — I found her prose most sensitive, insightful and compassionate. Her most recent book is No Book for the World, which I am still reading.”

The most inspirational book Toshio Sekiji read this year was Korean Economy Drilled Through by Lee Hong Chang, which was originally published in Korea by Bobmun-sha,1999, the Japanese translation was by Hosei University Press in 2004. The book illuminates the dramatic changes from the medieval age to the modern age. It was one of a number of related books Toshio has read over the last two years as he prepared a report, “Korean Lacquer Culture through Neolithic Age to Modern Age” for the Bulletin of the Lacquer Art Museum in Wajima, Japan.

Ulla-Maija Vikman most enjoyed Nyljettyjä ajatuksia (Flayed Thoughts) by Juha Hurme. In Finnish only at this point, it’s a story of a 700-mile, 20-day rowing journey in which the characters eat, camp on islets and beaches and discuss what is essential and how what’s essential is transmitted.

There are two recommendations from Ruth Malinowski: The Hare with Amber Eyes by Edmund de Waal, recommended last year by Kay Sekimachi (and published by Rhonda’s other employer, FSG/Macmillan) and 1913: The Year Before the Storm by Florian Illies. The latter highlights developments in literature and art, as well as politics, covering the lives of Kafka, Rilke, Thomas Mann, Camille Claudel, Freud, Stalin, Hitler and some Royalty. Wars, love letters, art thefts and many more events from1913 are cleverly combined in 12 chapters, each reflecting a calendar month.

Ceca Georgieva rated Shantaram by Gregory David Roberts as her most inspirational read of the year. (Full disclosure, this one is also published by Rhonda’s other employer, St. Martin’s Press/Macmillan and a book she also quite enjoyed. It’s been optioned by Johnny Depp and the movie is currently in production.)

“Of the many inspiring reads this year,” writes Wendy Wahl, “two authors stand out who had an impact on my work as a visual artist interested in the potency of printed text on paper. I was given Nicholson Baker’s The Size of Thoughts, by my husband when I was trying to weave together seemingly disparate yet connected ideas that sometimes are considered mundane and should be thought of as blessed into a cohesive short story. Baker’s style reminded me to keep doing what I was doing. I went onto read his Double Fold: Libraries and the Assault on Paper, which became the inspiration for a sculpture I made this year that shares its name. One of my favorite library activities is to stroll through the stacks with my head cocked to one side and my index finger underlining titles vertically to see what’s there. I was delighted to come upon On Paper, The Everything of Its Two-Thousand-Year History by Nicholas Basbanes, ‘a self-confessed bibliophiliac.’ I’ve checked this book out several times, paid late fees and, since I can’t write in this copy, I realize I must own it.”

Five art books got the nod from our artist/correspondents including Iridescent Light: The Emergence of Northwest Art by Deloris Tarzan Ament with photographs by Mary Randlett. Dona Anderson “enjoyed immensely” Ament’s profiles of 21 artists who lived and worked in Washington State during formative periods in their careers, profiles that blend discussion of their work and commentary on the obstacles they faced and the influences they brought to bear on one another.

Scott Rothstein rates A Passionate Eye: Textiles, Paintings and Sculptures from the Bharany Collections, Giles Tillotson, ed. as a “great book.” Mr. Bharany is Scott’s “Indian Father.” He is very involved with textiles as well as paintings and other Indian art forms. Scott says, “I had tea with him three times a week when I lived there and we get back to India almost every year, mostly to spend time with him. He is around 88 years old, so we feel we need to be with him as much as we can.” The book on Judith Scott, Judith Scott, Bound and Unbound, he recommends, too — more for the photos than the text.

Nancy Koenigsberg found the volume created to accompany the traveling exhibition at the Institute of Contemporary Art, Boston, Fiber: Sculpture 1960 to the Present (available on our website, browngrotta.com), “a must read for fiber people,  makers and buyers — especially young artists who don’t know who some of these artists are. I was really surprised to discover that!!,” she says.

“My favorite book for this year,” writes Adela Akers, “is, without a doubt: In The Realm Of Nature: Bob Stocksdale & Kay Sekimachi (available on our website, browngrotta.com). A beautiful book, well conceived with excellent writing by Signe S. Mayfield. The life history of these two wonderful artists is beautifully intertwined with perfect images of their work. What a pleasure!”

