Art Abroad: Exhibitions in Canada, Europe and the UK

Posted in Art, Art Textiles, Awards, Danish Tapestry, Exhibitions, Fiber Sculpture, In the News, Installations, Museums, Sculpture, Tapestry on May 27th, 2015 by arttextstyle

A host of important exhibition featuring art textiles is in store this summer in Europe, the UK and Canada.

Rijswijk Textile Biennial 2015
May 9 – September 27th
Museum Rijswijk, the Netherlands

Mille Fleur by Ane Henriksen

Mille Fleur by Ane Henriksen

In the 2015 Textile Biennial, Museum Rijswijk is showing textile artworks by nineteen international artists including Caroline Bartlett and Ane Henriksen. Apart from the great diversity of textiles and applications, there are common threads evident among the participants this year. All the Submitted works provide material for thought and reflection. Vintage textile, wool, embroidery floss and flax are used in combination with techniques including weaving, cross-stitching and knitting to conjure up loving memories, melancholy or even alienation through a contemporary idiom. For more information, visit:

Ceca Georgieva’s Memory from the Future

Water-Land, International Competition
Textile Festival
Leiden, the Netherlands
May 2015
Fifty-four works were selected from 175 entries. Ceca Georgieva’s Memory from the Future was the only entry selected from Bulgaria Bulgaria and was awarded 3rd Prize. The jury wrote of Georgieva’s work that, “The use of the material, the thistles, is extraordinary surprising. It is a unique concept in an own technique. The fishes are worked on gauze, that holds the thistles together. It is worked with a lot of imagination. The tessellation shows a proper modesty, the open spaces are an essential part.”For more information, visit:

Sonia Delaunay Tate Modern
The EY Exhibition: Sonia Delaunay
April 15 – August 9th
Tate Modern, London, UK
The Eyal Ofer Galleries, Level 3

Garnering critical acclaim is the Sonia Delaunay retrospective at Tate Modern in London. Delaunay (1885–1979) was a key figure in the Parisian avant-garde who became the European doyenne of abstract art. Throughout the first half of the 20th century, she celebrated the modern world of movement, technology and urban life, exploring new ideas about color theory together with her husband Robert Delaunay. The exhibition features a wide range of media — the groundbreaking paintings, textiles and clothes she made across a 60-year career. Can’t get to the exhibition? A comprehensive survey of her work, Sonya Delaunay, was published to accompany the exhibition.

Claude and Mariette Rousseau-Vermette. Photos by Tom Grotta

Claude and Mariette Rousseau-Vermette. Photos by Tom Grotta

TWO WAYS-STUDIOS – Mariette Rousseau-Vermette and Claude Vermette: Crafters of Modern Québec
June 20 to October 12th
Contemporary Museum of Art, Baie-Saint-Paul, Québec, Canada

Two-Way Studios — Mariette Rousseau-Vermette and Claude Vermette: Crafters of Québec Modernity, invites visitors to wander through more than five decades of artistic creation. The art of Mariette Rousseau-Vermette (1926-2006) and Claude Vermette (1930-2006) offers a view of a way of life that emerged in Québec in the late 1950s. The work of the Rousseau-Vermettes most often in the form of murals or tapestries, were sometimes monumental and could readily be integrated in the architectural context. Their works, according to the Museum’s publicity, express a basic tenet of the “Révolution tranquille” that aligns cultural production with social progress. Throughout the 60s, these couple managed to merge modernist values and traditional craft, aiming to express a cultural identity that could be both ultra-contemporary and respectful of the past. For more information, visit:

Anda Klancic

Growth 2- Crescita 2 by Anda Klancic

2015 Miniartextil Como
Everyone to the Table
May 9 – June 21st
Former Church of San Francesco
Lake Como / Milan, Italy

This year’s Miniartextil exhibition in the ex church of San Francesco at Como and in Villa Bernasconi in Cernobbio, is the 25th anniversary of the Miniartextil, the unique contemporary fiber art exhibition that annually takes place in Como, Italy and moves to Montrouge /Paris, Caudry and Venice. Fifty-four artists from 25 countries, including Anda Klancic of Slovenia, were invited to exhibit small works (20x20x20 cm). Several artists, including

Naoko Serino Como Installation, photo by Naok Serino

Naoko Serino of Japan, were invited to create large-scale works for the Miniartextil. Serino’s work, Generating-12 can be viewed in the Villa Bernasconi in nearby Cernobbio, Italy. For more information, visit:

MONTANA DEL FUEGO, Magdalena Abakanowicz, 1983, photo by Tom Grotta

MONTANA DEL FUEGO, Magdalena Abakanowicz, 1983, photo by Tom Grotta

Objective Station
June 5- June 14th
Toms Pauli Foundation
Rumine Palace/Espace Artaud
Lausanne, Switzerland

The exhibition in Lausanne, presented by the Toms Pauli Foundation, recalls the prominent role played by the Lausanne Biennials (1962 – 1993) in the history of the New Tapestry, currently experiencing a revival in Paris, Wolfsburg, London and the US. Photographic prints large format give to see bold and monumental installations. At the Espace Arlaud, the public is invited to rediscover the production of Magdalena Abakanowicz, textile artist and Polish sculptor who exhibited in Lausanne and gained importance as one of the major figures of the New Tapestry. For more info:

6fl Earth White Shell n.2, Federica Luzzi, linen cord, 4" x 5” x 6”, 2015, photo by Tom Grotta

6fl Earth White Shell n.2, Federica Luzzi, linen cord, 4″ x 5” x 6”, 2015, photo by Tom Grotta

Opus & Light Year XVIII
May 30 – June 24th
Madonna del Pozzo, Porta Monterone,
Spoleto, Italy
Studio A87 in collaboration with Palazzo Collicola Arti Visive

Opus & Light features Installations of works, in this case White Shell, created by Federica Luzzi, that complement the specificity of the venue, which is decorated with a fresco cycle that encompasses an entire century of the history of Italian painting (1493-1600). “This place has given me immediately the particular detail of the apse in the altarpiece of Brera of Piero della Francesca — the shell which stands an egg hanging by a thread, slightly misaligned with respect to the median axis,” says Luzzi. For more information visit:

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Books Make Great Gifts: 2014 Edition

Posted in Book Recommendations, Books on December 17th, 2014 by arttextstyle

As in previous years, artists represented by browngrotta arts have an eclectic and interesting list of books to recommend, art-related and otherwise. Thanks to dozen-plus artists who made suggestions, 18 books in all.

Tamiko Kawata reports that she had the chance to read a few books while icing her injured shoulder after therapy, first three times a day, then two times. She enjoyedHaruki Murakami’s Colorless Tsukuru Tazaki Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage. She is now reading — and enjoying — Even Back.Then.the.Fox.Was.the.HunterHerta Muller, Even Back Then, the Fox Was the Hunter.

Mary Merkel-Hess recommends Pilgrim.on.the.Great.Bird.ContinentPilgrim on the Great Bird Continent: The Importance of Everything and Other Lessons from Darwin’s Lost Notebooks by Lyanda Lynn Haupt. “It is the gracefully written account of how, during his five years on the Beagle, Charles Darwin became an accomplished naturalist who could discern scientific truths from the creatures he studied. “ she writes. “Haupt documents this transformation by concentrating on Darwin’s lesser-known writings, particularly his notebooks. At points it reads like a travelogue and a manual for bird watchers. I found it fascinating.”

“I do not get to read books as much as I like,” writes Kiyomi Iwata, ” but the best book I read this year wasThe.Grief.of.Others.Leah.Hager.Cohen The Grief of Others by Leah Hager Cohen. Even though she is very young — my daughter’s age — I found her prose most sensitive, insightful and compassionate. Her most recent book is No.Book.but.the.World.A.NovelNo Book for the World, which I am still reading.”

The most inspirational book Toshio Sekiji read this year was Korea.Economic.drilled.throughKorean Economy Drilled Through by Lee Hong Chang, which was originally published in Korea by Bobmun-sha,1999, the Japanese translation was by Hosei University Press in 2004. The book illuminates the dramatic changes from the medieval age to the modern age. It was one of a number of related books Toshio has read over the last two years as he prepared a report, “Korean Lacquer Culture through Neolithic Age to Modern Age” for the Bulletin of the Lacquer Art Museum in Wajima, Japan.

Ulla-Maija Vikman most enjoyed Flayed.ThoughtsNyljettyjä ajatuksia (Flayed Thoughts) by Juha Hurme. In Finnish only at this point, it’s a story of a 700-mile, 20-day rowing journey in which the characters eat, camp on islets and beaches and discuss what is essential and how what’s essential is transmitted.

