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	<title>California Archives - arttextstyle</title>
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	<description>contemporary art textiles and fiber sculpture</description>
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		<title>Art Out and About &#8212; Exhibitions in the US and Abroad</title>
		<link>https://arttextstyle.com/2019/03/06/art-out-about-exhibitions-us-abroad/</link>
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		<pubDate>Wed, 06 Mar 2019 15:33:44 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Museums]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[art out and about]]></category>
		<category><![CDATA[California]]></category>
		<category><![CDATA[Caroline Bartlett]]></category>
		<category><![CDATA[El Anatsui]]></category>
		<category><![CDATA[Gudrun Pagter]]></category>
		<category><![CDATA[Jiro Yonezawa]]></category>
		<category><![CDATA[Jo Barker]]></category>
		<category><![CDATA[Lia Cook]]></category>
		<category><![CDATA[Michael Rohde]]></category>
		<category><![CDATA[Netherlands]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Romania]]></category>
		<category><![CDATA[Scotland]]></category>
		<category><![CDATA[UK]]></category>
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					<description><![CDATA[<p>Detail of Imprint by Caroline Bartlett. Photo by Yeshen Venema &#38; The National Centre for Craft &#38; Design ABROADCtrl/Shift &#8211; Sleaford, United Kingdom Across the pond, Ctrl/Shift: New Directions in Textile Art is currently on show at the National Centre for Craft &#38; Design. Ctrl/Shift, which features work by browngrotta arts artist Caroline Bartlett, presents... </p>
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<div class="wp-block-image"><figure class="alignleft is-resized"><img loading="lazy" decoding="async" src="http://arttextstyle.com/wp-content/uploads/2019/03/cbctrlshift-1024x683.jpg" alt="" class="wp-image-8997" width="400" height="267" srcset="https://arttextstyle.com/wp-content/uploads/2019/03/cbctrlshift-1024x683.jpg 1024w, https://arttextstyle.com/wp-content/uploads/2019/03/cbctrlshift-300x200.jpg 300w, https://arttextstyle.com/wp-content/uploads/2019/03/cbctrlshift-768x512.jpg 768w, https://arttextstyle.com/wp-content/uploads/2019/03/cbctrlshift-500x333.jpg 500w" sizes="auto, (max-width: 400px) 100vw, 400px" /><figcaption>Detail of <em>Imprint </em>by Caroline Bartlett. Photo by Yeshen Venema &amp; The National Centre for Craft &amp; Design</figcaption></figure></div>



<p><strong>ABROAD</strong><br><br><strong><em>Ctrl/Shift </em>&#8211; Sleaford, United  Kingdom </strong><br>Across the pond, <em>Ctrl/Shift:  New Directions in Textile Art </em>is currently on show at the National Centre for Craft &amp; Design. <em>Ctrl/Shift</em>,  which features work by browngrotta arts artist Caroline Bartlett, presents a wide variety of pieces which present how artists transform their pieces through their creative processes. Focusing on shifts, changes <g class="gr_ gr_9 gr-alert gr_gramm gr_inline_cards gr_run_anim Punctuation only-ins replaceWithoutSep" id="9" data-gr-id="9">and</g> adaptability, the exhibition highlights the impact of innovative contemporary themes, ideas and technologies on textile art. &nbsp;Click <a class="" href="https://nccd.org.uk">HERE</a>  for more information.</p>



<p><strong><em>El  Anatsui: Material Wonder &nbsp;&#8211; </em>London,  United&nbsp;Kingdom</strong><br>El  Anatsui’s work is on view at October Gallery in London through the end of April. The exhibition, <em>El Anatsui: Material  Wonder, </em>coincides with the largest retrospective of Anatsui’s work, &nbsp;<em>El  Anatsui: Triumphant Scale</em>, at Haus der Kunst, Munich. Throughout his influential career, Anatsui has experimented with a variety of mediums, including cement, ceramics, tropical hardwood corrugated iron, and bottle-top, to name a few. October Gallery’s exhibition includes a variety of metal wall sculptures accompanied by a series of prints made in collaboration with Factum Arte. Want to see these one-of-a-kind pieces? Head over to October Gallery’s website <a class="" href="http://www.octobergallery.co.uk/exhibitions/2019ela/">HERE</a>  for visiting information.<br></p>