Wishing you all new year that provides plenty of time for pleasure reading!

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1) HAYSTACK RIVER BASKET, Dorothy Gill Barnes
early river teeth, 14.5″ x 21″ x 16″, 2011

2) PANIER-MAISON II, Stéphanie Jacques
wood, willow, raw clay coated and limewash, 16.5″ x 21.25″ x 21.25″, 2010

3) MARAG, Lizzie Farey
willow, wax and galloway pebble, 16.5″ x 11.5″ x 11.5″, 2006

4) GUARDIAN II, Jan Buckman
waxed linen and hawthorne branches, 27″ x 7.5″ x 7″, 2002

5) BIRD BRAIN, John Mcqueen
woven willow twigs, waxed string , 26″ x 23.5″ x 23″, 2002

6) CAMPHOR, Lawrence LaBianca
glass with photo, branch, steel, 12″ x 22″ x 7″, 1999

7) EMU, Virginia Kaiser
pine needles, Emu feathers, stitched with linen, 14″ x 5″ x 5″, 2011

8) PUSSY WILLOW XIIII, Markku Kosonen
willow, 8″ x 12″ x 12″, 1996

9) LEAF BOWL, Kay Sekimachi
skeleton of big leaf maple, 8″ x 5″ x 5″, 2011

10) FITTINGS V, Hisako Sekijima
cherry and maple, 8″ x 10″ x 9″, 1999

11) CRADLE TO CRADLE, Gyöngy Laky
apple, commercial wood, screws, 16 x 30″ x 30″, 2007

12) CHINESE LANTERN, Ceca Georgieva
burdock burrs, chinese lantern, 16” x 8.25” x 4.75”, 2012

13) MOTHER  & CHILD, Dawn MacNutt
twined willow, 36″ x 9″ x 9″, 2009, $3,000
14) TWENTY -FIVE SQUARES, Dail Behennah
willow silver plated pins, 37.5″ x 37.5″ x 3″, 2007

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Green Leaves by Ceca Georgieva, photos by Ceca Georgieva

These are images of some of Ceca Georgieva’s “park art experiments.” Georgieva is a textile artist working in the field of nature art. “Working with natural materials not only brings me joy,” she says, “but also much wisdom. In even the smallest piece of grass there is incorporated history, meaning and purpose. I admire and learn from her genius “installation” of design, color, smell and light … It is a great challenge to enter her laboratory and to be able to add my own thing.”

Window on Blood and Water by Chris Drury, photos by Chris Drury

Naoko Serino Detail, photo by Naoko Serino

Works made entirely of jute are created by Naoko Serino of Japan. Moon Lee says that in Serino’s work,”the golden sheen and sinuous strands of jute yield a most spectacular softness and luminosity. The natural fibers are spun densely or pulled thin, making for infinite gradations of densities. Irregular shapes in varying degrees of transparency provoke an effect that is strongly biological. Spheres, tubes, tubes contained within spheres, spheres contained within cubes, and rows of coiled strands evoke thoughts of phospholipid bilayers of cell membranes, veins, sea sponges, and so forth.” http://thecreatorsproject.vice.com/blog/naoko-serino-spins-vegetable-fiber-into-golden-sculptures.

A Panic of Leaves by John McQueen, photo by Tom Grotta

John McQueen’s vessel form celebrates leaves — their diversity of shape and color. McQueen often “draws” with sticks, in ways that make a viewer consider his or her relationship to the world. “Steel is natural,” he says, “because it comes from an iron ore in the ground. But when you look at steel, you don’t connect it with the ground because it’s been processed so many times, whereas there’s a direct visual connection between looking at my work and seeing the world.”

 

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“Some works in Retro/Prospective: 25+ Years of Art Textiles and Sculpture reflect the early days of contemporary textile art and sculpture movement,” says Tom Grotta, founder and co-curator at browngrotta arts. “There are also current works by both established and emerging artists, which provide an indication of where the movement is now and where it may be headed.”

