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	<title>Asia Art Week Archives - arttextstyle</title>
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	<description>contemporary art textiles and fiber sculpture</description>
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		<title>Art Assembled: New This Week March</title>
		<link>https://arttextstyle.com/2020/04/02/art-assembled-new-this-week-march-2/</link>
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		<pubDate>Thu, 02 Apr 2020 14:33:51 +0000</pubDate>
				<category><![CDATA[Art Assembled]]></category>
		<category><![CDATA[Asia Art Week]]></category>
		<category><![CDATA[new this week]]></category>
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					<description><![CDATA[<p>Artists we highlighted this month have a close relationship to a traditional craft aesthetic, manifested in a contemporary manner. They have chosen conventionally Asian materials and/or techniques (dyes, papers, gold leaf, persimmon tannin, kategami) used in both time-honored and unconventional ways. This included works from Jiro Yonezawa, Hisako Sekijima, Keiji Nio, Kyoko Kumai, and Jennifer... </p>
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<p>Artists we highlighted this month have a close relationship to a traditional craft aesthetic, manifested in a contemporary manner. They have chosen conventionally Asian materials and/or techniques (dyes, papers, gold leaf, persimmon tannin, kategami) used in both time-honored and unconventional ways. This included works from <a href="http://www.browngrotta.com/Pages/yonezawa.php">Jiro Yonezawa</a>, <a href="http://www.browngrotta.com/Pages/sekijima.php">Hisako Sekijima</a>, <a href="http://www.browngrotta.com/Pages/nio.php">Keiji Nio</a>,<a href="http://www.browngrotta.com/Pages/kumai.php"> Kyoko Kumai</a>, and <a href="http://www.browngrotta.com/Pages/linssen.php">Jennifer Falck Linssen</a>. </p>



<figure class="wp-block-image size-large"><a href="http://www.browngrotta.com/Pages/yonezawa.php"><img loading="lazy" decoding="async" width="780" height="780" src="http://arttextstyle.com/wp-content/uploads/2020/04/Jiro.jpg" alt="Jiro Yonezawa " class="wp-image-9680" srcset="https://arttextstyle.com/wp-content/uploads/2020/04/Jiro.jpg 780w, https://arttextstyle.com/wp-content/uploads/2020/04/Jiro-300x300.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/04/Jiro-150x150.jpg 150w, https://arttextstyle.com/wp-content/uploads/2020/04/Jiro-768x768.jpg 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a><figcaption><strong> Quiet Dance</strong>, <a href="http://www.browngrotta.com/Pages/yonezawa.php">Jiro Yonezawa</a>, <em>bamboo, urushi laquer</em>, 26” x 12” x 12”, 2019. </figcaption></figure>



<p><a href="http://www.browngrotta.com/Pages/yonezawa.php">Jiro Yonezawa</a> is a Japanese artist that  uses bamboo basketry as an expression of detailed precision. With each artwork he creates, there is a contrast of disciplined formality in technique and natural freedom in form.&nbsp; </p>



<figure class="wp-block-image size-large"><a href="http://www.browngrotta.com/Pages/sekijima.php"><img loading="lazy" decoding="async" width="780" height="780" src="http://arttextstyle.com/wp-content/uploads/2020/04/89589855_10158150805814697_4591153274433830912_n.jpg" alt="Hisako Skijima " class="wp-image-9681" srcset="https://arttextstyle.com/wp-content/uploads/2020/04/89589855_10158150805814697_4591153274433830912_n.jpg 780w, https://arttextstyle.com/wp-content/uploads/2020/04/89589855_10158150805814697_4591153274433830912_n-300x300.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/04/89589855_10158150805814697_4591153274433830912_n-150x150.jpg 150w, https://arttextstyle.com/wp-content/uploads/2020/04/89589855_10158150805814697_4591153274433830912_n-768x768.jpg 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a><figcaption><strong> Structural discussion VI</strong>, <a href="http://www.browngrotta.com/Pages/sekijima.php">Hisako Sekijima</a>, <em>cedar and walnut</em>, 10.75&#8243; x 14.5&#8243; x 7&#8243;, 2016. </figcaption></figure>



<p>Japanese artists, <a href="http://www.browngrotta.com/Pages/sekijima.php">Hisako Skijima</a> specializes in basketry. She explores the visual and philosophical potentials while practicing her craft. Her interests are motivate by showcasing the symbolical way how the movement of lines around a negative space redefines the volume, as well as embodying her thought process.  </p>