There are two recommendations from Ruth Malinowski: The.Hare.With.Amber.EyesThe Hare with Amber Eyes by Edmund de Waal, recommended last year by Kay Sekimachi (and published by Rhonda’s other employer, FSG/Macmillan) and 1913: The Year Before the Storm1913.The.Year.Before.the.Storm by Florian Illies. The latter highlights developments in literature and art, as well as politics, covering the lives of Kafka, Rilke, Thomas Mann, Camille Claudel, Freud, Stalin, Hitler and some Royalty. Wars, love letters, art thefts and many more events from1913 are cleverly combined in 12 chapters, each reflecting a calendar month.

Ceca Georgieva rated ShantaramShantaram by Gregory David Roberts as her most inspirational read of the year. (Full disclosure, this one is also published by Rhonda’s other employer, St. Martin’s Press/Macmillan and a book she also quite enjoyed. It’s been optioned by Johnny Depp and the movie is currently in production.)

“Of the many inspiring reads this year,” writes Wendy Wahl, “two authors stand out who had an impact on my work as a visual artist interested in the potency of printed text on paper. I was given The.Size.of.ThoughtsNicholson Baker’s The Size of Thoughts, by my husband when I was trying to weave together seemingly disparate yet connected ideas that sometimes are considered mundane and should be thought of as blessed into a cohesive short story. Baker’s style reminded me to keep doing what I was doing. I went onto read his Double.Fold.Libraries.and.the.Assault.on.PaperDouble Fold: Libraries and the Assault on Paper, which became the inspiration for a sculpture I made this year that shares its name. One of my favorite library activities is to stroll through the stacks with my head cocked to one side and my index finger underlining titles vertically to see what’s there. I was delighted to come upon On Paper,On.Paper.The.Everything.of.Its.2000.Year.History The Everything of Its Two-Thousand-Year History by Nicholas Basbanes, ‘a self-confessed bibliophiliac.’ I’ve checked this book out several times, paid late fees and, since I can’t write in this copy, I realize I must own it.”

Five art books got the nod from our artist/correspondents including Iridescent.LightIridescent Light: The Emergence of Northwest Art by Deloris Tarzan Ament with photographs by Mary Randlett. Dona Anderson “enjoyed immensely” Ament’s profiles of 21 artists who lived and worked in Washington State during formative periods in their careers, profiles that blend discussion of their work and commentary on the obstacles they faced and the influences they brought to bear on one another.

Scott Rothstein rates Bharany.CollectionsA Passionate Eye: Textiles, Paintings and Sculptures from the Bharany Collections, Giles Tillotson, ed. as a “great book.” Mr. Bharany is Scott’s “Indian Father.” He is very involved with textiles as well as paintings and other Indian art forms. Scott says, “I had tea with him three times a week when I lived there and we get back to India almost every year, mostly to spend time with him. He is around 88 years old, so we feel we need to be with him as much as we can.” The book on Judith Scott, Judith.Scott.Bound.UnboundJudith Scott, Bound and Unbound, he recommends, too — more for the photos than the text.

Nancy Koenigsberg found the volume created to accompany the traveling exhibition at the Institute of Contemporary Art, Boston, Fiber Sculpture 1960-presentFiber: Sculpture 1960 to the Present (available on our website,, “a must read for fiber people,  makers and buyers — especially young artists who don’t know who some of these artists are. I was really surprised to discover that!!,” she says.

“My favorite book for this year,” writes Adela Akers, “is, without a doubt: In the Realm of NatureIn The Realm Of Nature: Bob Stocksdale & Kay Sekimachi (available on our website, A beautiful book, well conceived with excellent writing by Signe S. Mayfield. The life history of these two wonderful artists is beautifully intertwined with perfect images of their work. What a pleasure!”

Wishing you all new year that provides plenty of time for pleasure reading!

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Objects of Desire Gift Guide: Part 3 -The Natural Order

Posted in Art, Basketry, Eco-Art, Gifts, Japanese Art, Sculpture on December 12th, 2013 by arttextstyle

Choose among baskets, sculptures and wall works of natural materials including wood bark, cockle burrs, leaves and feathers.