Since Monday the 26th is CyberMonday this year, sales of art, books, catalogs, videos or dvds placed online or by telephone that day will be discounted 10% (excluding tax and shipping). In addition, bga will make a donation to the International Child Art Foundation for each sale made from November 24th through December 31, 2012. Visit browngrotta.com. For more information call Tom at 203.834.0623 or email us at art@browngrotta.com.

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Jiro Yonezawa bamboo Bridge and Kay Sekimachi Leaf bowl. photo by Tom Grotta

We’ve had a busy fall season at browngrotta arts. First was Stimulus: art and its inception, which you can still see in the catalog http://www.
browngrotta.com/Pages/c36.php and online through the end of the month http://www.browngrotta.com/Pages/StimulusOnlineExhibit.php. Next up, is Green from the Get Go: International Contemporary Basketmakers at the Wayne Art Center, Pennsylvania http://www.
wayneart.org/exhibition/green-from-the-get-go-international-contemporary-basketmakers which runs from December 2, 2011 to January 21, 2012.  Green from the Get Go is curated by Jane Milosch, former curator of the Renwick Gallery, Smithsonian American Art Museum in collaboration with browngrotta arts. The exhibition features an exciting compilation of more than 40 works by artists who take inspiration from nature and the history of basketry. Since prehistoric times artists and craftspeople have been highly attuned to the beauty and resources of the natural world, whether depicting a pristine landscape, untouched by man, or harvesting plants and minerals for pigments and brushes. Sustainability is part of the design and craft process, which requires a heightened sensitivity to materials, one that honors the caring for, replenishing and repurposing of materials. Artist Dorothy Gill Barnes captures this eco-friendly position well when she explains, “my intent is to construct a vessel or related object using materials respectfully harvested from nature.”

CROSSING OVER Dona Anderson bamboo kendo (martial art sticks), patterned paper, thread 15″ x 94″ x 30″ 2008. photo by Richard Nicol

Some of the sculptural baskets in Green from the Get Go are made from both flora and fauna, from bamboo, pine, sea grass, and willow to emu feathers and bayberry thorns. The tactile nature of these fiberous works stimulates all of the senses—sight, smell, touch and even sound. Each maker brings his or her own conceptual approach and expression to the design and fabrication process. Some works are small enough to nestle in the hand or rest table-top, while others are monumental or hang on the wall. Green from the Get Go stretches our imagination in terms of what materials and forms constitute a basket and how art bespeaks the interconnected relationship of man and nature.

The exhibition includes artists from Australia, Canada, Japan, the UK, Scandinavia and the US, featuring innovators in the genre of 20th-century art basketry as well as emerging talent: Dona Anderson, Jane Balsgaard, Dorothy Gill Barnes,Dail Behennah. Nancy Moore Bess, Birgit Birkkjaer, Jan Buckman, Chris Drury, Lizzie Farey, Ceca Georgieva, Marion Hildebrandt, Kiyomi Iwata, Christine Joy, Virginia Kaiser, Markku Kosonen, Gyöngy Laky, Dawn MacNutt,  John McQueen, Mary Merkel-Hess, Norma Minkowitz, Valerie Pragnell, Ed Rossbach, Hisako Sekijima, Kay Sekimachi, Naoko Serino, Klaus Titze, Jiro Yonezawa and Masako Yoshido.

PILLOW, Norma Minkowitz, fiber, wood, paint, 2011

The preview party for Green from the Get Go: International Contemporary Basketmakers and Craftforms 2011, juried by Elisabeth Agros of the Philadelphia Art Museum, takes place on the evening of December 2nd and we’ll be there. For more in formation, contact the Wayne Art Center: http://www.wayneart.org/events/?id=48.

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Ethel Stein offers a wide-ranging list. The first is a new book by her son, Carl Stein, Greening Modernism: Preservation, Sustainability, and the Modern Movement, which has garnered great reviews including this one from Diane Lewis, a professor of architecture at Cooper Union: “A crisp, radical, and luminous book. Stein’s writing and selection and sequence of images offer an inspiring crystallization of the integrity of architecture and sustainability rooted in the principles of the Modern movement.” (Ethel must be so proud!).

