Choose among baskets, sculptures and wall works of natural materials including wood bark, cockle burrs, leaves and feathers.
These are images of some of Ceca Georgieva’s “park art experiments.” Georgieva is a textile artist working in the field of nature art. “Working with natural materials not only brings me joy,” she says, “but also much wisdom. In even the smallest piece of grass there is incorporated history, meaning and purpose. I admire and learn from her genius “installation” of design, color, smell and light … It is a great challenge to enter her laboratory and to be able to add my own thing.”
On Monday, November 26th, browngrotta arts will present an online version of our 25th anniversary exhibition,Retro/Prospective: 25+ Years of Art Textiles and Sculpture at browngrotta.com. The comprehensive exhibition highlights browngrotta arts’ 25 years promoting international contemporary art. Viewers can click on any image in the online exhibition to reach a page with more information about the artists and their work.
“Some works in Retro/Prospective: 25+ Years of Art Textiles and Sculpture reflect the early days of contemporary textile art and sculpture movement,” says Tom Grotta, founder and co-curator at browngrotta arts. “There are also current works by both established and emerging artists, which provide an indication of where the movement is now and where it may be headed.”
Since Monday the 26th is CyberMonday this year, sales of art, books, catalogs, videos or dvds placed online or by telephone that day will be discounted 10% (excluding tax and shipping). In addition, bga will make a donation to the International Child Art Foundation for each sale made from November 24th through December 31, 2012. Visit browngrotta.com. For more information call Tom at 203.834.0623 or email us at email@example.com.
We’ve had a busy fall season at browngrotta arts. First was Stimulus: art and its inception, which you can still see in the catalog http://www.
browngrotta.com/Pages/c36.php and online through the end of the month http://www.browngrotta.com/Pages/StimulusOnlineExhibit.php. Next up, is Green from the Get Go: International Contemporary Basketmakers at the Wayne Art Center, Pennsylvania http://www.
wayneart.org/exhibition/green-from-the-get-go-international-contemporary-basketmakers which runs from December 2, 2011 to January 21, 2012. Green from the Get Go is curated by Jane Milosch, former curator of the Renwick Gallery, Smithsonian American Art Museum in collaboration with browngrotta arts. The exhibition features an exciting compilation of more than 40 works by artists who take inspiration from nature and the history of basketry. Since prehistoric times artists and craftspeople have been highly attuned to the beauty and resources of the natural world, whether depicting a pristine landscape, untouched by man, or harvesting plants and minerals for pigments and brushes. Sustainability is part of the design and craft process, which requires a heightened sensitivity to materials, one that honors the caring for, replenishing and repurposing of materials. Artist Dorothy Gill Barnes captures this eco-friendly position well when she explains, “my intent is to construct a vessel or related object using materials respectfully harvested from nature.”
Some of the sculptural baskets in Green from the Get Go are made from both flora and fauna, from bamboo, pine, sea grass, and willow to emu feathers and bayberry thorns. The tactile nature of these fiberous works stimulates all of the senses—sight, smell, touch and even sound. Each maker brings his or her own conceptual approach and expression to the design and fabrication process. Some works are small enough to nestle in the hand or rest table-top, while others are monumental or hang on the wall. Green from the Get Go stretches our imagination in terms of what materials and forms constitute a basket and how art bespeaks the interconnected relationship of man and nature.
The exhibition includes artists from Australia, Canada, Japan, the UK, Scandinavia and the US, featuring innovators in the genre of 20th-century art basketry as well as emerging talent: Dona Anderson, Jane Balsgaard, Dorothy Gill Barnes,Dail Behennah. Nancy Moore Bess, Birgit Birkkjaer, Jan Buckman, Chris Drury, Lizzie Farey, Ceca Georgieva, Marion Hildebrandt, Kiyomi Iwata, Christine Joy, Virginia Kaiser, Markku Kosonen, Gyöngy Laky, Dawn MacNutt, John McQueen, Mary Merkel-Hess, Norma Minkowitz, Valerie Pragnell, Ed Rossbach, Hisako Sekijima, Kay Sekimachi, Naoko Serino, Klaus Titze, Jiro Yonezawa and Masako Yoshido.