Natural Order Objects

1) HAYSTACK RIVER BASKET, Dorothy Gill Barnes
early river teeth, 14.5″ x 21″ x 16″, 2011

2) PANIER-MAISON II, Stéphanie Jacques
wood, willow, raw clay coated and limewash, 16.5″ x 21.25″ x 21.25″, 2010

3) MARAG, Lizzie Farey
willow, wax and galloway pebble, 
16.5″ x 11.5″ x 11.5″, 2006

4) GUARDIAN II, Jan Buckman
waxed linen and hawthorne branches, 
27″ x 7.5″ x 7″, 2002

5) BIRD BRAIN, John Mcqueen
woven willow twigs, waxed string , 26″ x 23.5″ x 23″, 2002

6) CAMPHOR, Lawrence LaBianca
glass with photo, branch, steel, 12″ x 22″ x 7″, 1999

7) EMU, Virginia Kaiser
pine needles, Emu feathers, stitched with linen, 14″ x 5″ x 5″, 2011

8) PUSSY WILLOW XIIII, Markku Kosonen
willow, 8″ x 12″ x 12″, 1996

9) LEAF BOWL, Kay Sekimachi
skeleton of big leaf maple, 8″ x 5″ x 5″, 2011

10) FITTINGS V, Hisako Sekijima
cherry and maple, 
8″ x 10″ x 9″, 1999

11) CRADLE TO CRADLE, Gyöngy Laky
apple, commercial wood, screws, 16 x 30″ x 30″, 2007

12) CHINESE LANTERN, Ceca Georgieva
burdock burrs, chinese lantern, 16” x 8.25” x 4.75”, 2012

13) MOTHER  & CHILD, Dawn MacNutt
twined willow, 
36″ x 9″ x 9″, 2009, $3,000

willow silver plated pins, 
37.5″ x 37.5″ x 3″, 2007

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Eco-Art Update: Images for Earth Day

Posted in Art, Basketry, Eco-Art, Fiber Sculpture, Sculpture on April 22nd, 2013 by arttextstyle
Many of the artists promoted by browngrotta arts address nature and environmental concerns in their work.  In honor of Earth Day, we present a series of images of works from Europe, Asia, the US and the UK.  These include outdoor sculptures by Chris Drury and Ceca Georgieva,  ethereal sculptures of jute by Naoko Serino and a complex new basket, A Panic of Leaves by John McQueen, made of sticks and strings.
Green Leaves by Ceca Georgieva, photos by Ceca Georgieva

Green Leaves by Ceca Georgieva, photos by Ceca Georgieva

These are images of some of Ceca Georgieva’s “park art experiments.” Georgieva is a textile artist working in the field of nature art. “Working with natural materials not only brings me joy,” she says, “but also much wisdom. In even the smallest piece of grass there is incorporated history, meaning and purpose. I admire and learn from her genius “installation” of design, color, smell and light … It is a great challenge to enter her laboratory and to be able to add my own thing.”

Window on Blood and Water by Chris Drury, photos by Chris Drury

Window on Blood and Water by Chris Drury, photos by Chris Drury

Window on Blood and Water is a temporary installation at Abbaye Jumieges, near Rouen in France created by Chris Drury for the region’s festival of Water. The work takes the shape and dimensions of the arch of the ruined church and fills it with a flow pattern of water and blood from the heart, drawing a link to the nearby river Seine and the Abbey’s violent history over the centuries. The work is 78.75 feet x 26.25 feet and is made from split logs and stones from the ruin. The exhibition of six works opens on May 14, 2013 and runs through the Summer/Autumn season.
Naoko Serino Detail, photo by Naoko Serino

Naoko Serino Detail, photo by Naoko Serino

Works made entirely of jute are created by Naoko Serino of Japan. Moon Lee says that in Serino’s work,”the golden sheen and sinuous strands of jute yield a most spectacular softness and luminosity. The natural fibers are spun densely or pulled thin, making for infinite gradations of densities. Irregular shapes in varying degrees of transparency provoke an effect that is strongly biological. Spheres, tubes, tubes contained within spheres, spheres contained within cubes, and rows of coiled strands evoke thoughts of phospholipid bilayers of cell membranes, veins, sea sponges, and so forth.”
A Panic of Leaves by John McQueen, photo by Tom Grotta

A Panic of Leaves by John McQueen, photo by Tom Grotta

John McQueen’s vessel form celebrates leaves — their diversity of shape and color. McQueen often “draws” with sticks, in ways that make a viewer consider his or her relationship to the world. “Steel is natural,” he says, “because it comes from an iron ore in the ground. But when you look at steel, you don’t connect it with the ground because it’s been processed so many times, whereas there’s a direct visual connection between looking at my work and seeing the world.”