The second is a children’s title,The First Dog, the story of Adam and Eve’s dog, written by Benjamin Cheever and illustrated by Tim Grajek. Finally, she recommends, La Cucina di Lidia: Recipes and Memories from Italy’s Adriatic Coast by Lidia Matticchio Bastianich and Jay Jacobs, which contains her favorite recipe, Smothered Escarole, which she says is simple and delicious.

Architecture Without Architects, by Bernard Rudofsky, the landmark volume that accompanied the exhibit of the same name at the Museum of Modern Art in New York in 1964, remains a favorite of Adela Akers. “[V]ernacular architecture does not go through fashion cycles. It is nearly immutable, indeed, unimprovable, since it serves its purpose to perfection,” Rudofsky wrote in his highly influential work. Another favorite of Adela’s is The World From Above (a Terra Magica Book) by Hanns Reich and Otto Bihalji-Merin, a small book of black-and-white images taken from the air.

Presently, Adela is reading books on or about Agnes Martin, including Briony Fer’s essay, “Drawing Drawing: Agnes Martin’s Infinity,” from 3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin, reprinted in Women Artists at the Millennium and “The Untroubled Mind,” by Agnes Martin, which is included in Theories and Documents of Contemporary Art – A Sourcebook of Artists’ Writings.

Ceca Georgieva made four recommendations, including The Book of Bamboo by Vladislav Bajac, a poet, publisher and novelist who has translated the Beat poets and Leonard Cohen from English into Serbian. His first novel, The Book of Bamboo, has been translated into Bulgarian, French, and Russian but apparently not yet into English, though his award-winning historical novel, Hamam Balkania, has. Ceca also recommends Let Me Tell You a Story, by Jorge Bucay, which one reviewer called, The Book of a Thousand and One Nights in a Paolo Coehlo style. This book can be found in the original Spanish and in French, while Bucay’s The Power of Self Dependence, can be found in an English translation. She also recommends To Have or Be by Erich Fromm and finally, a Bulgarian book, The Herbs: Food and a Cure by Boris Michev, Alipi Naidenov, Sonia Chortanova and Todor Malinov.

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Wendy Wahl Detail

extended through August 1st, 2010

Thirty-one international artists, including Wendy Wahl (US), transform books of words into works of art.

Holland Paper Biennial 2010
Museum Rijswijk
Herenstraat 67
2282 BR Rijswijk
070.390.36.17
CODA Apeldoorn
Vosselmanstraat 2997311 CL Apeldoorn055.526.84.00
http://www.museumryswyk.nl/hpb2010/hpb2010en.html

Noriko Takamiya Detail

from June 8th through September 12, 2010

The 2010 Holland Paper Biennial is an exhibition of work by international paper artists taking place in two museums. A special selection of papers and books will be added to the usual range of products in the museum shop for the duration of the exhibition in Museum Rijswijk. The traditional paper fair will be held in the courtyard at the front of Museum Rijswijk and in the Oude Kerk (Old Church) opposite on Sunday September 12th. Jewellry and collage made of paper get special attention at this biennial. Closely related to these jewellery pieces, is the work of Noriko Takamiya (Japan). Using the traditional Japanese craft of basketry as her starting point, she develops new forms and techniques. She winds layers of thin strips of paper around each other, interweaving them into Escher-like objects. Three artists, Desiree de Baar (the Netherlands), Christophe Piallat (US) and Birgit Knoechl (Germany), have been asked to create installations using the dramatic architecture of the CODA building.

The New Materiality: Digital Dialogues at the Boundaries of Contemporary Craft
Fuller Craft Museum
455 Oak Street
Brockton, MA 02301
508.588.6000

Lawrence LaBianca Detail

through February 6, 2011

Curated by Fo Wilson, this exhibition steps beyond the boundaries that currently exist among technology, art, and craft. The New Materiality looks at a growing development in the United States toward the use of digital technologies as a new material and means of expression in craft. Contributing artists include: Wendy Maruyama (San Diego, CA), Nathalie Mieback (Brookline, MA), Brian Boldon (Minneapolis,MA), Shaun Bullens and Cat Mazza (Providence, RI), Sonya Clark (Richmond, VA), Lia Cook (Berkeley, CA), Susan Working (Snowmass Village,CO), Mike and Maaike, E.G. Crichton, Donald Fortescue and Lawrence LaBianca (San Francisco, CA), Christy Matson (Chicago, IL), Tim Tate (Mt. Rainier, WA), and Mark Zirpel (Seattle, WA).