The preview party for Green from the Get Go: International Contemporary Basketmakers and Craftforms 2011, juried by Elisabeth Agros of the Philadelphia Art Museum, takes place on the evening of December 2nd and we’ll be there. For more in formation, contact the Wayne Art Center: http://www.wayneart.org/events/?id=48.
Here are eleven more book suggestions from artists — books that inspire and perennial favorites and best this year.
Ethel Stein offers a wide-ranging list. The first is a new book by her son, Carl Stein, Greening Modernism: Preservation, Sustainability, and the Modern Movement, which has garnered great reviews including this one from Diane Lewis, a professor of architecture at Cooper Union: “A crisp, radical, and luminous book. Stein’s writing and selection and sequence of images offer an inspiring crystallization of the integrity of architecture and sustainability rooted in the principles of the Modern movement.” (Ethel must be so proud!).
The second is a children’s title,The First Dog, the story of Adam and Eve’s dog, written by Benjamin Cheever and illustrated by Tim Grajek. Finally, she recommends, La Cucina di Lidia: Recipes and Memories from Italy’s Adriatic Coast by Lidia Matticchio Bastianich and Jay Jacobs, which contains her favorite recipe, Smothered Escarole, which she says is simple and delicious.
Architecture Without Architects, by Bernard Rudofsky, the landmark volume that accompanied the exhibit of the same name at the Museum of Modern Art in New York in 1964, remains a favorite of Adela Akers. “[V]ernacular architecture does not go through fashion cycles. It is nearly immutable, indeed, unimprovable, since it serves its purpose to perfection,” Rudofsky wrote in his highly influential work. Another favorite of Adela’s is The World From Above (a Terra Magica Book) by Hanns Reich and Otto Bihalji-Merin, a small book of black-and-white images taken from the air.
Presently, Adela is reading books on or about Agnes Martin, including Briony Fer’s essay, “Drawing Drawing: Agnes Martin’s Infinity,” from 3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin, reprinted in Women Artists at the Millennium and “The Untroubled Mind,” by Agnes Martin, which is included in Theories and Documents of Contemporary Art – A Sourcebook of Artists’ Writings.
Ceca Georgieva made four recommendations, including The Book of Bamboo by Vladislav Bajac, a poet, publisher and novelist who has translated the Beat poets and Leonard Cohen from English into Serbian. His first novel, The Book of Bamboo, has been translated into Bulgarian, French, and Russian but apparently not yet into English, though his award-winning historical novel, Hamam Balkania, has. Ceca also recommends Let Me Tell You a Story, by Jorge Bucay, which one reviewer called, The Book of a Thousand and One Nights in a Paolo Coehlo style. This book can be found in the original Spanish and in French, while Bucay’s The Power of Self Dependence, can be found in an English translation. She also recommends To Have or Be by Erich Fromm and finally, a Bulgarian book, The Herbs: Food and a Cure by Boris Michev, Alipi Naidenov, Sonia Chortanova and Todor Malinov.
Exhibit News: Opportunities to see the work of artists represented by browngrotta arts abound this summer from New York to New Jersey to the NetherlandsPosted in Exhibitions, Museums on June 13th, 2010 by arttextstyle
Information Revisited: the Encyclopedia Britannica Project
Belskie Museum of Art & Science
280 High St
Closter, New Jersey 07624201.768.0286
Museum hours – Sat and Sun 1-5; other times by appointment
extended through August 1st, 2010
Thirty-one international artists, including Wendy Wahl (US), transform books of words into works of art.