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November 26th: Our Online Exhibition Opens With an Offer for CyberMonday

Posted in Art, Art Textiles, Basketry, Exhibitions, Fiber Sculpture, Installations, Paper, Sculpture, Tapestry on November 26th, 2012 by arttextstyle

On Monday, November 26th, browngrotta arts will present an online version of our 25th anniversary exhibition,Retro/Prospective: 25+ Years of Art Textiles and Sculpture at The comprehensive exhibition highlights browngrotta arts’ 25 years promoting international contemporary art. Viewers can click on any image in the online exhibition to reach a page with more information about the artists and their work.

“Some works in Retro/Prospective: 25+ Years of Art Textiles and Sculpture reflect the early days of contemporary textile art and sculpture movement,” says Tom Grotta, founder and co-curator at browngrotta arts. “There are also current works by both established and emerging artists, which provide an indication of where the movement is now and where it may be headed.”

Since Monday the 26th is CyberMonday this year, sales of art, books, catalogs, videos or dvds placed online or by telephone that day will be discounted 10% (excluding tax and shipping). In addition, bga will make a donation to the International Child Art Foundation for each sale made from November 24th through December 31, 2012. Visit For more information call Tom at 203.834.0623 or email us at

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The Next Big Thing: Green from the Get Go: International Contemporary Basketmakers

Posted in Art, Basketry, Eco-Art, Exhibitions, Installations, Sculpture on November 17th, 2011 by arttextstyle

Jiro Yonezawa bamboo Bridge and Kay Sekimachi Leaf bowl. photo by Tom Grotta

We’ve had a busy fall season at browngrotta arts. First was Stimulus: art and its inception, which you can still see in the catalog http://www.
 and online through the end of the month Next up, is Green from the Get Go: International Contemporary Basketmakers at the Wayne Art Center, Pennsylvania http://www.
 which runs from December 2, 2011 to January 21, 2012.  Green from the Get Go is curated by Jane Milosch, former curator of the Renwick Gallery, Smithsonian American Art Museum in collaboration with browngrotta arts. The exhibition features an exciting compilation of more than 40 works by artists who take inspiration from nature and the history of basketry. Since prehistoric times artists and craftspeople have been highly attuned to the beauty and resources of the natural world, whether depicting a pristine landscape, untouched by man, or harvesting plants and minerals for pigments and brushes. Sustainability is part of the design and craft process, which requires a heightened sensitivity to materials, one that honors the caring for, replenishing and repurposing of materials. Artist Dorothy Gill Barnes captures this eco-friendly position well when she explains, “my intent is to construct a vessel or related object using materials respectfully harvested from nature.”

CROSSING OVER Dona Anderson bamboo kendo (martial art sticks), patterned paper, thread 15" x 94" x 30" 2008. photo by Richard Nicol


Some of the sculptural baskets in Green from the Get Go are made from both flora and fauna, from bamboo, pine, sea grass, and willow to emu feathers and bayberry thorns. The tactile nature of these fiberous works stimulates all of the senses—sight, smell, touch and even sound. Each maker brings his or her own conceptual approach and expression to the design and fabrication process. Some works are small enough to nestle in the hand or rest table-top, while others are monumental or hang on the wall. Green from the Get Go stretches our imagination in terms of what materials and forms constitute a basket and how art bespeaks the interconnected relationship of man and nature.

The exhibition includes artists from Australia, Canada, Japan, the UK, Scandinavia and the US, featuring innovators in the genre of 20th-century art basketry as well as emerging talent: Dona AndersonJane Balsgaard, Dorothy Gill Barnes,Dail Behennah. Nancy Moore Bess, Birgit Birkkjaer, Jan Buckman, Chris Drury, Lizzie Farey, Ceca Georgieva, Marion Hildebrandt, Kiyomi Iwata, Christine JoyVirginia Kaiser, Markku Kosonen, Gyöngy Laky, Dawn MacNutt,  John McQueenMary Merkel-Hess, Norma Minkowitz, Valerie Pragnell, Ed Rossbach, Hisako Sekijima, Kay Sekimachi, Naoko SerinoKlaus Titze, Jiro Yonezawa and Masako Yoshido.