<figure class="wp-block-image size-large"><a href="http://www.browngrotta.com/Pages/nio.php"><img loading="lazy" decoding="async" width="773" height="768" src="http://arttextstyle.com/wp-content/uploads/2020/04/90300180_10158175430914697_5350927620387110912_n.png" alt="Keiji Nio " class="wp-image-9682" srcset="https://arttextstyle.com/wp-content/uploads/2020/04/90300180_10158175430914697_5350927620387110912_n.png 773w, https://arttextstyle.com/wp-content/uploads/2020/04/90300180_10158175430914697_5350927620387110912_n-300x298.png 300w, https://arttextstyle.com/wp-content/uploads/2020/04/90300180_10158175430914697_5350927620387110912_n-150x150.png 150w, https://arttextstyle.com/wp-content/uploads/2020/04/90300180_10158175430914697_5350927620387110912_n-768x763.png 768w" sizes="auto, (max-width: 773px) 100vw, 773px" /></a><figcaption> 15kn <strong>Interlacing-B</strong>, <a href="http://www.browngrotta.com/Pages/nio.php">Keiji Nio</a>, <em>nylon, wood</em>, 67” x 10” x 10”, 2000. </figcaption></figure>



<p>Keiji Nio is a Japan based artist who is known for impeccable tapestry and textile works. Nio&#8217;s work is done through the traditional technique of Kumihimo, a Japanese form of braid-making. A frequent theme that is present in his works is the combination of  industrial and natural materials that depict nature and man’s relationship to the world.    </p>



<figure class="wp-block-image size-large"><a href="http://www.browngrotta.com/Pages/kumai.php"><img loading="lazy" decoding="async" width="780" height="780" src="http://arttextstyle.com/wp-content/uploads/2020/04/91070434_10158198961199697_8322169400006279168_n.jpg" alt="Kyoko Kumai" class="wp-image-9683" srcset="https://arttextstyle.com/wp-content/uploads/2020/04/91070434_10158198961199697_8322169400006279168_n.jpg 780w, https://arttextstyle.com/wp-content/uploads/2020/04/91070434_10158198961199697_8322169400006279168_n-300x300.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/04/91070434_10158198961199697_8322169400006279168_n-150x150.jpg 150w, https://arttextstyle.com/wp-content/uploads/2020/04/91070434_10158198961199697_8322169400006279168_n-768x768.jpg 768w" sizes="auto, (max-width: 780px) 100vw, 780px" /></a><figcaption> 34kk<strong> Leaves in the Twilight</strong>, <a href="http://www.browngrotta.com/Pages/kumai.php">Kyoko Kumai</a>, <em>stainless steel lines and pipes</em> 78.5” x 58.125,” 2001. </figcaption></figure>



<p><a href="http://www.browngrotta.com/Pages/kumai.php">Kyoko Kumai</a> is a Japan-based artist who frequently uses materials<br>like stainless steel wire within her artwork. She aims to achieve works that juxtapose technological symbols with tradition and nature, such as weaving, stitching, twisting, binding and entwining which have been used since time immemorial. </p>



<figure class="wp-block-image size-large"><a href="http://www.browngrotta.com/Pages/linssen.php"><img loading="lazy" decoding="async" width="960" height="960" src="http://arttextstyle.com/wp-content/uploads/2020/04/91680430_10158230920549697_6285614436455546880_o.jpg" alt="Jennifer Falck Linssen" class="wp-image-9685" srcset="https://arttextstyle.com/wp-content/uploads/2020/04/91680430_10158230920549697_6285614436455546880_o.jpg 960w, https://arttextstyle.com/wp-content/uploads/2020/04/91680430_10158230920549697_6285614436455546880_o-300x300.jpg 300w, https://arttextstyle.com/wp-content/uploads/2020/04/91680430_10158230920549697_6285614436455546880_o-150x150.jpg 150w, https://arttextstyle.com/wp-content/uploads/2020/04/91680430_10158230920549697_6285614436455546880_o-768x768.jpg 768w" sizes="auto, (max-width: 960px) 100vw, 960px" /></a><figcaption> 16jl <strong>Channel</strong>, <a href="http://www.browngrotta.com/Pages/linssen.php">Jennifer Falck Linssen</a>, <em>Katagami-style hand carved archival cotton paper, aluminium, waxed linen, mica, paint and varnish</em>, 12.5&#8243; x 55&#8243; x 6&#8243;, 2018 </figcaption></figure>



<p><a href="http://www.browngrotta.com/Pages/linssen.php">Jennifer Falck Linssen</a>’s innovative sculptures of katagami reference complex Japanese sumihimo braiding reimagine conventional techniques. She aims to bridge the gap between our own human scale, the minute and intimate, and the vast and grand by freezing a moment in time, immortalizing it in pattern, light, and shadow. Through these moments, she finds comfort  in seeing humanity reflected in nature’s change, rebirth, resiliency, and endurance.</p>
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