Holland Paper Biennial 2010
2282 BR Rijswijk
Vosselmanstraat 2997311 CL Apeldoorn055.526.84.00
from June 8th through September 12, 2010
The 2010 Holland Paper Biennial is an exhibition of work by international paper artists taking place in two museums. A special selection of papers and books will be added to the usual range of products in the museum shop for the duration of the exhibition in Museum Rijswijk. The traditional paper fair will be held in the courtyard at the front of Museum Rijswijk and in the Oude Kerk (Old Church) opposite on Sunday September 12th. Jewellry and collage made of paper get special attention at this biennial. Closely related to these jewellery pieces, is the work of Noriko Takamiya (Japan). Using the traditional Japanese craft of basketry as her starting point, she develops new forms and techniques. She winds layers of thin strips of paper around each other, interweaving them into Escher-like objects. Three artists, Desiree de Baar (the Netherlands), Christophe Piallat (US) and Birgit Knoechl (Germany), have been asked to create installations using the dramatic architecture of the CODA building.
The New Materiality: Digital Dialogues at the Boundaries of Contemporary Craft
Fuller Craft Museum
455 Oak Street
Brockton, MA 02301
through February 6, 2011
Curated by Fo Wilson, this exhibition steps beyond the boundaries that currently exist among technology, art, and craft. The New Materiality looks at a growing development in the United States toward the use of digital technologies as a new material and means of expression in craft. Contributing artists include: Wendy Maruyama (San Diego, CA), Nathalie Mieback (Brookline, MA), Brian Boldon (Minneapolis,MA), Shaun Bullens and Cat Mazza (Providence, RI), Sonya Clark (Richmond, VA), Lia Cook (Berkeley, CA), Susan Working (Snowmass Village,CO), Mike and Maaike, E.G. Crichton, Donald Fortescue and Lawrence LaBianca (San Francisco, CA), Christy Matson (Chicago, IL), Tim Tate (Mt. Rainier, WA), and Mark Zirpel (Seattle, WA).
(Re) Fashioning Fiber
Green Spaces NY
394 Broadway, 5th Flr
New York, NY 10013
through August 13, 2010
Curated by environmental artist Abigail Doan, the works in this exhibit offer up new ways of thinking about “fiber” as a basis for how we might (re)fashion our lives, our patterns of consumption, and our personal style. Among the Invited artists and designers include: Abigail Doan, Atefeh Khas, Brece Honeycutt, Abigail McEnroe, Kaori Yamazaki, Mackenzie Frere, Melissa Kirgan, Meiling Chen, Michelle Vitale Loughlin, Renata Mann, Sibyll Kalff, Tara St. James, Tara Goodarzy, Xing-Zhen Chung-Hilyard and Ceca Georgieva (Bulgaria), who has creted jewelry of vegatation.
On View: Artists In Residence and Toe River Potters
Atrium and Education Gallery
323 Franklin Road
Highlands, NC 28741
from July 24th through August 22, 2010
Artists in Residence: Matt Liddle, printmaker and bookarts; Holly Hanessian, ceramics; Lewis Knauss, fiber; Mira Lehr, mixed media; Tom Turner, ceramist; Phillip Garrett, painter. Toe River Potters: Norm Schulmann, Claudia Dunaway, Ken Sedberry, Mark Peters and Courtney Martin. Also at the Bascom: Stick Works: Patrick Dougherty’s Environmental Sculpture.
Faces & Mazes: Lia Cook
Textile Museum of Canada
55 Centre Avenue (Dundas St. W & University Ave., St. Patrick subway)
through October 17, 2010
Faces & Mazes is part of Person Place Thing, which also features exhibits of the work of David R. Harper and Steven Schofield. Cook, Harper and Schofield make work that is physically demanding and large in scale — wall-sized weavings of children’s and doll’s faces; sculptures of embroidered and taxidermied animals; and massive human figures made of textiles frozen in time. They draw the viewer into woven, embroidered and sewn narratives of nature, identity and history. As the faces in Lia Cook’s weavings fragment, a perceptual shift occurs, moving through a place of transition and ambiguity to reveal the physical, tactile nature of the constructed image.
13th International Triennial of Tapestry, Łódź 2010
Central Museum of Textiles
ul. Piotrkowska 282, 93 – 034
through October 31, 2010
Among the artists invited to participate are Nancy Koenigsberg (US); Aleksandra Stoyanov (Israel) and Anda Klancic (Slovania), whose work was “highly commended: by the interntional jury that includes artist Kyoko Kumai (Japan).
Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection
Museum of Arts and Design
2 Columbus Circle
New York, NY 10019
Current Exhibitions&searchstring=Current/,/greater than/,/0/,/false/,/true&action=searchrequest&style=single¤trecord=3
through September 12, 2010
Intertwined provides an international look at contemporary basket making, offering insight into the evolution of the basket from a useful object to a work of art and challenging the notion of what defines a basket. The exhibition includes more than 70 traditional and non-traditional baskets. Among the artists whose work is included are: Ed Rossbach, Katherine Westphal, Sally Black, Kiyomi Iwata, Dorothy Gill Barnes, Carol Eckert, John McQueen, John Garrett, Ferne Jacobs and Norma Minkowitz.
Here’s a list of opportunities to connect this summer with artists that browngrotta arts promotes:
Dorothy Gill Barnes
May 30th to June 11th
From Nature: Textiles/Sculpture, Penland School of Crafts, Penland, North Carolina ;
Using mostly materials gathered from the Penland landscape, students in this class will construct vessels or sculptures that honor nature using a variety of techniques: carpentry, sewing, weaving—whatever is appropriate to local materials and suitable to individual inspiration. We will work with respectfully harvested heavy and delicate barks, grasses, wood, vines, and roots.
May 30th to June 11th
Line, Light, and Shadow: An Approach to Basketry Construction, Haystack Mountain School of Crafts, Deer Isle, Maine;
The shadows that baskets cast and contain are often complex and beautiful and you will be encouraged to consider this aspect of the structures that you make. Ways of joining hard and soft materials will be demonstrated and, if necessary, invented in order that 2D and 3D forms can be constructed. Demonstrations, exercises, and discussions will provide inspiration, which will enable you to develop your own ideas. Participants will be encouraged to make samples, 3D sketches, and a more considered piece of work.
Nancy Moore Bess
May 16th to 22nd
Japanese-Inspired Baskets, Snow Farm, Williamsburg, Massachusetts;
Some traditional Japanese Baskets require only fifteen minutes and a smile. Others can consume the length of an entire workshop, no matter its length. Each example in this workshop can lead to hours of experimentation and dozens of variations.
Wrapping Flowers — Japanese Style , Berkshire Botanical Garden, Stockbridge, Massachusetts.
In Japan, presentation influences so much – food, flowers, tea. But Japan is not the only culture this worksop will be inspired by. Their are wonderful exsiting flower arrangement traditions from many cultures and this worksop will draw from them.
August 6th to 10th
Pillow Baskets: Screen and Paper, Peters Valley Craft Center, Layton, New Jersey; Contact: Jennifer Brooks; www.petersvalley.org
A wide variety of hardware store screening can be cut, folded, woven and stitched into lovely vessels. A covering of bits of handmade papers creates a luminescent skin. Years of travel to Japan and teaching has exposed Nancy Moore Bess to a wide range of vessel forms. Her passion for Japanese Packaging influences all that she creates.
Weekends from May to September
Green Summer Workshops, Ceca’s garden in the Vitosha Mountains near Sofia, Bulgaria. Email us at firstname.lastname@example.org if you’d like more details. The workshops will focus on dyeing with natural dyes using old traditional Bulgarian recipes.
July 2010; exact date to be determined
Global Intrigue II 4th International Textile and Fibre Triennial , Museum of Decorative Arts and Design, National Museum of Art, Riga, Latvia
The exhibition opens July 9th at the Arsenals Exhibition Hall and runs through September 5, 2010. Sheila Hicks, one of two specially invited artists, will speak and exhibit work.
August 10th to August 14th
Fiber and Handmade Paper into Sculpture (and Artist in Residence) , The Bascom, P.O. Box 766, Highlands, North Carolina 28741
June 28th to July 4th
Dyeing with Plants , Sätergläntan, College of Handicrafts, Knippbodarna 119, SE-793 4, Insjön, Sweden
August 9th to 13th
Free Embroidery, Black on white, White on black, White on white…, Sätergläntan, College of Handicrafts, Knippbodarna 119, SE-793 4, Insjön, Sweden