<div class="wp-block-image"><figure class="alignright is-resized"><img loading="lazy" decoding="async" src="http://arttextstyle.com/wp-content/uploads/2019/03/Screen-Shot-2019-03-06-at-12.25.29-AM.png" alt="" class="wp-image-9001" width="370" height="371" srcset="https://arttextstyle.com/wp-content/uploads/2019/03/Screen-Shot-2019-03-06-at-12.25.29-AM.png 964w, https://arttextstyle.com/wp-content/uploads/2019/03/Screen-Shot-2019-03-06-at-12.25.29-AM-150x150.png 150w, https://arttextstyle.com/wp-content/uploads/2019/03/Screen-Shot-2019-03-06-at-12.25.29-AM-300x300.png 300w, https://arttextstyle.com/wp-content/uploads/2019/03/Screen-Shot-2019-03-06-at-12.25.29-AM-768x771.png 768w, https://arttextstyle.com/wp-content/uploads/2019/03/Screen-Shot-2019-03-06-at-12.25.29-AM-500x502.png 500w" sizes="auto, (max-width: 370px) 100vw, 370px" /><figcaption><br> <br>Rehearsal, El Anatsui, Aluminum and copper wire, 406 x 465 cm, 2015. Photo Jonathan Greet/October Gallery. </figcaption></figure></div>



<p><strong><em>A Considered Place </em>&#8211; Drumoak, Scotland</strong><br><em>A Considered Place</em>, an upcoming exhibition at Drum Castle in Drumoak, Scotland, will share the work of browngrotta arts artists Jo Barker and Sara Brennan, along with Susan Mowatt, Andrea Walsh <g class="gr_ gr_69 gr-alert gr_gramm gr_inline_cards gr_disable_anim_appear Punctuation only-ins replaceWithoutSep" id="69" data-gr-id="69">and</g> Jane Bustin. The exhibition’s location, Drum Castle, is encircled by late 18th rose gardens and trees from all regions of the 18th century British Empire. Make a day of the outing, starting with a stroll through A Considered Place concluded by a relaxing afternoon wandering around the estate’s grounds. Curious about Drum Castle or <em>A Considered Place</em>, click <a class="" href="https://www.nts.org.uk/visit/places/drum-castle">HERE</a> for more information.</p>



<p><strong><em><g class="gr_ gr_74 gr-alert gr_spell gr_inline_cards gr_disable_anim_appear ContextualSpelling ins-del multiReplace" id="74" data-gr-id="74">Fendre</g> L&#8217;air </em>&#8211; Paris, France</strong><br>In Paris, Jiro Yonezawa is among artists featured in <em><g class="gr_ gr_77 gr-alert gr_spell gr_inline_cards gr_disable_anim_appear ContextualSpelling ins-del multiReplace" id="77" data-gr-id="77">Fendre</g> L&#8217;air, </em>an elegant exhibition of bamboo basketry at the Musée du Quai Branly Jacques Chirac. <em><g class="gr_ gr_80 gr-alert gr_spell gr_inline_cards gr_disable_anim_appear ContextualSpelling ins-del multiReplace" id="80" data-gr-id="80">Fendre</g> L&#8217;air </em>is the first French exhibition to pay homage to the exquisite craft and creativity of Japanese basket makers. Composed of 160 works, the exhibition delves into the art and history of Japanese basketry. Japanese basketry, which we have discussed in length across many blog posts, grew in popularity during the Meiji era as the revival of a certain type of tea ceremony in which bamboo baskets and containers were used for flower arrangments. As creativity has flourished, baskets have become less utilitarian and more decorative. Today, the work of many Japanese basket makers is so impactful, that the artists themselves have become living national treasures. Click <a href="http://www.quaibranly.fr/en/exhibitions-and-events/at-the-museum/exhibitions/event-details/e/fendre-lair-38062/">HERE</a> or more information on &nbsp;<em>Fendre L&#8217;air. </em></p>