PILLOW, Norma Minkowitz, fiber, wood, paint, 2011


The preview party for Green from the Get Go: International Contemporary Basketmakers and Craftforms 2011, juried by Elisabeth Agros of the Philadelphia Art Museum, takes place on the evening of December 2nd and we’ll be there. For more in formation, contact the Wayne Art Center:

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Books Make Great Gifts 2010: Artist Recommendations, Part II

Posted in Books on December 9th, 2010 by arttextstyle

Here are eleven more book suggestions from artists — books that inspire and perennial favorites and best this year.

Ethel Stein offers a wide-ranging list. The first is a new book by her son, Carl Stein, Greening Modernism: Preservation, Sustainability, and the Modern Movement, which has garnered great reviews including this one from Diane Lewis, a professor of architecture at Cooper Union: “A crisp, radical, and luminous book. Stein’s writing and selection and sequence of images offer an inspiring crystallization of the integrity of architecture and sustainability rooted in the principles of the Modern movement.” (Ethel must be so proud!).

The second is a children’s title,The First Dog, the story of Adam and Eve’s dog, written by Benjamin Cheever and illustrated by Tim Grajek. Finally, she recommends, La Cucina di Lidia: Recipes and Memories from Italy’s Adriatic Coast by Lidia Matticchio Bastianich and Jay Jacobs, which contains her favorite recipe, Smothered Escarole, which she says is simple and delicious.

Architecture Without Architects, by Bernard Rudofsky, the landmark volume that accompanied the exhibit of the same name at the Museum of Modern Art in New York in 1964, remains a favorite of Adela Akers. “[V]ernacular architecture does not go through fashion cycles. It is nearly immutable, indeed, unimprovable, since it serves its purpose to perfection,” Rudofsky wrote in his highly influential work. Another favorite of Adela’s is The World From Above (a Terra Magica Book) by Hanns Reich and Otto Bihalji-Merin, a small book of black-and-white images taken from the air.

Presently, Adela is reading books on or about Agnes Martin, including Briony Fer’s essay, “Drawing Drawing: Agnes Martin’s Infinity,” from 3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin, reprinted in Women Artists at the Millennium and “The Untroubled Mind,” by Agnes Martin, which is included in Theories and Documents of Contemporary Art – A Sourcebook of Artists’ Writings.

Ceca Georgieva made four recommendations, including The Book of Bamboo by Vladislav Bajac, a poet, publisher and novelist who has translated the Beat poets and Leonard Cohen from English into Serbian. His first novel, The Book of Bamboo, has been translated into Bulgarian, French, and Russian but apparently not yet into English, though his award-winning historical novel, Hamam Balkania, has. Ceca also recommends Let Me Tell You a Story, by Jorge Bucay, which one reviewer called, The Book of a Thousand and One Nights in a Paolo Coehlo style. This book can be found in the original Spanish and in French, while Bucay’s The Power of Self Dependence, can be found in an English translation. She also recommends To Have or Be by Erich Fromm and finally, a Bulgarian book, The Herbs: Food and a Cure by Boris Michev, Alipi Naidenov, Sonia Chortanova and Todor Malinov.

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Exhibit News: Opportunities to see the work of artists represented by browngrotta arts abound this summer from New York to New Jersey to the Netherlands

Posted in Exhibitions, Museums on June 13th, 2010 by arttextstyle

Information Revisited: the Encyclopedia Britannica Project
Belskie Museum of Art & Science
280 High St
Closter, New Jersey 07624201.768.0286
Museum hours – Sat and Sun 1-5; other times by appointment


Wendy Wahl Detail

extended through August 1st, 2010

Thirty-one international artists, including Wendy Wahl (US), transform books of words into works of art.

Holland Paper Biennial 2010
Museum Rijswijk
Herenstraat 67
2282 BR Rijswijk
CODA Apeldoorn
Vosselmanstraat 2997311 CL Apeldoorn055.526.84.00


Noriko Takamiya Detail

from June 8th through September 12, 2010

The 2010 Holland Paper Biennial is an exhibition of work by international paper artists taking place in two museums. A special selection of papers and books will be added to the usual range of products in the museum shop for the duration of the exhibition in Museum Rijswijk. The traditional paper fair will be held in the courtyard at the front of Museum Rijswijk and in the Oude Kerk (Old Church) opposite on Sunday September 12th. Jewellry and collage made of paper get special attention at this biennial. Closely related to these jewellery pieces, is the work of Noriko Takamiya (Japan). Using the traditional Japanese craft of basketry as her starting point, she develops new forms and techniques. She winds layers of thin strips of paper around each other, interweaving them into Escher-like objects. Three artists, Desiree de Baar (the Netherlands), Christophe Piallat (US) and Birgit Knoechl (Germany), have been asked to create installations using the dramatic architecture of the CODA building.