(Re) Fashioning Fiber
Green Spaces NY
394 Broadway, 5th Flr
New York, NY 10013
646.783.8616

Ceca Georgieva Detail

through August 13, 2010

Curated by environmental artist Abigail Doan, the works in this exhibit offer up new ways of thinking about “fiber” as a basis for how we might (re)fashion our lives, our patterns of consumption, and our personal style. Among the Invited artists and designers include: Abigail Doan, Atefeh Khas, Brece Honeycutt, Abigail McEnroe, Kaori Yamazaki, Mackenzie Frere, Melissa Kirgan, Meiling Chen, Michelle Vitale Loughlin, Renata Mann, Sibyll Kalff, Tara St. James, Tara Goodarzy, Xing-Zhen Chung-Hilyard and Ceca Georgieva (Bulgaria), who has creted jewelry of vegatation.

On View: Artists In Residence and Toe River Potters
The Bascom
Atrium and Education Gallery
323 Franklin Road
Highlands, NC 28741
828.526.4949
http://www.thebascom.org/future-exhibitions/5-exhibitions/22-future-exhibitions

Lewis Knauss Detail

from July 24th through August 22, 2010

Artists in Residence: Matt Liddle, printmaker and bookarts; Holly Hanessian, ceramics; Lewis Knauss, fiber; Mira Lehr, mixed media; Tom Turner, ceramist; Phillip Garrett, painter. Toe River Potters: Norm Schulmann, Claudia Dunaway, Ken Sedberry, Mark Peters and Courtney Martin. Also at the Bascom: Stick Works: Patrick Dougherty’s Environmental Sculpture.

Faces & Mazes: Lia Cook
Textile Museum of Canada
55 Centre Avenue (Dundas St. W & University Ave., St. Patrick subway)
Toronto, Ontario
M5G 2H5
Canada
416.599.5321
http://www.textilemuseum.ca/apps/index.cfm?page=exhibition.detail&exhId=311

Lia Cook Detail

through October 17, 2010

Faces & Mazes is part of Person Place Thing, which also features exhibits of the work of David R. Harper and Steven Schofield.  Cook, Harper and Schofield make work that is physically demanding and large in scale — wall-sized weavings of children’s and doll’s faces; sculptures of embroidered and taxidermied animals; and massive human figures made of textiles frozen in time. They draw the viewer into woven, embroidered and sewn narratives of nature, identity and history. As the faces in Lia Cook’s weavings fragment, a perceptual shift occurs, moving through a place of transition and ambiguity to reveal the physical, tactile nature of the constructed image.

13th International Triennial of Tapestry, Łódź 2010
Central Museum of Textiles
ul. Piotrkowska 282, 93 – 034
Łódź, Poland
042. 683.26.84

through October 31, 2010

Among the artists invited to participate are Nancy Koenigsberg (US); Aleksandra Stoyanov (Israel) and Anda Klancic (Slovania), whose work was “highly commended: by the interntional jury that includes artist Kyoko Kumai (Japan).

Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection
Museum of Arts and Design
2 Columbus Circle
New York, NY  10019
212.299.7777
http://collections.madmuseum.org/code/emuseum.asp?style=browse&currentrecord=1&page=seealso&profile=exhibitions&searchdesc=Current Exhibitions&searchstring=Current/,/greater than/,/0/,/false/,/true&action=searchrequest&s

through September 12, 2010

Intertwined provides an international look at contemporary basket making, offering insight into the evolution of the basket from a useful object to a work of art and challenging the notion of what defines a basket. The exhibition includes more than 70 traditional and non-traditional baskets.  Among the artists whose work is included are:  Ed Rossbach, Katherine Westphal, Sally Black, Kiyomi Iwata, Dorothy Gill Barnes, Carol Eckert, John McQueen, John Garrett, Ferne Jacobs and Norma Minkowitz.

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