<div class="wp-block-image"><figure class="alignleft is-resized"><img loading="lazy" decoding="async" src="http://arttextstyle.com/wp-content/uploads/2019/03/14_culturalthreads-968x1024.jpg" alt="" class="wp-image-9007" width="365" height="386" srcset="https://arttextstyle.com/wp-content/uploads/2019/03/14_culturalthreads-968x1024.jpg 968w, https://arttextstyle.com/wp-content/uploads/2019/03/14_culturalthreads-284x300.jpg 284w, https://arttextstyle.com/wp-content/uploads/2019/03/14_culturalthreads-768x812.jpg 768w, https://arttextstyle.com/wp-content/uploads/2019/03/14_culturalthreads-500x529.jpg 500w" sizes="auto, (max-width: 365px) 100vw, 365px" /><figcaption><br>Certainty / Entropy (Peranakan 2), Aiko Tezuka, h27 x w76 x b71.5 cm, 2014. Loan:<br>Aiko Tezuka/Galerie Michael Janssen. Photo: <br>Edward Hendricks</figcaption></figure></div>



<p><strong><em>Cultural  Threads</em>  &#8211; Tilburg, Netherlands</strong><br>If  you happen to be in the Netherlands in upcoming months make sure to check out &nbsp;<em>Cultural Threads</em>  at the Textiel Museum in Tilburg. Featuring work by Eylem  Aladogan, Célio Braga, Hana Miletić, Otobong Nkanga, Mary Sibande, Fiona Tan, Jennifer Tee, Aiko Tezuka and Vincent Vulsma, the exhibition focuses on textiles as &nbsp;a tool for socio-political reflection. “We live in a world where boundaries between countries  and people are becoming increasingly blurred, power relations are shifting radically and cultures are mixing,” states the Textiel Museum. As a medium, the unique  qualities of textiles provide artists with a plethora of ways to communicate and explore identity in a globalizing world. &nbsp;Find more information on the <em>Cultural Threads </em><a class="" href="https://www.textielmuseum.nl">HERE</a>.  &nbsp;<br></p>



<p><strong><em>Artapestry  V </em>&#8211;  Arad, Romania</strong><br>Gudrun  Pagter&#8217;s work in <em>Artapestry  V </em>is <g class="gr_ gr_34 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="34" data-gr-id="34">making  its</g> final appearance in Romania at the Arad Art Museum as the traveling international exhibition comes to a close. The exhibition, which has traveled across Europe, stopping in Denmark, Sweden and <g class="gr_ gr_29 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del multiReplace" id="29" data-gr-id="29">Lativa</g>, features the work of artists from 12 European countries.  Presented by the European Tapestry forum, &nbsp;<em>Artapestry  V</em> aims <g class="gr_ gr_36 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="36" data-gr-id="36">to  raise</g> the profile of tapestry as an art form and conjure artistic interest in the medium. Find more information on the European Tapestry Forum’s website <a class="" href="https://www.tapestry.dk/">HERE</a>. <br></p>



<p><strong>UNITED  STATES </strong><br></p>



<div class="wp-block-image"><figure class="alignright is-resized"><img loading="lazy" decoding="async" src="http://arttextstyle.com/wp-content/uploads/2019/03/E0.jpg" alt="" class="wp-image-9010" width="450" height="300" srcset="https://arttextstyle.com/wp-content/uploads/2019/03/E0.jpg 899w, https://arttextstyle.com/wp-content/uploads/2019/03/E0-300x200.jpg 300w, https://arttextstyle.com/wp-content/uploads/2019/03/E0-768x513.jpg 768w, https://arttextstyle.com/wp-content/uploads/2019/03/E0-500x334.jpg 500w" sizes="auto, (max-width: 450px) 100vw, 450px" /><figcaption><strong><em>T</em></strong><em>he Art of Defiance: Radical Materials</em> at the Michael Rosenfeld Gallery in New York. Photo:Michael Rosenfeld Gallery</figcaption></figure></div>