The New Materiality: Digital Dialogues at the Boundaries of Contemporary Craft
Fuller Craft Museum
455 Oak Street
Brockton, MA 02301


Lawrence LaBianca Detail

through February 6, 2011

Curated by Fo Wilson, this exhibition steps beyond the boundaries that currently exist among technology, art, and craft. The New Materiality looks at a growing development in the United States toward the use of digital technologies as a new material and means of expression in craft. Contributing artists include: Wendy Maruyama (San Diego, CA), Nathalie Mieback (Brookline, MA), Brian Boldon (Minneapolis,MA), Shaun Bullens and Cat Mazza (Providence, RI), Sonya Clark (Richmond, VA), Lia Cook (Berkeley, CA), Susan Working (Snowmass Village,CO), Mike and Maaike, E.G. Crichton, Donald Fortescue and Lawrence LaBianca (San Francisco, CA), Christy Matson (Chicago, IL), Tim Tate (Mt. Rainier, WA), and Mark Zirpel (Seattle, WA).

(Re) Fashioning Fiber
Green Spaces NY
394 Broadway, 5th Flr
New York, NY 10013


Ceca Georgieva Detail

through August 13, 2010

Curated by environmental artist Abigail Doan, the works in this exhibit offer up new ways of thinking about “fiber” as a basis for how we might (re)fashion our lives, our patterns of consumption, and our personal style. Among the Invited artists and designers include: Abigail Doan, Atefeh Khas, Brece Honeycutt, Abigail McEnroe, Kaori Yamazaki, Mackenzie Frere, Melissa Kirgan, Meiling Chen, Michelle Vitale Loughlin, Renata Mann, Sibyll Kalff, Tara St. James, Tara Goodarzy, Xing-Zhen Chung-Hilyard and Ceca Georgieva (Bulgaria), who has creted jewelry of vegatation.

On View: Artists In Residence and Toe River Potters
The Bascom
Atrium and Education Gallery
323 Franklin Road
Highlands, NC 28741


Lewis Knauss Detail

from July 24th through August 22, 2010

Artists in Residence: Matt Liddle, printmaker and bookarts; Holly Hanessian, ceramics; Lewis Knauss, fiber; Mira Lehr, mixed media; Tom Turner, ceramist; Phillip Garrett, painter. Toe River Potters: Norm Schulmann, Claudia Dunaway, Ken Sedberry, Mark Peters and Courtney Martin. Also at the Bascom: Stick Works: Patrick Dougherty’s Environmental Sculpture.

Faces & Mazes: Lia Cook
Textile Museum of Canada
55 Centre Avenue (Dundas St. W & University Ave., St. Patrick subway)
Toronto, Ontario
M5G 2H5


Lia Cook Detail

through October 17, 2010

Faces & Mazes is part of Person Place Thing, which also features exhibits of the work of David R. Harper and Steven Schofield.  Cook, Harper and Schofield make work that is physically demanding and large in scale — wall-sized weavings of children’s and doll’s faces; sculptures of embroidered and taxidermied animals; and massive human figures made of textiles frozen in time. They draw the viewer into woven, embroidered and sewn narratives of nature, identity and history. As the faces in Lia Cook’s weavings fragment, a perceptual shift occurs, moving through a place of transition and ambiguity to reveal the physical, tactile nature of the constructed image.

13th International Triennial of Tapestry, Łódź 2010
Central Museum of Textiles
ul. Piotrkowska 282, 93 – 034
Łódź, Poland
042. 683.26.84

through October 31, 2010

Among the artists invited to participate are Nancy Koenigsberg (US); Aleksandra Stoyanov (Israel) and Anda Klancic (Slovania), whose work was “highly commended: by the interntional jury that includes artist Kyoko Kumai (Japan).

Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection
Museum of Arts and Design
2 Columbus Circle
New York, NY  10019
Current Exhibitions&searchstring=Current/,/greater than/,/0/,/false/,/true&action=searchrequest&style=single&currentrecord=3

through September 12, 2010

Intertwined provides an international look at contemporary basket making, offering insight into the evolution of the basket from a useful object to a work of art and challenging the notion of what defines a basket. The exhibition includes more than 70 traditional and non-traditional baskets.  Among the artists whose work is included are:  Ed RossbachKatherine Westphal, Sally Black, Kiyomi Iwata, Dorothy Gill Barnes, Carol Eckert, John McQueen, John Garrett, Ferne Jacobs and Norma Minkowitz. 