<p><strong><em>The Art of Defiance: Radical Materials </em>&#8211; New York, NY&nbsp;&nbsp;</strong><br>The current Michael Rosenfeld Gallery exhibition, <em>The art of Defiance: Radical Materials</em>, examines how artists such as Barbara Chase-Riboud, Betye Saar, Hannelore Baron, Nancy Grossman have utilized unique, groundbreaking materials in their work. For the exhibition, each artist utilized materials defined by their physicality, “representing a freedom from the constraints of traditional, male-dominated media in art history.” Each artists’ work blurred the traditional boundaries between two and three-dimensional design, which in turn has expanded the traditional categorical defines of art-making. In New York and want to check out the exhibition, visit the Michael Rosenfeld Gallery website<a class="" href="http://www.michaelrosenfeldart.com/exhibitions/art-of-defiance-radical-materials/installation-views"> HERE</a>.</p>



<div class="wp-block-image"><figure class="alignleft is-resized"><img loading="lazy" decoding="async" src="http://arttextstyle.com/wp-content/uploads/2019/03/static1.squarespace.jpg" alt="" class="wp-image-9014" width="375" height="412" srcset="https://arttextstyle.com/wp-content/uploads/2019/03/static1.squarespace.jpg 500w, https://arttextstyle.com/wp-content/uploads/2019/03/static1.squarespace-273x300.jpg 273w" sizes="auto, (max-width: 375px) 100vw, 375px" /><figcaption><em> Casting Shadows</em>, Janice Lessman-Moss, Silk, linen<br>Digital jacquard, <g class="gr_ gr_5 gr-alert gr_spell gr_inline_cards gr_run_anim ContextualSpelling ins-del" id="5" data-gr-id="5">hand woven</g> TC2 loom, painted warp and weft, 2017. Photo: San Luis Obispo Museum of Art</figcaption></figure></div>



<p><strong><em>The  Empathy of Patience &nbsp;&#8211; San  Luis Obispo, CA</em></strong><br><g class="gr_ gr_21 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="21" data-gr-id="21"><g class="gr_ gr_21 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="21" data-gr-id="21">Traveling  to</g></g> the West Coast in the next week? Don’t miss out on a chance to see Michael F. Rohde’s solo exhibition, <em>The  Empathy of Patience </em><g class="gr_ gr_22 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="22" data-gr-id="22"><g class="gr_ gr_22 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="22" data-gr-id="22">at  the</g></g> San Luis Obispo Museum of Art. The exhibition is a superb display of Rohdes’ subliminal texture and masterful interaction of light and color. For Rohdes, “the &nbsp;medium of handwoven tapestry certainly requires patience for execution&#8230;empathy, compassion  <g class="gr_ gr_19 gr-alert gr_gramm gr_inline_cards gr_run_anim Punctuation only-ins replaceWithoutSep" id="19" data-gr-id="19">and</g> concern for others is at the base of many of these weavings.&#8221; Click <a class="" href="https://web.archive.org/web/20211022070300/https://sloma.org/exhibition/the-empathy-of-patience-michael-f-rohde-tapestries/"> HERE</a> for more information on <em>The  Empathy of Patience </em><g class="gr_ gr_24 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="24" data-gr-id="24">at  the</g> San Luis Obispo Museum of Art. <br></p>



<p><strong><em>International  TECHstyle Art Biennial IV &#8211; San Jose, CA</em></strong><br>Three hours <g class="gr_ gr_16 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="16" data-gr-id="16">north  of</g> <em>The  Empathy of Patience </em><g class="gr_ gr_17 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="17" data-gr-id="17">at  the</g> San Luis Obispo Museum of Art is the <em>International  TECHstyle Art Biennial IV </em><g class="gr_ gr_20 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="20" data-gr-id="20">at  the</g> San Jose Museum of Quilts and Textiles. Focusing on artists who merge fiber media with new information and communication technologies, the exhibition sheds a light on browngrotta arts’ artist Lia Cook’s exploratory pieces. Considering its’ close <g class="gr_ gr_23 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="23" data-gr-id="23">proximity  to</g> Silicon Valley, the <em>International  TECHstyle Art Biennial IV </em><g class="gr_ gr_25 gr-alert gr_gramm gr_inline_cards gr_run_anim Style multiReplace" id="25" data-gr-id="25">introduces  artists</g> exploring the intersection of fiber and technology to the international community. More information on the exhibition can be found <a class="" href="https://www.sjquiltmuseum.org/events/2019/1/20/itab-opening-reception"> HERE</a></p>
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