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Summer Stock: Artist Lectures, Classes and Workshops

Posted in Classes, Lectures, Workshops on April 25th, 2010 by arttextstyle

Here’s a list of opportunities to connect this summer with artists that browngrotta arts promotes:

Dorothy Gill Barnes in her studio

Dorothy Gill Barnes
May 30th to June 11th

From Nature: Textiles/Sculpture, Penland School of Crafts, Penland, North Carolina ;
Using mostly materials gathered from the Penland landscape, students in this class will construct vessels or sculptures that honor nature using a variety of techniques: carpentry, sewing, weaving—whatever is appropriate to local materials and suitable to individual inspiration. We will work with respectfully harvested heavy and delicate barks, grasses, wood, vines, and roots.

Dail Behennah at COLLECT 2009

Dail Behennah
May 30th to June 11th

Line, Light, and Shadow: An Approach to Basketry Construction, Haystack Mountain School of Crafts, Deer Isle, Maine;
The shadows that baskets cast and contain are often complex and beautiful and you will be encouraged to consider this aspect of the structures that you make. Ways of joining hard and soft materials will be demonstrated and, if necessary, invented in order that 2D and 3D forms can be constructed. Demonstrations, exercises, and discussions will provide inspiration, which will enable you to develop your own ideas. Participants will be encouraged to make samples, 3D sketches, and a more considered piece of work.

Nancy Moore Bess holding Glacial Planes at SOFA NY 2010

Nancy Moore Bess
May 16th to 22nd

Japanese-Inspired Baskets, Snow Farm, Williamsburg, Massachusetts;

Some traditional Japanese Baskets require only fifteen minutes and a smile. Others can consume the length of an entire workshop, no matter its length. Each example in this workshop can lead to hours of experimentation and dozens of variations.

July 23rd

Wrapping Flowers — Japanese Style , Berkshire Botanical Garden, Stockbridge, Massachusetts.
In Japan, presentation influences so much – food, flowers, tea. But Japan is not the only culture this worksop will be inspired by. Their are wonderful exsiting flower arrangement traditions from many cultures and this worksop will draw from them.

August 6th to 10th

Pillow Baskets: Screen and Paper, Peters Valley Craft Center, Layton, New Jersey; Contact: Jennifer Brooks;
A wide variety of hardware store screening can be cut, folded, woven and stitched into lovely vessels. A covering of bits of handmade papers creates a luminescent skin. Years of travel to Japan and teaching has exposed Nancy Moore Bess to a wide range of vessel forms. Her passion for Japanese Packaging influences all that she creates.

Green Sculptures by Ceca Georgieva

Ceca Georgieva
Weekends from May to September

Green Summer Workshops, Ceca’s garden in the Vitosha Mountains near Sofia, Bulgaria. Email us at if you’d like more details. The workshops will focus on dyeing with natural dyes using old traditional Bulgarian recipes.

Sheila Hicks Reflected in her Deck Weaving

Sheila Hicks
July 2010; exact date to be determined

Global Intrigue II 4th International Textile and Fibre Triennial , Museum of Decorative Arts and Design, National Museum of Art, Riga, Latvia
The exhibition opens July 9th at the Arsenals Exhibition Hall and runs through September 5, 2010. Sheila Hicks, one of two specially invited artists, will speak and exhibit work.

Lewis Knauss in Front of RETURNING GRASSES

Lewis Knauss
August 10th to August 14th

Fiber and Handmade Paper into Sculpture (and Artist in Residence) , The Bascom, P.O. Box 766, Highlands, North Carolina 28741

Mia Olsson TRACES 6 RELIEF Detail

Mia Olsson
June 28th to July 4th

Dyeing with Plants , Sätergläntan, College of Handicrafts, Knippbodarna 119, SE-793 4, Insjön, Sweden

August 9th to 13th

Free Embroidery, Black on white, White on black, White on white…, Sätergläntan, College of Handicrafts, Knippbodarna 119, SE-793 4, Insjön, Sweden

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Ceca Georgieva, Dail Behennah, Dorothy Gill Barnes, Lewis Knauss, Nancy Moore Bess, Sheila Hicks, Artist Lectures, Artist Workshops, Artist Classes

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